magic – Page 26

Review of The Final Empire: Mistborn Book 1 by Brandon Sanderson

SFFaudio Review

Greetings fellow sci-fi and fantasy audiobook junkies. My name is Mark Flavin (from California not Ireland) and I am one of many reviewers to answer the call made by Jesse. I enjoy sci-fi and fantasy in all forms but have a special love for cyberpunk, space opera, science fantasy and epic fantasy. I am thrilled to be able to share my reviews with you and I hope that I can add something of value to this awesome blog.

The Final Empire: Mistborn Book 1
By Brandon Sanderson; Read by Michael Kramer
Audible Download – 24 Hours 40 Mins [UNABRIDGED]
Publisher: Audible / Macmillan Audio
Published: July 2007
Themes: / Fantasy / Epic Fantasy / Sword and Sorcery / Military / Political / Magic

For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the “Sliver of Infinity,” reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler’s most hellish prison. Kelsier “snapped” and found in himself the powers of a Mistborn. A brilliant thief and natural leader, he turned his talents to the ultimate caper, with the Lord Ruler himself as the mark.

When I first stumbled across this book on audible I was sceptical. I have to admit this was almost a book I judged by its cover and even after reading the book I am unsure what is going on in this cover. Fortunately I had just finished listening to Elantris and really wanted to see what Brandon Sanderson had in store for me in his next book. I am really glad I looked past the cover because Mistborn is an incredible story of epic fantasy set in a world which is alien and yet the implication (unstated) is it could be our future or past.

The characters in the story have real depth and by the end of the first book I felt like I was a member of the gang, a silent partner in their quest to overthrow the tyrannical rule of the lord ruler and restore freedom to the people. However, where the real depth of the story comes is the system of “magic” (referred to in the story as allomancy) that Brandon Sanderson created. Rather than chanting spells, or tapping into divine powers the characters in the story have the ability to burn metals and each metal has a direct counterbalance. This creates situations where powers are negated and I found that I became actively engaged in the story as I tried to figure out how one character would use their metal to negate the other character’s effects.

In addition to the fantastic plot-line and deep characterizations of the main players Brandon Sanderson does an excellent job of creating a framework for the world of the final empire. From describing the falling ash storms to the rising mists each evening the world is so vividly described that I at times forgot what I was doing. Beyond the descriptive environment there are creatures which are described terrible in form. An example of vivid imagery is in his description of the Steel Inquisitor I won’t ruin it for you but the first time this “thing” was introduced I felt chills. Not so much out of fear (though it was terrible to imagine) but out of excitement that this was something truly unique and new.

Complimenting the excellent storyline is the reading by Michael Kramer who does a fantastic job of giving voice to the characters and describing the land in beautiful detail. The vocal range and emotional range of his reading was excellent. Michael Kramer does an excellent job of switching between characters and into a neutral narrator tone when appropriate. By far my favorite voice in the book is that of Breeze and in the following novels he becomes one of my characters simply because Michael Kramer’s vocalization is so spot on that the character literally seems to come alive.

If I do have one complaint about this book (other than the cover) it is that more attention could have been paid to the audio production. While I don’t expect Dolby 5.1 digital surround sound from an audible download it would be nice to have the audio levels consistent instead of having the audio suddenly get louder and just as suddenly go low. Also there were a couple of times when words were repeated like the narrator was saying them expecting it to be edited out. All-in-all these were minor issues and did not take away from the overall enjoyment of the book.

Plot twists, action and a fascinating system of “magic” make this a great read and Michael Kramer’s excellent narration makes this a fantastic listen. This is definitely a vacation/beach book because if your like me once you get started you will not want to put it down.

Posted by Mark Flavin

Review of Thinner by Stephen King

SFFaudio Review

Thinner
By Stephen King; Read by Joe Mantegna
9 CDs – 10 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2009 (reissue from 1984)
ISBN: 9780143143901
Themes: / Fantasy / Horror / Gypsies / Curses / Magic /

I put off reading Stephen King’s Thinner for the better part of two decades. The dust jacket description—lawyer runs down gypsy and is cursed to become, well, thinner—seemed like a decent short story stretched out into a novel. The premise just didn’t grab me.

As it turns out, my fears proved ill-founded. Thinner is an entertaining little novel that is, at its heart, about big concepts, including guilt, the dangers of not accepting responsibility for one’s actions, and the ruinous, generation-spanning cycle of destruction wrought by revenge. Thinner is positively short by King standards (about 300 pages), moves quickly, and contains a couple nasty little shocks that keep you on your toes and leave you feeling unsettled.

I’ve stated before that Stephen King was, in his early career, batting very nearly 1.000 as a writer. If you take a look at his work from 1973’s Carrie through 1987’s Misery and The Eyes of the Dragon, King was consistently great. I submit that The Tommyknockers (1988), written at the height of his drug and alcohol problems, was the first true misstep in King’s career. Now that I’ve finally read Thinner (released in 1984), I find that my rule holds true. It’s a fine book from King’s classic period.

Thinner tells the story of Billy Halleck, an overweight lawyer who gets distracted while driving home (his wife is giving him a handjob) and accidentally runs down an old gypsy woman crossing the street. Halleck avoids what should have a manslaughter conviction because the judge is an old golfing buddy and lets him off the hook. But Halleck can’t escape the scales of justice. The ancient father of Halleck’s victim curses Halleck by laying a scaly finger upon him and uttering the single word, “thinner.”

In the coming weeks, Halleck’s weight begins to drop alarmingly. When the doctors rule out cancer, Halleck realizes that the gypsy’s curse has taken root. The rest of the novel features Halleck chasing down the gypsies to get the curse lifted as his weight plunges from a high of 252 pounds to half that.

King has the problem of trying to convince the reader that a steadily weakening lawyer from a wealthy Connecticut suburb is capable of exerting enough pressure on a stubborn gypsy clan to lift the curse. He neatly sidesteps this problem by introducing the character of Richie “The Hammer” Ginelli, a minor mafia boss and a former client of Halleck’s. Ginelli assists Halleck by lending his unique and persuasive “services” learned in the hard-knock school of organized crime.

There’s a lot to recommend in Thinner. Taduz Lemke, the old gypsy with the power to curse, is a wonderful character, an ancient soul (over 100 years old) from the old world, the last of the Magyar chiefs. Although he’s initially unlikeable, King renders Lemke and the rest of his gypsy clan sympathetic. Though they are dirty and uneducated, and routinely skirt (and cross) the boundaries of the law, the gypsies are treated with open hostility from the hypocritical communities that they visit. Men like Halleck view the gypsies as an unwelcome disease in their safe and pure suburban communities, which are actually corrupt at the core with their unequal systems of justice, “old boy” networks, and inherent prejudices. When Halleck claims that Lemke’s daughter is equally at fault for the accident, since she didn’t look before crossing the street, he shows his unwillingness to accept responsibility for his own actions. Worse, Halleck took advantage of an unfair system of justice and never had to pay for his (and his wife’s) carelessness. Lemke’s curse is a painful lesson in admitting one’s guilt: “There is no push, white man from town,” Lemke says, again and again throughout the story. “No push.”

If you’re a Generation X-er you’ll appreciate the 1980’s time machine that is Thinner. In it you’ll find references to Apples and TRS-80s, Thunderbirds and Novas. Halleck’s family physician casually blows cocaine during a checkup and it doesn’t seem out of place here, given the period. Halleck’s daughter is mentioned as playing a year long game of Dungeons and Dragons.

Thinner contains very little horror until the end and is more accurately classified as a thriller, which may be why King adopted his (unsuccessful) pseudonym Richard Bachman during the book’s initial release. In Thinner, King was attempting something a bit outside his reputation as a horror author.

Veteran actor Joe Mantegna provides the narration for Thinner and he is magnificent, particularly in his portrayal of Ginelli (no surprise here, given that Mantegna has appeared in various gangster films). I’ve previously railed against the inclusion of music in audio books, but this version by Penguin makes excellent use of it, in particular its use of a chilling, off-putting theme whenever the gypsies—or Halleck’s alarmingly plunging weight—are mentioned.

Posted by Brian Murphy

Review of Elric of Menibone by Michael Moorcock

SFFaudio Review

Elric of Melniboné
By Michael Moorcock, Read By Jeffrey West and Michael Moorcock
5 CD’s – 5.5 Hour [UNABRIDGED]
Publisher: Audio Realms
Published: 2003
ISBN: 097315960X
Themes: / Fantasy / Epic Fantasy / Magic / War / Gods /

It’s a testament to the imaginative might of author Michael Moorcock that his most famous creation, Elric of Melnibone, has become a permanent and prominent thread in the fabric of fantasy. Though he may not be quite the same household name as Conan, what fantasy fan hasn’t heard of the albino warrior/sorcerer, he of the tortured soul and wielder of the black demon sword Stormbringer.

The character of Elric first appeared in print in 1961 in a short story entitled “The Dreaming City.” Author Michael Moorcock later expanded the work into a short novel, Elric of Melnibone (1973). Though not perfect, I consider this latter a must-read for fans of fantasy fiction. It’s a marvelous work of imagination whose beautiful trappings include Imrryr, a city of alien architecture and strange, often abhorrent customs; demon-summoning sorcerers; and appearances by elementals and the gods of chaos. It combines the fast-pace and adventurous swagger of pulp fiction with a main character prone to brooding meditation and
self-doubt.

The Elric stories are deliberately iconoclastic, taking an ironic stance in opposition to traditional/Tolkienian high fantasy and their often conservative worldviews. Elric is the reluctant emperor of Melnibone, a decadent, fading, yet still powerful kingdom that has dominated the Young Kingdoms of the earth for 10,000 years (think of Rome had it never lost its military might, ruled by emperors like Caligula for millennia). Drunk on the blood of conquest, immoral to the core, and frequently under the influence of dream-inducing drugs, the Melniboneans live by the philosophy, “seek pleasure, however you would.” Slaves perform all the menial work, and some have been surgically altered/bred to perform single functions like singing a single, perfect note, or rowing a war-galley.

The army is unwaveringly loyal to the lineage of the Ruby Throne, as are its emperors—until Elric inherits the throne. He begins to question the old traditions, including the Melnibonean’s right to rule the Young Kingdoms with an iron fist. At heart Elric wants to abdicate the throne and run away with his love, Cymoril. But he’s afraid that the next in line to the throne—his cousin, the wicked Yrkoon, a throwback to the cruelest lords of Melnibone—will institute a reign of terror in his stead.

Yrkoon and his followers despise Elric, whom they perceive as weak and a threat to Melnibone’s place of power. They devise a plot to kill him during a barbarian invasion from the sea. Elric leads a successful attack that routs the barbarians, but at his lowest ebb (Elric’s weak constitution requires him to take a potent concoction of daily drugs to maintain his energy), Yrkoon shoves him into the sea. Weak and weighed down by his armor he begins to drown.

Thinking Elric slain, Yrkoon sails home and assumes the throne. Elric, however, is saved by a whispered spell to an elemental god of the sea and returns to Melnibone to punish and exile his cousin. Aided by a handful of followers, Yrkoon takes Cymoril hostage and escapes the Dragon Isle to start an uprising in one of the barbarian kingdoms. The remainder of the book includes Elric’s quest to get Cymoril back, which culminates with Elric’s recovery of the powerful but cursed Stormbringer.

Elric of Menibone starts off exceedingly strong with some memorable description and characters. Moorcock succeeds in making Melnibone feel like an alien place, as torture, incest, and dining on human flesh are routine occurrences (a scene with the sinister court torturer/chief interrogator Dr. Jest—a thin, sinuous man wielding a merciless, razor-thin scalpel—is forever seared into my memory). Moorcock’s portrayal of magic is exactly the way I like it—powerful and capricious, accessed through great grimoires capable of summoning great powers of darkness, but also prone to turn on the caster in unpredictable ways.

For all its strengths, however, Elric of Melnibone—and in particular its sequels—are not perfect. Moorcock is blessed with a tremendous imagination, but at times I find that he fails to deliver on his promise. For example, we’re told that the Melnibonean sorcerer-kings engage in drugged dream-sleep that allows them to wander other worlds and universes, “consort with angels, demons, and violent, desperate men,” and learn the accumulated lore and magic of the Melnibonean race, all from their dream couches. As a result of these dream-quests, their minds are millennia old. It’s a great concept. And yet how does this activity result in a character like the impetuous Yrkoon, who acts like a spoiled 25-year-old prince instead of a thoughtful sage suffused with the wisdom of ages? I also found the Elric series slips into repetition in later books as Elric battles one demon after another. His world-weary attitude in itself grows tiring after several books as well.

Finally, I must state that I found this Audio Realms AudioBooksPlus presentation a mixed bag. The reader, Jeffery West, was talented and altered his voice enough to create recognizable characters. This version also featured a brief overview/introduction read by Moorcock himself, a very nice, unexpected bonus. But the production was marred by the head-scratching decision to play music in the background throughout the entire reading. This included a loud heartbeat sound played during dramatic scenes. After a while I ceased hearing the music, but at times it was jarring and took me out of the flow of the story.

Note to Audio Realms and other audio book producers: The thought is appreciated, but please drop the soundtracks and stick to the text.

Posted by Brian Murphy

BBC7 Twilight Zone, Doctor Who, Kelly Link, John Wyndham +MORE

SFFaudio Online Audio

There’s actually a lot to listen to (or eventually download via radioarchive.cc) over on BBC Radio 7 this weekend and next week.

Airing under the “7th Dimension” banner for the coming week on BBC7 are…

The Twilight Zone – Free Dirt
Based on the story by Charles Beaumont; Performed by a full cast
[RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturday at 6pm and Midnight
Penny-pinching Luther acquires soil from a cemetery to grow his vegetables. But there’s a grim price he must pay. Starring Eric Bogosian, with Stacy Keach as the Narrator it was written by Charles Beaumont and adapted for radio by Dennis Etchinson.

Dalek I Love You Too
By Colin Sharpe; Performed by a full cast
[RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Sunday at 6pm and Midnight
A sequel to Dalek I Love You, we revisit enigmatic hero Nigel English in his quest to find a part in the new Doctor Who series, with the hope of meeting his father, who Nigel believes to be the Doctor himself. First broadcast in March 2008.

Catch My Breath
By Marty Ross; Performed by a full cast
[RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 6pm and Midnight
A contemporary horror story set in a remote Scottish country house. Another Radio 7 commission. First broadcast in March 2007.

Fantastic Journeys – The Faery Handbag
By Kelly Link; Read by Maggie Blake
[ABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Monday at 6.30pm and 12.30am
A distraught young woman reveals how a magical handbag has caused her to lose both her boyfriend and grandmother. New to Radio 7.

Trouble With Lichen
By John Wyndham; Read by Joanne Tope
[ABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: Weekdays at 6.30pm and 12.30am
Recorded especially for Radio 7A biochemist stumbles upon a discovery which could change the course of humanity by isolating a strain of lichen that actually slows down the aging process.

And airing under the “Crime and Thrillers” moniker is…

Above Suspicion
Based on the novel by Helen MacInnes; Read by Emma Currie
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 9.30am, 8.30pm and 1.30am
As Europe teeters on the brink of World War II, a naïve young British couple are swept into the unfamiliar world of espionage. This series was made-for-Radio-7 and first broadcast in 2007 to mark the centenary of the birth of Helen MacInnes, the Scottish-American thriller writer who was hugely influential in the 1940s, 50s and 60s. It was produced by Eilidh McCreadie.

Posted by Jesse Willis

The SFFaudio Podcast #024

Podcast

The SFFaudio Podcast #024 – Jesse and Scott discuss hardware (which is the best iPod), comics (graphic novels to some), movies (bad and worse) and even a few audiobooks (not so bad at all).

Talked about on today’s show:
Recent arrivals, Od Magic by Patricia A. McKillip, Blackstone Audio, Dreams Underfoot by Charles de Lint, urban fantasy, Pebble In The Sky by Isaac Asimov, BBC Audiobooks America, Gentleman Of The Road by Michael Chabon, In The Electric Mist With The Confederate Dead by James Lee Burke, New Orleans, why there’s no such thing as a “noir” series, Montana, film: Taken, ViolentWorldOfParker.com, Duplicate Effort by Kristine Katherine Rusch, the Moon, Audible.com’s Short Story sale, Coming Attraction by Fritz Leiber, LibriVox + SFFaudio = Instant iTunes Audiobooks, “Here Comes The eBook Revolution” by Mike Elgan, the e-ing of magazines, review of The Book Of Lies by Brad Meltzer, Phantoms by Dean Koontz, revisionism – what authors shouldn’t go back and revise (or update) their published novels, evidence: Star Wars, Star Trek: Amok Time, Escape Pod returns! with a new Ken Scholes short story, Lamentation by Ken Scholes, Springtime for Hitler (and Germany), iPhone’s drawback (battery life), iPod Nano vs. iPod Classic vs. iPod Touch, The Cutie by Donald E. Westlake comes to audiobook on March 1st 2009, Decoder Ring Theatre, Gregg Taylor’s Black Jack Justice is now a webcomic!, Sandman: Brief Lives by Neil Gaiman, Gaiman on CBC.

Posted by Jesse Willis

Review of Stonefather by Orson Scott Card

SFFaudio Review

Stonefather
By Orson Scott Card; Read by Emily Janice Card
Audible Download – 3 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
Themes: / Fantasy / Magic / Nature / Politics / Youth /

Runnel is nothing special. He was never good at anything nor exceptionally bad at anything, just plain ordinary. He is frequently beat by a just as frequently angry father. He lives in a house with more than a dozen children. “Runnel” is a water name, which he was given out of piety to the god Yegut. Even though he has a water name, the only thing that Runnel is better than the other children at is rock climbing. He can find footholds and crevices where other children can’t.

As Runnel approaches his “man height” the other kids begin playing mean jokes on him. During one of these jokes Runnel finds himself on the top of a mountain all alone looking at a road heading to Mitherhome, the city of water mages. He decides to leave and starts to walk towards Mitherhome which is an island surrounded by a deep gorge in the land. He walks to the town of Hetterfairy, the only way to get to Mitherhome. Here he meets a servant named Lark who becomes his first friend. Runnel persuades her to take him to her masters house where he gets a job and discovers something amazing about himself.

This book is written by Orson Scott Card and is read by his daughter Emily Janice Card. Orson Scott Card is the famous award-winning author of the Ender series, Bean Series, and the Earthfall Series. “Stonefather” is a story set in a series he is writing, an introduction you might say.

Emily Janice Card read this book amazingly. This is the first audio book that I have heard that she has read and I was pretty surprised. She is not the best reader in the world but she is very very good. I could see the same voice in all the characters but this did not distract me from the story.

Card’s clever use of words had me from the beginning as all of his books do. I could tell each character not only from their voice but from their style of words. Some had very similar styles but there was always a little tweak in it that I could see and it made it all the better. I dislike books in which I can not tell who is speaking.

Posted by DanielsonKid (Age 14)