Metropolis, an astoundingly great radio dramatization of a famous novel that was turned into a famous movie, is nuanced, deep, surprising, and totally, idea based.
I’m astounded, really and truly astounded and amazed too at the depth and power an hour long program is able to achieve.
The script has humor, skepticism, cynicism, hope, sex, romance, informative infodumps, and a city full of pathos.
The production, acting, pacing, and composite audio experience is completely awe inspiring.
What gets me most is that even though it is based on a 1926 novel by Thea von Harbou, this version of Metropolis is, arguably, even more relevant than either Brave New World (1931) or 1984 (1949).
Those two classics don’t feel wholly and completely modern – this production of Metropolis does. It’s modernity is ripe, it’s like an episode of Black Mirror, and it should be on your radar.
Still not sold? Then imagine a Science Fiction version of Fight Club but set in the world of The Space Merchants or Judge Dredd and imagine it written by either Philip K. Dick or Frederik Pohl.
An audacious portrayal of a futuristic city as much as a state of mind, and an iconic film to boot, Metropolis (Radio 4, Friday) doesn’t exactly scream radio adaptation. But writer Peter Straughan and director Toby Swift, who won the Prix Italia in 2004 for their adaptation of Fritz Lang’s M, clearly aren’t put off by such hurdles. Their Metropolis was all deliciously claustrophobic intensity and dark interiority; their mega-city full of bubbling, menacing sounds you soon wanted to shut out. Without the famous visuals, you never really got a sense of the scale of Lang’s vision – you didn’t believe in the 62 million workers in Metropolis – but you did get the chilling psychological dimension of the dystopia. Edward Hogg, as Freddy, though sounding like a young Woody Allen at times, convinced as the alienated, lonely outsider who manages to subvert the mega-state from within. There were laughs, too, at least early on. “When was the last time you slept?” a therapist asks a suicidal Freddy. “About eight years ago,” says Freddy. “No,” the therapist concludes, “I don’t think that’s significant.”
Peter Straughan, the adaptor, and Toby Swift, the director, have achieved a classic for our time and for the ages – this is highly, highly recommended!
Thea von Harbou’s Metropolis
Adapted by Peter Straughan; Performed by a full cast
MP3 via TORRENT – 57 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 (Friday Drama)
Broadcast: March 24, 2006
Available via RadioArchive.cc Freder, the protagonist of Metropolis is an underworked “captain” in a high level position in the futuristic consumer society of the mega city named Metropolis. Feeling suicidal, but unable to understand why, Fredor switches identities with a low level “product insertion” – a kind of telemarketing – but failing at that Fredor soon finds himself working for Maria, an imperfect beauty with all the answers. Maria plunges Fredor into the depths of her underground conspiracy to disrupt the workings of society.
Directed by Toby Swift
Cast:
Freder – Edward Hogg
Maria – Tracy Wiles
Josaphat – Damian Lynch
Schmale – Peter Marinker
Earbud Theater has a new show they want you to hear. Written by Casey Wolfe, it’s entitled CLANG! and it features a cast you may recognize from other podcasts and movies and elsewhere around the universe.
As any parent knows, balancing work and family can be difficult to say the least. For Gern and Betty Steadfast the two are about to slam together with a great… big… CLANG!
Cast:
Stephen Tobolowsky as Gern Steadfast
Meeghan Holoway as Betty Steadfast
Sean Keller as The General & Gabriel Edgar Wech
Alex Wagner as Jenni & Ellie
Lindsay Zana as Tyler & Jack
Here are three new short stories set to air on BBC Radio 4 Extra on Monday, Tuesday, and Wednesday.
Marionettes, Inc.
By Ray Bradbury; Read by ???
1 Broadcast – Approx. 15 Minutes [ABRIDGED?]
Broadcaster: BBC Radio 4 Extra
Broadcast: October 8, 2012
Fragments Of A Hologram Rose
By William Gibson; Read by Jon Strickland
1 Broadcast – Approx. 15 Minutes [ABRIDGED?]
Broadcaster: BBC Radio 4 Extra
Broadcast: October 9, 2012
Tomorrow’s News Yesterday
By Terry Pratchett and Neil Gaiman; Read by Jon Strickland
1 Broadcast – Approx. 15 Minutes [ABRIDGED?]
Broadcaster: BBC Radio 4 Extra
Broadcast: October 10, 2012
The Zombie Survival Guide: Complete Protection From The Living Dead
By Max Brooks; Read by Marc Cashman
Approx. 8 Hours 38 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: September 12, 2006
ISBN: 9780739342725
Themes: / Zombies / Humor / Horror / Apocalypse /
The next time a Class 2 zombie outbreak occurs in my neighborhood, I’ll be well-prepared to deal with the shambling corpses of hungry undead now that I’ve read Max Brooks’ The Zombie Survival Guide: Complete Protection From The Living Dead.
The Zombie Survival Guide dispels exaggerated myths and legends of the undead and instead presents the reader with unvarnished “truths” about zombies. You’ll find information on zombies’ physical strength, sight, hearing, and rate of decay, and the pros and cons of various weaponry for battling the undead (everything from medieval maces and claymores, to M-16s and flamethrowers). It describes various scenarios for identifying early signs of localized (Class 1) outbreaks, to full-blown widespread undead infestation (Class 3). You’ll find best practices for battling zombies in urban settings, in harsh desert and swamp environments, even under the sea. The Zombie Survival Guide tells you how to defend your home by stocking up with key food and supplies and moving to your second floor and destroying all staircases (recommend for Class 2), or how to survive on the run as you move to the most remote and therefore safest parts of the planet in a world-wide zombie apocalypse in which mankind is overrun (Class 4). The best vehicle should an outbreak occur? You might not guess it, but it’s a bicycle. On a bike you can easily outrun the slow, slouching pace of zombies, it will never run out of gas, you can carry a bicycle over rough terrain, and you can maneuver a bike through the inevitable traffic jams that accompany a full-on panic. Motorcycles are very good too, though their noise attracts the undead. Boats are also a secure means of travel, says Brooks, but watch your anchor line—zombies walking on the ocean floor can use it to climb up to your boat. “Hundreds” of hapless victims have died this way, Brooks tells us.
The Zombie Survival Guide serves as a perfect gateway to Brooks’ highly recommended World War Z |READ OUR REVIEW|. If for nothing else, and you find Brooks’ post-apocalyptic strategems and survival tactics tedious, I’d recommend this book simply for the highly entertaining “Recorded Outbreaks” section. Here Brooks describes various zombie outbreaks throughout history, from ancient tales recorded in chilling primitive artwork, all the way up through living eyewitness accounts from the early 21st century. These are written in the economical journalism style that Brooks’ employs so effectively in World War Z, lending these “outbreaks” a documentary-style feel, which makes them seem more realistic and terrifying. According to Brooks there have been many zombie outbreaks throughout history—perhaps even in my neighborhood, hence my need to be ready—but these have been largely laughed off by skeptical media, ascribed to outbreaks of disease, localized madness, or industrial pollution, or covered up by governments or the CDC, fearful that public knowledge would result in full-scale panic.
For all its earnestness you have to take The Zombie Survival Guide with a heavy dose of salt. While it’s written in a deadpan style and never descends into farce, and purports to be a “real” guide for complete protection against the walking dead, when you read passages like “If you want to know the true danger of an airborne (parachute) attack against zombies, try dropping a square centimeter of meat on a swarming anthill. Chances are, that meat will never touch the ground. In short, air support is just that—support. People who believe it to be a war-winner have no business planning, orchestrating, or participating in any conflict with the living dead,” you can’t help but laugh (I did laugh out loud, several times). While not as well-written or as compelling as World War Z, for zombie aficionados The Zombie Survival Guide is nevertheless a must-read.
Marc Cashman narrates with a dry, clipped voice that perfectly suits the how-to nature of The Zombie Survival Guide. There’s a touch of William Shatner in his delivery, with dramatic pauses in odd places, but that only adds to the fun.
Arguably: Essays
By Christopher Hitchens; Read by Simon Prebble
24 CDs – Approx. 28.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: September 1, 2011
ISBN: 9781611139068
Themes: / Non-fiction / History / War / Biography / Science Fiction / Fantasy / Iran / Afghanistan / Germany / North Korea / France / Dystopia / Utopia / Religion / Tunisia / Piracy / Terrorism / Feminism / Pakistan /
The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for arthe enduring relevance of Karl Marx. The audio book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens’ credentials as-to quote Christopher Buckley-our “greatest living essayist in the English language.”
Here’s a question I was thinking about while listening to Arguably.
What is fiction for?
One answer, the bad one, is that it’s for entertainment. That’s certainly where many readers are willing go, and the fiction writers who write it too. Maybe that’s precisely why so much fiction is just so very shitty.
To me, if you aren’t exploring ideas in your fiction, then you really aren’t serving a greater purpose. Idea fiction, fiction with ideas rather than just action and plot, is to my mind a kind of supplement to the wisdom found in writings on history, biography and science.
Of the many lessons learned I in listening to the 107 essays in Arguably I was particularly struck by the wisdom Christopher Hitchens gleaned from his reading of fiction. Hitchens reviews many books in this collection, nearly half of the essays are book reviews. Books like 1984, Animal Farm, Flashman, The Complete Stories Of J.G. Ballard, Our Man In Havana, and even, surprisingly, Harry Potter And The Deathly Hallows all get fascinating, critical, and reverent reviews.
Yet Hitchens also takes the lessons with him into his writing about his travels. Hitchens writes about visits to such places as North Korea, Cyprus, Afghanistan, and Kurdish Iraq. When talking about his visit to Beirut we see what comes when Hitchens, a man of ideas, acts upon them. The essay, The Swastika and the Cedar sees the convictions of the commited anti-fascist Hitchens beaten and nearly kidnapped for an act of vandalism on a prominently displayed swastika. Writes Hitchens:
“Well, call me old-fashioned if you will, but I have always taken the view that swastika symbols exist for one purpose only—to be defaced.”
In a review of two books, Lolita and The Annotated Lolita, Hitchens applies the controversial subject in a real life look at the modern, and very non-fictional oppression and objectification of women. Indeed, the ideas he appreciated in fiction helped Hitchens to come to grips with the real world.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
As to the narration of the audiobook. I’m ashamed to admit that I was initially dismayed when I saw that Christopher Hitchens had not narrated this audiobook himself. I was wrong to worry. Incredibly, Simon Prebble seems to have have become Hitchens for this narration. Prebble perfectly captures the erudite words, so eloquently performs them, and with an accent so like that of Hitchens’ own so as to make me think that it was Hitchens who had actually read it.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
Here’s a list of the book’s contents, with links to the original etexts when available, along with my own notes on each:
The Private Jefferson – a review of Jefferson’s Secrets: Death And Desire At Monticello by Andrew Burstein
Jefferson Vs. The Muslim Pirates – a review of Power, Faith, And Fantasy: America In The Middle East: 1776 To The Present by Michael B. Oren
Benjamin Franklin: Free And Easy – a review of Benjamin Franklin Unmasked: On the Unity of His Moral, Religious, And Political Thought by Jerry Weinberger
John Brown: The Man Who Ended Slavery – a review of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked The Civil War, And Seeded Civil Rights by David S. Reynolds
Abraham Lincoln: Misery’s Child (aka Lincoln’s Emancipation) – a review of Abraham Lincoln: A Life by Michael Burlingame
JFK: In Sickness And By Stealth – a review of An Unfinished Life: John F. Kennedy, 1917–1963 by Robert Dallek
Saul Bellow: The Great Assimilator – review of six novels by Saul Bellow (The Dangling Man, The Victim, The Adventures Of Augie March, Seize The Day, Henderson The Rain King, and Herzog)
Vladimir Nabokov: Hurricane Lolita – reviews of Lolita by Vladimir Nabokov and The Annotated Lolita edited and annotated by Alfred Appel, Jr.
John Updike: No Way – a review of The Terrorist by John Updike (with reference to The Coup too) John Updike: Mr. Geniality – a critical review of the affable Due Considerations: Essays And Considerations by John Updike
Vidal Loco – Gore Vidal went crazier, more elitist and perhaps more racist as he got older (with attention and quips for Quentin Crisp and Oscar Wilde and Joyce Carol Oates)
America The Banana Republic – Hitchens on the “socialistic” bank bailout of 2008 (“socialism for the rich and free enterprise for the rest”)
An Anglosphere Future – a review of The History Of The English Speaking Peoples by Andrew Roberts (with reference to both Sherlock Holmes and The White Company by Sir Arthur Conan Doyle as well as to Cecil Rhodes and Rudyard Kipling)
Political Animals – a review of Dominion: The Power Of Man, The Suffering Of Animals, And The Call To Mercy by Matthew Scully
Old Enough To Die – on capital punishment as applied to children In Defense Of Foxhole Atheists – a visit to the United States Air Force Academy and the tax funded proselytizing
ECLECTIC AFFINITIES Isaac Newton: Flaws Of Gravity – a stroll through the medieval streets of Cambridge with the scientists, mathematicians, and philosophers who worked there
Gustave Flaubert: I’m With Stupide – a review of Bouvard et Pécuchet by Gustave Flaubert translated by Mark Polizzotti The Dark Side Of Dickens – a review of Charles Dickens by Michael Slater a biography (Hitchens was a not uncritical admirer of the subject)
Marx’s Journalism: The Grub Street Years – a glowing review of Dispatches for the New York Tribune: Selected Journalism Of Karl Marx edited by James Ledbetter, foreword by Francis Wheen (Marx admired the United States, and other fascinating facts about the father of communism)
Rebecca West: Things Worth Fighting For – an introduction to Black Lamb and Grey Falcon: A Journey Through Yugoslavia by Rebecca West
Ezra Pound: A Revolutionary Simpleton – a review of Ezra Pound, Poet: A Portrait Of The Man And His Work: Volume I: The Young Genius, 1885-1920 by A. David Moody (a biography of the fascist poet)
John Buchan: Spy Thriller’s Father – a review of John Buchan The Presbyterian Cavalier by David R. Godine (with discussion of The 39 Steps and a fantasy novelette The Grove Of Ashtaroth)
Fraser’s Flashman: Scoundrel Time – a look at the George MacDonald Fraser series of Flashman books and the connection with The Adventure Of The Empty House
AMUSEMENTS, ANNOYANCES, AND DISAPPOINTMENTS Why Women Aren’t Funny – a controversial essay on why more comedians are male and why women laugh at them the way they do
As American As Apple Pie – a literary and chronological history of the blowjob, with reference to Valdamir Nobokov’s Lolita
So Many Men’s Rooms, So Little Time – a fascinatingly insightful argument on what’s was going on with the Larry Craig bathroom airport scandal and related phenomena
A War Worth Fighting – a persuasively systematic review of Churchill, Hitler And The Unnecessary War: How Britain Lost Its Empire And The West Lost The World by Pat Buchanan
Just Give Peace A Chance? – a critical review of Human Smoke by Nicholson Baker
Don’t Mince Words – the disenfranchisement of south Asians in Britain isn’t the cause of bombings, hatred of women is.
History And Mystery – al-Qaeda in Iraq, jihadists, or “insurgents”? Do words matter? Of course they bloody well do.
Words Matter – political slogans make of “every adult in the country” an “illiterate jerk who would rather feel than think”
This Was Not Looting – how can a government “loot” it’s own weapons manufacturing facility? The government of Iraq managed it according to The New York Times.
The “Other” L-Word – a lighthearted piece on the prominence of the word “like” and it’s use
The You Decade – what’s wrong with you (marketing to the selfish)
Suck It Up – the Virginia Tech shootings prompted the wrong response from the world (namely that it prompted one)
A Very, Very Dirty Word – the English empire, in centuries to come, may only be remembered for soccer and the phrase “fuck off”
“One must not put a loaded rifle on the stage if no one is thinking of firing it.” -Anton Chekhov, November 1,1889.
Mindwebs – The Gun Without A Bang
By Robert Sheckley; Read by Michael Hanson
1 |MP3| – Approx. 19 Minutes [UNABRIDGED with a musical bed]
Broadcaster: WHA Radio (Madison, WI)
Broadcast: August 4, 1982
Provider: Archive.org Alfred Dixon is a weapons expert assigned to test, in hostile alien jungle conditions, a new deadly disintegration pistol. The thing kills alright, but there’s one thing it doesn’t do. It won’t report. First published in Galaxy Science Fiction, June 1958.