The SFFaudio Podcast #492 – AUDIOBOOK/READALONG: Morella by Edgar Allan Poe

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #492 – Morella by Edgar Allan Poe – read by the great and powerful Wayne June. This is a complete and unabridged reading of the short story (17 Minutes) followed by a discussion of it. Participants include Jesse, Paul Weimer, Mr Jim Moon, and Wayne June!

Talked about on today’s show:
A Tale, The Southern Literary Messenger, April 1835, Burton’s Gentleman’s Magazine, November 1839, you will not believe how Lovecraftian it is, very Edgar Allan Poe, The Thing On The Doorstep, Hypnos, turns of phrase, Cool Air, shall I say it was gelatinous?, The Statement Of Randolph Carter, the moment of Morella’s decease, its tenement of clay, an interest in a woman, there’s nothing more romantic than the death of a beautiful woman, The Philosophy Of Composition, Berenice, The Fall Of The House Of Usher, Elenora, Morella, berry-nice, Ligeia, a ghost, I’m gonna burn the house down, The Raven, crack the house open, the movie adaptations, Roger Corman’s Tales Of Terror (1962), Vincent Price, Edgar Allan Poe’s The Haunted Palace is an H.P. Lovecraft story, redeeming value, interesting, shedding what doesn’t happen in the story, what is the name of the main character, the unnamed narrator, get shocked, the narrator is passive participant in the events around him, active in his twisted perspective, an unreliable narrator, statements based on assumptions, The Black Cat narrator is 100% a liar, a victim, he’s nuts, a weird lifestyle, a weird lifestyle, reading German philosophy, this text is hard to read, a comic book version, an adaptation of the 1962 movie, Amicus anthology film, Elenora, Leonora, “hey you, child!”, “my beloved”, Gideon Locke, more like the The Fall Of The House Of Usher without the friend, The Haunting Of Morella (1990), Countess Elizabeth Báthory, bathing in maiden’s blood, lots of nudity, lots of lesbianism, scared topless, Busty Coeds vs. Lusty Cheerleaders, Gothic romanticism, Richard Corben’s adaptation, 19th century education, familiarity with Plato’s Symposium, personal identity, a nodding acquaintance with Fichte’s accused pantheism, Pythagoreans, Wayne did so much research on this story, it’s no wonder that people don’t get it, this is amazing, its beautiful, high level vocab words and giant sentences, it is creepy too, the epigraph, in vino veritas, in praise of Eros, he didn’t find her sexy, erotic love, a phenomenon capable of vanquishing man’s natural fear of death, conquering death itself, preserving her consciousness in reincarnation, forbidden books, those Pressberg chicks, the mere dross of early German literature, Locke, John Locke, Poe says: “Wow, this is some heavy shit!”, a witch, a lich, a way to renew life, the motifs that are in here, none of this is translatable to film in a non-commercial style, plant growth, the flowers and the vine, the hemlock and the cypress, persistent, frequently planted in graveyards, funeral decoration foliage, The Tree by H.P. Lovecraft, an olive tree of oddly repellent shape, autumn, a metaphor of renewal, there’s a lot to it, life after death, her disappearance from the tomb, as Morella lost life her daughter takes her first breath, a sense that Morella is not evil but rather she is mistaken, not addressed, the all importance of personal identity and survival of the consciousness, replace or become, the self-same person as her daughter?, displacing her daughter’s identity?, theological ideas, Catholic dogma, morally gray, light grey, dark evil, Poe was a reviser, laid vs. placed, tinged with tainted, subtle polishing, these vs. those, this and that, a way of pushing things away, a whole omitted section to do with Catholicism, a rainbow from the firmament, Sancta Maria, it totally changes the story, that makes her a monster, pushed into the evil camp, comparison to Mary, Hail Mary (1985), your daughter, her daughter, parthenogenesis, Jesus is a girl dressed as a guy, she looks identical to her mother, making a clone, your own genetics, a fantasy story, a science fiction story, the Catholic stuff distracts, a failed experiment, it really changes the tenor of the story, The Case Of Charles Dexter Ward, health problems with the clones, the naming, the true name, speaking the name breaks the spell and kills the child, Wilbur Whateley style, a tale of possession, Doctor John Dee, philosophy, alchemy, why is he doing that?, a symbolic story, how hard grief is, seeing a dead relative in the next generation, a symbolist story rather than a Gothic one, mysticism vs. science, Lovecraft as a science fiction writer, instead of characterizing her as a witch he characterizes her as advanced arcane philosophy and science, lower as in closer to the ground, what is identity?, how he talks about his daughter, two lustrums (ten years), my child and my love, now he’s the father, a mother figure, guiding his hand in his reading, enkindling and disquisitions, he become that for her, like Alia the brother of Muadib from Frank Herbert’s Dune, imbued with the mind of a reverend mother, someone much wiser than she, Annabelle Lee, there’s no visualization of their home, they have their own family tomb, the black slabs of our ancestral vault, baptism/christening, a cemetery connected to a church, fate, like flitting shadows, the wind in the firmament, a very Poe-ism, a semi-manorial estate, a big library, an isolated or cloistered life, Miranda, The Tempest, sexy times, it has to be symbolic, a witch or a litch, hot vs. beautiful, curly black hair, a broad white forehead, to encompass all those brains, her erudition made her happy, the art in Wayne June’s YouTube video, a wild interpretation, what if this is a gender flipped story?, what if Morella is Poe, he was a wooer, wooing with poems, devotion, vocab, she represents his respect for erudition, deep thought and philosophy, immortality, 178 years later, a powerful set of images, oblique quick references, losing his fascination with Morella, being fearful of Morella’s studies, the promised land, Hinnon became Ge-Henna, sacrifices to Baal and Moloch, a huge oven, not milk and honey but burning babies, Heaven and Hell, son of Dagon, God’s not the only god around, as to the nature of our studies, terrible studies, reluctant fascination, Warren always dominated me and sometimes I feared him, firm and fat in their tombs for a thousand years, some heavy shit, where is this text from?, when is he telling the story in relation to the events?, is he telling his doctor, I am writing this under an appreciable mental strain, The Hound, an unequal partnership, the whole Poe as Morella thing, strange meaning, like Poe and Lovecraft’s intertextuality, full of references, a deep dive to uncork meaning, the pinnacle of the educational stuff, this is an audiobook story!, then then, when pouring over the forbidden pages, a Roof Bear Morella drawing, inhabiting him, a forbidden spirit, her cold hand, rake up from the ashes of a dead philosophy, hour after hour I would linger at the music of her voice, those two unearthly tones, reading like a woman and slowly the voice changes to that of Wayne June, two unearthly tones, too unearthly, so far from the Earth, hypnotizing him, Sir Arthur Conan Doyle’s The Parasite, voodoo town, Jamaica, it’s a whole thing, Metzengerstein, Facts In The Case Of M. Valdemar, how to get girls by hypnosis, 3D glasses, hernia supports, that’s how Poe gets girls, the girl does that to him, he’s gender flipped it, the object of mourning rather of action, disabuse Jesse of this, Jim’s up, Jesse convinces Mr Jim Moon of his crazy theory, hard to get, The Cask Of Amontillado, The Masque Of The Red Death, so straightforward and so beautiful, adding poems, The Conqueror Worm, Poe was canny with getting sales, booze doesn’t buy itself, paper to write to girls, The Island Of The Fay, The Science Of Kissing!! by Charles Peterson, super metoo movement, it’s great to be Turkish because they really know how to kiss, as practical as that, foreseen to foretold, what demon urged me, ebb and flow, the repeat, horrible horrible death, knell to fell, a tiny little polish, an iterative process of refining, the definite version, all in Greek, pronouncing the Greek phonetically, a maniac on style and form, The Philosophy Of Composition, that certain sad uncertain rustling of each purple curtain thrilled me, except for Hawthorne, Poe’s nickname was Tomahawk Poe, hated by his peers (those who didn’t admire him), collected a lot of scalps, “Itself, by itself solely, one everlastingly, and single.”, the ability to establish personal… identity, what the French call an orgasm, la petite mort, Aristophanes, hermaphrodite, lesbians belong to this category, the different kinds of attraction, nothing is off limits for the Greeks, wanting to grow together, Plato’s theory, being a hermaphrodite sphere was cool, love and eros, the beast with two backs, why we seek a soul mate, my better half, what is the it in “itself”?, if you achieve perfection of appreciation of beauty you will be unifying your existence with that which is the beautiful, she has a beautiful mind (but not face or body), she lives only in the regard of the narrator, Poe is immortal but only as long as there are people to read his stuff, denuded, existence is not continued, sad and sad about the lost of a loved one, the ghost comes back and says “it’s okay”, a suicide note, this is why I did it, Poe loves to play with the formatting, The Oval Portrait, how the narrator came to be wounded, it doesn’t add to the symbolism, its a beautiful message, the events are less important than the creation of that beautiful images, undiscussed details, up to the reader to decide, what demon urged me to breathe that sound?, literal?, daemon, a personal spirit, his muse, a program running in the background, the Greeks knew it all,

What fiend spoke from the recesses of my soul, when, amid those dim aisles, and in the silence of the night, I whispered within the ears of the holy man the syllables—Morella? What more than fiend convulsed the features of my child, and overspread them with hues of death, as starting at that scarcely audible sound, she turned her glassy eyes from the earth to heaven, and, falling prostrate on the black slabs of our ancestral vault, responded—”I am here!”

what a shocker!, she had her eyes on the Earth, falling backwards, ending in the last seconds, what happened to the body?, a stupid ghost story, the vegetation, planted from a seed, growing up, the roots going deep into the cellar, who knows what horrible juices they suck, as the second Morella has grown, the end of the cycle, she’s a lich who failed, the new body lives until the point that she’s named, women jr., Ivanka, a secondary world society, the right name for her, a terrible dad, she lives longer but she doesn’t have a full life, oops she died, foiled again, given her another name, Dude, you have to name me something else, a lich story, a fabulous story, how concise it is, this much work, very few, very dense, so effective, exactly as long as it has to be, Gothic romance,

German gothic fiction is usually described by the term Schauerroman (“shudder novel”). However, genres of Gespensterroman/Geisterroman (“ghost novel”), Räuberroman (“robber novel”), and Ritterroman (“chivalry novel”) also frequently share plot and motifs with the British “gothic novel”

a nun in New York who wrote about haunted castles on the Rhine river, E.T.A. Hoffmann, Undine, Lorelei, mere dross, worthless, rubber, dregs, those mystical writings, her favourite and constant study, the philosophy of the day, Shelling, the dross of philosophy, presuppositions, authority, it goes against the Ship of Theseus, every cell and molocule and atom is replaced, eating and breathing and pooping changes, carbon dating, when the ship returns home no part of it is the same piece but all the pieces resemble the same thing, attains or regains, like Plato would have us do in the Realm of the Forms (The Republic), suddenly she gets that last little piece of the puzzle, overload, you get the impression she died right then and there at her baptism, the exact wording, they’re just rich, murmured ever more, the opposite of the adaptations, a different sort of feel, her from the moment of birth or earlier, the breath thing is so important, spirit, undfeatable, a thesis for the ages!

Morella - illustrated by by Frederick Simpson Coburn, 1902

Edgar Allan Poe's Morella - illustrated by J. Duran

Edgar Allan Poe's Morella - adapted by Eugenio Colonnese

Roof Bear Morella

Morella illustrated by Thurburn from The Sketch, June 17, 1914

Posted by Jesse WillisBecome a Patron!

The SFFaudio Podcast #293 – AUDIOBOOK/READALONG: Carmilla by J. Sheridan Le Fanu

Podcast

J. Sheridan Le Fanu's CARMILLA
The SFFaudio PodcastThe SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.

Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,

“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others

the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.

Aricel Comics - Carmilla, issue 1

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla adaptation from Creepy Magazine 19

Carmilla - illustration by Lisa K. Weber

Posted by Jesse Willis

Sears Radio Theater: Carmilla by J. Sheridan Le Fanu [RADIO DRAMA]

SFFaudio Online Audio

Carmilla - illustration by Dean Kotz

Vincent Price hosts this adaptation of J. Sheridan Le Fanu’s classic vampire story. The setting is changed, moving the events up to 1922, and placing the action in Vienna. Price begins the program quoting these lines from Lord Byron’s 1813 poem, The Giaour:

Bur first, on earth as Vampire sent,
Thy corse shall from its tomb be rent:
Then ghastly haunt thy native place,
And suck the blood of all thy race;

Sears Radio TheaterSears Radio Theater – Carmilla
Adapted from the novella by Sheridan Le Fanu; Performed by a full cast
1 |MP3| – Approx. 47 Minutes [RADIO DRAMA]
Broadcaster: CBS
Broadcast: March 7, 1979
Source: Archive.org

Cast:
Antoinette Bower
Ann Givin

[image by Dean Kotz]

Posted by Jesse Willis

LibriVox: Red Nails by Robert E. Howard

SFFaudio Online Audio

LibriVoxThis may be the best treat in the month of June! Check out this wonderful reading of the original 1936 CONAN novella, Red Nails, by my friend Gregg Margarite! Read what Robert E. Howard wrote about it, as he was writing it:

“‘You see, girl [Howard was writing to Novalyne Price], when a civilization begins to decay and die, the only thing men or women think about is the gratification of their body’s desires. They become preoccupied with sex. It colors their laws, their religion — every aspect of their lives.[…]’Girl, I’m working on a yarn like that now –a Conan yarn. Listen to me. When you have a dying civilization, the normal, accepted life style ain’t strong enough to satisfy the damned insatiable appetites of the courtesans and, finally, of all the people. They turn to Lesbianism and things like that to satisfy their desires…I am going to call it The Red Flame of Passion.'”

We call it Red Nails!

I broke out my copies of Savage Tales #2 and Conan Saga #9 in order to illustrate some of the terrific art that Robert E. Howard’s last Conan story has generated. Here are some of additional materials from the original publication too. First up, it’s desribed as:”One of the strangest stories ever written—the tale of a barbarian adventurer, a woman pirate, and a weird roofed city inhabited by the most peculiar race of men ever spawned”Then the editorial staff of Weird Tales had this to say:

“Nearly four years ago, WEIRD TALES published a story called The Phoenix On The Sword, built around a barbarian adventurer named Conan, who had become king of a country by sheer force of valor and brute strength. The author of that story was Robert E. Howard, who was already a favorite with the readers of this magazine for his stories of Solomon Kane, the dour English Puritan and redresser of wrongs. The stories about Conan were speedily acclaimed by our readers, and the barbarian’s weird adventures became immensely popular. The story presented herewith is one of the most powerful and eery weird tales yet written about Conan. We commend this story to you, for we know you will enjoy it through and through.”

And, after you begin listening, be sure to compare the three scenes from the story I’ve matched up.

LIBRIVOX - Red Nails by Robert E. HowardRed Nails
By Robert E.Howard; Read by Gregg Margarite
5 Zipped MP3 Files or Podcast – Approx. 3 Hours 24 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 19, 2010
Text Source: Gutenberg.org |HTML|
Conan the Cimmerian pursues the beautiful and deadly pirate Valeria after she kills a Stygian only to find himself cornered by a dragon. Apparently this dragon doesn’t know who he’s messing with. The pair then encounters the city of Xuchotl with its warring factions and ancient secrets. Swordplay and sorcery ensue. – Red Nails is Howard’s final Conan story. First published in the July, August, September and October 1936 issues of Weird Tales magazine.

Chapter 1 |MP3| Chapter 2 |MP3| Chapters 3 & 4 |MP3| Chapters 5 & 6 |MP3| Chapter 7 |MP3|

Podcast feed: http://librivox.org/rss/4404

iTunes 1-Click |SUBSCRIBE|

Art from the original 1936 Weird Tales publication:

Weird Tales July, August-September and October 1936 issues

WEIRD TALES - Red Nails by Robert E. Howard
WEIRD TALES - Red Nails by Robert E. Howard
WEIRD TALES - Red Nails by Robert E. Howard

Art from the Roy Thomas and Barry Windsor-Smith comics adaptation from 1973 & 1974 :

Roy Thomas And Barry Windsor Smith adapt Red Nails

Thomas/Smith - Red Nails Dragon Scene
Thomas/Smith - Red Nails Throne Room Scene
Thomas/Smith - Red Nails - Tolkemec Laser and Knife Scene

[Thanks also to Betty M. and David Lawrence]

Posted by Jesse Willis