Reading, Short And Deep #116
Eric S. Rabkin and Jesse Willis discuss Strephon And Chloe by Jonathan Swift
Here’s a link to a PDF of the poem.
Strephon And Chloe was first published in 1731.
Posted by Scott D. Danielson
Reading, Short And Deep #116
Eric S. Rabkin and Jesse Willis discuss Strephon And Chloe by Jonathan Swift
Here’s a link to a PDF of the poem.
Strephon And Chloe was first published in 1731.
Posted by Scott D. Danielson
The SFFaudio Podcast #469 – Jesse, Paul Weimer, Scott Danielson, and Luke Burrage talk about The War Of The Worlds by H.G. Wells
Talked about on today’s show:
1897, why it made a little splash when it landed, alien invasion, society falling apart, The Walking Dead, invasion novels, The Battle Of Dorking, properties and adaptations and allusions and alliterations, Orson Welles, War Of The Worlds: The Series, isfdb.org,
An English astronomer, in company with an artilleryman, a country curate, and others, struggle to survive the invasion of earth by Martians in 1894. Thirty five million miles into space, a species of Martians sets eyes on planet earth. With their own planet doomed for destruction, the Martians prepare to invade. Their weapons are ready and their aim is ruthless. The war of the worlds is about to begin.
a look backwards, Orson Welles’ The War Of The Worlds radio drama, future events, unfolding in real-time, instantaneous travel from Mars, the 2005 movie adaptation, buried, ridiculous, cannon shots rather than rockets, Robert H. Goddard, fix the physics, a pretty damn amazing book, philosopher-writer, a certain speculative writer, a final structure not unlike Martian, the Pall-Mall Budget, Nov. 16, 1893, Punch, natural selection, a cardinal necessity, “teacher and agent of the brain”, The Man Of The Year Million by H.G. Wells, can you satirize a satire and then go on to make it serious?, Ape Man Space Man, 9 days later, nutritive fluid, early in his career, the most published author alive, the artilleryman, the revolution, a realization, the future, The Time Machine, Weena, the Eloi, the Morlocks, little details, a wife!, a romance rescue version, John Wyndham, what the world will be, sprouting many tripods, derivations and inspirations, his most influential story, how science fictiony it was, a novel with science in it, Larry Niven invasion of the Earth book, the ramifications, filling in the technology and physiology, The First Men In The Moon, how the machines work, The Crystal Egg, The New Review, May 1897, a Palantir, an Ansible
An antique dealer finds out that one of his items(the crystal egg) allows views from a high post into alien life scenes. Upon close inspection, small lifeforms and structures can be seen inside the egg. With the help from the protagonist it can be determined from clues that the egg is in fact a viewer, and that he is viewing scenes from Mars.
a teaser for the novel, League Of Extraordinary Gentleman, it feels still current, getting flying machines from the Martians, diggers, kits, autofacs, black dust, up close, fighting suits, Starship Troopers with aliens in exo-suits, Armor, The Forever War, an inversion, graceful machines, lumbering hulks, the brother sequence, stuck in a house being a mouse, Jeff Wayne’s Musical Version Of The War Of The World concept album, the 1953 movie, why we should care about these character, between me and my brother I know everything, it feels like what it’s like to have your country invaded, becoming a refugee for the space of the book, it’s not our military might, Independence Day (1996), taking the first person point of view, if Tom Cruise doesn’t see it we don’t see it, the Pearson’s serial illustrations, squids or octopi, he was writing about writing about it, the main character is H.G. Wells, his brother is H.G. Wells’, Horsley Common, Woking, characters from his own life, the curate, a savage attack on organized religion, dangerous, the curate is coming apart, God is not an insurance agent, Monty Python, the narrator calls on God and thanks God, science vs. formalized religion, how we think, strip-away, the illustrations, what the movie does, Henrique Alvim Corrêa’s illustrations, Tintin as a horror show, the arm reaching into the house, we will become rats, the art, interpretation, a new BBC TV adaptation, Roman legions, it’s about EMPIRE, why it is set in the USA in the 20th and 21st century, the criticism of EMPIRE, being brought low, Return Of The Jedi, striking at the head of the greatest Empire of the time, an island is defensible, the navy must be defeated, by 2005 the world market for films is much bigger, if they can do it we did it, undermines the whole satire, it looks terrible, force fields and weird energy weapons, the super-science!, the briefing sequence in the 1953 movie, green gasses, a new element that combines with argon, science-based, the heat beams, artillery, a first strike mentality, subtly mentioned, they’re going for Venus, so many subtitles, desiccated bipedal bodies from Mars, if only, not just insane, in a hole, starved, blind, deaf, guy with a sword, hot shit, a class story, fit for this new environment, an alternate ending, great illustrations, the artilleryman’s underground London world, the gulf between reality and dreams, walks, breaks, cards, the imagination, your job is to pick the right boots, taking over a fighting suit, the concentration camps, a huge alternate vision, Julianne, The Sleeper Awakes, a utopia, a dystopia, images of a future from a madman, empathize and appreciate and disdain, psychology, not a one note character, when calamity strikes, living underground, a whole hidden society, Ewoks aren’t the best example, a circle of resistance, not realistic, the biggest exodus of human kind, no resistance, Wells had a lot of women, they used to skedaddle off to work, for fear they’d get dismissed, fear of the backstreets, one little miserable skedaddle, exiling weaklings, the eugenics, survivalists/white supremacists, weak or silly, ought to die, “to live and taint the race”, “clean minded women”, “no rolling eyes”, on the team, racism?, class based, the most prolific author of his era, on his second wife, a draper’s assistant, the way writers look at things, how is it that people are so insecure, in their mousy little way, the tunnel is in the wrong spot, Jack London’s The Scarlet Plague, class-oriented, the Chauffeur tribe, almost no people get names, Ms. Elphinstone and Mrs. Elphinstone, Tim Robbins is a combination of the curate and the artilleryman, PG-13 vapourized, the illustrations for Jeff Wayne’s musical version, the Earth covered in red weed, the fertilizer is human blood, the book is brutal, unworthy and uncharitable characters, the final image, the narrator (looking like H.G. Wells) haunted by corpses and the fighting machines, a war book, baskets of human bodies, the tentacle lights moving up and down, wholesale slaughter, the black outline, directly referencing Hiroshima and Nagasaki, the first book Paul read for SFFaudio, Footfall by Larry Niven and Jerry Pournelle, so racist and sexist, my thoughts had taken voice, the importance of sound, uula ulla, a mystery, a distress beacon, a death cry, an alarm, an average of 2.5 participants, Wells is a master craftsman, mean characters doing questionable things, writing what you see, retelling the story with sound, horrific, really scary, silence as a scary thing, the coulours and the dust, the crawling creeping nature of it all, what’s going on with the dog, The Spotted Dog, a dog-cart, a yelping dog, a lost retrieving dog, a howling dog, a good dog, man’s best friend doesn’t know what’s going on, a hoe-down, very American, a nurse’s uniform, weird reality, a Mexican character, disconnection, a horse, crows, a veneer over our reality, how things really are, peppered with dogs, paint by numbers writing, the unexplained, copying another novel, there for an unconscious purpose, stealing from a jewelry shop, a richness to deserted London, wives, his cousin, Heinlein’s redheads, too creepy, visually designed to create the disaster movie industry, showing this whole genre inspired by it, the ur text, the basis for other exploration, the taproot that everything references back to, Doctor Who, Planet Of Evil, Forbidden Planet and Dr Jekyll and Mr Hyde, we men with our bicycles, guns and sticks and so forth, mere brains, appliances, the dominant feature: the wheel (is absent), we’ve made the world conform to the wheel, putting on suits, everything is suit for them, an umbrella is part of you, the fighting machines are holding their equipment, the machine is a suit of clothing, driving a car, I swerved, we become one with the car, all about brain, the philosophy of The Fast And The Furious, Pacific Rim, Daleks, all in favour of giant monster battles, tension and drama, learning to juggle, why there are no wheels on Mars, in the Amazon jungle, the Incas, salt flats, His Dark Materials, Jesse invented an alien bird, thinking through all, the necessary requirements, which is more efficient soaring or propellers, rotation, bicycles, nothing evolved from an air creature, a sea based system, propellers handier in the sea, squid, a bacteria with a propeller, greasing the alien bird’s wheel, 10 years in, The Time Machine, why did Jesse put it off so long?, head canon vs. head cannon, Cybermen, why is Doctor Who so good?, they’re stealing from the best!, aliens invading London, the danger and value of…, subversive, intelligent, the Tardis is taken away to engage with the world, never any sexual tension between the character and the companions, a “silly kid’s show”, Christopher Eccleston, Peter Capaldi, stealing from Lovecraft, the most brilliant science fiction show ever, Pyramids Of Mars, alien robots, Egyptian deities, Genesis Of The Daleks, not like Teletubbies, putting The Time Machine on the schedule?, re-reading, one and done, live with the consequences, Annihilation,
Posted by Jesse Willis
Reading, Short And Deep #112
Eric S. Rabkin and Jesse Willis discuss The Perfect Woman by Robert Sheckley
Here’s a link to a PDF of the story.
The Perfect Woman was first published in Amazing Stories, December 1953 – January 1954.
Posted by Scott D. Danielson
The SFFaudio Podcast #466 – Jesse, Paul, and Marissa, talk about Annihilation by Jeff VanderMeer.
Talked about on today’s show:
clones, doppelgangers, eidolons, 2014, the 2018 movie, gifting the book, Finch, City Of Saints And Madmen, new weirdness, The New Weird, The Weird, appreciating the book, appreciating the movie, understanding why people talk about the book and the movie the way they do, justifying their ratings, framing it wrong, the Wikipedia entry, The New Yorker, Area X as a hyperobject, Paul would know, big dumb object, Ringworld, Rama, going into it and experiencing it, the original and the interpretation, what?!!?, better experienced as audiobook, the cool thing about the audio version (it is ephemeral), you can’t skip or skim sex scenes, a dream like quality to the words, pronunciation, how things read on the page, The Man Who Japed, juveniles = Juvenal(s), fucking with the reader by changing the text in a kind of fungal growth, experimental, fairly successful, not easily digestible, the book is a manifestation of Area X itself, screwing with the readers’ heads, Alex Garland, seeing the movie first and then reading the book, Blade Runner: 2049, the theater experience, the painful trauma of childbirth, Sunshine, a science fiction movie that doesn’t care about science at all, Ex Machina, nuking the sun back into starting?, the metaphor for Sunshine, not a good idea for a movie, Solar Crisis (1990), Hard Sun, doing good things with bad ideas, not a perfect movie, interpretation, we can’t do that, narrator, from an internal point of view, a kind of version, inspired by, the book is all about words, no big piles of documents to read, The Man In the High Castle show, pointing to something without saying what it is, an art film for a mainstream audience, Andrei Tarkovsky, expectations, characters with names, outside of Area X, setting expectations, imagine its a different expedition, the tower the tunnel, Steen, what do you remember about it?, it’s “this kind of book”, no proper nouns in the whole book, signposts on your journey, taking down all the signposts, a sign there’s no signposts, an initial “S”, Ghostbird, Area 51, a word you use in place of a word, Operation Overlord, H-Hour, D-Day, designed to prevent you from knowing, in the mode, shift gears, losing your spot, so dreamlike, hypnotic, hypnosis, as a trope, hypnosis was huge in Science Fiction for decades, not a Science Fiction book, who likes this book, literary fiction, very lit-fic, horror elements, weird fiction, a reworking of The Willows, inspired by Algernon Blackwood’s The Willows, H.P. Lovecraft, Arthur Conan Doyle, Supernatural Horror In Literature, something more than secret murder and bloody bones, a certain atmosphere of breathless and unexplainable dread of outer unknown forces, the assaults of chaos and the demons of unplumbed space, an attack on the fixed laws of nature, a wrinkle in reality, what’s it like to experience that, if you squint a little bit, a metaphor for the scientific process, scientists, AR-15 or M-16s, a nod back to the book, everybody has one, the same uniform, a military expedition but twisted in a certain sense, the second and third books, cancer as a motivation, the disintegrating marriage, having an affair, pathetic and sad, set a little bit into the future, any evidence that it is set into the future, everything in the book is completely without specificity, he went through it with a comb and took away information, the word Lovecraft loves to use “certain”, a great adjective, the pig creature is a bear in the movie, Vietnam War upside down and inside out, the biologist is in love with the swimming pool, the characters in the film are cannon fodder, the conversation in the boat, taking away the centrality of character, a framing story, Benedict Wong, the tie-up scene, her fingerprints are moving, a lift from The Thing (1982), paranoia and suspicion, really bullshit, they’re all on Xanax, passion about biology and ecosystems, we only see the Xanaxed version on the characters in the film, we don’t see what the love, sympathy isn’t enough, evoking place, the black pine forest, a derelict lighthouse, untroubled landscape, Florida or the Georgia coast, filmed in England, cool ideas, Southern Reach, SR, an institution, two things that don’t tell you what they are, the same time zone, a lack of specificity,
“After leaving Vienna, and long before you come to Budapest, the Danube enters a region of singular loneliness and desolation, where its waters spread away on all sides regardless of a main channel, and the country becomes a swamp for miles upon miles, covered by a vast sea of low willow-bushes. On the big maps this deserted area is painted in a fluffy blue, growing fainter in color as it leaves the banks, and across it may be seen in large straggling letters the word Sumpfe, meaning marshes.”
the crawler, the thing without the name, the Swede, the narrator’s name, as if he is in the room, utterly transformed, just that, I am not returning home,
“See,” he said quietly, “the victim that made our escape possible!”
And when I peered across his shoulder I saw that his stick rested on the body of a man. He turned it over. It was the corpse of a peasant, and the face was hidden in the sand. Clearly the man had been drowned, but a few hours before, and his body must have been swept down upon our island somewhere about the hour of the dawn—at the very time the fit had passed.
“We must give it a decent burial, you know.”
“I suppose so,” I replied. I shuddered a little in spite of myself, for there was something about the appearance of that poor drowned man that turned me cold.
The Swede glanced up sharply at me, an undecipherable expression on his face, and began clambering down the bank. I followed him more leisurely. The current, I noticed, had torn away much of the clothing from the body, so that the neck and part of the chest lay bare.
Halfway down the bank my companion suddenly stopped and held up his hand in warning; but either my foot slipped, or I had gained too much momentum to bring myself quickly to a halt, for I bumped into him and sent him forward with a sort of leap to save himself. We tumbled together on to the hard sand so that our feet splashed into the water. And, before anything could be done, we had collided a little heavily against the corpse.
The Swede uttered a sharp cry. And I sprang back as if I had been shot.
At the moment we touched the body there rose from its surface the loud sound of humming—the sound of several hummings—which passed with a vast commotion as of winged things in the air about us and disappeared upwards into the sky, growing fainter and fainter till they finally ceased in the distance. It was exactly as though we had disturbed some living yet invisible creatures at work.
My companion clutched me, and I think I clutched him, but before either of us had time properly to recover from the unexpected shock, we saw that a movement of the current was turning the corpse round so that it became released from the grip of the willow roots. A moment later it had turned completely over, the dead face uppermost, staring at the sky. It lay on the edge of the main stream. In another moment it would be swept away.
The Swede started to save it, shouting again something I did not catch about a “proper burial”—and then abruptly dropped upon his knees on the sand and covered his eyes with his hands. I was beside him in an instant.
I saw what he had seen.
For just as the body swung round to the current the face and the exposed chest turned full towards us, and showed plainly how the skin and flesh were indented with small hollows, beautifully formed, and exactly similar in shape and kind to the sand-funnels that we had found all over the island.
“Their mark!” I heard my companion mutter under his breath. “Their awful mark!”
And when I turned my eyes again from his ghastly face to the river, the current had done its work, and the body had been swept away into mid-stream and was already beyond our reach and almost out of sight, turning over and over on the waves like an otter.
all the evidence is gone, the explanation in the movie is as much The Colour Out Of Space as it is the novel Annihilation, 12 expeditions, the shimmer is gone, possibilities, the asteroid, something extraterrestrial struck the lighthouse, the “S” word, he’s not her husband, he’s the duplicate, the shimmer in the eyes, more subtle, the thing he’s doing, a comet, meteorite, dwarf planets and planets, Ceres, a meteorite vs. comet, the object is white, aiming at something, the earth is a giant egg and the comet is a sperm, a tunnel and tower, slipping into Eric Rabkin mode, designed to be seen in the unconsciousness (if not the consciousnesses), a tunnel and a tower, becoming a being, fungus all over the walls is white, cell division, an egg developing into a person, cancer, ovarian cancer, the all women cast!, what is it like to have a being growing inside of you that is a mutation of you, the childless relationship, off to fight in Pakistan again, reunited, the happy ending is a new beginning, isn’t pregnancy scary, the real immortality cells can have, cancer vs. a baby, kinds of immortality, The Immortal Life of Henrietta Lacks, the film works at what it’s doing, the movie is a prism for the book, a very filmic version of the book, it couldn’t be an audio drama, very very very metaphorical, a comic book version, in the backgrounds, Alex Garland’s story, the words scrawled in the tower/tunnel,
“Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.”
dreamlike biblical word salad, going to that church, its just weird, negative reviews of the book, you’re never going to get an explanation, very meta, the narration is unreliable, or the universe is unreliable, she’s in a coma, none of this is happening, The Dreamquest Of Unknown Kadath, Providence, seeing sexuality in everything, Rapunzel is only a sex story, hair growth like plant growth, a retelling of the Garden of Eden, underneath a lot of stuff is sex, about the cosmic, makes Jesse sad, Alan Moore and Jacen Burrows, a big stream of white cats up to the Moon, a sex dream, once you start looking, what it makes us different from rocks, the formation of rocks, we can’t compare ourselves to electrons, not mammal sex, why that weird world salad sentence, a tunnel, spiraling, a helix, just words, words are magic in the same way that genes are magic, let’s write some words, what does it mean?, certain coding, creating and casting a spell, speech-writing, amino acids into creatures who build and use firetrucks, this is literally Marissa’s job, where the spell is breaking, a piece of tape, seeing the book as a text in reference to texts and weird fiction, the word “thing”, that’s why the word shows up in so many weird fiction stories, uncanny horror, between fantasy and science fiction, body horror, Re-Animator, coming back to life as parts, seeing those fruiting bodies on the dead corpses, let’s take some samples, guts fall out, the more Marissa learns about biology the more grossed out she gets, designed to, very very movie, intestines, fear, scary gross out scene, Aliens (1986), the perfect film movie for what it is, taking certain aspects of Alien and amps them up, Terminator 2 is a remake of Terminator, Hudson becomes the hero, switching over to science mode, horror mode, you’re allowed to switch around as much as you want, why so many love it and hate it, contamination story, pregnancy story, creeping dread, taking all that potential out, taking it as it is, watch the movies first, preferring the text, reading the subtitles, as a film the characters are Xanaxed humans, placing themselves in our reality, are you polishing your Pashtun?, grounding, the Southern Reach is a metaphor for the continual war on terror?, 17 years in, he should have made it a real art film, unrelatable, are we all 12 years old?, being talked down to, people on CNN, everything that isn’t set in the shimmer hurts the film, the environmental disaster, a military screw up, Stephen King (The Mist), angry at the movie, a slow creeping dread, so disappointing, the plants that look like people, the twinned dears with flower antlers, very excellent language, the hints about the journals, this is all in a journal, that’s the moment they knew the most, are they losing information, we start with more information, if you re-edited the film, we all lost time, this is the afterlife, this is dream state, if I was religious I would read everything that way, the pool, the pond, tower tunnel, how her husband was traumatized by something in childhood and it was a film, the shownotes for the Altered Carbon show, how memory works, how important childhood memory is for laying your personality down, what memories are even real, that was a different person, the crisis actor thing, misremembered, .005% error margin, interrupting an attempted murder, strangling and cover in blood, missing limbs, the screaming thing in the bushes, self-reinforcing, the spiral of words, in 10 or 20 years, Authority by Jeff VanderMeer, an agency in dysfunction, Kafkaesque, so mundane, The Castle, in second person, sudden jarring cries, dripping out, the, the movie poster’s tagline “fear what’s inside”, psychological head-space fear, flowers sprouting from her arms, the better parts of the film, filmic explanation, the anthropologist in the tunnel/tower, the psychologist, did she lie?, that’s a story, the story doesn’t make sense as a straight up story, hypnosis as used in Robert A. Heinlein’s Starship Troopers, very science fictional, The Parasite by Sir Arthur Conan Doyle, [Jesse has already done a show on it], a decent movie and an even more interesting book, Marissa wants Jesse to read the sequels, a marketing gimmick, readings for podcasts, revisiting as a concept, three big pieces of a puzzle, what’s wrong with the word “spoiler” is the word has the opposite meaning (for Jesse), knowing more makes Jesse more interested, the lady goes off in a boat (maybe), and leave her journal behind (maybe), it would be much better as a found footage movie shot on videotape, shaky-cam, The Ritual (2017), four guys go out for a hike in the woods, a psychological haunting that happens, not being able to act, the psychology works amazingly better, Norse mythology, a hike movie (!) Marissa’s in!, Swedish mountains, we’ve been completely destroyed, why is called Annihilation?, special pleading, “nihil” means nothing and “a” means not – annihilation is a nothing of a nothing, titles are important, the trigger word, The Slithering Shadow by Robert A. Howard, something to talk about over beers, having something to do is really important in a world with no meaning, Jesse has nothing in common with his students, the only thing we really share is the text, before and after class, having that ritual of three interesting things, Matchstick Men, there’s no heaven, try to get through it until the cancer comes, less Xanax more coffee, The Voice In The Night by William Hope Hodgson, a becalment, do you have any food, a ship covered in fungus, an island covered in fungus, eating the fungus, becoming the fungus, the pool body,
Posted by Jesse Willis
The SFFaudio Podcast #451 – Jesse, Paul and Marissa talk about Puttering About In A Small Land by Philip K. Dick
Talked about on today’s show:
1985, 1957, a magnificent novel!, struggling through, Paul is not a fan, opinions about this book, Marissa really enjoyed it, problems, interesting, not a mainstream book, marriage and cheating, Jesse’s gutter definition of mainstream, it has them all beat, an existential novel, mainstreaminess, dread, creeping social order dread, where did it start to go wrong for Paul, why am I listening to this book, technical difficulties, the opening, the school, why am I listening to this?, mimetic fiction, I’m not interested in this, there’s no hook, their lives, the son, the poor victim, Roger recapitulates, his mother-in-law, the inevitability of the break-up of the marriage, his third time, failed relationships, spending time with these people, they’re awful awful, flip-flopped, disregarding the content of the novel…, badly composed Philip K. Dick novels, he’s really smooth, most beautiful in a few places, a way for Paul to get through this novel, Jesse’s last theory, the Mexicans are not really Mexicans (they’re Martians), what the heck are you talking about, Martian Time-Slip, his autistic son, he gives his son to the Martians, put on the lap of one of the hitchhikers, psychology, moving to Chicago with a load of stolen televisions, a secret science fiction novel, becoming a science fiction novel for a moment, at the point where it would spin fantastic… its averted, ruminating and undercutting, when Jesse reads and Isaac Asimov mystery, mind bendy, under Galactic Pot-Healer, no access to higher beings or aliens who live across the street, Lord Running Clam, well and truly lost, there’s no way out other than to move about, Puttering About vs. puttering around, what is this thing about, its not really about anything, when Virginia talks about her husband, she’s made this mistake, the mores of the 1950s, waiting for her husband to screw up, Roger is a prat, they’re all Philip K. Dick, Mrs. Alt, the teachers are all robots, The Simulacra, the math teacher, the horses, the character realization is amazing, all real people, the TV repairman, R. Childan from The Man In The High Castle, a fascinating book for anybody who wants to go deep on Philip K. Dick, you have to let it hypnotize you, bootstrapping opportunities, being in the right mood for things, if you classify this book differently, this is a crime novel scene, they commit adultery and that’s a crime, James M. Cain, adulterous relationships, the Greek fate track they get on, a car-wreck of murder and sex and love, if I was in this car…, tearing him down, he married into this, there’s no escape, a horror, a horrible human being, horrible people, being terrorized and terrified and having no escape, good writing, feeling something coming, a payoff, what all the school means, what (other than the fact that this actually happened) does this mean?, like he was experiencing this stuff, screw you all, feeling the tedium, attention to detail, open and closed to the experience, little kid psychology, sometimes adults have a greater wisdom and experience than the kid, an emotional sponge, to get that cheque, Mrs Alt is a change, the chickens and the eggs, that chicken scene is straight out of The Father Thing, old and mouldy and rotten down to the center of the earth, its turning science fiction its turning fantasy, its turning PKD!, his brother, a multiple reality thing, it wouldn’t take much to flip it into a science fiction story, Paul remembers he hated mimetic fiction, A New Apartment, I hate these people, Paul nearly failed reading in seventh grade (because of the books they gave him), A Man In Full by Tom Wolfe, mis-classified, listening to my neighbours talking about their marriage, the periodness of it, a picture of the 1950s that is so complete, immersed into the 1950s, oh this is a real place, this is a real time, so many scenes, The Hanging Stranger, the basement, everything in his 1950s town is exactly the same except for the corpse hanging from a lamp post, lynching, transparency into a social reality, the racism, he didn’t mutter it quietly enough, teeth flying all over the street and he deserved it, seeing the consequence, it felt so real, so visceral, what happened?, explaining to his wife, refusing to go to the dentist like a little kid, new horrors to come, he’s constantly putting himself into these horrible situations, how great is the rage trip?, raging at the whole world, every middle class white guy’s fear, the emotional experiences, perfectly encapsulated, maybe this was written by a woman, Liz is a fantasy character, Upon The Dull Earth, digging the trench, all the other stories reflected, a Star Trek: Deep Space Nine episode, a waking dream, in a very PKD sense, you can’t tell which universe you’re in, the photographs, so amazing, Time Out Of Joint, we don’t want to live in the world where PKD became a successful mainstream writer, decaying royalties, he is a success in this world, being recognized during his lifetime, worth digging out, he’s such a great idea man that his work will live on past his mere boring and terrible existence, mainstream writers that have wasted their lives, Martian Time-Slip can’t exist without this mundane book, squint a little bit, the PKD genre, the shoe-repair boy, none of them can hear me, our perceptions of reality, it felt like it was about to turn into a science fiction novel, almost a witch, a sorceress, Roger’s seeing something in her, children and schizophrenics, a secret brother living inside, an asshole father, an amazing horror story, Tony And The Beetles, what does this mean, Evan Lampe American Writers: One Hundred Pages At A Time podcast, kids, an empathetic sponge, where it turns into a science fiction novel for a moment, the stamp collection, dad did they use stamps in Roman times, I think I have one, that’s the end of that scene, where’d that come from and where did it go?, the denouement of so many Philip K. Dick novels, Ubik, that is the turn, how often Jesse talks to kids, its almost like they have schizophrenia, I think my feet are on fire, they sound insane, what if that’s true?, the fact that he thinks he has a Roman stamp is true in that moment, those little touches are what make this a great, great book, eliciting the sense of existential dread, I might read another mainstream Philip K. Dick, The Man Whose Teeth Were Exactly Alike, the premise is like nothing, horrible people, I love reading about these fuck-ups, asshole after asshole, Stephen King, Nelson De Mille, a Goodreads review by Hyzenthlay:
The worst part of having a favourite author who died before you started reading him is that eventually you will run out of new reading material. The best part of that favourite author being Philip K Dick is that he was prolific as fuck AND he has so many books that are only recently coming back into print and/or being published posthumously for the first time that even though I’ve been reading him for 20+ years, I still haven’t run out of new-to-me shit to read.
Puttering About in a Small Land is one of those mythical PKD volumes I searched used book stores and thrift shops for for years. It was first published in the mid-80s, following Dick’s death, then went out of print for almost three decades cos there was never much call for his literary fiction. It’s not sexy enough to be referred to in hushed reverential tones like a DADoES or mind-fucky enough to be a scholarly treatise on humanity and reality like the VALIS trilogy.
It’s a quiet book, dealing with adultery and retail. It’s undeniably an early Dick book, exploring what exactly it means to be human; to feel eternal, knowing all this pain is an illusion. The prose and style will be familiar to anyone who’s read more than a handful of his books or short stories, but it’s not one of his Big Damn Idea books.
I feel I’m not explaining myself very well.
If you’re a genre fan thinking to dabble in Dick, don’t start here. [Waves hand] This is not the book you’re looking for. You go read something else (if you don’t want to start with the usual suspects, I applaud you and would recommend The Penultimate Truth, Dr Bloodmoney or The Cosmic Puppets), cos you will likely find this book’s slightly plodding pace infuriating.
If you’re a litfic reader, looking to broaden your reading horizons, you *could* give this one a go. Maybe only if you’re already into mid-20th Century Americana, though. This might not be the best starting point. You’d be better served picking up Confessions of a Crap Artist or Flow My Tears, the Policeman Said (which, yes, is genre fiction, but ONLY JUST).
Fellow Dickheads? Obviously you need to read this. After Milton Lumky (who knew typewriter sales would be so compelling?). You might hate it, but your need for completion will compel you.
TL;DR This book isn’t for you. Or you. Or you. But it might be for YOU.
stealth sex scenes, she’s consuming him, a spider crawls on her hip, a great review, Red Harvest, The Maltese Falcon, Mario Puzo’s Fools Die,
Posted by Jesse Willis
The SFFaudio Podcast #432 – Jesse, Paul Weimer, and Marissa VU, talk about Ubik by Philip K. Dick
Talked about on today’s show:
1969, the third most popular PKD novel, not much new in here, a lot more costumes, very familiar things, a pretty good book, the top half of the bottom half, for Dick connoisseurs like us, a tonne of Philip K. Dick, the end of the most lucid stage, things are starting to slide, conapts, strange realities, mysterious forces, a relatively coherent whole (except for the last chapter), we’ve done 40 episodes on Philip K. Dick, thank you, a Ubik ad, one of the first Philip K. Dick books Marissa read, well put together, loving this crazy guy’s writing, a different appreciation, What The Dead Men Say by Philip K. Dick, Virgil Finlay illustrations, this novel contains one page of that novelette, some crossover, names and concepts, no Joe Chip, amazing illustrations, a lot fewer angry wives, “wife”, become my wife, now you’re just a girl, that scene where some guy comes by with a girlfriend for the main character, Lord Runningclam, you’re depressed you need a girlfriend, G.G. Ashwood, on coffee and cigarettes and speed, a nice big fat commission, a sad sack Dick protagonist, Galactic Pot-Healer, so many connections, who is the Glimmung in this book?, strange messages on packages, notes, Ubik is the Glimmung, a thing or a tool?, a McGuffin, a random line, “I am”, God talking (from the Bible), one of those bathroom revelations, I am alive!, Chapter 17, “before the universe was, I am,” my name is never spoken, I am called Ubik, the little bon mots at the beginning over every chapter, “only as directed”, Christ Sally!, but now – wow!, the enterphone, my apartment’s a mess, a vague memory of going shopping the night before, the conapt’s super-maket, a green ration stamp, all drugs, expensive coffee, soporific, ubiquitous throughout the novel, in our higher moments, drug induced experiences of god, Ubik as an anti-psychedelic, legit, his novel is decaying, the world is regressing, Runciter, amphetamines, delusion and paranoia, Faith Of Our Fathers by Philip K. Dick, ubik reifies reality, after the explosion on the moon who is alive and who is dead?, are they all in coldpac?, is the entire novel a false world?, the facile answer, the central attraction of the novel, managing the question, a screenplay, skillfully done, Solar Lottery, an anti-telepath, the twitching of the bottle, feeling the echoes, Eye In The Sky, Ten Little Indians by Agatha Christie, a bomb, Impostor by Philip K. Dick, the bevatron novel (Eye In The Sky), Deus Irae by Philip K. Dick and Roger Zelazny, they’re all merging into one, Time Out Of Joint, recycling, somehow it still works, all the pieces fit together, good writing, comedy, horror, The Cookie Lady, a little boy named Bubber, a retelling of Hansel and Gretel without Gretel, a bundle of rags and a tumbleweed, the sick my duck website, Chapter 16, fades, “an evening wind rustled at him”, a real feeling, super-coffee, perked up, he let his unconscious take over early in the book, the Hour 25 interview, $0.06 for every novel sold, Ubik my dear sir, Gresham’s law, Ubik The Screenplay, 1985, a digital ebook, he’s kind of like us, reinterpreting his own work, visual metaphors, being told what you’re seeing, clothing description, playing up against the retro elements, 1939 -1933, dressing like Sgt. Pepper’s Lonely Hearts Club Band members, captain’s hats, when Pat comes, she starts taking her clothes off right away, you don’t remember, hence this, her breasts wagging forward, take-off, electric yellow cummerbund, knee hugging hose, gauntlets, “Gosh Jill, I wish I knew what was wrong with me lately”, inertia inertial, tousled woolly hair, luminous gypsy, jangled taughtness, wagging a goatish beard, gold lame trousers, kelp green minty blouse, cowboy chaps, a weak nosed young man in a maxi-skirt, hippie-fashion, green and tumbled stones (for eyes), tumbled eyes, tumbling black hair, is it a mistake or something he’s coding into the book, eye-colour changes, tipped me, here’s what good is and here’s what bad is, genocide is a bad thing, increase the amount of suffering make more things that can suffer, getting eaten or crushed by a rock, it doesn’t end well for any piece of life, Fred Saberhagen’s Berserker books, kinda makes sense, H.P. Lovecraft, The Turning Wheel, life is suffering, escaping from the cycle, life is the only thing in the universe that is anti-entropic, trying to fight entropy, God is the one who created life in the mythology, hence all the suffering, the demiurge, what half of PKD novels seem to be about, a booster-strap for life itself, the sub-worlds of Runciter, the final narrator, the Gnostic interpretation of Ubik, a coin with Joe Chip’s face on it, Inception is the movie adaptation of this, The Matrix, time is frozen, coldpac and moratorium, we’ve seen that in other Dick novels, racist, Dr. Futurity?, there sitting to close together in the freezer, The Crack In Space, escaping from entropy, the fundamental grounding, the Gaurdian article: it’s squishy, there’s no firm ground, life is very problematic, the horror of entropy, never a permanent solution, the DNA breaks down, fiction, especially novels can be preserved, the preservation of the text is like the preservation of DNA, finding the earliest publication, Edgar Allan Poe’s The Valley Of Unrest, as time goes by in the publication industry people fiddle with stuff, italics, a poem is a super concentrated story, each sentence is an image, Jesse do you like pizza?, who likes pizza is the question, the question of the correct text, a novel is a fixed thing, does the font effect it?, formatting, outside of our reality, a way of preserving history, in a meta-context, he’s holding some ubik in his hand and it starts regressing, the changing context showing there’s no escape from the dread horror of entropy, we don’t want it to change anymore, constructing it on the fly, coins at the beginning, her special psychic power is to change reality in the past, some politician coming on to TV to talk about What Happened, is that really what happened?, our default is to just believe what we hear, we believe our sense, we start with believing our senses, everything is deceiving including our memories, if everyone around us in believing it, if everyone is delusional, they have to hang together, their tomb world, another TOMB WORLD!, invoking the name: Palmer Eldritch, what is an S. Dole Melipone?, he doesn’t know what he’s doing yet, the entire last chapter:
Chapter 17
I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, they do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be.Glen Runciter could not find the moratorium owner.
“Are you sure you don’t know where he is?” Runciter asked Miss Beason, the moratorium owner’s secretary. “It’s essential that I talk to Ella again.”
“I’ll have her brought out,” Miss Beason said. “You may use office 4-B; please wait there, Mr. Runciter; I will have your wife for you in a very short time. Try to make yourself comfortable.”
Locating office 4-B, Runciter paced about restlessly. At last a moratorium attendant appeared, wheeling in Ella’s casket on a handtruck. “Sorry to keep you waiting,” the attendant said; he began at once to set up the electronic communing mechanism, humming happily as he worked.
In short order the task was completed. The attendant checked the circuit one last time, nodded in satisfaction, then started to leave the office.
“This is for you,” Runciter said, and handed him several fifty-cent pieces which he had scrounged from his various pockets. “I appreciate the rapidity with which you accomplished the job.”
“Thank you, Mr. Runciter,” the attendant said. He glanced at the coins, then frowned. “What kind of money is this?” he said.
Runciter took a good long look at the fifty-cent pieces. He saw at once what the attendant meant; very definitely, the coins were not as they should be. Whose profile is this? he asked himself. Who’s this on all three coins? Not the right person at all. And yet he’s familiar. I know him.
And then he recognized the profile. I wonder what this means, he asked himself. Strangest thing I’ve ever seen. Most things in life eventually can be explained. But – Joe Chip on a fifty-cent piece?
It was the first Joe Chip money he had ever seen.
He had an intuition, chillingly, that if he searched his pockets, and his billfold, he would find more.
This was just the beginning.
ravelling around Runciter, Jesse casts a spell: Counter-Clock World,
“I was dreaming,” Ella said. “I saw a smoky red light, a horrible light. And yet I kept moving toward it. I couldn’t stop.”
“Yeah,” Runciter said, nodding. “The Bardo Thodol, the Tibetan Book of the Dead, tells about that. You remember reading that; the doctors made you read it when you were-” He hesitated. “Dying,” he said then.
“The smoky red light is bad, isn’t it?” Ella said.
“Yeah, you want to avoid it.” He cleared his throat. “Listen, Ella, we’ve got problems. You feel up to hearing about it? I mean, I don’t want to overtax you or anything; just say if you’re too tired or if there’s something else you want to hear about or discuss.”
“It’s so weird. I think I’ve been dreaming all this time, since you last talked to me. Is it really two years? Do you know, Glen, what I think? I think that other people who are around me – we seem to be progressively growing together. A lot of my dreams aren’t about me at all. Sometimes I’m a man and sometimes a little boy; sometimes I’m an old fat woman with varicose veins… and I’m in places I’ve never seen, doing things that make no sense.”
“Well, like they say, you’re heading for a new womb to be born out of. And that smoky red light – that’s a bad womb; you don’t want to go that way. That’s a humiliating, low sort of womb. You’re probably anticipating your next life, or whatever it is.” He felt foolish, talking like this; normally he had no theological convictions. But the half-life experience was real and it had made theologians out of all of them. “Hey,” he said, changing the subject. “Let me tell you what’s happened, what made me come here and bother you. S. Dole Melipone has dropped out of sight.”
A moment of silence, and then Ella laughed. “Who or what is an S. Dole Melipone? There can’t be any such thing.” The laugh, the unique and familiar warmth of it, made his spine tremble; he remembered that about her, even after so many years. He had not heard Ella’s laugh in over a decade.
“Maybe you’ve forgotten,” he said.
Ella said, “I haven’t forgotten; I wouldn’t forget an S. Dole Melipone. Is it like a hobbit?”
consulting the dead in order to make corporate decisions, we just drop it, what’s he visiting her for, there’s no business in this book at all, the business of being alive, an excuse to go to Switzerland and see his dead wife, step-up your TV ads, you need to send off more manuscripts, Ella, it’s a cryogenics book, it’s all bullshit, it’s just a way of avoiding death, if you’re living in a half-life, fundamentally there’s a really weird long part of the interview that’s pretty interesting, how the Soviet Union that had scientists that wanted to talk to him, from the Soviet embassy, I played dumb, classic Dick, A Scanner Darkly, he’s both the drug deal and the drug cop, he’s informing on himself, worlds inside worlds, to connect it to our reality, we only have access to the constructs of reality, What It Is Like To Be A Bat?, swapping genders, Philip K. Dick creating these characters, if you have a fixed text you can escape from your shared reality, it isn’t as squishy as regular reality, its only you who change between readings (we hope), the anomalies are the clues, that wouldn’t negate the point, after the explosion when they’re all on the Pratfall II, Glen Runciter’s POV, his transparent plastic casket,
Removing the plastic disk from its place, its firm adhesion to his ear, Glen Runciter said into the microphone, “I’ll talk to you again later.” He now set down all the communications apparatus, rose stiffly from the chair and momentarily stood facing the misty, immobile, icebound shape of Joe Chip resting within its transparent plastic casket. Upright and silent, as it would be for the rest of eternity.
Sarapis, plastic rosebuds, “A man that vital. And vitalic.”, that’s a weird error, upright, her sagacity, a wisdom not based on knowledge and experience, maybe the whole thing is in Ella’s world, the cop with little blonde pig-tails and red shoes, she’s changing characters, maybe they all fit together, the Technovelgy website, artiforg = artificial organs (also artificial and forged) = a fake fake, automatic apartment maintenance, homeopapes are Twitter feeds, high gossip vs. low gossip, physiognomic template, a tranquilizing gum, amazing technobabble:
“What is Ubik?” Joe said, wanting her to stay.
“A spray can of Ubik,” the girl answered, “is a portable negative ionizer, with a self-contained, high-voltage, low-amp unit powered by a peak-gain helium battery of 25kv. The negative ions are given a counter-clockwise spin by a radically biased acceleration chamber, which creates a centripetal tendency to them so that they cohere rather than dissipate. A negative ion field diminishes the velocity of anti-protophasons normally present in the atmosphere; as soon as their velocity falls they cease to be anti-protophasons and, under the principle of parity, no longer can unite with protophasons radiated from persons frozen in cold-pac; that is, those in half-life. The end result is that the proportion of protophasons not canceled by anti-protophasons increases, which means – for a specific time, anyhow – an increment in the net put-forth field of protophasonic activity… which the affected half-lifer experiences as greater vitality plus a lowering of the experience of low cold-pac temperatures. So you can see why regressed forms of Ubik failed to-”
Joe said reflexively, “To say ‘negative ions’ is redundant. All ions are negative.”
complete bullshit, this is how people buy products, all that babble mixed with the Amazing promises, Deepak Chopra, self-criticizing, chapter 16:
Under a streetlight he held up the spray can of Ubik, read the printing on the label.
I THINK HER NAME IS MYRA LANEY, LOOK ON REVERSE SIDE OF CONTAINER FOR ADDRESS AND PHONE NUMBER.“Thanks,” Joe said to the spray can. We are served by organic ghosts, he thought, who, speaking and writing, pass through this our new environment. Watching, wise, physical ghosts from the full-life world, elements of which have become for us invading but agreeable splinters of a substance that pulsates like a former heart. And of all of them, he thought, thanks to Glen Runciter. In particular. The writer of instructions, labels and notes. Valuable notes.
like the Glimmung, Jesus: Don’t worry guys I’m going away for a while buyt I’ll be back!, they are Jesus for each other, the Inception situation, there’s no top level, there’s only the outside of the book, the writer is dead (Dick) but he’s in half-life becasuue we can read his book, maybe we’re all dead, Ubik is real!, Jesse’s Satoshi Nakamura theory, why graphics cards are so expensive, video cards are reality simulators, BitCoin, he’s gone dark, Satoshi Nakamura is a benevolent AI trying to fix our world, economic theory, an indefeatable unstoppable way to subvert the power of the banks, like the Glimmung, it’s not all powerful, it’s just an AI, it’s a demiurge of some-kind, kind of what Neuromancer is, the end of True Names by Vernor Vinge, Neuromancer also has a half-life in the form of a hacker on a ROM-chip (Dixie Flatline), thanks for helping me pull this heist, turn me off, a completely different kind of writer dealing with the same kind of stuff, hack to hard, episode 136, while trying to crack an AI, the lesson for Runciter, does it even matter what the status, it’s the old trick, the best trick there is, he’s always pulling the same exact move and you see it coming, getting close to book length, the swerve, curling back on itself, peak Dick, most popular Philip K. Dick books in order of popularity, Martian Time-Slip, what you’ve read of him before, Evan Lampe’s American Writers: One Hundred Pages At A Time podcast, how Philip K. Dick is always thinking about the frontier, the horror world, The Father Thing, The Simulacra, The Pentultimate Truth, the big surprise Now Wait For Last Year, Valis, the titles all flow together, the alternate titles for Ubik: Death Of An Anti-Watcher a new spin on the last chapter?, who is dead?, One theory: everybody died except for Runciter, The Half Life Of An Anti-Watcher?, a story about a dead-guy: Runciter, Runciter is the main character, the pixie-like Pat, maybe she is Ella as an older woman, there’s no answer here, who is that Ubik girl, ultimately Marissa and Jesse are figments of Paul’s imagination, this is Philip K. Dick doing Philip K. Dick.
Posted by Jesse Willis