Dark Adventure Radio Theatre: H.P. Lovecraft’s The Shadow Over Innsmouth
Adapted from the novella by H.P. Lovecraft; Performed by a full cast
1 CD – Approx. 77 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: October 27, 2009
Themes: / Horror / Cultists / Deep Ones / Cthulhu Mythos /
The final installment of a great series of faux Old Time Radio dramatisations of Lovecraft stories by the H.P. Lovecraft Historical Society’s very own Dark Adventure Radio Theatre is probably the easiest to convert in their point of view. By no means do I want to belittle their skill and effort but of all of Lovecrafts stories “Innsmouth”‘s dramaturgy comes easier to audio than, say, The Shadow out of Time [Review]. Bear in mind that Lovecraft was not exactly known for his use of action or suspense in the traditional sense, but this novella about a degenerated community on New England’s seaside features his attempt of a chase and narrow escape plus a final plot twist.
I assume that most readers will at least be vaguely familiar with the plot but for those who are not here’s a very brief overview.
A young man tours New England, more precisly the fictional area that became known as “Lovecraft Country”, in a search for antiques and his family’s history. He learns of the town of Innsmouth which used to be a prosperous fishing and trading port but which has long ago fallen into gloom and decay, shunned by outsiders and inhabited by secretive people on whom generations of inbreeding have not been kind.
Of course, he disregards all warning not to go there and buys a ticket for the bus to Innsmouth. Ahh, the carelessnes of youth!
Sure, he only wants to get a quick peek and then leave again with the evening bus. What he learns from his own observations and the only two people willing to talk to him – an outside shopkeeper and the town drunkard – is bad enough. All the churches of Innsmouth have either been abandoned or have been converted for use by the town’s sinister cult the Esoteric Order of Dagon. The cult that was brought to Innsmouth from the Pacific by one of its most prominent captains at a time when Innsmouth’s economy was failing. The new gods helped but at what terrible price our young protagonist is abuot to find out. Too bad that the bus that was supposed to bring him out of town in the evening has most inconveniently broken down leaves him stranded and cut-off in a town filled with people who are not entirely human anymore and even less keen on snooping outsiders than your usual run-of-the-mill hillbillies. Fortunately, there is a room available in the best (and only) hotel in town… and this is where the fun begins – our protagonist has to escape from Innsmouth.
But remember… you may take a man out of Innsmouth but can you take Innsmouth out of the man?
Find out more and watch <a title=” Shadow over Innsmouth Trailer” href=””>the trailer on Youtube.
There is not really much more to say about the last and thus far final installment of DART that is different from the previous ones. Although the crew does not produce audio dramas for a living they take this serious enough to be on par with most professional publishers, and indeed even better than some. Luckily they don’t take it so serious as to avoid the tongue-in-cheek humour which stands ol’ Lovecraft better than you might think.
The story has been dramatised well, music and sound design are great, the acting convincing and the feeling of an Old Time Radio show has been well preserved. The fact that DART have invented a visit from a government official to the protagonist (a fact actually mentioned in the original story) not only provides a convincing reason why the narrator keeps going on in the typical Lovecraftian monologues but also made it possible to tell the story’s ending a bit more dramatic than its literary predecessor.
Every DART show comes as both MP3 download and “enhanced” physical CD. The Shadow over Innsmouth is no different and the CD contains such props as a “real” match book (with one final match left) of the Gilman hotel, a handdrawn map of Insmouth, a fake newspaper clipping, and a postcard. A nice extra (and free for all) service is the downloadable script to read along.
To round off this the final audio drama the HPLHS offers a nicely designed box in the shape of a classic tube radio that holds all four currently available CDs.
The only thing that this leaves me wanting is more. I want more Dark Adventure Radio shows! Alas, the HPLHS has been awfully quiet on the audio front recently. One can only assume that their resources have been eaten up mainly by their film endeavours.
Dark Adventure Radio Theatre: H.P. Lovecraft’s The Shadow Out Of Time
Adapted from the novella by H.P. Lovecraft; Performed by a full cast
1 CD – Approx. 77 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: October 27, 2009
Themes: / Horror / Science Fiction / Aliens / Consciousness Swapping /
It their line of faux Old Time Radio shows the H.P. Lovecraft Historical Society has also adapted the old master’s The Shadow out of Time. After the slightly disappointing At the Mountains of Madness and the great Dunwich Horror we now look the The Shadow Out Of Time – not quite what I would have expected for an audio drama treatment.
As usual you can get the audio both as a download and in the physical CD form, the latter is enhanced with certain goodies. The HPLHS started off as a supplier of props for Lovecraftian role-playing games (both pen-and-paper, and live action). This CD is no exception and so you can find a cutout from the fictitious Arkham Advertiser printed on real newspaper paper, a sealed Marconigram (a telegram), torn pages from a psychological journal detailing the case of Nathaniel Peaslee, and finally a very well made faux facsimile page from the infamous “Von Unaussprechlichen Kulten“. The latter being in absolutely perfect German. Not that you will actually need any of these things but they are fun to look add and just add to the impression that this is a quality product.
But what about the audio?
The story tells of Nathaniel Peaslee, Professor of Political Economics whose mind gets exchanged by an alien entity from the Great Rave of Yith who are time travelers from earth’s distant past. The strange behavior of the entity in his body alienates Peaslee from his family and friends, and he becomes a celebrity patient among psychologists.
When the real Peaslee is being sent back into his body with no memories of his experience he is shocked to find his life in shambles and is soon confronted with nightmarish visions of his life as a captive of the Yithians. Eventually he becomes involved in an archeological dig in Australia that is about to uncover the remnants of the ancient pre-human city along with the Yithian arch-enemies that still dwell there.
Lovecraft’s usual topic, of showing the insignificance of human kind in light of some alien being or race who could eradicate it in the blink of an eye, is emphasized by the fact that even these powerful beings can be overcome by some more powerful than they are.
Let’s face it, you don’t read an individual Lovecraft story for the action or suspense. It’s more the joy of unveiling the cosmology that connects most of his literary works. The Shadow Out Of Time is no exception, if anything it is an even more than typical example. I mean it starts with an alien hijacking a professor of *Political Economics* of all things! (Dear students of Economics, this is nothing personal but you must admit that the discipline does not quite come to mind as the starter for a horror story of cosmic dimensions) A sizable part of the story consists one massive infodump detailing the culture and society of the Great Race of Yith. In it Lovecraft even goes so far as to classify the economic and political system (I can see a pattern evolving) of the Yithians, which he dubs some form of “socialist fascism”. All of this is delivered in the form of a letter to Peaslee’s son and the world at large.
Not an easy thing to turn into an audio drama.
However, the HPLHS managed surprisingly well to create a more dynamic form of presentation. First of all, when the story starts on the ship bringing Peaslee home from Australia the audio drama introduces the ship’s doctor as a counterfoil so that Peaslee can actually tell his story to someone. Peaslee’s research into the lost years of his amnesia during which his hijacker traveled the world in search of arcane knowledge is made more vivid through a conversation with a Swedish librarian, and so are the flashbacks into his incarceration in Earth’s distant past together with fellow prisoners from other ages and places. These diversions from the original story all serve to liven up the dramaturgy without changing the essence of Lovecraft’s Shadow Out Of Time.
As usual, the production and voice acting are great, especially considering that this is not an entirely professional production. The HPLHS are hobbyists who, in spite of the love and attention to detail they pour into their products, have not lost their sense of humour. Thus, The Shadow Out Of Time is the first Lovecraft adaptation to my knowledge which features product placement (Fleurs de Lys anyone?). It is not least this tongue-in-cheek humour that helps to turn an slightly stuffy tale of pre-historical kidnapping with cosmic, nay, titanic dimensions into an enjoyable audio drama. Highly recommended.
The Whisperer In Darkness
By H.P. Lovecraft; Read by Phil Reynolds
3 CDs or Audible Download – Approx. 2 Hours 53 Minutes [UNABRIDGED]
Publisher: Fantom Films
Published: April 2010
Sample |MP3| Considered to the be one of most influential American authors, Howard Philip Lovecraft is synonymous with some of the best fantasy and horror fiction of the 20th century, second only to Edgar Allan Poe. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Albert Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, however it isn’t until he receives communication from Henry Wentworth Akeley that he is offered the proof he requires… First published in Weird Tales August 1931.
Dark Adventure Radio Theatre: The Dunwich Horror
Adapted by Sean Branney and Andrew Leman; from the story by H.P. Lovecraft;
Original music by Troy Sterling Nies; Performed by a full cast
1 CD or MP3 download – 75 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: 2007
Themes: / Horror / Fantasy / Weird Tales / New England / Cthulhu Mythos / Yog-Sothoth / Degenerated Backwater Communities /
After their first venture into Lovecraftian audio theatre with At the Mountains of Madness in 2006, the H.P. Lovecraft Historical Society have recently increased their efforts to bring Lovecraft back, if not to the airwaves than at least to our CD players and iPods.
The Dunwich Horror is one of the best known Lovecraft stories set in the Miskatonic Valley with its degenerate backwater folks and cultists, Lovecrafts fictional literary playground, and was first published in 1929 in Weird Tales. There is a classic 1940s radio drama version around – an episode of the famous Suspense show, now in the public domain and freely available on the internet.
The first Dark Adventure Radio Theatre production, At the Mountains of Madness, showed some dramatic weaknesses, however, The Dunwich Horror provides a thoroughly enjoyable audio drama experience. Whilst most Lovecraft fans would want it to be as close to the original as possible (which it is) it does take into account that an audio drama has to follow different dramatic conventions to keep its listeners entertained for more than an hour. Don’t expect an action packed audioFX orgy, though. It’s a Lovecraft story after all, so there will be lots of monologues and narrated bits, all adding to the charme of the original and the faux old time radio show format that this audio drama is presented in. Incidentally, Dark Adventure Radio Theatre has refreshingly politically incorrect fake advertizing (for cigarettes!) The cast does a great job of bringing to life the varied range of characters – from backwater farmers, to New England academics. Production values are overall good and fortunately they did not go wild with freely available sound effects as some other dramas of the semi-professional kind sometimes do. A commercial publisher with bigger budget might have been able to do better, but the guys from Dark Adventure Radio Theatre did a great job with a lovingly rendered version of the Dunwich Horror that shows an eye for detail.
As the HPLHS started off by producing Lovecraft collectibles and high-quality “authentic” props, for the Call of Cthulhu pen & paper and live roleplaying games, it is not surprising that the CD contains a lot of goodies. Namely, a map of the Dunwich area complete with a note stapled onto it, a page from the dreaded Necronomicon and one from Whateley’s diary plus a clipping from the Arkham Advertiser showing Wilbur Whateley himself – all of which are of superb quality. Whilst no one really needs any them, these props make nice gimmicks nevertheless.
For anyone who does not need a physical audio storage medium or shies the shipping and duty costs involved with a mailorder from the USA, an MP3 download is available for about half the price. The file is properly tagged but it does not contain the cover art – this is a minor flaw in all of the HPLHS’ audio dramas downloads.
Another nice extra is the freely available script which helps learners of English to follow the show (download available from the HPLHS website as a PDF)