In his latest Science Fiction Book Review Podcast, #173, Luke Burrage reviews the new audiobook of The Simulacra, one of the many previously unrecorded PKD novels from Brilliance Audio.
It’s a comedic and relevant SF novel. The plot makes very little sense, but the themes and ideas are terrific. It skewers and examines various forms of crazy – from the American political system (and a kind of proto Occupy movement), to a rampant pharmacological industry, to the perils of psychotherapy. Add in musical contest TV shows, artificial people, and the planet Mars and you get a kind of crazy nuts book that only Dick can pull off.
And Luke, in turn, must abandon his usual format to try to make sense of the thing.
The podcast is here |MP3| and you can subscribe to Luke’s podcast via this feed:
I have just released a Creative Commons licensed work dedicated to PKD for his 83rd birthday. The album is entitled “Set the Penfield Mood Organ for Aware” .
If you like ambient music, I think you might enjoy this release. I would be most grateful for any mention in your blog if you feel the quality of the work is worthy.
Sincerely, Shane Morris
I don’t think I know any rednecks and I suspect they may be completely mythical creatures, like fairies or elves. But maybe they’re real. This audio drama, The Redneckula Saga, doesn’t help me answer that question. It may be a bit of anthropological weirdness or it may be a factual history, either way it that makes me smile widely. It’s kind of rural fantasy comedy musical with beer (I think).
And the voice acting accent sounds like Hank Hill from King Of The Hill.
The Music Of Erich Zann is one of H.P. Lovecraft’s most popular short stories (it runs just 3,450 words).
Here are the opening lines:
“I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.
That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.
The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached.”
And the Rue d’Auseil, by the way, translates to “street of the threshold” – most appropriate.
Public domain:
The Music Of Erich Zann
By H.P. Lovecraft; Read by Cameron Halket
1 |MP3| – Approx. 19 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 19, 2008
|ETEXT| A student of philosophy is forced, by lack of funds, to to take lodgings in a run down rooming house in a strange part of Paris. First published in National Amateur (March 1922), then later in the May 1925 issue of Weird Tales.
Creative Commons:
Episode #100 – The Music Of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008
Commercial audiobook:
The Dark Worlds Of H.P. Lovecraft, Volume 4: The Rats In The Walls, The Shunned House, The Music Of Eric Zann By H.P. Lovecraft; Read by Wayne June 3 CDs – 2 Hours 41 Minutes [UNABRIDGED] Publisher: Audio Realms Published: 2006 ISBN: 1897304242
|READ OUR REVIEW|
Discussion:
Episode #23 – The Music Of Erich Zann
Participants Chris Lackey, Chad Fifer and Andrew Leman
1 |MP3| – Approx. 29 Minutes [DISCUSSION]
Podcaster: H.P. Lovecraft Literary Podcast
Podcast: September 12, 2010
Other:
There is a very good comics adaptation, by writer Roy Thomas and artist Johnny Craig, done for issue #5 (June 1970) of Marvel Comics’ Chamber Of Darkness (the title was changed to The Music From Beyond).
Here’s a disturbingly wordless stop motion animation adaptation:
Song Bird
Starring Kelli O’Hara, Shirley Jones, and Ed Asner
2 CDs – 2 Hours – [AUDIO DRAMA]
Publisher: Radio Repertory Company of America
Published: 2011
Themes: / Audio Drama / Science Fiction / Music / Precognition / Private Investigator /
I know the Radio Repertory Company of America best for the Anne Manx series. I’m a fan of those entertaining comic book dramas (|SFFaudio Review|) so I’m always thrilled when they send me something.
Before they get back to Manx, Angelo Panetta and crew offer Song Bird, a standalone science fiction audio drama. The story opens with a singer named Maureen Barnett (Kelli O’Hara) singing in an out of the way lounge. This is odd because she’s famous and should be singing in front of huge crowds. Amelia Storm (Shirley Jones) is also a singer and she’s got something to give Maureen – the ability to see the future. The gift immediately becomes a burden as Maureen sees disturbing things about her teenage daughter. The story then shifts into a higher gear when the things that worry Maureen actually take place and she’s forced to hire a private investigator to help her find her daughter.
After listening to this production, and so many other audio dramas over the years, I continue to be impressed by RRCA. The quality of the actors is one of the things that set RRCA’s productions apart. The actors here are excellent. Ed Asner plays a retired police officer turned private investigator, and is hilarious. Asner and Shirley Jones together are a delight and I wanted to hear more of them when it was over. First rate performances all around.
The second mark of an RRCA production is the quality of the sound. Music plays a large role here, and Kelli O’Hara and Shirley Jones sound great. Great care is taken with sound effects and background music. I urge you to grab a nice pair of headphones and give this production your full attention! It’s well worth your time. Enjoy!