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The SFFaudio Podcast #376 – READALONG: Journey To The Center Of The Earth by Jules Verne

Podcast

The SFFaudio Podcast #376 – Jesse, Julie Davis, and Maissa Bessada talk about Journey To The Center Of The Earth by Jules Verne.

Talked about on today’s show:
title variations, they don’t go to the center of the Earth, Arne Saknussemm, Lit2Go, the Tim Curry narration, how did the paperwork get out of the Earth?, he was too specific, the knife, what happened to Arne Saknussemm?, barometer, manometer, dead servants, taciturn servants, would you like some bacon cooked on the lava (magma), overdosing on adaptations, comic adaptations, the 2008 Brendan Fraser version (3D movie), fluffy, the nephew-uncle dynamic, a page turner, adding a female expeditionary member, inspiration vs. adaptation, inspired by this book, The Lost World by Sir Arthur Conan Doyle, the same setup, irascible professors, going for a girl, a forerunner (a person who went before), Maplewhite vs. Saknussemm, dinosaurs, underground journey, subterranean, fun, huge science expositions, Around The World In Eighty Days, the Fantastic Voyages (or Journeys) series, 20,000 Leagues Under The Sea, Five Weeks In A Balloon, Jules Verne wrote 66 novels!, one of the things he’s doing, visit every place in the world and characterize every nation, Germans and Icelanders and Danes, national personalities, everyone is a cartoon, “stereotype”, a crazy uncle, a light comedy, science vs. adventure, Verne takes us on tours, touring Copenhagen, vicarious travel, adventurous passion, not to poop all over this book, At The Earth’s Core by Edgar Rice Burroughs, this book is missing a 12-foot giantess cave-girl girlfriend, standing on the ceiling of the basement, a vast hollow sphere, Pluto and Porcupine (the roman equivalent of Persephone), Jules Verne’s spelling of Edgar Allan Poe (he called him Edgard Allan Poe), referencing everything, The Sphinx In The Ice, Verne was Poe’s #1 fan, a beautiful tradition, The Green Girl by Jack Williamson, biological phases compared to geological phases, looking at the stars and the earth you’re looking backward in time, the science, the original french version of this book was in 1864, 10 years later the relationship with Germany is fundamentally different, the mechanistic world, 10 years made a hell of a difference, this is a very international book, the humor, I was in love with her, “you could say I adored her (if any such word exists in the German language)”, he’s right about us, Verne is very sly, just like the professor, languages, Verne’s dad tried to make him a lawyer, trying not to be provincial, Virgil and Homer and Shakespeare, “You monument to ignorance”, a zinger in every chapter, “great as it is that asylum is it is not big enough to contain all of Professor Lidenbrock’s madness”, you have no vision, “I care nothing about seeing magnificent spectacles”, a walking tour of Copenhagen, crawling up the stairs, Axel’s maturity (or lack thereof), the names, Henry vs. Axel, Lidenbrock vs. Hardwigg, the different translations [the Professor’s name is a pun], a secret history, the Saknussemm document becomes the Jules Verne novel in the 2008 movie, the 1959 movie makes the professor Scottish, translations and adaptations to make it more relevant for the audience, Gretchen -> Grauben -> Gretel, bad translations, learning about eiderdown and eiderdown hunters, stealing nest fluff, the science is pretty damn good, you can’t have an adventure to the center of the Earth if the Earth’s center is hot, EVIDENCE!, “everyone is laughing at me, here’s a pterodactyl”, “science is composed of errors, but errors that are right to make”, the ball-lightning, St. Elmo’s fire, the compass problems, almost realistic, Stromboli was Tolkien’s model for Mount Doom, we will not tell them how we actually got here, they said they were shipwrecked (and it is kind of true), dense with humour, history, architecture, an enduring classic, Hans was the opposite of the uncle, characters exchanging personalities, a process of maturation, an inveterate coward and then he craters, the seeds of what he will become, Axel will become like his uncles when he grows older, Verne shows a character’s worst and best sides, a giant fur covered creature pounding his chest -> it’s King Kong!, 16 foot giant bones discovered, a skull the size of a Volkswagen, a moral panic, a real newspaper article, Jesse does an Icelandic accent, The Odyssey, like Professor Challenger, The Poison Belt, aliens, Hans has to get paid every Sunday, Icelandic life is hard, Icelanders are Eskimos without the benefits of being Eskimos, Master, Verne’s racism is a sympathetic racism, Conan Doyle’s internationalism is very different, Burroughs’s characterization, what Verne is doing is cool, I’m not usually the persons who says: “You know what this needs? More romance”, mineralogists, all good characterization, Conan Doyle’s cute cynicism, Burroughs’s hero characters find girls and have them lay some eggs, H. Rider Haggard’s lost worlds were in Africa, adventure types, She!, The People Of The Mist, a White Goddess among the Zulu people, this is sort of Vernianian: science, history, literature and reveling in that knowledge, The Mysterious Island, a parody meme -> Mysterious Island, Nellie Bly, pretending to be insane to see what life in an asylum is like, Librivox, what it’s like to live in Mexico, back when newspapers paid reporters to investigate things, BBC, gravity in the center of the Earth would pull you in every direction, BBC Radio 4: In Our Time on the Earth’s core, biology is taught wrong, there names are what they do, telling rocks apart at a glance, smell, sound, taste, rocks can be tested it with your body, on the final exam in geology they give you a tray full of rocks, the ferrous iron taste of the water, Hans brock water, flood that whole compartment (luckily it was the size of the Earth), draining the Mediterranean, Verne is the second most translated author in the world, looking at it from our perspective today, Ben Hur, Lew Wallace, do your own abridging.

Scholastic - A Journey To The Center Of The Earth by Jules Verne - cover art by Mort Kuntsler

A Journey To The Center Of The Earth by Jules Verne - T618

Journey To The Center Of The Earth - adapted for BOYS' LIFE (1995)

Journey To The Center Of The Earth - illustrated by Jim Thiesen

Journey To The Center Of The Earth - illustrated by Journey To The Center Of The Earth - illustrated by Patrick Whelan

A Journey To The Center Of The Earth illustration by Virgil Finlay

Posted by Jesse Willis

The SFFaudio Podcast #369 – READALONG: The First Men In The Moon by H.G. Wells

Podcast

The SFFaudio Podcast #369 – Jesse and Juliane Kunzendorf discuss The First Men In The Moon by H.G. Wells.

Talked about on today’s show:
1900, 1901, dystopia, Looking Backward by Edward Bellamy, The Sleeper Awakes, “on the moon” vs. “in the moon”, Neil Armstrong and Buzz Aldrin, the 1964 movie, the framing story, a multinational crew, technical issues, the 2010 adaptation, putting a frame around the story, a Moon Landing fair, a grumpy old man, a kinematoscope, the “real” first Moon landing, Bedford, differences, no plants on the Moon, drugged up, introducing a woman, men acting stupid, a comedy, how Bedford and Cavor meet, passive aggressive, the three workman, almost comedic, a sinister undertone, The War Of The Worlds in reverse, a disappointing ending for the movie, a really strong ending for the book, to make it a family movie, light and amusing vs sinister and serious, coming from Elizabeth Moon’s Trading In Danger, Wells’ language, The Invisible Man, explaining some scientific principle, analogies, maybe there is something like cavorite, the detection of gravitational waves, glass, bromine solution, transparent to gravity, a dodecahedron, a glass sphere, louvered blinds of cavorite, at the bottom of an ocean of air, shooting all of the Earth’s atmosphere into space, genius, genius!, flying to the Moon, the spaceship as an eye, driving school, always look where you want to go, how eyes work, why the movies have been forgotten, the last transmission, the 2010 movie ending, symmetry, what Wells is saying with this book, the last word, ambiguity, the loneliness of humanity, lost, he’s not his identity, what Cavor is doing in those transmissions, utopia/dystopia, wrestling with our purpose as human beings on the surface of the Earth, one definition of work: activity on or near the Earth’s surface, astronauts and miners, the great mind, hive mind, so much Science Fiction afterwards, how life works, ants, on the topic of war, Bedford is the classical monster character, The Country Of The Blind, crystallized in the 1964 movie, hiding from his debts, Blake, once you start suspecting this guy, some of that story is true, putting a good spin on it, subtlety, gold chains, the Selenite’s head broke just like an eggshell, turning the moon into another colony, the whole history of humanity, fighting over useless things, a mirror in front of humanity, the Native Americans, scientific naivety, are we gonna reform our ways?, WWI, giving ultimatums, honor, respect to warriors, (in vino veritas), the surplus population, later SF, Brave New World by Aldous Huxley, the latter half of this book, the brain, the dictionary, the one who likes to draw, one who is really good at metaphor, off in lala land thinking lala thoughts, the communication specialist, the one who knows all the stuff, the illustrations, the alphas the betas the gammas the deltas, the three worker specialists, the joiner, the earth worker, the metal worker, the name Cavor – caver?, it sounds good, caver vs. cavor, the Lord Bedford, claiming the Moon for the Queen, the BBC audio drama, a very serious book, the Mooncalves, the word “mooncalf”, “abortive fetus of a cow or other farm animal”, all sorts of resonances, a scene that makes vegetarians, the reading material that Bedord brings: TidBits (magazine), selling fishknives, Cavor brings the complete works of William Shakespeare, another connection to Brave New World, The Tempest, a story of colonialism, the only native occupant is Caliban, he’s funny and wise in his untutored way, one of the insults that Prospero throws at , the title of Brave New World, an ironic usage, the one slip-up that Wells mad that Huxley picks-up, Bedford’s play, it would work as a play, act 1, act 2, act 3, the flight as an interlude, trying to find the sphere again, two hours left to go?, another interlude in space, an epilogue, how you would stage it, the gold that he brings back from the Moon, living in Italy, published in The Strand, very meta, you can really see the staging, Cosmopolitan, November 1900 first then The Strand, December 1900, serialized as he wrote it, the end of the Cosmopolitan serialization, an elaborate suicide, a dream, Moon gold, a most extraordinary communication, alive in the Moon, is he hoaxing me here?, The War Of The World radio drama, how the spaceship disappears, the boy who disappears into space, Bedford In Infinite Space, at least 10 days, something weird about time, Einsteinian relativity, time works differently when you travel, criticism of this book, C.S. Lewis’ objections, one world government, new world order, a fascistic totalitarian society, lets look at this, other writers do their own version, a sign of a good book, taking the essence, other interpretations, audio drama as a soporific, two dreams, dreaming the ending of The First Men In The Moon, that’s exactly what happened!, my unconscious or semi-consciousness heard it, such a great ending, left for dead, did Bedford feel guilty for leaving Cavor on the Moon?, not the kind of person to have self-doubts, not very charitable, how it actually went, the best possible spin, this is just the way he is as a human, humans are terrible, his nature, Jesse’s secret, The War Of The Worlds, one of Juliane’s first SF books, the illustrations, reading it with the old serialized magazines, chapter endings, what a great end, did Wells have an influence on the illustrations, how adaptations will always take away the plants on the Moon, The Lost World by Sir Arthur Conan Doyle, seeing dinosaurs with skin, a resultant mistake, dinosaurs in popular culture arent shown with feathers, Jurassic Park and Jurassic World, a false picture of the reality, we’ll never be able to get passed this point, daylight savings time, were stuck unable to shift out of a system that doesn’t work, we’re stuck, were stuck with war, when Bedford is completely alone he loses his particular niche, if you zoom out, we’re nothing, what are we that we have to fight each other, we’re all stuck here with gravity, why those interludes are so important to the book.

Marvel Classics - The First Men In The Moon by H.G. Wells

from Charlton Comics - Ghost Manor, Issue 23, 1975

The First Men In The Moon by H.G. Wells - art by Bob Eggleton

The First Men In The Moon by H.G. Wells - The Mooncalves - art by Bob Eggleton

The First Men In The Moon by H.G. Wells - The Selenites illustrated by Bob Eggleton

Posted by Jesse Willis

The SFFaudio Podcast #344 – READALONG: Now Wait For Last Year by Philip K. Dick

Podcast

The SFFaudio Podcast #344 – Jesse, Paul, and Marissa talk about Now Wait For Last Year by Philip K. Dick

Talked about on today’s show:
1966, in the high end, if you want to know what Philip K. Dick writes, it has everything, interplanetary, pretty-earthbound, marriage issues, resonances with other novels, Eric Sweetscent, a nice Dick protagonist, touchy relationship stuff, “misogynist”, he loves women too much, his “headbasher”, The Search For Philip K. Dick, when he was ending their relationship, impotence, psychoology, a husband-father formula, a teenage alternate girlfriend, Eric is so sweet and so sympathetic, an evil bitch destroying the relationship, sympathetic and pathetic, addiction, JJ-180, drugs, time travel, the robot goes with her, robants, the secret service agents, the bill collector robant, the cab robant, “Sir, we’re not allowed to get married”, the robant that wants a bribe, Total Recall, the secretary with the fingernails that change colour, nude breasts with dye and sparkles, a decorative secretary, We Can Remember It For You Wholesale, Blade Runner, wheels, a confusing start, using amoebas to make stuff?, Wash30 = Washington 1930, the Philip K. Dick Fans site, none of this stuff is possible, the print amoeba, really cool writing, “in bed alone”, potent spirits of the past, a graveyard, describing space, is Cheyenne underground?, writing Wyoming again, NORAD?, dialogue vs. description, a nice state capital, “he was enjoying the sight of her dressing”, Lillistar’s secret police, creepy, the Reegs, Gino Molanri, a single medal on his uniform, that’s Hitler!, Gino Molinari is Mussolini, the Earth is Italy and the Star Men are the Nazis, Mussolini is not Hitler, the first fascist dictator, Rimmer from Red Dwarf, not racism but power and glory, when the Americans and the Canadians and the British invade Italy, the soft underbelly of Europe, why Molinari is getting sick, Mussolini’s alpine prison, Otto Skorzeny, rescue/liberate, “Hey, Hitler!”, Molonari is a smart Mussolini, the Reegs are nice, we look like the star-men but we have more in common with the reegs, Tony And The Beetles, telepathic females, one of the weirdest Philip K. Dick stories, a weird ending, the racist father, a frightening story, The Father-Thing, Hansel and Gretel without Gretel: The Cookie Lady, a really creepy story, a quasi sequel or a dry run for Now Wait For Last Year, the same themes, grapefruit sized baseball heavy plastic brains, the lazy brown dogs, the Martian print amoeba, from another Dick story, Colony and Beyond Lies The Wub, attacks by microscopes and towels, “I trusted the rug completely.”, camouflage aliens, when Cathy has her first trip, the history of their tech, matching furs, Virgil, he destroyed the fur industry, killing amoebas is ok?, the fur bearing animals are saved, “furs, that’s the best thing you can think of to do?”, Do Androids Dream Of Electric Sheep?, monad lazy brown dogs, “The quick brown fox jumps over the lazy dog”, are they dog brains?, fur is not alive in the first place, brains are plastic, both meanings, non-living brains, half a cent, so sweet, super sweet, their attacking each other, animal nature, they are as much alive as we are, their god is black, Himmel = heaven, the martian bat guano business, Molan-air-e, Wash-35, collecting stuff, authentic artifacts, The Thirteenth Floor, and Eye In The Sky, Time Out Of Joint, artificial towns, recreated towns, recapturing youth, a rich person’s game, Pitts39, the robant was lying… wasn’t it?, who is the liar?, strange and weird, a similar character in Do Androids Dream Of Electric Sheep?, a flawed god, his unsightly body, shambling, a pathetic figure, it does something to the whole book, first the book takes the shape and then at the end it is fixed, there’s a little animal at the end of Do Androids Dream Of Electric Sheep?, all this ersatz, Jonas, as dead as a robant, suicide, Tijuana, the absurdity of their jobs, seeing to it that factory-rejects got their place in the sun, “I love this stuff”, strong resonances, Wash35 is a 135 year old man recreating a frozen moment in time, time is NOT frozen, Dick has it every which way, “do you object to a stereotape…”, the orchestra isn’t there, all you possess is 1,200 feet of iron-oxide tape, we live with illusion daily, The Iliad is as much a fake as the robant children trading stamps, old-age making its dread appearance, “have an affair with me doctor”, The Cosmic Puppets, set in Virginia, Dick recreating his childhood, remembering the details, alternate presents, a cloud of possibilities, Tijuana Fur and Dye, “Mrs. Sweetscent, sweetheart”, when Cathy destroys the comedian recordings, Dick’s got some awesome recording…, by the way about that American Weekly with that article on the Sargasso Sea…, the Hearst newspapers, an empty cigarette package, antiques are the mcguffin for The Man In The High Castle, he’s right! we don’t live in the present, tweeting dreams, the internet is more reliable than the sun, it’s always on, the internet never goes off, we are living in a weird illusionary reality, when Cathy gets Korsakoff’s syndrome, all these elements that almost completely come together, the gel doesn’t completely set, there’s so much love for Cathy, the robot says he’s a good man, getting into the female character’s mind, he’s a boob man, so much empathy for people, hate and spite, she’s so mad, a movie star named Marm, the microwave dings, my purpose is to make your life a living hell, “good luck with that”, totally re-readable, I would love it again, we had no idea, what is with Molinari getting diseases from his staff?, his zipper was open, he kills people, we don’t know what’s true about him, he’s using his diseases, pulling a sick-day to avoid meetings, a plot device, sympathy pains, hypochondria, empathizing, the uber-empathizer, Bill Clinton felt your pain, literally, JJ-180 is the main character of this book, playing rope-a-dope with the Star-men, brain-freeze, Lord Kalvan of Otherwhen, Starman (1984), Return To Lilliput, every toddler’s dream, the war like Lilliputians, little Napoleons, we’re getting pushed around by little tiny people, taking slave labour from Earth, so we can win this war, whether the illnesses are real or not they are a great strategy, you can’t have Italy fighting on your side unless you’ve got Mussolini, Molinari is finding the middle ground, admirable, thinking the way Nixon is thinking in the Vietnam War, as we re-experienced with Iraq and Afghanistan, slow or fast peeling a band-aid, a self inflicted wound, an exploratory examination, “Molinari you are awesome”, Molinari is the hero, he saves Eric Sweetscent, so many good resonances, thinking while listening, why this isn’t the best ever Philip K. Dick novel ever.

Now Wait For Last Year - DAW Books

URANIA - Now Wait For Last Year by Philip K. Dick

Posted by Jesse Willis

Aural Noir review of The Monster Of Florence by Douglas Preston and Mario Spezi

Aural Noir: Review

The Monster Of Florence: A True Story
By Douglas Preston and Mario Spezi; Read by Dennis Boutsikaris
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: 2008
ISBN: 9781600242090
Themes: / Crime / History / Mystery / Murder / Serial Killer / Conspiracy / Italy / Florence / Sardinia / The Renaissance /

In 2000, Douglas Preston and his family moved to Florence, Italy, fulfilling a long-held dream. They put their children in Italian schools and settled into a 14th century farmhouse in the green hills of Florence, where they devoted themselves to living la dolce vita while Preston wrote his best-selling suspense novels. All that changes when he discovers that the lovely olive grove in front of their house had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known only as the Monster of Florence.

If you’re a fan of Douglas Preston’s fiction you’ll be all into digging the biographical details he adds to this illuminating non-fiction account of a real monster and the labyrinthine twists and turns the investigation took. Those readers looking for insight into Thomas Harris’ Hannibal novels can find this story impactful too. Myself, I was most interested in the unparalleled access this fearsome story details, namely the historical forces that shaped Florence, Tuscany and Sardinia from ancient days, through the Renaissance, the 1960s, 1970s, and on up to the present. Preston, with help from Spezi, provides elucidating details about how the killer (or killers) got away with 16 murders that took place between 1968 and 1985. Their book, this audiobook, is an indictment of Florentine and Italian journalists, the Italian national police , the Florentine investigators, and one prosecutor in particular. In short, after more than 30 years of criminal investigation the case remains an unsolved mystery. Spezi and Preston do take a guess at the culprit, and they back that guess up with a logic chain that is a helluva-lot-more compelling than the official explanation. But, just thinking about it all, a week or two later, I’m still shaking my head. The final disgrace of this story came as a result of a convergence between the Public Minister of Perugia, Giuliano Mignini, and a fraud psychic named Gabriella Carlizzi. Together they explained to themselves, and the arresting police, that Mario Spezi was actually involved in the murders and was a member of a satanic cult.

Even more worrisome, if it is possible to imagine, is what Preston argues is a fairly widespread Italian cultural embrace of something called “dietrologia.” Literally meaning “behindology,” dietrologia is the practice of assuming that nothing notable is as it actually appears – that something hidden (often sinister, cynical and/or conspiratorial) is behind any and all notable events. In Canada we might call it acting paranoid, or being a conspiracy theorist. In Italy, apparently, it is regularly practiced around the dinner table. And it’s all fun and games, I guess, until you end up throwing innocent people in jail. During the writing of The Monster Of Florence Spezi was arrested for either being a collaborator with the Monster or actually being the serial killer himself. Meanwhile Douglas Preston was interrogated, told to confess, threatened with arrest, and forced to leave Italy upon pain of prosecution. The Monster Of Florence case was completely bungled. This was a clusterfuck on par with the notorious California’s McMartin preschool investigation and trial. I guess it all goes to show that police and prosecutorial incompetence is alive and well in the new and old worlds both.

Reader Dennis Boutskaris takes full control of the narrative, becoming the voice of Preston (and Spezi) for the entire audiobook. To my untrained ears his Italian accent sounded fine. The cover art, as mentioned in the audiobook, comes from a photograph of a statue in Piazza della Signoria, in Florence (The Rape of the Sabine Women by Giambologna |JPG|). In addition, on the final disc, there is an informative interview with Douglas Preston.

Posted by Jesse Willis

LibriVox Noir: The Aeneid by Virgil

Aural Noir: Online Audio

Out now from LibriVox is an early English translation of an epic poem. Aeneas’s story is the story of the foundations of the Roman republic and the Roman empire. Its ethos plays an important role in shaping who we are nearly two millennia after it was written. I think of it as the first in a long tradition of NOIR LITERATURE. Sure, you thought that the story of Romulus and Remus was grim. But that’s much later in the history of the Roman people – at least according to the greatest Roman poet, Publius Vergilius Maro, better known as Virgil. Virgil wrote this earlier history of the Roman origins for his Emperor, Gaius Julius Caesar Octavianus, better known as Augustus.

If you’ve read The Iliad you’ve already met Aeneas. The end of The Iliad is the beginning of The Aeneid. Aeneas leads his surviving, but homeless, Trojans to Italy, where they become the ancient ancestors to the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the second set of six books chronicle the war for the new Trojan homeland. In his war against the brave and honorable, but hot-headed Turnus, Aeneas keeps his cool (as a good Roman should). In fact, Aeneas is everything a good Roman should be, full of filial piety, brave, resistant to the temptations of distracting women, and ultimately ruthless.

Some scholars think that the final scene of this epic is unfinished. I understand why they think that, they say the meter is off, that Virgil died before he could make it fully symmetrical. I choose not to believe that. I choose to believe the final lines of this epic poem are exactly as Virgil intended: That is, COMPLETELY AND UTTERLY NOIR.

Here are the final lines of the poem’s Fitzgerald translation:

“Then to his glance appeared the accurst swordbelt surmounting Turnus’ shoulder, shining with its familiar studs – the strap Young Pallas wore when Turnus wounded him and left him dead upon the field; now Turnus bore that enemy token on his shoulder – enemy still. For when the sight came home to him, Aeneas raged at the relic of his anguish worn by this man as trophy. Blazing up and terrible in his anger, he called out: ‘You in your plunder, torn from one of mine, shall I be robbed of you? This wound will come from Pallas: Pallas makes this offering, and from your criminal blood exacts his due.’ He sank his blade in fury in Turnus’ chest…”

Aeneas, who throughout the rest of the poem symbolizes pietas (reason), in this final scene becomes furor (fury). Since this poem is considered the national epic of the Roman people, it seems fitting that the Roman virtues are at the fore of the concluding scene. Romans were vengeful, pitiless, with what Friedrich Nietzsche called a “master morality” – the morality of the strong-willed. What is good is what is helpful; what is bad is what is harmful. For Virgil, and Augustus, the strong-willed Roman morality is not needing the approval of a higher power. For us, in certain circumstances it leaves us saying things like… “Forget it Jake. It’s Chinatown.”

The Aeneid
By Publius Vergilius Maro; Translated by John Dryden; Read by various
24 Zipped MP3 Files or Podcast – 13 Hours 39 Minutes [POETRY]
Publisher: LibriVox.org
Published: October 2008
The Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the poem’s second half treats the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome. Several critics think that the hero Aeneas’ abandonment of the Cartheginian Queen Dido, is meant as a statement of how Augustus’ enemy, Mark Anthony, should have behaved with the Egyptian Queen Cleopatra.

Podcast feed:

http://librivox.org/bookfeeds/aeneid-by-vergil.xml

Posted by Jesse Willis