Review of Tales from the Hood: The Sisters Grimm by Michael Buckley

SFFaudio Review

Fantasy Audiobook - Tales from the Hood: The Sisters Grimm by Michael BuckleyTales from the Hood: The Sisters Grimm
By Michael Buckley; Read by L.J. Ganser
6.5 Hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2008
Themes: / Fantasy / YA / Magic / Trial / Fairy Tale / Mystery /

This is my second book in the series. I started with book 5 and couldn’t put it down. At the end, I had to purchase and listen to book 6. Once again, I found myself lying in bed, listening to the book far longer than was prudent. It reminds me of the nights as a child when I would take a flashlight and read under the covers of my bed. It’s wonderful to again find a series that warrants that sort of need to read.

In the sixth volume, Mr. Canes, otherwise known as The Big Bad Wolfe, goes on trial for the murder of Little Red Riding Hood’s grandmother. As always, the story was and was not what we’ve heard before.

Mr. Buckley again laced the story with clues. This time I had the ending figured out beforehand, but I didn’t mind as I enjoyed the story and how it unfolded.

In volume six, the trial is mostly a sham. The Mad Hatter is the judge and the defense is thwarted at every turn by a devilish prosecution. While we follow the main story, the overarching plot that weaves through the series also advances satisfactorily. The author is adept at giving us just enough backstory to keep from being lost but not enough for those who read previous books to mind.

The trial reminded me a lot of a Disneyland ride I loved as a child: “Mr. Toad’s Wild Ride”. The author grabs you, throws you into the car and takes you on a fast-paced ride, full of twists and turns, sudden stops and dead ends. But the denouement was quite satisfactory. The “To Be Continued” at the end of the book was more a “that chapter’s over, now it’s time for the next one” rather than a “I must get the next book!” But that, too, was fine. After the crazy trial, I’m ready for a short (very short) break before moving on to see what happens next.

Do I recommend the book? Absolutely. I’d give this a 9 out of 10. I’d recommend the entire series (based on two books) to readers of all ages. I’m an adult and I loved it. Young readers (the target audience) will love it as well.

This is a series you can safely buy as a gift for any child who loves to read mystery, adventure or fairy tales. The world comes alive in the books and you believe that, somewhere, Ferryport Landing really exists. That, to me, is high praise indeed.

Posted by Charlene Harmon

Review of The Sisters Grimm: Magic and Other Misdemeanors by Michael Buckley

SFFaudio Review

The Sisters Grimm: Magic and Other MisdemeanorsThe Sisters Grimm: Magic and Other Misdemeanors (Book 5)
By Michael Buckley; Read by L. J. Ganser
6.5 Hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2008
Themes: / Fantasy / Magic / Mystery / YA /

This is the fifth book in the series, but my first foray into the world of the Sisters Grimm.

At first I found it interesting. Two young girls, Sabrina and Daphne, are the last in a long line of descendants or Wilhelm Grimm. They live with their Granny Relda, Uncle Jake, Mr. Canis and Puck, a mischievous fairy with a penchant for trouble. Their parents are asleep, victims of some sort of sleeping spell.

The girls are being trained to be detectives and help the Ever Afters, immortal folk from the fairy tales, who are trapped in Ferryport Landing.

I like the premise. I like the characters and the story. But as I got into the story I found myself pulling out my iPod every chance I could get to listen. I even found myself lying in bed, listening to the story when I should have been sleeping.

This time, the group must pay the evil Mayor Heart and Sheriff Nottingham exorbitant back taxes or risk losing their home. At the same time, three of their Ever After friends have lost valuable magical items and need the Grimm’s help in recovering them.

The ending is not what I expected. Well, not exactly. Nor were several of the twists thrown in to distract the family and keep them from solving the case. But they all fit very nicely and the ending was satisfactory – sort of. The story ended with a “To be continued” as the overarching story continues. I’ve already purchased book six to begin as soon as I finish this review.

On a scale of one to ten, I give this book an enthusiastic nine. Read it. Give it to your daughters, nieces, nephews and anyone who loves fantasy and fairy tales. It’s a delightful book.

And now, on to book six…

Posted by Charlene C. Harmon

Review of Nine Princes in Amber by Roger Zelazny

SFFaudio Review

Fantasy Audiobook - Nine Princes in Amber by Roger ZelaznyNine Princes in Amber
By Roger Zelazny; Read by Alessandro Juliani
5.5 Hours – [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2012
Themes: / Fantasy / Siblings / Royalty / Swordplay / Magic /

Before Joss Whedon, there was Roger Zelazny. I thought this at some point during this time through Nine Princes in Amber, a book I revisit now and then. Zelazny’s dialogue is snarky and the story quick and interesting. Figure out how to depict the road to Amber, and the Amber novels would make an excellent television series. If Joss wrote this, though, the women in the story would have stronger roles.

My reason for re-reading this was the publication of a new unabridged audio version from Audible Frontiers. Alessandro Juliani narrates, and makes the story even better. Before this, the only unabridged recording that existed was read by Zelazny himself. I’ll definitely keep those audiobooks – Zelazny has a very distinctive voice – but Juliani’s reading fleshes out the character of Corwin so well that it makes the book more entertaining.

The novel is told in first person from Corwin’s point of view. At the opening, Corwin wakes up in a hospital bed with memory loss. As he figures things out, so do we. He learns that he’s a quick healer, that he’s got some skills, and that he has a sister. Further along he realizes more – he’s part of a royal family of Amber, the only true world. There’s magic and intrigue, there’s trumps and travels to Amber, there are creatures and mean princes. It’s wonderful. And it’s a short listen, coming in at only 5 1/2 hours.

If you like this one, listen to the other four in the series, all available on Audible. They are all great fun. After that, there are another five books. It’s excellent to see that Audible Frontiers is alert enough to change the narrator for those. Alessandro Juliani narrates the first five books, then Wil Wheaton takes over for the next five because those books are from another character’s point of view. Well done, Audible!

Posted by Scott D. Danielson

Review of The Magician King by Lev Grossman

SFFaudio Review

Fantasy Audiobook - The Magician King by Lev GrossmanThe Magician King
By Lev Grossman; Read by Mark Bramhall
13 CDs – Approx. 16 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2011
ISBN: 1611760259
Themes: / Fantasy / Magic / Wizard School / Alternate Worlds / Gods /

What does it mean to be the Hero on a Quest? What does it cost? Perhaps this is something you might want to find out before you go looking everywhere for one.

It is two years since the final scene in The Magicians (Read the Review). Quentin Coldwater is now one of the Kings of Fillory, that Narnia-esque fantasy land from the series of books he read as a child. Fellow King and Queens are fellow Brakebills Academy graduates Elliot, the self-obsessed fop, and Janet with whom Quentin had a very brief dalliance, with tragic consequences. There are to be two Kings and two Queens of Fillory with Quentin’s pre-Brakebills friend Julia taking the fourth crown.

Quentin is still emotionally scarred from the tragedies of the first book and is struggling to find a reason in his life. Again this leads him towards a search for a Quest. Despite being a King in a magical realm where you would have to go far out of your way to prevent the land from producing a bountiful harvest. It still isn’t enough, Quentin feels the need to be doing something important. One thing the Fillory was good for in the books about it that he read while growing up, was that the Chatwin children always had a quest to complete when they visited.

After a false start on a quest involving a madly thrashing over-sized clock-tree, Quentin embarks on a trip to the most remote island of the realm of Fillory. To collect on unpaid taxes. He was getting desperate to find his quest and this come up at the wrong time. Never mind that the cost of outfitting the ship and getting there would out strip the value of the unpaid taxed several times over.

Accompanying Quentin on his fools quest is Queen Julia. In The Magicians Julia was the school friend that also sat the Brakebills entrance exam, but didn’t make the cut. Half of The Magician King is told from Julia’s perspective, as we follow what brought her from failing that exam to where we found her floating in the air beside Elliot and Janet at the end of The Magicians. This half of the book is the more compelling of the two as we learn about the world of Magic that isn’t controlled by the establishment as exemplified by the Brakebills Academy.

The main quest that Quentin and Julia follow, The Search for the Seven Golden Keys of Fillory, inadvertantly takes them out beyond the furthest isle of Fillory and lands them in the one place neither of them ever wanted to be. Back home of Earth. Although Earth isn’t as magical as Fillory, there are still wonders here to be found, such as Dragons.

Julia is the real treasure in this novel. A minor character in the first book, she rivals and surpasses Quentin for the position of protaginist. Although half the book is written from Quentin’s perspective, you should pay close attention to Julia. The two halfs tell of the terrible path that this poor tortured woman drove herself along after glimpsing the secret world of Brakebills. She is a broken and empty shell as Queen Julia, slowly finding parts of herself as she and Quentin struggle to find the Keys that will prevent Magic from dissappearing from all of the different realities. Especially important to Fillory as it can’t even exist without Magic. For the Old Gods have returned. No, not Cthulu. The Gods who created the Neitherlands, and accidentily left open the loophole that allows humans to do magic at all.  Something got there attention and now they know that there is a loophole, and they are working to close it.

Quentin and Julia are both compelling characters. Quentin is still a bit of the Emo kid he was in the first book and his desire to be the Hero teaches him the cost real Heros must be prepared to pay. Julia through the two storylines has a woderful depth to her. She isn’t necessarily likeable, she is even more obsessive then Quentin in the flashback story. An obsession that costs her dearly.

Grossman’s world of Magic, although having some of the trappings of a Narial-like fairytale, it has much more in common with the original dark fairytales before they were sweetened for Victorian children. Magic is powerfull and the consequences, when they come, are swift, severe and utterly pittyless. We do get to see the awesome potential of the Magic that Quentin wields as he finds in himself the real Magician King. What he and his friends had been doing before was just playing with kid-gloves.

Mark Branhall again narrates, bringing out each character well and maintains consistent voices for characters from The Magicians.

This is a more developed narrative than the first book, which stood well on it’s own and didn’t leave you feeling there was a need for a sequel. The Magician King‘s story is also self-contained, but you should have read book one to appreciate it properly.

Posted by Paul [W] Campbell

Review of The Red Panda Adventures – Season 7

SFFaudio Review

If you haven’t already started listening to The Red Panda Adventures you’re doing yourself a grave disservice. Go back to the beginning and start with Season 1 (that’s HERE).

Superhero Audio Drama - The Red Panda Adventures - Season SevenThe Red Panda Adventures – Season 7
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: August 2011 – July 2012
Themes: / Fantasy / Superheroes / Mystery / Crime / Nazis / War / WWII / Adventure / Toronto / Androids / Espionage / Zombies / Magic / Aliens / Poetry / Astral Projection / Hypnosis / France / Germany / Berlin / Dinosaurs / Identity / Forgery / Romance /

The Red Panda Adventures is a comic book superhero series with a world, now in it’s seventh season, that is only comparable in scale to the entire Marvel or DC universes. But unlike either DC and Marvel, the Red Panda universe has all been written by one man, Greg Taylor. Because of that it has a consistency like the best seasons of Babylon 5.

The first episode of Season 7 follows right on the heels of last season’s final episode. In the season opener, From the Ashes, Kit Baxter gets a visit from the highest power in the land. And what with the Red Panda being presumed dead there’s only one thing to do – find a replacement for Canada’s greatest superhero. The government suggests that an unkillable machine, bent on vengeance, become the new Red Panda. And Kit, is fairly forced to accept the government’s choice. Now I won’t summarize any more of the plot. But, I will say this – Season 7 is a very different season than the previous six seasons.

What isn’t different is Taylor’s scripting. It’s still great, in fact its almost unbelievably great. Taylor has one of those highly distinctive writing styles, one that’s instantly recognizable – he’s like an Aaron Sorkin, a David Mamet, or an Ian Mackintosh. And with Taylor’s style comes a whole lot of substance too. He does incredible things with each half-hour script. Each standalone tale features a carefully measured combination of snappy repartee, genuine mystery, thrilling suspense, and clever action. And he does it all within a expanded universe so consistent so as to have become a kind of complete alternate history. His seven year series, and running, has created an image so vivid as to be completely realized. Taylor’s 1930s-1940s Toronto is far realer to me than any Gotham or Metropolis offered up in comics or movies. In fact to find anything comparable you’d have to go to the Springfield of The Simpsons!

Indeed, for the last seven years I’ve followed The Red Panda Adventures rather avidly and with each season I’ve become more engrossed in the show. The release of a new episode has become so inextricably linked to my listening habits so as to become like a good a visit from an old friend. It’s truly wonderful.

In my re-listening to the first eleven episodes of this Season 7 I picked up dozens and dozens of minor details in dialogue and plot that I’d missed the first time around. Take one point, early in the season, as an example – a character quotes the tagline of the CBS Radio series Suspense as a part of her dialogue.

How wonderful to find that!

And of course there are all the usual line echoes that we know from all past seasons (if you’re curious there’s a whole thread of Taylorisms over on AudioDramaTalk).

As for Season 7 as a whole, it has a sense of deep loss, very much in keeping with the times in which the story is set and the fallout from Season 6. Earlier I mentioned that Season 7 was unlike previous seasons, that’s because it features two overarching, and eventually intersecting, plots. The first, set in Toronto, deals with Kit Baxter, her new sidekick, her new job as associate editor of the Chronicle, and her developing pregnancy. The other plotline, set in Europe introduces us to a new character, a Lieutenant Flynn, a man in a deep denial, and his attempts to fight the Nazis behind their lines. It’s a radical change, and unforeseen change of pace, but not an unpleasant one.

The smaller scale stories from this season, like The Milk Run, work terrifically well too. As even the characters themselves will admit a plot about the forgery of rationing books doesn’t sound very dramatic next to the events unfolding in war torn France. But it’s a job that has to be done, and should be done, and done well it is. And that’s because the relatively harmless domestic crime of forgery is an important part of the story of WWII Toronto. The The Milk Run script tackles it in a way that makes it seem as if such a story could not not be told. In fact, this whole home-front end of the season’s story holds up very well next to the very dramatic later episodes.

One other such, The Case Of The Missing Muse, works very similairly. It’s a story in which we meet a super-villain, with a super-vocabulary, in a mystery that could have been set in any of the previous episodes. But what with the war time setting it of Season 7, and a new Red Panda running the show, it has a resolution that has its own unique wartime fit.

That replacement Red Panda, who in fact is a character from a previous season is still voiced by the wonderful Christopher Mott. The new Panda has a very different personality and temperament than our good friend August Fenwick. His goals as Red Panda are different, his methods are different, and it’s basically everything you like about when a hero regular superhero, from the comics gets, a replacement. It’s a new origins story – a fresh start – with all the promise that brings.

Some have argued that The Red Panda Adventures is really Kit Baxter’s story – and that certainly could be argued especially within the first arc of Season 7. Indeed, Kit Baxter, aka Flying Squirrel, does not get short shrift there. Besides her regular superhero duties, Kit’s also required to train the new Panda, fill in for the shattered Home Team (from last season) and somehow deal with the fact that her butler now knows she’s the Flying Squirrel! But that’s not all over at The Chronicle, the fictional Toronto newspaper that Kit works for, she, and we, get to visit with one of the best editor voices I’ve ever heard. Editor Pearly is your typical fatherly J. Jonah Jameson type caricature of an editor, but with a voice so crazily stressed out, a voice with lines so quickly delivered, you’ll barely understand a word he’s saying. It’s both fun and funny.

Then, just short of the midway point, a kind of focal transition takes place in between episodes 78 and 79, The Darkness Beyond and Flying Blind. The second arc begins slowly but soon ramps up. The aforementioned “Lieutenant Flynn”, and a team of commandos lead by one Captain Parker must escape from a Nazi stalag prison. Once achieved they spend much of the rest of the season either on the run or doing Special Operations Executive style missions in Nazi occupied France or in Berlin itself! And long time fans of the series will recognize the return of a certain Australian accented commando in one episode.

This new military aspect of the show is actually rather remarkable, being like a kind of Canadian version of WWII Captain America. It features a large male cast, allied soldiers, that act like something like a hybrid of the comics like Sgt. Rock, Sgt. Fury And His Howling Commandos, and The Unknown Soldier. Indeed, in the final episode of Season 7, The Black Heart, the show even gives a nice tip of the hat towards the later Nick Fury (the one who’s an agent for S.H.I.E.L.D.). That final season episode, incidentally, is set to be podcast later this month and features several other reveals, and dare I say reunions, which fans will be sure to love – I know I sure did. Suffice it to say, the Season 7 season-ender is definitely not a cliffhanger.

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis

LibriVox: The Cats Of Ulthar by H.P. Lovecraft

SFFaudio Online Audio

The Cats Of Ulthar by H.P. Lovecraft

Hannes Bok illustration for The Cats Of Ulthar by H.P. Lovecraft

Hannes Bok illustration for The Cats Of Ulthar by H.P. Lovecraft

First published in Tryout, November 1920, The Cats Of Ulthar is an unusual tale by H.P. Lovecraft. It reads more like an old fashioned fairy tale than any other I’ve read. The story features a young boy named Menes who loves cats. Lovecraft probably took that name from the writings of a Greek historian named Diodorus Siculus who related a tale of a legendary Egyptian pharaoh named Menes that he heard from some crocodile-god priests. Menes it was said fled from his own dogs, who attacked him, while hinting. His escape was assisted by a crocodile. But no dogs or crocodiles are mentioned in The Cats Of Ulthar.

LibriVoxThe Cats Of Ulthar
By H.P. Lovecraft; Read by James Pontolillo
1 |MP3| – Approx. 9 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 19, 2008
|ETEXT|
First published in Tryout, November 1920.

And here’s a |PDF| made from the publication in Fantastic Novels, January 1951.

Posted by Jesse Willis