Here is H.P. Lovecraft’s novelette The Horror At Red Hook. The story was first published in the January 1927 issue of Weird Tales and later in the March 1952 issue (which is where I found the terrific Jon Arfstrom at the bottom of the post).
Red Hook is a mysterious slum in New York City, full of gangs, crime, and just perhaps a terrible cult. Detective Malone had a case that had tendrils extending into Red Hook. It seems that one Robert Suydam, a corpulent and scruffy recluse, has been looking younger, more radiant and prosperous. What does that have to do with the recent spate of kidnappings?
Lovecraft described his inspiration for the story in a letter written to Clark Ashton Smith:
“The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale “The Horror at Red Hook”, you will see what use I make of the idea in connexion with the gangs of young loafers & herds of evil-looking foreigners that one sees everywhere in New York.”
Talked about on today’s show:
Is The Comedy Is Finished going to be the last Donald E. Westlake novel to be published?, Memory (and our discussion of it), Charles Ardai, Max Allan Collins, Mickey Spillane, getting paid is a priority for professional writers, the 1970s, Honeydew, USO tours, Bob Hope, the audiobook experience, Peter Berkrot’s narration of the audiobook of The Comedy Is Finished, Koo Davis, Bob Hope as Red Skelton vs. Bob Hope as Gene Kelly, Alfred Hitchcock, Ricky Gervais, Koo Davis narrates his own POV in the present everyday tense sense, “Westlake is the master of sentence by sentence writing”, “in the moment”, “the god-damned Vietnam thing”, “the real Americans”, the redemption, healing vs. moving on, Ronald Reagan, “new normal”, “the Carter malaise” and “festering wounds”, Larry, Peter, Mark has daddy issues, Joyce, the Dortmunder gang if they were all psychotic, “doing a Westlake”, why do Koo’s boys not look like him?, the role of a father, the mirror scene, “genetics don’t matter in fiction”, fatherhood as a choice, leave the messages to Western Union, character arcs, Lindsey, A Sound Of Distant Drums, radio drama, “there are round characters and there are flat characters”, “oh this is a Westlake”, “Charo has become a bitter old woman”, “a romantic writer”, succinct description, taking plots from real life, The Score, “he can heist anything”, The Mourner, The Stepfather, “that’s pretty much how these work”, three Dortmunder ideas, Kahawa should be an audiobook, California, Burbank, Santa Barbara, Elizabeth Taylor’s biography, Under An English Heaven should be an audiobook too, Anguilla, an option has been taken out on Kahawa, the new Parker movie, Stephen King’s filmography vs. Donald Westlake’s filmography, The Hot Rock, Cops And Robbers (1973), The Split (based on The Seventh), Payback, Les Alexander, The Outfit, City Of Industry, The Sour Lemon Score, Made In U.S.A., the Criterion Collection, it’s Clint Eastwood with internal monologue, a Dortmunder TV series, The Limey, Terence Stamp, Idi Amin, Uganda, “the coffee train”, Enough, Ordo, A Slight Case Of Murder, A Travesty, it’s very hard to be a Westlake expert, the sound a girl makes when you’re kissing her, “it’s just a weird name”, Bob Hope was a knight!, Conrad Black, Baron Black of Crossharbour, Westlake’s Science Fiction and Fantasy, Westlake’s renunciation of SF, Anarchaos by Curt Clark, “Rolf Malone is a precursor to Parker”, Theodore Bikel (the fiddler in The Fiddler On The Roof), The Risk Profession, Nackles (is great for kids!), The Twilight Zone, Harlan Ellison’s screenplay for Nackles, the Starship Hopeful series (available on DonaldWestlake.com), Lawrence Block’s fantasy story, SF is very allegorical (and that’s not Westlake), Humans, Westlake’s Smoke vs. Wells’ The Invisible Man, “and everybody’s an asshole”, “everybody one way or another is a jerkoff”, “Joyce goes crazy in the most wonderful way”, a survivor of Chernobyl, “is God really an asshole?”, “angels are assholes”, Milton’s Paradise Lost, The Sacred Monster, Get Real, ridicule in print, Money For Nothing, Westlake never lectured, interior thoughts that are so revealing about the shallowness of a character’s nature, Washington, D.C., “moving up the ladder”, “what does Ginger want?”, “it’s fun to play with fire”, “I’ve got to have something”, did Don hate rock and roll?, he liked classical and atonal jazz, “damn hippie”, 99% of politics is pointless, talking to death, Jimmy The Kid (a Parker novel inside of a Dortmunder novel), kidnapping, Help I Am Being Held Prisoner, Patty Hearst, Gangway, Brian Garfield, Spider Robinson’s Dortmunder homage, Lawrence Block, The Sour Lemon Score, Dashiell Hammett, Piers Anthony, Poul Anderson, Robert A. Heinlein, shiny spaceships, don’t read by genre, read by author, the genre label, Jim Thompson, The Grifters, Trent’s beef with Angelica Huston, a period piece, Paul had a problem with John Cusack, J.T. Walsh, Pat Hingle, Annette Bening, “I’ll never look at a bag of oranges the same way”, Donald Westlake: NYC Personified, The Violent World Of Parker website, Nick Jones, Westlake’s bibliography at DonaldWestlake.com.
The SFFaudio Podcast #107 – Scott, and Jesse talk about new audiobooks, recent arrivals, new releases, the theatre and and comics too!
Talked about on today’s show: Little Women, Louisa May Alcott, Pride And Prejudice, Charlie’s Aunt, 1776, John Hancock, John Adams, Thomas Jefferson, David McCullough, Penguin Audio, Across The Universe by Beth Revis, generation ship, murder, “earth is nowhere new the final frontier”?, Hamlet, A Discovery Of Witches by Deborah Harkness, “he loves yoga and he’s a vampire?”, history, wine, the multiple meanings of discovery, Christopher Columbus DID (in a sense) discover North America, uncover vs. discovery, WWW: Wake by Robert J. Sawyer |READ OUR REVIEW|, “mining the same ideas” in a trilogy, Seth Wilson, Spirit Blade a christian audio drama, Pilgrim’s Progress |READ OUR REVIEW|, comicbookjesus.com’s review, An Accidental Adventure: We Are Not Eaten By Yaks by C. Alexander London, Stormbreaker by Anthony Horowitz, GoodReads.com, Ranger’s Apprentice: Book 10 – The Emperor Of Nihon-Ja by John Flanagan, the Ranger’s Apprentice Wiki, The Lord Of The Rings, Blackstone Audio, Sweep: The Coven by Cate Tiernan, Dreamhouse Kings: Book 6 – Frenzy by Robert Liparulo, Aural Noir, Silent Mercy by Linda Fairstein, the Alex Cooper series, series Crime/Mystery vs. series Fantasy/Science Fiction, Sue Grafton, Star Trek, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise, SFSignal.com’s Which SciFi Series Should You Watch on NetFlix? This Handy Flowchart Will Help You Decide!, Night Vision by Randy Wayne White, the extremely negative reviews on Amazon.com, When The Thrill Is Gone by Walter Mosley, Blue Light, Futureland, John DeNardo’s review of Blue Light, Bell Air Dead by Stuart Woods, Strategic Moves by Stuart Woods, “Stuart Woods is a writing machine”, Richard Ferrone, Tamahome got bogged down in the Martian sand (of Kim Stanley Robinson’s Red Mars), Buried Prey by John Sanford, kidnapping, “this dude has other dudes as well”, the Virgil Flowers series, Bad Blood, the next readalong is 361 by Donald E. Westlake, Port Mortuary by Patricia Cornwell, the Kay Scarpetta series, forensic detection, Kathy Reichs, Bones, new releases, Hachette Audio, Consider Phlebas by Iain M. Banks, space opera, Coruscant, extremely detailed strange stuff, Audible.com, Recorded Books, Glasshouse by Charles Stross, Hard Magic: Book I of the Grimnoir Chronicles by Larry Correia, Audible Frontiers, Monster Hunter International by Larry Correia, Second Variety and Other Stories by Philip K. Dick, William Coon, The Most Dangerous Game, The Variable Man by Philip K. Dick, Buffalito Destiny, David Drake’s Hammer’s Slammers series, military SF, The Collected Stories Of Arthur C. Clarke Vol. 5, Bronson Pinchot, The Alchemy of Desire by Crista McHugh, Cormac McCarthy’s The Road (translated into Danish), The Stress Of Her Regard by Tim Powers, The Broken Sword by Poul Anderson, Orion And The King by Ben Bova, The Automatic Detective by A. Lee Martinez, robot detective vs. femme fatale, “satisfying conclusion, clever, twisty, fast” = good, Monster: A Novel, Divine Misfortune, The Stainless Steel Rat Book 8, Too Many Curses, FREE COMIC BOOK DAY, Criminal: Bad Night by Ed Brubaker and Sean Phillips, The League Of Extraordinary Gentlemen Vol. 2 by Alan Moore, Listening For The League’s Gentlemen, Mars, aliens, H.G.Wells, The War Of The Worlds, Allan Quatermain, Bongo Comics, The Simpsons, Baltimore, Mike Mignola, Hellboy, Fafhrd And The Gray Mouser, Civil War Adventure, Locke & Key, Blair Butler, Joe Hill, TV version of Locke & Key, DMZ, Brian Wood, Fables, Y: The Last Man, The Boys: Highland Laddie, Garth Ennis, 361 by Donald E. Westlake, Hard Case Crime, Charles Ardai, Memory by Donald E. Westlake, The Comedy Is Finished by Donald E. Westlake, The King Of Comedy, Getting Off by Lawrence Block, James M. Cain, David Morrell, Stephen King, John D. MacDonald.
Darkside
By Tom Becker; Read by Colin Moody
6 CDs – Approx. 6 Hours 12 Minutes [UNABRIDGED]
Publisher: Bolinda Audio
Published: 2008
ISBN: 9781921415340
Themes: / Fantasy / Urban Fantasy / Crime / London / Werewolves / Vampires / Magic / Kidnapping / Evil / Jack The Ripper / Your home’s been attacked. Your dad’s in an asylum. You’re running for your life. And there’s nowhere to hide.
You’ve stumbled on the city’s greatest secret: Darkside. Incredibly dangerous and unimaginably exciting. Darkside is ruled by Jack the Ripper’s children – a place where nightmares walk the streets. You think you’re in trouble now, but your problems have just begun…
I usually do a fair mount of research about the books I plan to read. Before I pick one up I’ve usually either heard an author interview, read a review, discussed it with people who’ve already read it, or at least got a recommendation from an author whose work I already respect. But I also know these techniques aren’t a very good way to branch out beyond what’s already familiar to me, and so, every so often I just pick up a book, almost at random, and start reading. That’s what I did with Darkside by Tom Becker.
Maybe one of the initial appeals of Darkside, other than the terrific cover, was that it was from a publisher whose audiobooks I’d never heard before. Bolinda Audio is from Australia. And because of that it’s doing things a little differently. First off, it’s narrators are Australian. And second, they’ve got a lot of authors in their catalogue that I’ve never heard of. That’s cool!
Darkside is an interesting tale in itself. In terms of plot, it kind of falls halfway between two Neil Gaiman novels: Neverwhere and The Graveyard Book. It features Jonathan Starling, an unremarkable misfit fourteen-year-old with an ailing father and a deceased mother. He lives in London and is mostly taken care of by a kindly neighbor woman. Other than her, he’s nearly friendless and spends most days skipping-out of school and hanging out at one of the city’s many libraries. His father, an avid book collector himself, suffers some sort of recurring full body paralysis and perhaps it’s related to some of the books he collects. One day, right out in the open on a London street Jonathan is nearly kidnapped by a seemingly invisible giant and a woman with fluorescent hair. He quickly learns that London isn’t going to be safe for him anymore and so his father sends him away. He is to flee, for his own safety, into the arms of a protector. Jonathan takes with him a knife and a bullet. The knife is for protection from the kidnappers, and the bullet is for protection against his would-be protector, a mysterious old friend of his father’s, a man named Carnegie. Plot ensues.
Where the novel falls short is in comparison to the two Neil Gaiman novels I mentioned earlier. A hidden city within London isn’t really new. And neither is a young kid being protected by a paranormal monster-man. More importantly, Becker doesn’t have anywhere near the mastery of English fiction that Gaiman has. But that’s really not a fair comparison. For my money very few living English authors can compare favorably with Neil Gaiman. Apparently Darkside was written when Becker was just 25! When Gaiman was 25 he hadn’t written a single novel, comic, nor even Don’t Panic, his wonderful biography of Douglas Adams. As a result I think Darkside can stand pretty proudly on its own. It’s quickly paced, pretty fun and most of all it’s got a story that keeps your attention all the way through. Good job new guy.
Narrator Colin Moody, a talent stage trained actor, has an Australian accent, except when performing the dialogue of the characters. When in character Moody cowls him reading with various Londoner regionalisms. There are many sinister sounding villains in this novel and he voices all of them extremely well. If you’re a voracious reader looking for swiftly plotted urban fantasy novel (for the juvenile set), and you’ve already read both Neverwhere |READ OUR REVIEW| and The Graveyard Book |READ OUR REVIEW| do check out Darkside. Series fans will also be pleased to hear that four more Darkside novels follow this one, and that Bolinda has the “audio sequel forthcoming.”
First up, as recorded in three parts for Quentin Lewis’ When Elvis Died podcast back in 2010.
Next, a two part recording, for the Cthulhu Podcast, read by FNH. The first part begins at 14 minutes in and the second part begins at 34 minutes in. 
