Sci-Fi Radio Theater is “the brain child of international internet man Charles Davis and opera singer Josie Corichi.” Here’s their mission statement:
To produce high quality original fiction radio play podcasts that fall within the science fiction, fantasy and horror genres.
Why Sci-Fi? Because it’s what we like and it’s what we know. At SFRT we are huge personal fans of this genre of story telling and we feel that we have more to offer to the science fiction community than being observers. Our drive is to be active participants in the creation of original Science Fiction stories.
Why a Radio Play Podcast? Because the greatest imagery that exists is within your own mind. We believe that by delivering these stories in an audio format we allow the listener to be taken to a far deeper and more complex world than we would be able to offer through video.
Another reason is the freedom of length. One of the joys of a science fiction story is the depth and detail you are able to get into. By presenting these radio plays as a podcast we are able to tell a story as long as it naturally takes to tell.
The only question I have is whether the narrator is intentionally doing a Bill Hollweg impersonation.
AudioGo, formerly BBC Audiobooks America and formerly Chivers Audio, has a terrific MP3 download program up and running. It works similarly to Tantor Media, with similar pricing. You can get DRM free MP3 downloads via AudioGo.com after a quick sign up. I just tried it out and found it works really well, almost without a hitch, and doesn’t even require a software download (though that is optional). The files come down as Zipped MP3s, numbered and ready for use. There’s even cover art embedded!
First up, it’s the subject for our next Donald E. Westlake readalong! And apparently the last novel of Westlake’s ever – I have a feeling that Hard Case Crime will dig around until they find a few more – at least I hope they do! That said, this is actually a novel that’s never been published before – and comes from the middle of his writing career. I’m very much looking forward to hearing…
The Comedy Is Finished by Donald E. Westlake; Read by Peter Berkrot – Approx. 10 Hours 44 Minutes [UNABRIDGED]
The year is 1977, and America is finally getting over the nightmares of Watergate and Vietnam and the national hangover that was the 1960s. But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People’s Revolutionary Army, who’ve decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life…
I read The Hook, and loved The Hook, years ago. It was first published in 1990 and may have been the first William Dufris narrated novel I’ve ever heard. It’s a wonderful audiobook and a great book about the publishing industry, writing and murder.
The Hook by Donald E. Westlake; Read by William Dufris – Approx. 7 Hours 17 Minutes [UNABRIDGED]
Bryce Proctorr has a multimillion-dollar contract for his next novel, a trophy wife raking him over the coals of a protracted divorce, a bad case of writer’s block, and an impending deadline. Wayne Prentice is a fading author in a world that no longer values his work. He’s gone through two pseudonyms, watched his book sales shrivel, and is contemplating leaving the writing life. Proctorr has a proposition: If Prentice will hand over his unsold manuscript to publish under Proctorr’s name, the two will split the book advance fifty-fifty. There’s just one small rider to the deal…
Also by Westlake, but written under his Richard Stark pseudonym, The Seventh is the seventh book in a long running series of terrific crime novels about a heister named Parker. This new audiobook edition features a new narration by Westlake veteran Stephen R. Thorne! The old one, recorded for Books On Tape by Michael Kramer, is long out of print. The only thing lacking from this edition is the Luc Sante introduction (which is even advertized on the cover art below).
The Seventh by Richard Stark (aka Donald E. Westlake); Read by Stephen R. Thorne – Approx. 4 Hours 26 Minutes [UNABRIDGED]
The robbery was a piece of cake. The getaway was clean. And seven men were safely holed up in different places while Parker held all the cash. But somehow the sweet heist of a college football game turns sour, Parker’s woman is murdered, and the take is stolen. Now Parker’s looking for the lowlife who did him dirty, while the cops are looking for seven clever thieves-and Parker must outrun them all. When hunters and hunted meet, some win, some lose…
The SFFaudio Podcast #142 – Accessory Before The Fact by Algernon Blackwood, read by Gregg Margarite. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it (by Jesse, Tamahome, and Gregg Margarite).
Talked about on today’s show: Accessory Before The Fact was published in 1911, Jesse doesn’t understand this story, Wilkie Collins, ethereal planes are the hook (rather than the detail), Gilligan and The Skipper vs. Laurel and Hardu vs. Harold and Kumar, “this is not a time-slip story”, “this is a precognative story”, paranoia, “spirtitualized”, Germanophobia, WWI, bigotry on display, L. Frank Baum’s racism, Teutonic invasion, how many characters are in this story (4 or 3)?, peeling away the layers, déjà vu, see/feel the future, quantum theory, is time a superimposition onto real reality?, slipstream, fantasy, should we dismiss this story?, Ten Minute Short Stories, adventure, Accessory Before The Fact is at the genesis of all this, an accountant on vacation, “what do you do when you have one of these events and you can’t prove it”?, The Moment Of Decision by Stanley Ellin, 13 More Stories They Wouldn’t Let Me Do On TV edited by Alfred Hitchcock, An Occurance At Owl Creek Bridge by Ambrose Bierce, time is an illusion, “time is a serious problem…”
Talked about on today’s show:
the upside-down dog cover, Jesse doesn’t like the cover, Eric finds hidden meaning in the cover, Sir Arthur Conan Doyle, is it mainstream or a mystery or YA?, Asperger’s or autism?, what is it like to be inside another person’s head?, generates tolerance, Elaine’s post on TED Talk: Elif Şafak on The Politics Of fiction, neurotypical characters, extraordinary abilities and extraordinary deficits, Constituting Christopher: Disability Theory And Mark Haddon’s by Vivienne Muller, Scott loves lists, the reader is ahead of the narrator, unreliable narrators, Flowers For Algernon by Daniel Keyes, The Speed Of Dark by Elizabeth Moon, mystery vs. family drama, Oedipus, “Sophocles not Freud”, Christopher Robin, (Winnie The Pooh), “there is something naively wonderful going on”, information vs. meaning, who did it? vs. why did it get done?, moving from what to why, Eric found the book joyful and uplifting, at the end?, abusive vs. human vs. murderous, PETA would not be pleased, “sometimes people want to be stupid”, Occam’s Razor, “now I know what box they fit into”, Cinderella, the Grimm Brothers, Jesse loves the infodumps, the asides are a highlight, where is Siobhan?, the Recorded Books audiobook version has a great narrator (Jeff Woodman), prime numbered chapters, are the pictures necessary?, Orion (the hunter in the sky), the most common word in the book is ‘and’, “he’s adding things up”, “this is a very true book”, “lies expand infinitely in all directions”, what Science Fiction and mystery look for, “sometimes people want to be stupid”, prime numbers are like life, rationalism vs. empiricism, Christopher yearns for uniqueness, right triangles, the appendix (is not in the audiobook), the brown cow joke, unreliable narrator, Conan Doyle’s beliefs, information vs. understanding, Harriet The Spy, dude don’t stab people, “a tag cloud of the novel”, Alexander And The Terrible, Horrible, No Good, Very Bad Day by Judith Viorst, Slaughterhouse Five by Kurt Vonnegut, Jr., “Repent Harlequin!”, Said The Ticktockman by Harlan Ellison, sense of wonder, Toby the rat (Algernon), Uncle Toby, The Life And Opinions Of Tristram Shandy by Laurence Sterne, the poet “does not number the streaks of the tulip 18th century”, The History of Rasselas by Samuel Johnson, Candide by Voltaire, books inside books, Have Spacesuit, Will Travel by Robert A. Heinlein, Three Men In A Boat by Jerome K. Jerome, Donald E. Westlake, Lawrence Block, Jo Walton’s Among Others, the third season of Star Trek, art making reference to itself, The Time Machine by H.G. Wells, Star Trek‘s third season, Spectre Of The Gun, “we just need the skeleton to tell the story”, “most of the protagonists in Science Fiction novels don’t read Science Fiction”, Jenny’s review of Ready Player One, The Emperor Of Mars by Allen_Steele (audio link), standing the test of time, Jesse’s extended metaphor about winnowed books washing up on beaches 100 years later, Eric is reading Uncle Tom’s Cabin by Harriet Beecher Stowe, propaganda melodrama, Super Sad True Love Story by Gary Shteyngart, Light In August by William Faulkner, the humanizing influence, comparing The Curious Incident Of The Dog In The Night-Time with The Speed Of Dark, the novel’s form shapes the novel market, Jesse thinks series hurt readers, wondering what’s going to happen next vs. what idea is being explored, the value of series, the train trip, the maths exam, “the walls are brown”, in Science Fiction metaphors are real, clarified butter and clarified mother, the word “murder”, Julie Davis’s reading of Uncle Tom’s Cabin, Carrot Juice Is Murder by Arrogant Worms, the fairy tale that is Sherlock Holmes, is the father good?, a clarified father, Jesse was tricked into reading this book, Jenny likes Margaret Atwood’s trilogy, “get ‘im Jenny”, Oryx And Crake, H.G. Wells didn’t need any sequels!, sequel is as sequel does, David Copperfield by Charles Dickens, The Godfather, the market rules, the world building is the point (for series and authors), Agatha Christie, The Tyranny Of The “Talented” Reader, The Wheel Of Time by Robert Jordan, has Neuromancer by William Gibson passed it’s prime? (tune in next week to find out), Home Is The Hunter by Henry Kuttner, Jesse looks to books to deliver on ideas (not to make time pass).
I’ve created a |PDF| from the printing in the December 1926 issue of Amazing Stories.
I’ve created a |PDF| from the printing in the October 1933 issue of Amazing Stories.
In his introductory essay “Expanding The Lens“, found in to the story in The Road To Science Fiction: From Gilgamesh To Wells, editor James Gunn writes:
“[The Diamond Lens] is the first known story in which another world is perceived through a microscope… [this story] opened up another world, not just for readers, but for writers as well.” Gunn goes on to praise O’Brien’s “realistic treatment of the fantastic” and says that “‘The Diamond Lens‘” may be the first modern science-fiction story.”
LibriVox narrator Corrina Schultz describes The Diamond Lens this way:
“This story has a bit of everything – obsessive scientist, psychic medium contacting the dead, clever murder cover-up, racism, creepy stalker, college student shirking his studies, the painful results of pursuing forbidden knowledge, the noble savage…”
Atop those words I myself can heap a few other attractors:
1. The Diamond Lens is bizarre in both plot and focus, with episodic like writing <-Weird for a short story.
2. It has the sensibility of a foreign culture <-The 19th century attitude toward seances is pretty fucking foreign!
3. The protagonist is a mad microscopist. <-Perhaps he was demented by the illicit lure of science?
4. The story features a brutal killing. <-With a whackjob of added racism to complicate matters!
5. It has a noir ending. <-My favourite kind.
As you may have guessed I quite enjoyed The Diamond Lens.
Stories like Harl Vincent’s Microcosmic Buccaneers (1929), Theodore Sturgeon’s Microcosmic God (1941) and both Sunken Universe (1942) and Surface Tension (1952) by James Blish all stem from the microscopic pioneering of The Diamond Lens. Whereas the theme, of an alien female object of adoration in an unreachable land, also brings to mind a mighty parallel with Jack Williamson’s The Green Girl (1930). And one final note, a quick read of the Wikipedia entry for Fitz James O’Brien makes me think some of the tale is autobiographical!
The Diamond Lens
By Fitz James O’Brien; Read by Corinna Schultz
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Publisher: LibriVox
Published: FORTHCOMING A scientist, having invented a powerful microscope, discovers a beautiful female living in a microscopic world inside a drop of water. First published in the January 1858 issue of The Atlantic Monthly.
The Diamond Lens
Based on the story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 31, 1944
Provider: Archive.org
Lawrence Block has recently embraced ebooks, blogging and even twitter. He’d already gotten into audiobooks, years and years ago, even recording and marketing one all on his own. I think a side effect of all this old cataloguing has been that a bunch of his older novels (and novellas) are getting dusted-off and audiobooked! I couldn’t be happier with the latest batch. Listed below are a few the old Block tales that have been recently audiobooked, and that are eminiently listenable, and a couple of his brand new books too:
This is a fantastic novel, surprising and gritty, I loved it when I read it in paperback years ago.
Such Men Are Dangerous
By Lawrence Block; Read Fred Sullivan
Audible Download or 4 CDs – Approx. 5 Hours 7 Minutes [UNABRIDGED]
Publisher: AudioGO
Published: September 15, 2011
ISBN: 9780792779773 A very dangerous man. That’s Paul Kavanagh, an ex-Green Beret with nothing but time on his hands–until he gets an offer to steal a shipment of tactical nuclear weapons form the US government–and finds himself a partner, George Dattner, who has the cold eyes of a trained killer. Each of these men alone is dangerous. But anyone who tries to stop them together is guaranteed not to come out of it alive!
Block intended wrote this book as the first book in a series – it was the only book – so it is my favourite kind of series, a series of one.
The Specialists
By Lawrence Block; Read by Fred Sullivan
Audible Download or 4 CDs – Approx. 4 Hours 24 Minutes [UNABRIDGED]
Publisher: AudioGo
Published: May 6, 2011 (audible), October 11, 2011 (cd)
ISBN: 9780792777847 Albert Platt is a rotten man. Bred in the rough parts of Brooklyn, he made his name as a killer and has built a fortune from gambling, loan sharking, and the other pastimes of a standard thug. His latest gambit? Buying banks, robbing them, and collecting the insurance. He’s a hard man, and no one ever stood in his way until he brushed up against Eddie Manso. Manso is no ordinary veteran. He and four other commandos, battle-hardened in the jungles of Laos, have found that the civilian world demands their talents as much as the military once did. These specialists have made a living targeting vicious men whom the law cannot touch, dismantling their empires and taking their plunder. And Albert Platt has just entered their crosshairs.
First published in 1961. This is one of Block’s first attempts at a series.
Coward’s Kiss
By Lawrence Block; Read by Peter Berkrot
Audible Download or 4 CDs – Approx. 5 Hours 6 Minutes [UNABRIDGED]
Publisher: AudioGo
Published: June 9, 2011
ISBN: 9780792777052 Ed London is the type of private investigator that you call to clean up the mess when your mistress turns up dead. But after he dumps a body in Central Park, it appears this case is still alive and kicking. Seems that the dead girl was in possession of something special that some very shady characters want back. Now Ed, along with his pretty actress friend Maddy, will have to crack the case before he ends up dead himself. But there’s more than a murder here; there’s missing jewels, Israeli intelligence, Nazi spies, and a host of double-dealing, backstabbing thieves.
This is another unusual book for Block, it was a TV-tie in, connected with the short lived Markham TV series.
You Could Call It Murder
By Lawrence Block; Read by Peter Berkrot
Audible Download or 4 CDs – Approx. 4 Hours 20 Minutes [UNABRIDGED]
Publisher: AudioGO
Published: July 13, 2011
ISBN: 9780792778325 A missing person case brings private eye Roy Markham to the remote winter-bound college town of Cliff’s End, New Hampshire. But what began as a routine investigation quickly becomes dark and dangerous. Six pornographic photos and a tidy little blackmail scheme result in a brutal and baffling murder, and no one is safe – especially Markham himself.
This sounds terrific! I’m a huge fan of Block’s short fiction and this one is novella length.
Speaking Of Lust
By Lawrence Block; Read by Maggie Mash
3 CDs – Approx. 2 Hours 43 Minutes [UNABRIDGED]
Publisher: Whole Story Audio Books
Published: August 2009 Four old friends, a policeman, a solider, a doctor and a priest, play cards and trade stories….The Daily Telegraph recently proclaimed Lawrence Block as one of the 50 great crime writers of all time. Find out why in this spicy brew or lust, deception, double crosses, violence and forbidden desire.
Here’s the latest Matt Scudder novel, Block’s series about an unlicensed private detective in NYC.
A Drop Of The Hard Stuff
By Lawrence Block; Read by Tom Stechschulte
7 CDs – Approx. 8 Hours 30 Minutes [UNABRIDGED]
Publisher: Recorded Books
Published: June 8, 2011
ISBN: 9781449832704 A Drop Of The Hard Stuff continues Block’s popular series starring New York private detective and recovering alcoholic Matthew Scudder. Scudder is already struggling with his sobriety when his friend and fellow AA member Jack Ellery is found murdered. Now the only thing keeping Scudder from the bottle is his obsession with finding the culprit.
A brand new Hard Case Crime book marketed, in part, under Lawrence Block’s famed lesbian pseudonym, Jill Emerson.
Getting Off: A Novel of Sex & Violence
By Lawrence Block; Read by Lily Bask
9 CDS – Approx. 9 Hours 21 Minutes [UNABRIDGED]
Publisher: Recorded Books
Published: September 20, 2011
ISBN: 9781461801955 So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she’s a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list…
And here’s a snippet from Lawrence Block’s self published audiobook Telling Lies For Fun And Profit (he’s the narrator too), which has now been turned into a Recorded Books audiobook: