The SFFaudio Podcast #200 – Jesse, Mirko, and Gary Lovisi discuss the Science Fiction novel Mars Needs Books! by Gary Lovisi.
Talked about on today’s show:
the great description, Audible.com, it’s a prison novel, it’s a dystopian science fiction novel, it’s a book collector’s novel, Philip K. Dick, a reality dysfunction, The Man In The High Castle, 1984 by George Orwell, “retconning“, Stalin, airbrushing history, a new Science Fiction idea!, Amazon’s Kindle, Mark Twain, “The Department Of Control”, J. Edgar Hoover, Simon is the most evil character ever, oddball individualists, a straw man gulag, one way of keeping the population in control is to send troublemakers away, another is to give them someone to hate, The Moon Is A Harsh Mistress by Robert A. Heinlein, the Attica Prison riot (1971), Arabella Rashid, entertainment media, when you can’t tell what the truth is anymore it’s very easy to control people, maybe it’s an allegory for our times, Paperback Parade, SF writers were wrong about what our times are like, Mars, crime novels, Science Fiction as a metaphor, people are scared of reading, “I like good writing”, Richard Stark’s Parker novels, getting the word out about Mars Needs Books!, Gargoyle Nights, H.P. Lovecraft, Clark Ashton Smith, Jack Vance, horror, fantasy, nice and short, short books pack a punch (and don’t waste your time), Stephen King, Patrick O’Brian, ideas, paperback novels from the 1950s, 1960s, and 1970s, customers want thick books, Winter In Maine by Gerard Donovan, were looking at a different readership today, James M. Cain’s The Postman Always Rings Twice, there’s nothing that doesn’t add to the story, “Lawrence Block is scary good”, Donald E. Westlake, Robert Bloch, Eight Million Ways To Die, A Pair Of Recycled Jeans by Lawrence Block, Evan Hunter (Ed McBain), Charles Ardai (was on SFFaudio Podcast #090), book-collectors, Murder Of A Bookman by Gary Lovisi (is also on Audible.com), collectable glassware, Sherlock Holmes Mystery Magazine, cool dialogue, Driving Hell’s Highway by Gary Lovisi (also on Audible.com), That Hell-bound Train by Robert Bloch, noir, Violence Is The Only Solution by Gary Lovisi (paperback), hard-boiled, revenge, betrayal, personality disorder, Sherlock Holmes, westerns, “if there’s one truth in the universe that I know it’s that Germans love westerns”, which frontier are you talking about?, The Wild Bunch, a western with tommyguns, Akira Kurosawa, Outland (is High Noon in space), Altered Carbon by Richard K. Morgan, hard-boiled, violence, the Martian national anthem, Prometheus Award, libertarian motifs, world-building, GryphonBooks.com, Hurricane Sandy, Wildside Press, POD Books, eBooks, fire and water, that paperback is still in readable condition in 150 years?, fanzines, Jack Vance, The Dying Earth, Robert Silverberg, Dell Mapbacks, paperbacks were disposable, used bookstores, sex books.
After talking about it on the last SFFaudio Podcast NEW RELEASES/RECENT ARRIVALS episode, I decided we really needed to know exactly which classic stories were being ripped-off in the new Audible Frontiers collection entitled Rip-Off!.
You’re welcome!
I’ve also made a note of the narrator for each story. And, while I’m at it I should tell you that nearly every story is an hour long. Every story with the exception of James Patrick Kelly’s (which runs about 90 minutes) and Tad Williams’ (which runs just over 26 minutes).
Rip-Off!
Edited by Gardner Dozois; Read by various readers
Audible Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 18, 2012 In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) – then use it as the first sentence of an entirely original short story. In the world of Rip-Off!, Call me Ishmael introduces a tough-as-nails private eye – who carries a harpoon; The Wonderful Wizard Of Oz inspires the tale of an aging female astronaut who’s being treated by a doctor named Dorothy Gale; and Huckleberry Finn leads to a wild ride with a foul-mouthed riverboat captain who plies the waters of Hell. Once you listen to Rip-Off! you’ll agree: If Shakespeare or Dickens were alive today, they’d be ripping off the authors in this great collection. As a bonus, the authors introduce their stories, explaining what they ripped-off – and why. Rip-Off! was produced in partnership with SFWA – Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.
Annotated table of contents:
Introduction by John Scalzi, read by Scalzi
Fireborn by Robert Charles Wilson – Introduction by Wilson, inspired by a “Rootabaga” story by Carl Sandburg – Read by Khristine Hvam
The Evening Line by Mike Resnick – Introduction by Resnick, inspired by Pride And Prejudice by – Read by L.J. Ganser
No Decent Patrimony by Elizabeth Bear – Introduction by Bear, inspired by Edward II by Christopher Marlowe – Read by Scott Brick
The Big Whale by Allen M. Steele – Introduction by Steele, inspired by Moby Dick by Herman Melville – Read by Christian Rummell
Begone by Daryl Gregory – Introduction by Gregory, inspired by David Copperfield by Charles Dickens – Read by Jonathan Davis
The Red Menace by Lavie Tidhar – Introduction by Tidhar, inspired by The Communist Manifesto by Karl Marx – Read by Stefan Rudnicki
Muse Of Fire by John Scalzi – Introduction by Scalzi, inspired by Henry V by William Shakespeare – Read by Wil Wheaton
Writer’s Block by Nancy Kress – Introduction by Kress, inspired by Paul Clifford by Edward Bulwer-Lytton – Read by David Marantz
Highland Reel by Jack Campbell – Introduction by Campbell, inspired by Macbeth by William Shakespeare – Read by Nicola Barber
‘Karin Coxswain’ Or ‘Death As She Is Truly Lived’ by Paul Di Filippo – Introduction by Di Filippo, inspired by Huckleberry Finn by Mark Twain – Read by Dina Pearlman
The Lady Astronaut of Mars by Mary Robinette Kowal – Introduction by Kowal, inspired by The Wizard Of Oz by L. Frank Baum – Read by Allyson Johnson
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air by Tad Williams – Introduction by Williams, inspired by the Book of Genesis by anonymous – Read by Marc Vietor
Declaration by James Patrick Kelly – Introduction by Kelly, inspired by The Declaration Of Independence by Thomas Jefferson – Read by Ilyana Kadushin
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Arguably: Essays
By Christopher Hitchens; Read by Simon Prebble
24 CDs – Approx. 28.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: September 1, 2011
ISBN: 9781611139068
Themes: / Non-fiction / History / War / Biography / Science Fiction / Fantasy / Iran / Afghanistan / Germany / North Korea / France / Dystopia / Utopia / Religion / Tunisia / Piracy / Terrorism / Feminism / Pakistan /
The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for arthe enduring relevance of Karl Marx. The audio book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens’ credentials as-to quote Christopher Buckley-our “greatest living essayist in the English language.”
Here’s a question I was thinking about while listening to Arguably.
What is fiction for?
One answer, the bad one, is that it’s for entertainment. That’s certainly where many readers are willing go, and the fiction writers who write it too. Maybe that’s precisely why so much fiction is just so very shitty.
To me, if you aren’t exploring ideas in your fiction, then you really aren’t serving a greater purpose. Idea fiction, fiction with ideas rather than just action and plot, is to my mind a kind of supplement to the wisdom found in writings on history, biography and science.
Of the many lessons learned I in listening to the 107 essays in Arguably I was particularly struck by the wisdom Christopher Hitchens gleaned from his reading of fiction. Hitchens reviews many books in this collection, nearly half of the essays are book reviews. Books like 1984, Animal Farm, Flashman, The Complete Stories Of J.G. Ballard, Our Man In Havana, and even, surprisingly, Harry Potter And The Deathly Hallows all get fascinating, critical, and reverent reviews.
Yet Hitchens also takes the lessons with him into his writing about his travels. Hitchens writes about visits to such places as North Korea, Cyprus, Afghanistan, and Kurdish Iraq. When talking about his visit to Beirut we see what comes when Hitchens, a man of ideas, acts upon them. The essay, The Swastika and the Cedar sees the convictions of the commited anti-fascist Hitchens beaten and nearly kidnapped for an act of vandalism on a prominently displayed swastika. Writes Hitchens:
“Well, call me old-fashioned if you will, but I have always taken the view that swastika symbols exist for one purpose only—to be defaced.”
In a review of two books, Lolita and The Annotated Lolita, Hitchens applies the controversial subject in a real life look at the modern, and very non-fictional oppression and objectification of women. Indeed, the ideas he appreciated in fiction helped Hitchens to come to grips with the real world.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
As to the narration of the audiobook. I’m ashamed to admit that I was initially dismayed when I saw that Christopher Hitchens had not narrated this audiobook himself. I was wrong to worry. Incredibly, Simon Prebble seems to have have become Hitchens for this narration. Prebble perfectly captures the erudite words, so eloquently performs them, and with an accent so like that of Hitchens’ own so as to make me think that it was Hitchens who had actually read it.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
Here’s a list of the book’s contents, with links to the original etexts when available, along with my own notes on each:
The Private Jefferson – a review of Jefferson’s Secrets: Death And Desire At Monticello by Andrew Burstein
Jefferson Vs. The Muslim Pirates – a review of Power, Faith, And Fantasy: America In The Middle East: 1776 To The Present by Michael B. Oren
Benjamin Franklin: Free And Easy – a review of Benjamin Franklin Unmasked: On the Unity of His Moral, Religious, And Political Thought by Jerry Weinberger
John Brown: The Man Who Ended Slavery – a review of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked The Civil War, And Seeded Civil Rights by David S. Reynolds
Abraham Lincoln: Misery’s Child (aka Lincoln’s Emancipation) – a review of Abraham Lincoln: A Life by Michael Burlingame
JFK: In Sickness And By Stealth – a review of An Unfinished Life: John F. Kennedy, 1917–1963 by Robert Dallek
Saul Bellow: The Great Assimilator – review of six novels by Saul Bellow (The Dangling Man, The Victim, The Adventures Of Augie March, Seize The Day, Henderson The Rain King, and Herzog)
Vladimir Nabokov: Hurricane Lolita – reviews of Lolita by Vladimir Nabokov and The Annotated Lolita edited and annotated by Alfred Appel, Jr.
John Updike: No Way – a review of The Terrorist by John Updike (with reference to The Coup too) John Updike: Mr. Geniality – a critical review of the affable Due Considerations: Essays And Considerations by John Updike
Vidal Loco – Gore Vidal went crazier, more elitist and perhaps more racist as he got older (with attention and quips for Quentin Crisp and Oscar Wilde and Joyce Carol Oates)
America The Banana Republic – Hitchens on the “socialistic” bank bailout of 2008 (“socialism for the rich and free enterprise for the rest”)
An Anglosphere Future – a review of The History Of The English Speaking Peoples by Andrew Roberts (with reference to both Sherlock Holmes and The White Company by Sir Arthur Conan Doyle as well as to Cecil Rhodes and Rudyard Kipling)
Political Animals – a review of Dominion: The Power Of Man, The Suffering Of Animals, And The Call To Mercy by Matthew Scully
Old Enough To Die – on capital punishment as applied to children In Defense Of Foxhole Atheists – a visit to the United States Air Force Academy and the tax funded proselytizing
ECLECTIC AFFINITIES Isaac Newton: Flaws Of Gravity – a stroll through the medieval streets of Cambridge with the scientists, mathematicians, and philosophers who worked there
Gustave Flaubert: I’m With Stupide – a review of Bouvard et Pécuchet by Gustave Flaubert translated by Mark Polizzotti The Dark Side Of Dickens – a review of Charles Dickens by Michael Slater a biography (Hitchens was a not uncritical admirer of the subject)
Marx’s Journalism: The Grub Street Years – a glowing review of Dispatches for the New York Tribune: Selected Journalism Of Karl Marx edited by James Ledbetter, foreword by Francis Wheen (Marx admired the United States, and other fascinating facts about the father of communism)
Rebecca West: Things Worth Fighting For – an introduction to Black Lamb and Grey Falcon: A Journey Through Yugoslavia by Rebecca West
Ezra Pound: A Revolutionary Simpleton – a review of Ezra Pound, Poet: A Portrait Of The Man And His Work: Volume I: The Young Genius, 1885-1920 by A. David Moody (a biography of the fascist poet)
John Buchan: Spy Thriller’s Father – a review of John Buchan The Presbyterian Cavalier by David R. Godine (with discussion of The 39 Steps and a fantasy novelette The Grove Of Ashtaroth)
Fraser’s Flashman: Scoundrel Time – a look at the George MacDonald Fraser series of Flashman books and the connection with The Adventure Of The Empty House
AMUSEMENTS, ANNOYANCES, AND DISAPPOINTMENTS Why Women Aren’t Funny – a controversial essay on why more comedians are male and why women laugh at them the way they do
As American As Apple Pie – a literary and chronological history of the blowjob, with reference to Valdamir Nobokov’s Lolita
So Many Men’s Rooms, So Little Time – a fascinatingly insightful argument on what’s was going on with the Larry Craig bathroom airport scandal and related phenomena
A War Worth Fighting – a persuasively systematic review of Churchill, Hitler And The Unnecessary War: How Britain Lost Its Empire And The West Lost The World by Pat Buchanan
Just Give Peace A Chance? – a critical review of Human Smoke by Nicholson Baker
Don’t Mince Words – the disenfranchisement of south Asians in Britain isn’t the cause of bombings, hatred of women is.
History And Mystery – al-Qaeda in Iraq, jihadists, or “insurgents”? Do words matter? Of course they bloody well do.
Words Matter – political slogans make of “every adult in the country” an “illiterate jerk who would rather feel than think”
This Was Not Looting – how can a government “loot” it’s own weapons manufacturing facility? The government of Iraq managed it according to The New York Times.
The “Other” L-Word – a lighthearted piece on the prominence of the word “like” and it’s use
The You Decade – what’s wrong with you (marketing to the selfish)
Suck It Up – the Virginia Tech shootings prompted the wrong response from the world (namely that it prompted one)
A Very, Very Dirty Word – the English empire, in centuries to come, may only be remembered for soccer and the phrase “fuck off”
Never Bet The Devil Your Head was written by Edgar Allan Poe to mock his critics. It’s wit is as sharp as Voltaire’s Candide and it’s smirk is as wide as Mark Twain’s A Connecticut Yankee In King Arthur’s Court, but it’s just the size of Jonathan Swift’s A Modest Proposal.
Never Bet The Devil Your Head is the tale of Toby Dammit, a man of vice, who comes to a bad end.
Here’s a choice snippet:
“At five months of age he used to get into such passions that he was unable to articulate. At six months, I caught him gnawing a pack of cards. At seven months he was in the constant habit of catching and kissing the female babies. At eight months he peremptorily refused to put his signature to the Temperance pledge. Thus he went on increasing in iniquity, month after month, until, at the close of the first year, he not only insisted upon wearing mustaches, but had contracted a propensity for cursing and swearing, and for backing his assertions by bets.”
I highly recommended it.
Here’s an unabridged reading:
Never Bet The Devil Your Head
By Edgar Allan Poe; Read by Dawn Keenan
1 |MP3| – Approx. 22 Minutes [UNABRIDGED]
Publisher: Voices In The Dark
Published: 2005
First published in Graham’s Magazine, September 1841.
And here’s a pointed, yet spritely, audio dramatization adaptation with the legendary Daws Butler playing Dammit:
CBS Radio Workshop – Never Bet The Devil Your Head
Adapted from the short story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 1 Hour [RADIO DRAMA]
Broadcaster: CBS
Broadcast: July 28, 1957
Provider: archive.org
Cast:
John Dehner … Mr. Poe
Daws Butler … Toby Dammit
Howard McNear … the Devil