The Story Of The Inexperienced Ghost by H.G. Wells

SFFaudio Online Audio

The Story Of The Inexperienced Ghost by H.G. Wells

The Story Of The Inexperienced Ghost (aka The Inexperienced Ghost) is, on its face, merely a humourous ghost story. But I get the sense that there’s quite a bit of satire going on in it. It may be doing to the straight-up ghost story (in a far more lighthearted way) what The Red Room does to the Gothic Horror story.

LibriVoxThe Story Of The Inexperienced Ghost
By H.G. Wells; Read by Toby Paradis
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2008
First published in The Strand, March 1902.

Here’s a fully illustrated |PDF| made from the original printing.

Mrs. P. (aka Kathy Kinney) reads The Story Of The Inexperienced Ghost:

Posted by Jesse Willis

Hypnobobs: The Flowering Of The Strange Orchid by H.G. Wells

SFFaudio Online Audio

The Flowering Of The Strange Orchid by H.G. Wells

In less than 3,000 words H.G. Wells planted the seed, as it were, for a rare and delicate subspecies of Science Fiction we might call Botanical Horror SF. As Mr. Jim Moon, of the wondrous Hypnobobs podcast, points out in his introduction to his reading, this seed would later flower into a John Wyndham novel we all know and love.

So, grab some coffee, head into the greenhouse, and listen to this curious story of where it all started.

The Flowering Of The Strange Orchid by H.G. Wells

HypnobobsThe Flowering Of The Strange Orchid
By H.G. Wells; Read by Jim Moon
1 |MP3| – Approx. 1 Hour 21 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: April 6, 2012
First published in Pall Mall Budget, December 27, 1894.

Podcast feed: http://feeds.feedburner.com/Hypnobobs

And, here’s an illustrated |PDF|.

The Flowering Of The Strange Orchid by H.G. Wells

Posted by Jesse Willis

The SFFaudio Podcast #228 – READALONG: Last And First Men by Olaf Stapledon

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #228 – Jesse and Jenny talk about the Last And First Men by Olaf Stapledon.

Talked about on today’s show:
the near and far future, not a novel, an imagined planetary history, the scope, Penguin Books, philosophy, the introduction, The Iron Heel by Jack London, a future history, human civilizations, two thousand million years (two billion years), universes => galaxy, man is a small part of the universe, Starmaker by Olaf Stapledon, Doctor Who, 2001: A Space Odyssey, what the plot would look like if there was one, the eighteen periods of man, evolution and construction, it’s set in 1930, is there ever an end to humanity?, Last Men In London by Olaf Stapledon, Last And First Men was popular in its day, Stapledon served in the ambulance service in WWI, plotlessness, period themes, the flying theme, the depletion of fossil fuels, The Mote In God’s Eye by Larry Niven and Jerry Pournelle, Venus, Mars, Neptune, the Martians, the Venusians, the genocide on Venus, Luke Burrage (the Science Fiction Book Review Podcast), racism, a Science Fiction mythology, the poetic musical ending, deep time, to the end of the Earth and beyond, Stapledon as an historian, civilizations always fall, there’s no one thing that ends civilizations, humanity as a symphony, the returns to savagery, establishing the pattern, Arthur C. Clarke, The House On The Borderlands by William Hope Hodgson, The Night Lands, The Time Machine by H.G. Wells, H.P. Lovecraft and cosmicism, the Wikipedia entry for Last And First Men, Fritz Leiber, Forrest Ackerman, scientificion, matchless poignancy, S. Fowler Wright, Lovecraft’s love of the stars (astronomy), one of the species of man is a monkey, another a rabbit, no jokes but perhaps humour, a cosmic joke, monkeys have made human their slaves, Planet Of The Apes, an ability to hear at the subatomic level, intelligence, a fourteen foot brain supported by ferroconcrete, obsession with gold, obsession with diamonds, pulping people, it’s written like a history textbook or essays, the Patagonia explosion, the upstart volcanoes, Earth Abides by George R. Stewart, The Scarlet Plague by Jack London, chiseling knowledge into granite, Olaf loved coming up with different sexual relationships, the 20 year pregnancy, suicide, euthanasia, an unparalleled imagination, groupthink, telepathy, oversimplification, we must press on, the baboon-like submen, the seal-like Submen, the divergence of man into other ecological niches, the number of ants in New York, ecosystems, nuclear weapons, robots are missing, where is the robot man?, the over-emphasis on fossil fuels as the only source of energy, if you could see us now, post-humans, ultimately a love letter to humanity, not aww but awwww!, Starmaker as a masterpiece, Sirius, uplifting a dog, a fantasy of love and discord, dog existentialism, who am I and where is my bone?, Olaf Stapledon in the PUBLIC DOMAIN, influential vs. famous, a very different read.

Last And First Men by Olaf Stapledon

Olaf Stapledon illustration by Neil Austin

Posted by Jesse Willis

The SFFaudio Podcast #227 – AUDIOBOOK/READALONG: The Dreams In The Witch House by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #227 – The Dreams In The Witch House by H.P. Lovecraft; read by Julie Hoverson. This is a complete and unabridged reading of the novelette (1 hour 42 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, Mirko Stauch, and John Feaster.

Talked about on today’s show:
1933, a pretty terrible Lovecraft story, which story?, science fiction vs. horror, crappy cheesy, Julie’s audio drama adaptation of The Dreams In The Witch House, bad ending vs. interesting journey, nobody wants August Derleth to be right, Mirko likes it, a magnificent failure?, an unusual narrative, standard witch story #4, The Size Of The Universe by Willem de Sitter, is the Dark Man made out of dark matter?, the first fanfic Mary Sue writer, Hypnos, witches, magic, what does a being from beyond space need with baby guts, why is Nyarlathotep crusing the streets with a dude in his pajamas?, Prohibition, a supervillain squad, a nerve specialist, Herbert West, Re-Animator, Douglas Adams, space is really really really big, the total perspective vortex, Lovecraft humour, Pickman’s Model, Walter Gilman is blind to the danger, the Masters Of Horror adaptation, The Whisperer In Darkness, The Colour Out Of Space, a homesteading concept, Darkest Of The Hillside Thickets, The Shadow Out of Tim, the science fiction aspect, a scary fascination, the sunburn, the blown out ear drums, Azathoth, the Pythagorean view, “everything is made of numbers”, mathematics, Galen, is Keziah Mason dead?, is Walter Gilman doomed from the start?, Brown Jenkin looks like Chuck E. Cheese, what is Brown Jenkin?, witches familiars, Blackadder, “bloody milk!”, bubbles -> Beelzebubbles, modern witches, “the witch stole my penis”, mob mentality, Caligula, proscription, Crassus, the Polish landlord and tenants, a drunken loom-mender?, the looming evil, the cross prayer, the cross giver, the cross as a weapon, Walpurgis Night, the skeleton is quantum physics, Halloween, the maypole, the Brocken, pagan rituals, prank gardening, tree stealing, mascot kidnapping, “excessively religious”, Elwood, The Thing On The Doorstep is internally logical, Tales From The Crypt, Lovecraft’s racism, The Haunter Of The Dark, presenting light, superstition, Mount Everest, icky areas, Lovecraft’s characters aren’t into self-preservation, 1960s, addiction, psychedelics, helmet refusers, “outspokenly Wiccan”, The Call Of Cthulhu RPG, 20 sided die, weird angles, 4 sided die, Julie’s die scar, sharp Doritos, caltrops, “grimoire”, sleeping on Elwood’s couch, a cohesive awesome, the endings, the star wanderings, Beyond The Wall Of Sleep, Polaris, an obsession with evil stars, astral projection, the movement of the stars, Lovecraft’s astronomic efforts, The Festival, a weird plot thread, Lovecraft as an untethered balloon, there’s a lot of puppy dog in H.P. Lovecraft, “the poky little Lovecraft”, Montreal, a historical-building-o-phile, Bingo The Birthday Clown, Star Crunch (a Lovecraftian sponsor), “a field of red jelly with bones floating in it”, hot dog water, ultimately everyone is consumed, Tunus the Unstoppable, a soap opera with only three people, an anthropomorphic supercomputer, Krusty the Klown, a fascinating unpleasant series, The Lovecraft Five, Facts Concerning The Late Arthur Jermyn And His Family, He, The Picture In The House, H. Rider Haggard’s She done as a comedy, Brown Monkey’s The Dreams In The Witch House, Uncle George’s House Party, 19 Nocturne Boulevard, The Hole Behind Midnight by Clinton Boomer, Broken Eye Books’s Kickstarter, a professional audio novel, a giant evil naked clown, the HPLHS movie adaptation of The Whisperer In Darkness, the changes, Mr. Jim Moon’s review of The Whisperer In Darkness, it’s fucking terrifying, Julie’s reading, Julie loves to play crazy old people, a love letter to H.P. Lovecraft, “fun, surprising, and terrifying”, The Creeping Unknown, more suspense and less action, Charles Fort (played by Andrew Leman), Septimius Felton by Nathaniel Hawthorne, “Doctor Portsoaken”, “Robert Hagburn”, Charles Dickens, Curse Of The Crimson Altar, Die, Monster, Die!, The Curse, Thriller, Pigeons From Hell, The Resurrected, Bleeders (aka Hemoglobin), a micro-budget with Rutger Hauer.

Classics Illustrated - Dreams In The Witch-House - illustration by Pete Von Sholly

The Dreams In The Witch House - Room For Rent

Dreams In The Witch-House - illustrated by Ben Templesmith

Posted by Jesse Willis

Silly Asses by Isaac Asimov

SFFaudio Online Audio

Silly Asses by Isaac Asimov

Maissa Bessada narrates for us Silly Asses a one page (400 word) satirical short story by Isaac Asimov.

|MP3|

Also available is a |PDF| made from a scan of the original publication in Future Science Fiction, February 1958.

And here is the complete text:

Silly Asses by Isaac Asimov

Naron of the long-lived Rigellian race was the fourth of his line to keep the galactic records.

He had a large book which contained the list of the numerous races throughout the galaxies that had developed intelligence, and the much smaller book that listed those races that had reached maturity and had qualified for the Galactic Federation. In the first book, a number of those listed were crossed out; those that, for one reason or another, had failed. Misfortune, biochemical or biophysical shortcomings, social maladjustment took their toll. In the smaller book, however, no member listed had yet blanked out.

And now Naron, large and incredibly ancient, looked up as a messenger approached.

“Naron,” said the messenger. “Great One!”

“Well, well, what is it? Less ceremony.”

“Another group of organisms has attained maturity.”

“Excellent. Excellent. They are coming up quickly now. Scarcely a year passes without a new one. And who are these?”

The messenger gave the code number of the galaxy and the coordinates of the world within it.

“Ah, yes,” said Naron. “I know the world.” And in flowing script he noted it in the first book and transferred its name into the second, using, as was customary, the name by which the planet was known to the largest fraction of its populace. He wrote: Earth.

He said, “These new creatures have set a record. No other group has passed from intelligence to maturity so quickly. No mistake, I hope.”

“None, sir,” said the messenger.

“They have attained to thermonuclear power, have they?”

“Yes, sir.”

“Well, thats the criterion.” Naron chuckled. “And soon their ships will probe out and contact the Federation.”

“Actually, Great One,” said the messenger, reluctantly, “the Observers tell us they have not yet penetrated space.”

Naron was astonished. “Not at all? Not even a space station?”

“Not yet, sir.”

“But if they have thermonuclear power, where do they conduct the tests and detonations?”

“On their own planet, sir.”

Naron rose to his full twenty feet of height and thundered, “On their own planet?”

“Yes, sir.”

Slowly Naron drew out his stylus and passed a line through the latest addition in the small book. It was an unprecedented act, but, then, Naron was very wise and could see the inevitable as well as anyone in the galaxy.

“Silly asses,” he muttered.

Asimov wrote Silly Asses on July 29, 1957. To put that in context, just ten days earlier (July 19, 1957), as a part of Operation Plumbbob the USAF filmed five Air Force officers standing directly under an atmospheric nuclear detonation. The idea was to demonstrate the safe usage of nuclear weapons over civilian populations.

Silly asses.

Posted by Jesse Willis

Review of The Mighty Carlins by Collin Doyle

SFFaudio Review

The Mighty CarlinsThe Mighty Carlins
By Collin Doyle; Performed by a full cast
1 |MP3| – Approx. 87 Minutes [AUDIO DRAMA]
Producer: The Wireless Theatre Company
Released: June 12, 2013
Themes: / Family / Humour / Black Comedy /

On the anniversary of his wife’s death, Leo Carlin and his two sons come together for their traditional night of sharing the good and not so good memories of the dearly departed Mrs Carlin. Beers are drunk. Plans are hatched. Secrets are revealed. The Mighty Carlins is a black comedy that celebrates a family at its worst.

Before I start talking about alcohol soaked childhoods, failed ambitions, stuck lives and dead-end plans, I want to clarify, The Mighty Carlins is an entertaining, compelling, audio drama replete with fun, twists and surprises.

On the anniversary of their mother’s death, two brothers, Mike and Davie get together with their father Leo, to share memories about their mother. It’s obvious from the conversation between Leo and Mike while they wait for Davie that this is not, nor has it ever been, a happy little family. The parents’ main objective through their lives together seemed to revolve around having enough liquor to make it through another night. Mike has a failed marriage and a couple of crashed business plans behind him and not much ahead. Self absorbed, inattentive Leo is more interested in humiliating his sons than engaging in anything meaningful. Most broken of all is the younger brother Davie, who despite a lifetime of proof against it, still believes he can find something worthwhile in these two. The three shards of broken glass that was once a family have this annual ritual for the benefit of Davie who’s desperate to find at least one happy memory he can hold onto against the bleak reality of his past and the looming future that holds no discernible difference. Gathered together to share memories about their mother, none of those remembrances enter the picture until the final quarter of the play. Until then the stories they tell are a mishmash of conspiracies, lies and betrayals with a few truths thrown in to mix it up a little.

To me, the play felt a lot like Edward Albee’s Who’s Afraid of Virginia Woolf? where words are like scalpels and sentences are designed to inflict just enough damage to illicit pain, but not quite enough to stop the flow of conversation. Dialogue throughout glues the family combatants together while simultaneously shredding them apart.

Rather than follow a straightforward moving line, threads of story meander out of the narrative, swirl around, duck under, over, other threads, sometimes tying up loose ends, but more often leading to more questions instead of answers. Is this a mystery we’re listening to? Is there going to be a big reveal at the end? Is there anything holding this family together besides pain and lies? Each thread, each tangent tugs us through the labyrinth of these lives.

Despite wrecked childhoods, going nowhere lives and empty big plans for the future, The Mighty Carlins is not in any way depressing. It’s intriguing and captivating and at times laugh aloud funny. It features biting dialogue, well drawn, sympathetic (in the cases of the sons) characters who really shouldn’t be very likable at first glance, but ultimately are, failures et al.

Collin Doyle’s writing is strong and the whole piece is well crafted. It’s uniformly well performed, thoroughly enjoyable and engaging from start to finish.

From The Wireless Theatre Company website:

We believe that bringing a theatre company of this nature to the internet is a positive cultural contribution as the nature of audio plays is particularly suited to performance and publications of work by a large cross section of the community; we encourage and support any contributors, and will always strive to provide a forum for new talent. Our website is found purely through search engines and word of mouth – so if you like what you hear – PLEASE tell your friends!

I wholeheartedly agree. Check out The Wireless Theatre Company. Tell your friends.

cast:
Shane Rimmer
Christopher Ragland
Christian Malcolm

Music by Michael Seal

Directed by Paul Blinkhorn

Produced by Jack Bowman and Robert Valentine

Edited by Paul Darling

Engineered by Carlos Ziccarelli at Unity Studios, London.

Posted by Maissa Bessada