The SFFaudio Podcast #447 – READALONG: The Forever War by Joe Haldeman

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #447 – Jesse and Paul Weimer talk about The Forever War by Joe Haldeman

Talked about on today’s show:
1974, if everybody in the modern era writes like him…, depth beyond the good writing and the ideas, what does it MEAN?!, a straightforward 1970s novel, ever further into the future, future-shock, war, Ken Burn’s Vietnam documentary series, accelerated time, mid-2016 and now, WHAT the bleep has HAPPENED?, clown show, a politically traumatic time, 1967-1968, 1968-1969, Paul is my senior, draft dodgers taught Jesse, “not my president, hashtag”, leaving the USA for Canada, they stayed, making a peep, the elites (or quasi-elites) might have to go, the real plutocrats always found a way out, Jimmy Carter, McCain, John Kerry, that trick still works, the Russia thing, collusion, what skills does he bring to the table?, the John Podesta emails, Bill and Hill Clinton, flipped the script, they swift-boated him, a perennial technique, bringing it back to the book, all weird, another tour, all word, Earth is a dystopia, Earth became Texas, the first section, training on Charon, power-armor, technology, silly and weird predictions, Mogadishu, Somalia, the farm, lawless Horn of Africa, the center cannot hold, ever expanding military, no health-care for the mom, death-panel, trying to figure out what’s going on in the mind of the author, an analogy, this is why people sign back up (go on another tour), going back and forth, the big takeaway, oh, my mom’s gay, everybody’s gay!, everybody’s multi-racial now and I’m the queer, that’s interesting, now everybody is a clone, a hyperbolized version of the political changes, Cassius Clay -> Muhammad Ali (and great) -> now he’s a war-resister, the kind of military SF, Starship Troopers by Robert A. Heinlein, Ender’s Game by Orson Scott Card, Armor by John Steakley, Old Man’s War, ooh it’s a twist (he’s not even white!), the movie adaptation of Starship Troopers, doing something slightly different, following forward, Jesse’s a big fan of the montage, tedium mixed with fear and shock, the military-industrial complex, romance novels for men, a focus on the specs of the pistols, the serial numbers on their special hand-grips, what gets them going in the night, he did a lot of math, gravity curves, MIT, political stripes, the legalization of cannabis, the acceptance of homosexuality, having latent feelings, a little looser, among those artist types, he’s the “old queer”, a funny twitter conversation: what’s really lacking today…, VHS vs DVD, we’ve become more prudish, conservative marketing, “no, we’ve lost context”, sexist!, homophobe!, “a latent heterosexual”, whenever you put a pressure on a large group of people results happen, everybody in our society is gay now, isn’t that interesting, look at the way we’re living now, the lack of context rule, when Potter converts to heterosexuality…, he’s not trying to target the audience of today, Heinlein was a weird guy, the way he obliquely attacks problems, no qualms about this book, an asexual cyborg, Forever Free, Forever Peace is excellent (Paul doesn’t like it), all about drone warfare, more artificial, The Accidental Time Machine, funny and delightful, Haldeman on Prisoners Of Gravity, he won everything (it was political), overwhelming, a thoughtful and reasonable guy, four serials of this book, Analog, Hero, “Screw you, sir!” -> “Fuck you, sir!”, Robert A. Heinlein’s naval service, a deep respect for the military, a hippie planet called “Middle Finger”, it starts with a “fuck you” and ends with a “Middle Finger”, Mandela’s psychological profile, leading from a position of empathy and ideas (instead of will), how the Marxist soldier during the Spanish Civil War would do business, ambiguous (ambivalent) feelings, Mike Vendetti, not something you take lightly, his emotions in his tweets, he’s got mixed feelings, a big mistake!, this war didn’t need to happen, ultimately the lesson, “support our troops”, taking a knee, a conflation with honouring the military, into the arms of the other f-word (fascism), a very nice point, politicians manipulating the people is nothing new, actual journalism with a critical eye, both Gulf Wars, “embedded with the troops”, stories in a patriotic light, propaganda, still happening today, Brian Williams’ ‘beauty of our missiles’, this book misses, told tightly from Mandella’s POV, the veterans are toured around the world, the comic book adaptation of The Forever War by Marvano (artist), Gay Haldeman (translation) and Joe Haldeman (script), Titan Comics, he stacked the deck, a counter-pole, there’s nothing here, the serialization, We Are Very Happy Here, necessary for serialization, a plot contrivance, 84-year old moms, joining the army for financial reasons, Marygay’s mother and father, true for the people of Somalia, pirates don’t do piracy for the sea-shanties, manipulated for our benefit, in the tradition of Starship Troopers (and not in the tradition), Heinlein’s generation vs. Haldeman’s generation, war with aliens, we become the alien, “you don’t understand politics”, why veteran are the only people are allowed to vote, politics of the era of Nixon vs. the politics of the era of Roosevelt, a “take that”, there was a revolt of veterans on earth at one point, the Bonus Army, the Revolutions Podcast, support our troops is a whip, the American support of the French in Vietnam, depending on how you calculate, a sunk cost fallacy, JFK needed to keep the war going past the next election, we can only badly infer it, what Jesse appreciated about Ender’s Game, a wish-fulfillment avatar for 13 year old boys, a lot of time in the online forums, reading a really deep reddit post, why that book is powerful, and here’s what’s missing, the general is a child, it kind of explains the real life generals, Netflix’s thinly veiled McCrystal biopic, there’s no job to be finished, there are no victory conditions, a frameworks for continuous unending war, without a draft it is an endlessly churning meat-grinder, a constant war economy, the government is being fleeced of its coffers by war profiteers, why is my standard of living falling?, pointing out the unfair, labeling it is not the solution, the Las Vegas shooting, “this is an act of domestic terrorism!”, we’re going to calm things down, slave revolts are not terrorism, labels are not the issue, the guns and the access to them are a bigger issue, people get caught up on the words and identity politics, sidestepping racism, sexual norms, a made-up name, he dodged the question, the charge of racism, google n-gram, nobody got suddenly racist, when they do the movie, Channing Tatum, they made a decision, socioeconomic status, a person’s story, the Ender’s Game movie, Johnny Rico is Filipino from South America, Ensign Kim is Scandinavian!, is it a weakness that the novel doesn’t explore racism?, a beautiful time capsule, Mandella’s psychology, Doctor Potter: I’m not prejudiced, the soldiers he was fighting beside were all his team and the fear of the enemy was more important than the colour of the skin of the soldier in the fox-hole with him, a media construction, real human beings, outside your bubble and your fears, deep deep resentment, prejudices of all kind, lived experience, ameliorating intolerance, a chance to grow and understand, an overoptimistic story?, a combat team, it treats racism as settled, let’s deal with homosexuality, Heinlein on homosexuality, a greater representation of gender-queer characters (male vs. female), painful and uncomforting, seeing the flaws within yourself, he’s a dude telling his own story, Diana, Margay gets her own standalone story, Spider Robinson, many changes, an excised fourth part, people read science fiction the wrong way, dangerous territory, Jesse you should read this this and this, this is a story of a dude like this…, reading off in my own direction, books written before I was born, reading the books written by the readers of recent books, unlike other genres (with the exceptions of mystery and crime), science fiction is a series of conversations between stories, your going to be missing a large part of the story, Day Million by Frederik Pohl, Friday by Robert A. Heinlein, I Will Fear No Evil, gay characters in a story is passe, I don’t read the stories for the characters at all, reading it for the societies, reading it for the science, I want to see my values reflected, the battle on that last planet, where’s the rest of the story, why people read science fiction (other than to see their values relfected), world-building, effusive for Ringworld, literal world-building, reading to see representation, an era of character based, having not seen themselves they want to see themselves reflected, a sense of wonder, Paul Atreides is someone Paul could sink into, a white male protagonist, they’re not the classic, how cool the other stuff in that book is, why am I having a whispered conversation with this weird lady in my bedroom, kids never pay attention to the author until you graduate from that, cover artists, aha!, this other thing: the author, this Miguel Ferrer is the actor (not the writer), Tom Cruise movies have no writers, the French focus on the film director, it’s not the characters to me, what makes science fiction so different, soft science fiction, looking at trends and forces, here’s a society with a guaranteed annual income, he’s probably male, that Mack Reynolds novel stands out because it is representing me, the scarcity of jobs is important, world-building enough to spend, there’s no one true way to read science fiction, to misquote Rudyard Kipling, alien planets, we get to see Heaven (a paradise planet), we get to see life on a little planet in the Lesser Magellanic Cloud, a deep dive into William Mandella, academic to grunt, what a soldier’s life is like, waiting in a time, a lover or a nurse, reading for the Marygay-William relationship, the Church of Science Fiction, if you read it for the romance you’re going to be disappointed, a Heinleinian bit, looking it as a modern book, are there books still to be written in this conversation?, how Jesse would film the novel, people don’t just live happily ever after, H.E.A. (a romance term), Jonathan and Gary of the Coode Street podcast, how you want to slice it, Linda Nagata’s The Last Good Man, the “Red” series, in this particular thread, digitizing The Lathe Of Heaven by Ursula K. Le Guin, Le Guin doing Philip K. Dick, a great appreciator of PKD’s writing, she’s trying to have a conversation with Philip K. Dick, the Lovecraft conversation is so loud and churning, fulminating, denouncers, he’s now at max volume, how many sequels to Innsmouth, Ben Bova, a legacy of Analog and Astounding, John W. Campbell seemed to interfere, a pretty stupid man in many respects, the telepathic (psionics), add some bullshit element and you’ll get a sale, nobody writes those (psionics) books anymore, Julian May’s intervention novels, The Many Colored Land, August Derleth, not only a bad writer (a bad person), show me an alien that thinks as well as a man but not like a man, nicely reflected in what happens to the humans, you poor deluded human, Murray Leinster, A Martian Odyssey Stanley G. Weinbaum, an important story, H.G. Wells, I’ve got these great ideas and this piece of paper, thinking through the ideas, tell a story based on that world, what makes Dune so great, a gender-swapped version of Dune, monks instead of nuns, set on a waterworld?, this book has something for everybody.

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

End Game by Joe Haldeman - illustration by Vincent Di Fate - Analog, January 1975

End Game by Joe Haldeman - illustration by Vincent Di Fate - Analog, January 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

Titan Comics - The Forever War - Issue 5

The Forever War - art by Patrick Woodroffe

Posted by Jesse Willis

My visit to the new Coquitlam City Centre Library

SFFaudio News

Coquitlam City Centre Library

For the last couple of decades I’ve lived on the same street as my public library. That’s been one of the reasons that I live where I do. But today the local branch of Coquitlam’s public library moved two blocks south and opened for the first time.

The new address is 1169 Pinetree Way.

And the new space is great, very open, with plenty of study areas, and lots of room to grow the collection – and best of all it’s still within walking distance!

The first thing I did when I got there was to make a donation to the library’s collection, a combination of paperbooks, DVDs, comics, and audiobooks. Patrons of Coquitlam public library system should soon see these items on their shelves:

donations to the library's collection

Here’s a partial list:

City Of Dragons by Kelli Stanley |SFFAUDIO PODCAST #061|
Fate Of Worlds by Larry Niven and Edward M. Lerner
Elidor by Alan Garner
Brian K. Vaughan and Tony Harris’ Ex Machina (volumes 1-5)
The complete Babylon 5 DVD set (all five seasons plus the movies)
Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|
V For Vendetta by Steve Moore |READ OUR REVIEW|
Armor by John Steakley |READ OUR REVIEW|
I Am Legend and Other Stories by Richard Matheson |READ OUR REVIEW|

And here are some shots of the library’s facilities:

New Arrivals at the Coquitlam City Centre Library
Teens section at the Coquitlam City Centre Library
study area at the Coquitlam City Centre Library
group study room at the Coquitlam City Centre Library
the Coquitlam City Centre Library

Posted by Jesse Willis

Commentary: SFSignal Mind Meld on the best of 2010

SFFaudio Commentary

SFSignal.comJP Frantz, of the wonderful SFSignal blog, recently asked me to participate in their annual year end “Mind Meld.”

Here’s the topic:

Q: What were the best genre-related books, movies and/or shows you consumed in 2010?

Here was my answer:

Audiobooks in 2010:
The year isn’t over yet, and I’m really enjoying the new Brilliance Audio (Audible Frontiers) reading of The Speed Of Dark by Elizabeth Moon. Of the audiobooks I’ve reviewed this year I’m pleased to report the first audiobook released in the Gabriel Hunt series, Hunt: Through The Cradle Of Fear |READ OUR REVIEW|, and it’s bonus short story “Nor Idolatry Blind the Eye” have really scratched the Fantasy Adventure itch that I occasionally get. Another pair of novels released by Blackstone Audio, written by the recently deceased John Steakley, were designated SFFaudio Essentials. As read by the powerful Tom Weiner Armor |READ OUR REVIEW| and Vampire$ |READ OUR REVIEW| make for a very interesting pair of novels – they have multiple character names in common and yet one is Science Fiction (in the tradition of Starship Troopers) and the other is Fantasy (with vampires). Similarly, Full Cast Audio’s unabridged reading of Robert A. Heinlein’s Red Planet is, in my mind, now the definitive telling of the novel. It features a full cast of actors performing the entirety of the novel’s text (minus attributions). This brings the story to life in a way no TV or movie adaptation ever could – it doesn’t change a single golden word. Finally, George R. Stewart’s Earth Abides, available through Audible.com and Brilliance Audio, was perhaps the highlight of my audiobook year. Earth Abides had me reconsidering much of my outlook on life – that’s a powerful piece of SF.

Audio Drama in 2010:
In the audio drama department BrokenSea‘s expansive adaptation of Escape From New York |READ OUR REVIEW| blew my socks off! It’s a hardcore retelling of the movie of the same name with enhancements and inspiration from the novelization of the script. And, as always, the ever dependable Red Panda Adventures |READ OUR REVIEW|, now in it’s fifth season, is ramping up to a wonderful World War II arc – turning Toronto superheroes against the baddest baddies of them all – those evil Nazi scum. 2010 was a very good year for audiobooks and audio drama.

In the 2010 comics department:
I’ve been swept up in Eric Shanower’s epic quest to retell the entirety of the Trojan War in his Age Of Bronze series of graphic novels. I am also currently reading The Walking Dead and enjoying it very much. But I am not yet ready to admit that either The Walking Dead comics or on the TV show are even half as great as the zombie freaky awesomeness in the Garth Ennis and Jacen Burrows series Crossed (which I read in the spring). Crossed is one scary good comic. I also thoroughly enjoyed Logicomix: An Epic Search For Truth by Apostolos Doxiadis and Christos Papadimitriou. It’s kind of about Bertrand Russell and kind of about the only part of philosophy that I am really bad at, natural deductive logic.

Movies and TV in 2010:
The only movies that I’ve seen, worthy of the designation Science Fiction, in 2010, were Moon and Inception. If you made me pick which was superior I’d take Moon over Inception and not just because I root for the underdog. In TV, Spartacus: Blood and Sand turned out to be well worth wading through – it’s 300-style green screen visual effects nearly drowned me, but I stuck with it, and the story and acting paid-off supremely.

You can read it |HERE| along with a bunch of other folk’s own lists.

And, I participated in the 2009 Mind Meld on the same topic too!

Posted by Jesse Willis

Review of Vampire$ by John Steakley

SFFaudio Review

Horror Audiobook - Vampire$ by John SteakleySFFaudio EssentialVampire$
By John Steakley; Read by Tom Weiner
10 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 1441727213
Themes: / Horror / Vampires / Religion / Catholicism / Mercenaries /

Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley’s vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price. An exciting blend of horror and western genres, Vampire$ is a twenty-first-century Ghostbusters with an edge.

I first found out about John Steakley when watching John Carpenter’s Vampire$. The on screen accreditation didn’t mean much then. I figured that what goodness was found in that movie came from Carpenter. And that’s largely true. Their rather different in plot, or at least in the way the plot plots out. Its clear that John Steakey’s novel served more as the inspiration than a blueprint for the movie. The novel feels much richer, much wider, and also much more personal, than Carpenter’s version.

Now, having read this audiobook after John Steakley’s other novel, Armor |READ OUR REVIEW|, I’ve come to the conclusion that Steakley has a pattern or two. First up there’s the name thing. Two names are recycled from Armor (even though they aren’t the same characters). Felix, the gunslinger (and ex-drug trafficker) has an important role in Vampire$. Jack Crow, the lead vampire hunter, is arguably the main protagonist. Armor, which is set maybe a thousand years in the future, has two characters with those exact names too, and they play similar importance in the plot. This is a novel full of twists and turns that even a fan of the movie based on the novel can be surprised by Similarwise, the emotional impact is the primacy of the novel’s power. Sure, this novel has maybe a few innovations I’ve never read before:

1. God is real AND vampires are too.
2. A team of mercenaries, with pure hearts, are taking cash for cleaning up vampire infested towns.
3. The anti-vamp mercs are in league with the Pope and the Vatican, who know and support their efforts.

Narrator Tom Weiner gets to play a fairly wide range of characters. On top of the brooding Felix and the unstoppable Jack Crow he’s got a compassionate pope, an irate Texas sheriff, and a bloodsucking vampire (or two) too.

This is a case where a good movie was based on an very good novel and a good novel got made into a great audiobook. Vampire$ is an emotionally impactive audiobook that surprises with its innovate approach to an old foe: those old evil vampires fucks that you gotta love, and Jack Crow’s gotta hate.

Posted by Jesse Willis

Review of Armor by John Steakley

SFFaudio Review

Science Fiction - Armor by John SteakleySFFaudio EssentialArmor
By John Steakley; Read by Tom Weiner
11 CDs – Approx. 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433294834
Themes: / Science Fiction / Military SF / War / Leadership / Drugs / Psychology /

The planet is called Banshee. The air is unbreathable, the water poisonous. It is the home of the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected not only by his custom-fitted body armor, the culmination of ten thousand years of the armorers’ craft, but also by an odd being which seems to live with him, a cold killing machine he calls “the Engine.” This best-selling science-fiction classic is a story of the horror, the courage, and the aftermath of combat and also of how strength of spirit can be the greatest armor of all.

Armor is a novel that was clearly inspired by Robert A. Heinlein’s Starship Troopers. It makes use of both powered exoskeletons and insect-like alien enemies. But, instead of being a novel of politics and leadership it is a very different kind of story. At first I thought it was about the psychological effects of violence and the various kinds of heroism that can exist within a person. I was wrong because that isn’t enough. This novel is not one or two things. It isn’t the normal kind of idea driven SF that I so love – instead its ideas flow more through the emotions, eliciting our sympathies. I think this was acomplished by it changing, turning over and over, with it’s many plot surprises.

Early on Felix, our viewpoint character, refers to something he calls an “engine.” I thought he was describing the powered armor of the title. That would make sense, there was a video game called Heavy Gear that, like than Mechwarrior, had men and women doing battle in humanoid shaped tanks. I think it refereed to its “mechs” as “engines.” Felix seems pretty much like any of the other soldiers he’s been dropped with on planet Banshee. Maybe he’s a bit more of a hick – he doesn’t know the names of the winners at the Powered Olympics. Felix makes no waves, volunteers for nothing. He just wants to survive the battle to come. But when the waves of enemy aliens pour out of their holes only Felix survives – and keeps on surviving.

Armor has taut battle scenes, flowing exposition, and realistic dialogue. Had John Steakley written more, and his other novel Vampire$ |READ OUR REVIEW|, I think he’d be a very well known author.

The first third (or so) of the novel follows Felix, a low ranking scout in the invasion of the planet Banshee. Here the action somewhat resembles that of Starship Troopers. Then there is an abrupt switch – the novel seems to lurch into an an entirely different scene and setting. Set a few years later and following in first person perspective this time we meet a man named Jack Crow. Crow is a notorious galactic scoundrel. A well known thief, pirate, and adventurer – his legend is long and precedes him even to an obscure research station on a planet called Sanction. Crow is there to infiltrate, but eventually finds himself involved in an experiment – one that drains him of his half-hearted bravado and changes his life. If were talking about where this novel fits in the SF library I’ll say this: Armor synthesizes the action of Heinlein’s Troopers with the emotional impact of Haldeman’s The Forever War – but still comes off as a completely unique story.

Tom Weiner, who seems to be narrating almost every Blackstone Audio audiobook that I’m listening to these days, delivers his usual letter perfect narration. Weiner animates Felix with a weary melancholy of a veteran scout, brightens audibly with the cocksure Crow, pulls a vocal Tom Bombadil with Louis, feminizes for Lya, and geeks it all up for Holly (a star-struck scientist). That’s pretty impressive. Check this audiobook out!

Posted by Jesse Willis

The SFFaudio Podcast #060

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #060 – Jesse and Scott talk about recently arrived audiobooks!

Talked about on today’s show:
Roger Ebert’s review of The Human Centipede, BoingBoing, World Horror Convention 2008, Salt Lake City, how the horror genre has changed, Hater by David Moody |READ OUR REVIEW|, anti-Americanism, Your Movie Sucks by Roger Ebert, Awake In The Dark by Roger Ebert, Roger Ebert’s review of Reservoir Dogs, recent arrivals, Tantor Media, The Horror Stories Of Robert E. Howard, Pigeons From Hell, Worms Of The Earth, The Cairn On The Headland, I Am Not A Serial Killer by Dan Wells, Dexter as a teenager, Columbine by Dave Cullen |READ OUR REVIEW|, the Writing Excuses Podcast, LUTE Brigham Young University, Mr. Monster by Dan Wells, The Eerie Silence by Paul Davies, science, SETI, Scott’s Pick Of The Week: Goodreads.com, social networking that works, Beowulf by Anonymous, Seamus Heaney‘s translation, The Epic Of Gilgamesh BBC Audio Drama, RadioArchive.cc, City Of Dragons by Kelli Stanley, the Bish’s Beat blog, private investigation, San Fransisco, The Spanish Civil War, Brilliance Audio, High Deryni by Katherine Kurtz, The Tales Of Dying Earth, Rhialto the Marvelous by Jack Vance, Seeing Ear Theatre, The Moon Moth by Jack Vance |READ OUR REVIEW|, social science fiction, Tale Of The Thunderbolt by E.E. Knight, vampires, alien invasion, The Space Vampires by Colin Wilson, Lifeforce, Vampires by John Steakley, what Steakley is doing with his novels (examining one small aspect of violence), The Guns Of August by Barbara Tuchman, Heist Society by Ally Carter, Luke Burrage’s review of Robert J. Sawyer’s Calculating God on the Science Fiction Book Review Podcast, WWW: Watch by Robert J. Sawyer, The Windup Girl by Paolo Bacigalupi, the Nebula awards, reading the Hugo nominees, Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast by Eugie Foster |READ OUR REVIEW|, Lawrence Santoro, Eros Philia Agape by Rachel Swirsky, Blackstone Audio, Enchantment by Orson Scott Card, Stefan Rudnicki, Sleeping Beauty, Jesse’s Pick Of The Week: Snow Glass Apples by Neil Gaiman, Snow White And the Seven Dwarfs, Bebe Neuwirth, The Dreaming blog, Murder Mysteries by Neil Gaiman, Nadya by Pat Murphy, werewolves, Poland, California, 19th century, Rachel In Love by Pat Murphy, Vampire Zero by David Wellington, civil war, The Bradbury Report by Steven Polansky, The Island, did Ray Bradbury write a cloning story?, what’s the best cloning novel you’ve ever read?, cloning doesn’t really live in fiction, Surrogates, Kiln People by David Brin, Cyteen by C.J. Cherryh, Where Late The Sweet Birds Sang by Kate Wilhelm, Mimic by Donald A. Wollheim, Red Dwarf is a great hard Science Fiction series!, “what’s the best cloning novel?”, Blood Oath by Christopher Farnsworth, Bronson Pinchot, “shadowy conspiracy” = “secret secret”, The Bradbury 13 by Ray Bradbury, radio drama, The Hitch-hiker’s Guide To The Galaxy isn’t audio drama’s best exemplar (The Bradbury 13 is), City Of Truth by James Morrow, satire, religion, The Invention Of Lying, This Is The Way the World Ends by James Morrow, PaperbackSwap.com, Dan Carlin’s Common Sense podcast, oligarchy, talking points, The Daily Show with Jon Stewart, Obamacare, “-gate” is not a suffix meaning scandal, the difference between English and French, words map the world, words are the magic in our world, ZBS Foundation, Dinotopia: The World Beneath (audio drama), Yuri Rasovsky, a kid who doesn’t like dinosaurs?, Blake’s 7: The Early Years: Zen: Escape Velocity, Robin Hood, Zen and the Liberator is like Blake’s Sherwood Forest! Babylon 5, J. Michael Straczynski’s City Of Dreams.

Posted by Jesse Willis