The SFFaudio Podcast #466 – READALONG: Annihilation by Jeff VanderMeer

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #466 – Jesse, Paul, and Marissa, talk about Annihilation by Jeff VanderMeer.

Talked about on today’s show:
clones, doppelgangers, eidolons, 2014, the 2018 movie, gifting the book, Finch, City Of Saints And Madmen, new weirdness, The New Weird, The Weird, appreciating the book, appreciating the movie, understanding why people talk about the book and the movie the way they do, justifying their ratings, framing it wrong, the Wikipedia entry, The New Yorker, Area X as a hyperobject, Paul would know, big dumb object, Ringworld, Rama, going into it and experiencing it, the original and the interpretation, what?!!?, better experienced as audiobook, the cool thing about the audio version (it is ephemeral), you can’t skip or skim sex scenes, a dream like quality to the words, pronunciation, how things read on the page, The Man Who Japed, juveniles = Juvenal(s), fucking with the reader by changing the text in a kind of fungal growth, experimental, fairly successful, not easily digestible, the book is a manifestation of Area X itself, screwing with the readers’ heads, Alex Garland, seeing the movie first and then reading the book, Blade Runner: 2049, the theater experience, the painful trauma of childbirth, Sunshine, a science fiction movie that doesn’t care about science at all, Ex Machina, nuking the sun back into starting?, the metaphor for Sunshine, not a good idea for a movie, Solar Crisis (1990), Hard Sun, doing good things with bad ideas, not a perfect movie, interpretation, we can’t do that, narrator, from an internal point of view, a kind of version, inspired by, the book is all about words, no big piles of documents to read, The Man In the High Castle show, pointing to something without saying what it is, an art film for a mainstream audience, Andrei Tarkovsky, expectations, characters with names, outside of Area X, setting expectations, imagine its a different expedition, the tower the tunnel, Steen, what do you remember about it?, it’s “this kind of book”, no proper nouns in the whole book, signposts on your journey, taking down all the signposts, a sign there’s no signposts, an initial “S”, Ghostbird, Area 51, a word you use in place of a word, Operation Overlord, H-Hour, D-Day, designed to prevent you from knowing, in the mode, shift gears, losing your spot, so dreamlike, hypnotic, hypnosis, as a trope, hypnosis was huge in Science Fiction for decades, not a Science Fiction book, who likes this book, literary fiction, very lit-fic, horror elements, weird fiction, a reworking of The Willows, inspired by Algernon Blackwood’s The Willows, H.P. Lovecraft, Arthur Conan Doyle, Supernatural Horror In Literature, something more than secret murder and bloody bones, a certain atmosphere of breathless and unexplainable dread of outer unknown forces, the assaults of chaos and the demons of unplumbed space, an attack on the fixed laws of nature, a wrinkle in reality, what’s it like to experience that, if you squint a little bit, a metaphor for the scientific process, scientists, AR-15 or M-16s, a nod back to the book, everybody has one, the same uniform, a military expedition but twisted in a certain sense, the second and third books, cancer as a motivation, the disintegrating marriage, having an affair, pathetic and sad, set a little bit into the future, any evidence that it is set into the future, everything in the book is completely without specificity, he went through it with a comb and took away information, the word Lovecraft loves to use “certain”, a great adjective, the pig creature is a bear in the movie, Vietnam War upside down and inside out, the biologist is in love with the swimming pool, the characters in the film are cannon fodder, the conversation in the boat, taking away the centrality of character, a framing story, Benedict Wong, the tie-up scene, her fingerprints are moving, a lift from The Thing (1982), paranoia and suspicion, really bullshit, they’re all on Xanax, passion about biology and ecosystems, we only see the Xanaxed version on the characters in the film, we don’t see what the love, sympathy isn’t enough, evoking place, the black pine forest, a derelict lighthouse, untroubled landscape, Florida or the Georgia coast, filmed in England, cool ideas, Southern Reach, SR, an institution, two things that don’t tell you what they are, the same time zone, a lack of specificity,

“After leaving Vienna, and long before you come to Budapest, the Danube enters a region of singular loneliness and desolation, where its waters spread away on all sides regardless of a main channel, and the country becomes a swamp for miles upon miles, covered by a vast sea of low willow-bushes. On the big maps this deserted area is painted in a fluffy blue, growing fainter in color as it leaves the banks, and across it may be seen in large straggling letters the word Sumpfe, meaning marshes.”

the crawler, the thing without the name, the Swede, the narrator’s name, as if he is in the room, utterly transformed, just that, I am not returning home,

“See,” he said quietly, “the victim that made our escape possible!”

And when I peered across his shoulder I saw that his stick rested on the body of a man. He turned it over. It was the corpse of a peasant, and the face was hidden in the sand. Clearly the man had been drowned, but a few hours before, and his body must have been swept down upon our island somewhere about the hour of the dawn—at the very time the fit had passed.

“We must give it a decent burial, you know.”

“I suppose so,” I replied. I shuddered a little in spite of myself, for there was something about the appearance of that poor drowned man that turned me cold.

The Swede glanced up sharply at me, an undecipherable expression on his face, and began clambering down the bank. I followed him more leisurely. The current, I noticed, had torn away much of the clothing from the body, so that the neck and part of the chest lay bare.

Halfway down the bank my companion suddenly stopped and held up his hand in warning; but either my foot slipped, or I had gained too much momentum to bring myself quickly to a halt, for I bumped into him and sent him forward with a sort of leap to save himself. We tumbled together on to the hard sand so that our feet splashed into the water. And, before anything could be done, we had collided a little heavily against the corpse.

The Swede uttered a sharp cry. And I sprang back as if I had been shot.

At the moment we touched the body there rose from its surface the loud sound of humming—the sound of several hummings—which passed with a vast commotion as of winged things in the air about us and disappeared upwards into the sky, growing fainter and fainter till they finally ceased in the distance. It was exactly as though we had disturbed some living yet invisible creatures at work.

My companion clutched me, and I think I clutched him, but before either of us had time properly to recover from the unexpected shock, we saw that a movement of the current was turning the corpse round so that it became released from the grip of the willow roots. A moment later it had turned completely over, the dead face uppermost, staring at the sky. It lay on the edge of the main stream. In another moment it would be swept away.

The Swede started to save it, shouting again something I did not catch about a “proper burial”—and then abruptly dropped upon his knees on the sand and covered his eyes with his hands. I was beside him in an instant.

I saw what he had seen.

For just as the body swung round to the current the face and the exposed chest turned full towards us, and showed plainly how the skin and flesh were indented with small hollows, beautifully formed, and exactly similar in shape and kind to the sand-funnels that we had found all over the island.

“Their mark!” I heard my companion mutter under his breath. “Their awful mark!”

And when I turned my eyes again from his ghastly face to the river, the current had done its work, and the body had been swept away into mid-stream and was already beyond our reach and almost out of sight, turning over and over on the waves like an otter.

all the evidence is gone, the explanation in the movie is as much The Colour Out Of Space as it is the novel Annihilation, 12 expeditions, the shimmer is gone, possibilities, the asteroid, something extraterrestrial struck the lighthouse, the “S” word, he’s not her husband, he’s the duplicate, the shimmer in the eyes, more subtle, the thing he’s doing, a comet, meteorite, dwarf planets and planets, Ceres, a meteorite vs. comet, the object is white, aiming at something, the earth is a giant egg and the comet is a sperm, a tunnel and tower, slipping into Eric Rabkin mode, designed to be seen in the unconsciousness (if not the consciousnesses), a tunnel and a tower, becoming a being, fungus all over the walls is white, cell division, an egg developing into a person, cancer, ovarian cancer, the all women cast!, what is it like to have a being growing inside of you that is a mutation of you, the childless relationship, off to fight in Pakistan again, reunited, the happy ending is a new beginning, isn’t pregnancy scary, the real immortality cells can have, cancer vs. a baby, kinds of immortality, The Immortal Life of Henrietta Lacks, the film works at what it’s doing, the movie is a prism for the book, a very filmic version of the book, it couldn’t be an audio drama, very very very metaphorical, a comic book version, in the backgrounds, Alex Garland’s story, the words scrawled in the tower/tunnel,

“Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.”

dreamlike biblical word salad, going to that church, its just weird, negative reviews of the book, you’re never going to get an explanation, very meta, the narration is unreliable, or the universe is unreliable, she’s in a coma, none of this is happening, The Dreamquest Of Unknown Kadath, Providence, seeing sexuality in everything, Rapunzel is only a sex story, hair growth like plant growth, a retelling of the Garden of Eden, underneath a lot of stuff is sex, about the cosmic, makes Jesse sad, Alan Moore and Jacen Burrows, a big stream of white cats up to the Moon, a sex dream, once you start looking, what it makes us different from rocks, the formation of rocks, we can’t compare ourselves to electrons, not mammal sex, why that weird world salad sentence, a tunnel, spiraling, a helix, just words, words are magic in the same way that genes are magic, let’s write some words, what does it mean?, certain coding, creating and casting a spell, speech-writing, amino acids into creatures who build and use firetrucks, this is literally Marissa’s job, where the spell is breaking, a piece of tape, seeing the book as a text in reference to texts and weird fiction, the word “thing”, that’s why the word shows up in so many weird fiction stories, uncanny horror, between fantasy and science fiction, body horror, Re-Animator, coming back to life as parts, seeing those fruiting bodies on the dead corpses, let’s take some samples, guts fall out, the more Marissa learns about biology the more grossed out she gets, designed to, very very movie, intestines, fear, scary gross out scene, Aliens (1986), the perfect film movie for what it is, taking certain aspects of Alien and amps them up, Terminator 2 is a remake of Terminator, Hudson becomes the hero, switching over to science mode, horror mode, you’re allowed to switch around as much as you want, why so many love it and hate it, contamination story, pregnancy story, creeping dread, taking all that potential out, taking it as it is, watch the movies first, preferring the text, reading the subtitles, as a film the characters are Xanaxed humans, placing themselves in our reality, are you polishing your Pashtun?, grounding, the Southern Reach is a metaphor for the continual war on terror?, 17 years in, he should have made it a real art film, unrelatable, are we all 12 years old?, being talked down to, people on CNN, everything that isn’t set in the shimmer hurts the film, the environmental disaster, a military screw up, Stephen King (The Mist), angry at the movie, a slow creeping dread, so disappointing, the plants that look like people, the twinned dears with flower antlers, very excellent language, the hints about the journals, this is all in a journal, that’s the moment they knew the most, are they losing information, we start with more information, if you re-edited the film, we all lost time, this is the afterlife, this is dream state, if I was religious I would read everything that way, the pool, the pond, tower tunnel, how her husband was traumatized by something in childhood and it was a film, the shownotes for the Altered Carbon show, how memory works, how important childhood memory is for laying your personality down, what memories are even real, that was a different person, the crisis actor thing, misremembered, .005% error margin, interrupting an attempted murder, strangling and cover in blood, missing limbs, the screaming thing in the bushes, self-reinforcing, the spiral of words, in 10 or 20 years, Authority by Jeff VanderMeer, an agency in dysfunction, Kafkaesque, so mundane, The Castle, in second person, sudden jarring cries, dripping out, the, the movie poster’s tagline “fear what’s inside”, psychological head-space fear, flowers sprouting from her arms, the better parts of the film, filmic explanation, the anthropologist in the tunnel/tower, the psychologist, did she lie?, that’s a story, the story doesn’t make sense as a straight up story, hypnosis as used in Robert A. Heinlein’s Starship Troopers, very science fictional, The Parasite by Sir Arthur Conan Doyle, [Jesse has already done a show on it], a decent movie and an even more interesting book, Marissa wants Jesse to read the sequels, a marketing gimmick, readings for podcasts, revisiting as a concept, three big pieces of a puzzle, what’s wrong with the word “spoiler” is the word has the opposite meaning (for Jesse), knowing more makes Jesse more interested, the lady goes off in a boat (maybe), and leave her journal behind (maybe), it would be much better as a found footage movie shot on videotape, shaky-cam, The Ritual (2017), four guys go out for a hike in the woods, a psychological haunting that happens, not being able to act, the psychology works amazingly better, Norse mythology, a hike movie (!) Marissa’s in!, Swedish mountains, we’ve been completely destroyed, why is called Annihilation?, special pleading, “nihil” means nothing and “a” means not – annihilation is a nothing of a nothing, titles are important, the trigger word, The Slithering Shadow by Robert A. Howard, something to talk about over beers, having something to do is really important in a world with no meaning, Jesse has nothing in common with his students, the only thing we really share is the text, before and after class, having that ritual of three interesting things, Matchstick Men, there’s no heaven, try to get through it until the cancer comes, less Xanax more coffee, The Voice In The Night by William Hope Hodgson, a becalment, do you have any food, a ship covered in fungus, an island covered in fungus, eating the fungus, becoming the fungus, the pool body,

Posted by Jesse Willis

The SFFaudio Podcast #462 – READALONG: Sandkings by George R.R. Martin

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #462 – Jesse, Paul Weimer, and Scott talk about Sandkings by George R.R. Martin

Talked about on today’s show:
1979, out of the ether, one of Scott’s favourite stories, excellent short fiction, what does that say about Scott?, it hits you differently, playing out, horror and science fiction, the 1995 The Outer Limits adaptation, Beauty And The Beast, tuf voyaging series, the thousands worlds, Jack Vance-y, the magic shop trope, Wo and Shade, The Reel Stuff, short stories and novelettes turned into movies and TV shows, trading one shope for another, military, Melinda Snodgrass, a very different beast, a family of Bridges, who Shade is, Wo vs. woe, Salem’s Lot, Gremlins (1984), piranhas, goldfish, Simon Kress, Martian soil, a story of obsession vs. comeuppance, one of the best endings, it breathed, the others, orange children, all of them had his face, hitting the horror note, this isn’t the Frankenstein story, let there be light, playing god, being worshiped, when can I turn on the hologram, Microcosmic God by Theodore Sturgeon, a cruel god, neoterics, patents, a “business man”, rakes in money, exotic pets, the poor shambler, leaving his pets, his “friends”, gambling, cruelty, Edgar Allan Poe, The Cask Of Amontillado and The Masque Of The Red Death, George R.R. Martin grew up poor, New Jersey, every G.I. Joe that’s ever been made, how can people live in such luxury, “spoiling” children, JUSTICE, a horror, where’s Wo?, “We got another one.”, an open thread, good advice, no malice, Wo is very polite, the Wo family, some Maw, Baldur, the reflection of the workers (the mobiles), you can live in harmony with these creatures, all on the surface, Jesse’s mind goes crazy, totally science fiction without much science, horror in a science fictional setting, a horror story set on a Vancian planet, it won all the awards, Nightflyers, the weakest?, The Way Of Cross And Dragon, The Ice Dragon, Harlan Ellison, Grail, I Have No Mouth And I Must Scream, everywhere, Nancy Kress?, The Shambler From The Stars by Robert Bloch, H.P. Lovecraft, J.R.R. Tolkien, Stephen King, the clarity, “he wasn’t interested in that”, “Insects.”, hmmmm, eating up GRRM’s text, A Song For Lya, Robin Of Sherwood, space punk, goth punk?, dark humour, always hard to swallow, easily digestible pieces, Poe-like, the comic book adaptation, faithful, DC Comics Science Fiction Graphic Novel 7, 1987, Wo is female, incredibly faithful, emptying the refrigerator and the freezer, calling his friends, Fitcher’s Bird, Bluebeard, dilettantes, collective punishment, working on the level of a folk tale, the macabre, staring into the abyss and liking what you see, are they just animals?, psionics, seeing his soul, Populous, For I Am A Jealous People! by Lester Del Rey, Sim City, Civilization, victory conditions, the goal of the game, perversity in Jesse’s (and everybody’s) nature, a delight in smashing your own sandcastles, we resonate with it, wanting to see destruction, a house of cards, The Conqueror Worm, the sound of the cosmos, “invisible wo”, the mimes are humans, the children have his face, by a crowd that seize it not, in human gore imbued, almost a science fiction story, there’s no one answer, Hellboy, BPRD, a relatively shallow story, the experience is the experience of it, the Dreamsongs Volumes I, II, and III audiobooks, the name of the monster, maw gives pap, the Pit of Sarlacc, back to his doom, not an easy trick to pull off, super affective, the sword stabbing scene, then to a restaurant, contamination, bribery, a personal disaster, flee the planet, a sprawling manor house, The Fall Of The House Of Usher, an indictment of the pet ownership process, don’t leave your baby in the car (or your German Shepherd), Lloyd Bridges handing a boy a puppy, how badly aged the show is, I saw him in the window and couldn’t resist, Cowboy, a lovely father-son dynamic, where does he go wrong exactly?, where does Frankenstein go wrong?, to stop death, rampage, a lack of love and care and attention, the carrion hawk, what happened to the original cowboy?, very iconic, dealing with something real, horror stories only work when they’re dealing with something real, we’re operating on that level, mimesis, a genuine feeling, yes! of course!,

Sandkings by George R.R. Martin illustrated by Ernst Fuchs from Omni, August 1979

Sandkings by George R.R. Martin

Science Fiction Graphic Novel, SF7 - George R.R. Martin's SANDKINGS

Science Fiction Graphic Novel, SF7 - George R.R. Martin's SANDKINGS

Science Fiction Graphic Novel, SF7 - George R.R. Martin's SANDKINGS

George R.R. Martin's SANDKINGS

SANDKINGS by George R.R. Martin

The Outer Limits - Sandkings

Posted by Jesse Willis

The SFFaudio Podcast #451 – READALONG: Puttering About In A Small Land by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #451 – Jesse, Paul and Marissa talk about Puttering About In A Small Land by Philip K. Dick

Talked about on today’s show:
1985, 1957, a magnificent novel!, struggling through, Paul is not a fan, opinions about this book, Marissa really enjoyed it, problems, interesting, not a mainstream book, marriage and cheating, Jesse’s gutter definition of mainstream, it has them all beat, an existential novel, mainstreaminess, dread, creeping social order dread, where did it start to go wrong for Paul, why am I listening to this book, technical difficulties, the opening, the school, why am I listening to this?, mimetic fiction, I’m not interested in this, there’s no hook, their lives, the son, the poor victim, Roger recapitulates, his mother-in-law, the inevitability of the break-up of the marriage, his third time, failed relationships, spending time with these people, they’re awful awful, flip-flopped, disregarding the content of the novel…, badly composed Philip K. Dick novels, he’s really smooth, most beautiful in a few places, a way for Paul to get through this novel, Jesse’s last theory, the Mexicans are not really Mexicans (they’re Martians), what the heck are you talking about, Martian Time-Slip, his autistic son, he gives his son to the Martians, put on the lap of one of the hitchhikers, psychology, moving to Chicago with a load of stolen televisions, a secret science fiction novel, becoming a science fiction novel for a moment, at the point where it would spin fantastic… its averted, ruminating and undercutting, when Jesse reads and Isaac Asimov mystery, mind bendy, under Galactic Pot-Healer, no access to higher beings or aliens who live across the street, Lord Running Clam, well and truly lost, there’s no way out other than to move about, Puttering About vs. puttering around, what is this thing about, its not really about anything, when Virginia talks about her husband, she’s made this mistake, the mores of the 1950s, waiting for her husband to screw up, Roger is a prat, they’re all Philip K. Dick, Mrs. Alt, the teachers are all robots, The Simulacra, the math teacher, the horses, the character realization is amazing, all real people, the TV repairman, R. Childan from The Man In The High Castle, a fascinating book for anybody who wants to go deep on Philip K. Dick, you have to let it hypnotize you, bootstrapping opportunities, being in the right mood for things, if you classify this book differently, this is a crime novel scene, they commit adultery and that’s a crime, James M. Cain, adulterous relationships, the Greek fate track they get on, a car-wreck of murder and sex and love, if I was in this car…, tearing him down, he married into this, there’s no escape, a horror, a horrible human being, horrible people, being terrorized and terrified and having no escape, good writing, feeling something coming, a payoff, what all the school means, what (other than the fact that this actually happened) does this mean?, like he was experiencing this stuff, screw you all, feeling the tedium, attention to detail, open and closed to the experience, little kid psychology, sometimes adults have a greater wisdom and experience than the kid, an emotional sponge, to get that cheque, Mrs Alt is a change, the chickens and the eggs, that chicken scene is straight out of The Father Thing, old and mouldy and rotten down to the center of the earth, its turning science fiction its turning fantasy, its turning PKD!, his brother, a multiple reality thing, it wouldn’t take much to flip it into a science fiction story, Paul remembers he hated mimetic fiction, A New Apartment, I hate these people, Paul nearly failed reading in seventh grade (because of the books they gave him), A Man In Full by Tom Wolfe, mis-classified, listening to my neighbours talking about their marriage, the periodness of it, a picture of the 1950s that is so complete, immersed into the 1950s, oh this is a real place, this is a real time, so many scenes, The Hanging Stranger, the basement, everything in his 1950s town is exactly the same except for the corpse hanging from a lamp post, lynching, transparency into a social reality, the racism, he didn’t mutter it quietly enough, teeth flying all over the street and he deserved it, seeing the consequence, it felt so real, so visceral, what happened?, explaining to his wife, refusing to go to the dentist like a little kid, new horrors to come, he’s constantly putting himself into these horrible situations, how great is the rage trip?, raging at the whole world, every middle class white guy’s fear, the emotional experiences, perfectly encapsulated, maybe this was written by a woman, Liz is a fantasy character, Upon The Dull Earth, digging the trench, all the other stories reflected, a Star Trek: Deep Space Nine episode, a waking dream, in a very PKD sense, you can’t tell which universe you’re in, the photographs, so amazing, Time Out Of Joint, we don’t want to live in the world where PKD became a successful mainstream writer, decaying royalties, he is a success in this world, being recognized during his lifetime, worth digging out, he’s such a great idea man that his work will live on past his mere boring and terrible existence, mainstream writers that have wasted their lives, Martian Time-Slip can’t exist without this mundane book, squint a little bit, the PKD genre, the shoe-repair boy, none of them can hear me, our perceptions of reality, it felt like it was about to turn into a science fiction novel, almost a witch, a sorceress, Roger’s seeing something in her, children and schizophrenics, a secret brother living inside, an asshole father, an amazing horror story, Tony And The Beetles, what does this mean, Evan Lampe American Writers: One Hundred Pages At A Time podcast, kids, an empathetic sponge, where it turns into a science fiction novel for a moment, the stamp collection, dad did they use stamps in Roman times, I think I have one, that’s the end of that scene, where’d that come from and where did it go?, the denouement of so many Philip K. Dick novels, Ubik, that is the turn, how often Jesse talks to kids, its almost like they have schizophrenia, I think my feet are on fire, they sound insane, what if that’s true?, the fact that he thinks he has a Roman stamp is true in that moment, those little touches are what make this a great, great book, eliciting the sense of existential dread, I might read another mainstream Philip K. Dick, The Man Whose Teeth Were Exactly Alike, the premise is like nothing, horrible people, I love reading about these fuck-ups, asshole after asshole, Stephen King, Nelson De Mille, a Goodreads review by Hyzenthlay:

The worst part of having a favourite author who died before you started reading him is that eventually you will run out of new reading material. The best part of that favourite author being Philip K Dick is that he was prolific as fuck AND he has so many books that are only recently coming back into print and/or being published posthumously for the first time that even though I’ve been reading him for 20+ years, I still haven’t run out of new-to-me shit to read.

Puttering About in a Small Land is one of those mythical PKD volumes I searched used book stores and thrift shops for for years. It was first published in the mid-80s, following Dick’s death, then went out of print for almost three decades cos there was never much call for his literary fiction. It’s not sexy enough to be referred to in hushed reverential tones like a DADoES or mind-fucky enough to be a scholarly treatise on humanity and reality like the VALIS trilogy.

It’s a quiet book, dealing with adultery and retail. It’s undeniably an early Dick book, exploring what exactly it means to be human; to feel eternal, knowing all this pain is an illusion. The prose and style will be familiar to anyone who’s read more than a handful of his books or short stories, but it’s not one of his Big Damn Idea books.

I feel I’m not explaining myself very well.

If you’re a genre fan thinking to dabble in Dick, don’t start here. [Waves hand] This is not the book you’re looking for. You go read something else (if you don’t want to start with the usual suspects, I applaud you and would recommend The Penultimate Truth, Dr Bloodmoney or The Cosmic Puppets), cos you will likely find this book’s slightly plodding pace infuriating.

If you’re a litfic reader, looking to broaden your reading horizons, you *could* give this one a go. Maybe only if you’re already into mid-20th Century Americana, though. This might not be the best starting point. You’d be better served picking up Confessions of a Crap Artist or Flow My Tears, the Policeman Said (which, yes, is genre fiction, but ONLY JUST).

Fellow Dickheads? Obviously you need to read this. After Milton Lumky (who knew typewriter sales would be so compelling?). You might hate it, but your need for completion will compel you.

TL;DR This book isn’t for you. Or you. Or you. But it might be for YOU.

stealth sex scenes, she’s consuming him, a spider crawls on her hip, a great review, Red Harvest, The Maltese Falcon, Mario Puzo’s Fools Die,

Puttering About In A Small Land by Philip K.Dick

Posted by Jesse Willis

Reading, Short And Deep #095 – Crickets by Richard Matheson

Podcast

Reading, Short And DeepReading, Short And Deep #095

Eric S. Rabkin and Jesse Willis discuss Crickets by Richard Matheson

Richard Matheson was first published in Shock, May 1960.

Here’s a link to a PDF of the story.

Posted by Scott D. Danielson

The SFFaudio Podcast #449 – AUDIOBOOK/READALONG: Dagon by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #449 – Dagon by H.P. Lovecraft; read by Oliver Wyman. This is an unabridged reading of the short story (16 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Paul, Marissa, and Oliver Wyman.

Talked about on today’s show:
100 years old, the beginning, because it is short, At The Mountains Of Madness, the narrator is insane, gone mad with fear, Pete Rawlik, The Shadow Over Innsmouth, a great Crispin Glover impersonation, Christopher Walken, the great war was then at its very beginning, pre-Lusitania, the narrator is either British or Canadian or an American working on a British or Canadian ship, inspired by a dream, a Lovecraft-stand-in, internal evidence, a Mid-Atlantic accent, the element of the war, post-traumatic stress, adding ambiguity, illustrations, a LEGO version, on the first page, he’s outside of the boat, “the change happened while I slept”, the heaving vastness of unbroken blue, half-sucked, the surface of the ground matching the undulating black mire, Stranger Things, “the upside-down”, stranded at the bottom of the ocean, being sucked into black slime, how sexual the images are in this, everybody illustrates the creature climbing up the monolith, the one with the monster, an incredibly striking image, a framing story, weeks -> months -> years, three or four years of torture, he was “supercargo”, WWII, The Narrative Of Arthur Goron Pym Of Nantucket, The Island Of Doctor Moreau by H.G. Wells, two spaceships traveling in intergalactic space crashing into each other, designed to be suspect, “I think I went mad then”, an unprecedented volcanic upheaval, a reverse Atlantean myth, Lemuria, Mu, pre-human horrors, all of this is real, The Uncharted Isle by Clark Ashton Smith, King Kong, a phantasmagoric eternity of delirium, like The Invisible Man, a coming apocalypse, the oars, a style of storytelling, The Red One by Jack London, the big red thing, it feels like a Lovecraft story, shooting giant butterflies or moths, the Atlas moth, a juju man, the heads, a breadfruit tree, loaded with heads, “the red one”, a giant red sphere, an alien spaceship, a super-powerful weird story, nothing is revealed, the most enigmatic story, ancient astronauts were not a thing until after The Red One, stories really, Erich von Daniken’s Chariots Of The Gods and Life After Life, huskies and dying in the snow, White Fang, Call Of The Wild, The Sea Wolf, Jack London’s science fiction, “hard-ass bastards vs. dilettante assholes”, To Build A Fire, a punch to the gut, feeling SFy, the coldness of space reaching down, being tipped away from the sun, hard SF, the guy needs a spacesuit, that feeling when Luke Skywalker gets stuffed into a tauntaun, looking at the world from an alien perspective, the wisdom of men does not extend to all things, Jack London totally an SF guy, The Iron Heel is mostly lectures, back to Lovecraft, the genre of apocalyptic dream fiction, highlights and stars and boxes, “I cannot think of the deep sea”, “water soaked granite”, clams in their clammy beds, sea-cucumber, eating invertebrates, a horseshoe crab, Oliver is not afraid of going in the water, on the dock, de-crabbing his crab trap, good at clamping, tearing the crab apart, pretty horrific, Paul went to the beach in New Zealand, the deep ones were not invading that day, the HPLHS’ Dagon: The War Of The Worlds, reading the ending in a subversive way, I dream of day, in their reeking talons, war exhausted mankind, universal pandemonium, just end this!, bring on the great old ones!, why is he freaked out?, what’s happening with our species right now, if Jesse is right, taking place in 1917, the horrors of trench warfare, end our inhumanity to each other, might as well have the apocalypse, Keith Roberts’ Pavane, Scott and Luke Burrage, fairies, changing history, researching history (instead of watching the news), some dude went crazy in Las Vegas, country music is not for everybody, this story fits in with that, the general tenor, I got to read more about what the unabomber was worried about, hid and read history and do a podcast,

When you have read these hastily scrawled pages you may guess, though never fully realise, why it is that I must have forgetfulness or death.

Lovecraft’s inspiration for writing these stories is dwarfing the horror of reality, somebody is putting a name on it, House Of Cards, I miss when politicians were evil (instead of corrupt and inept), we sympathize with their massive ability (and their massive ambition), a fantasy of competence, Ken Burns’ Vietnam, JFK, Obama, a written narrative, I hear a noise at the door, an immense slippery body, that same scene, jumping out the window, that turn, he’s one of them, a fear that he has within him, knowledge bubbling below the surface but which he can’t put name to, “it shall not find me”, “god, that hand”, “the window, the window!”, being digested slowly, the hand is the hand before him, creepy, totally within the text, pre-Shadow Over Innsmouth, subconsciously he’s thinking of all of this, when doing the modelling of that LEGO, seeing other people’s drawings, a sexuality that’s freaking him out, kissing is somebody putting their mouth on you, when people write about sex, detail by detail, beat by beat, drawing a veil over some of it, the carvings and the bas-reliefs on the monolith, a giant man-like creature fighting a whale, reading this as deep ones, each story is independent, are we supposed to…, what size is this monolith, what size is the creature that most people would call Dagon, dimensions, presumably, Polyphemus-like and cyclopean, definitely huge, it’s his, no man could life that, bronze age tombs, when it comes out of the water, it flung its gigantic scaly arms, a child clinging to its mother, certain measured sounds, is it “in heat”, a Freudian interpretation, “loathsome, it darted like a stupendous monster of nightmares to the monolith, about which it flung its gigantic scaly arms, the while it bowed its hideous head and gave vent to certain measured sounds.” “certain” is very specific and means nothing, a religious chanting, a sexual thing, I remembered little, “I believe I sang a great deal” and laughed oddly when I was unable to sing. I have indistinct recollections of a “I heard peals of thunder”, over reading, certain people (Ollie Wyman), something deep within us, we know it is powerful, its the questions that propel us forward, when he travels over the surface over the land, nowhere were there sea-fowl, a giant white phallus, walk through the mire, unknown to the modern world, decomposing forms of dinosaurs?, a vision of a present?, Doctor Who’s Silurians, this was all fever dream, the storm broke the fever (and the dream), unless you’re Captain Bligh…, in his dream, I want it to be that way, ancient chthonic creatures or all in his head, tending to the more fantastic, especially when the Moon is gibbous, transient surcease (the lost Lenore is always missing from the Lovecraft stories), written for information (or contemptuous amusement), a hideous vivid vision in reply, it manifests itself before him, Gustave Doré, Bulwer-Lytton, Piltdown Man, Paradise Lost, worries about the reception of his work, a real chip on his shoulder, contempt, self-loathing, self-doubt, nobody likes his poems (except for Jesse and Paul), the psychiatrist is “hopelessly conventional”, alienated, Lovecraft is an alien, Sonia Greene would feed him because he was so thin, had never been in an Italian restaurant (age 30), let’s go in for lunch, Lovecraft watches him eat, why open yourself up to criticism, you end up being a Crispin Glover, Willard, a pale gaunt slender man living in his parent’s garret, New York, Chicago, Sonia Greene was a big fan of amateur journalism (blogs and podcasts), earning the equivalent of $100,000 a year, echo-y with later stuff, The Tomb, “I dreamed that the whole hideous crawl”, Fishhead by Irvin S. Cobb, the sky is also black, its not Carcosa yet, Marissa wants to go there, bring a gas-mask, bring a camera, a great virtual reality environment, almost nothing happens in terms of choices, the Lovecraft role-playing game, The Nightmare Lake, What The Moon Brings, a recurring dream, lotus-petals, sea-birds circling over something in the water, the brow of a giant statue, he goes mad, if he seas what is beneath the brow it will be the end, the hideous stench of the sea, swimming in black lakes, a little bit freaky, the water is much scarier, VR is the hot new thing, Blackstone Audio’s The Science Fiction Hall Of Fame, Jerome Bixby’s It’s A Good Life, Roger Zelazny, Bill Mumy, the Joe Dante adaptation, Dawn Of The New Everything: Encounters With Reality And Virtual Reality by Jaron Lanier, VPL, Playstation VR, HTC Vive, eating virtual food, screen-time, selling the spiritual aspect, how good are computer games?, mixed reality (augmented reality), Steam’s VR environment, on a catwalk in the bowels of Bespin, unendurable vertigo, The Simpsons living room, Audioshield, it makes me feel I’m in a Steve Ditko Doctor Strange comic, the hoary hosts of Hoggoth, Aces Of The Pacific, a rookie pilot in 1943, why Ollie is an actor, pulling the wool over my own eyes, getting into VR, go for an Occulus or a Vive, a VR Star Trek game, Fallout 4 (VR), Psychonauts, cooking an egg and washing dishes in VR, Vanishing Realms, real fight mechanics, its ready, 1991, huge and clunky, more than a bigger monitor, vector graphics?, Dactyl Nightmare, Dire Straits, Max Headroom, Elite Dangerous, Marissa wants to join the church of VR, skiing, under London Bridge, divining caches, friend MrKawfy on Steam and, the interactive entertainment editor of Creem magazine, that raunchy Doom theme, Serious Sam, chainsaw, was the Far Harbor expansion for Fallout 4 Lovecraftian?, the Pickman’s Model house, the Dunwich Borers, a serial killer, get their shit freaked, what are we doing in here?, the problem Bethesda games is the inventory management, a bane on your existence, Player Unknown’s Battlegrounds, listening to audiobooks while playing games.

Dagon by H.P. Lovecraft - WEIRD TALES

Dagon by H.P. Lovecraft - WEIRD TALES

Dagon by H.P. Lovecraft

Dagon - adapted by Dan Lockwood and Alice Duke - I am writing this under an appreciable mental strain

Dagon - adapted by Dan Lockwood and Alice Duke - I think I went mad then.

Dagon - adapted by Dan Lockwood and Alice Duke "The Window"

Dagon by H.P. Lovecraft - illustrated by Jesse Willis

Underwhelming Lovecraft: DAGON, by Patrick Dean

Posted by Jesse Willis

The SFFaudio Podcast #446 – READALONG: The Night Flier by Stephen King

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #446 – Jesse, Scott, Paul Weimer, and Marissa VU, talk about The Night Flier by Stephen King

Talked about on today’s show:
1988, Prime Evil (New Stories By The Modern Masters Of Horror), the movie, The Running Man is a powerful book, was Jesse wrong about Stephen King?, Salem’s Lot, he’s long, faithful, killing Dees?, lean and mean and sharp, essential goodness, cute, where It was set, All You Zombies, Predestination (2014), Marissa really loves his writing, creeped-out again, how bad writing happens, translates thought onto the page, Elmore Leonard, Donald E. Westlake, not enough there?, maybe Jesse is wrong, depth?, evidence that Jesse is wrong, social commentary, the flower children of the 1960s became the cannibals of the 1990s, real cynicism, pushing hard, the depth is in the characters, caring about characters, hard to film, what’s missing is its all a metaphor for something, the story in the telling, apart from the obvious metaphor: journalism bloodthirstiness, fake journalism, having the story in their minds, tabloid newspapers, what’s that about?, the social phenomenon, analogies to blood (and guts), typical Stephen King, a depth of connection, part of the appeal, feeling these things happen, we know him, we get him, the Weekly World News, on the edge of reality, Kolchak crossed with Lou Grant, “You’re real!”, backward and forward in time, anticipating what he’s going to see, a Cessna Skymaster, you sleep in the belly of that thing, don’t publish what you believe, finding evidence, Maine, small aircraft at small airports, a story idea, who is the titular character?, he’s more real than anyone else, he pointed to it right there, Dwight Renfield’s aircraft: the Toyota of aircraft, a push-pull, a bit like a bat, Dee’s aircraft: Beechcraft 55 aka the Baron, their “crosstown rival”, Cessna vs. Beech, Wichita, Kansas, playing up that parallel, extending the ending, anticipatable, creating the creature for his story, the writer spinning his story, soft human emotions, “Reader’s Digest emotions”, Miguel Ferrer, the anti-hero, a kind of bloodthirsty dude, he’s the vampire, to exploit the trauma of other people’s lives, lying, he glamours them, practicing, “a little boid”, is that what makes King so popular?, he does humans well, problems with endings, unlike the movie, vampiric traits, that ending, there’s no evidence of a vampire, did he get framed, making explicit the metaphor that’s going on in the text, take the film out, if that’s true…, why does Dwight let Dees go?, chasing a phantom, self mutilation for fun and profit, we are supposed to infer Dwight has glamoured the folks at the airfield, following but not with, was Dees doing the killing, an X-Files episode, very Kolchak, an asshole as the main character, we know he’s a bad actor, comparing him to the monster that he’s chasing, practicing in the mirror at hotels (his true home), the fake human emotions he doesn’t actually feel, a Tim Powers lecture, Dracula as a statement on feminism in the 19th century, the horrors are real int he context of the story, The Turn Of The Screw, the comparison is valid, our position, persuaded by the editor, good instincts, he’s losing it, a fracture in his mind?, taking photos, enough, seeing himself from outside himself, super-powerful stuff, dual personality, Stephen King’s world, the monster is a monster (not just imagination), what Jesse likes: very ambiguous stories about what might just be a madman, The Black Cat by Edgar Allan Poe, the scene with the mirror, I like your work, Dees as the fall guy, a reset button, the ending of the movie, he’s alive and the vampire’s out there, horrifying stuff, he might deserve it, traumatized for the rest of his life, Julie Entwisle, as cold as he was, a good moment, more powerful ending, Stephen King worked with the film-makers, more time seeing than describing, “STAY AWAY” in blood, a dog, the album, more concrete evidence that he’s a real guy, the graveyard and the tombstone, he’s not creating the story out of whole-cloth he’s spinning it he’s framing it, the National Enquirer, reading this now in the wonderful era of fake news, readers like dogs, the cynicism, it’s right, cynicism is dangerous, cynicism’s etymology, he’s done this, Salem’s Lot, The Strand, a peaceful Dracula, a kind of psychopath, muted feelings, it came out, the wall was broken down, 1408, John Cusack, making stuff up, Frank Muller, we have evil inside of us, deep honesty, he has the model of that, doing it in real life and doing it in fiction, a horrific way of being, that’s what jokes are, if I said very rude about one of you, a joke is a thought, the evil angels inside of us, bad impulses, humanity, princess and happy cartoon creatures, “oh shit, this is what adults think!”, they do fight and they are unfair, the exact same feeling, a revelation, a clown with a balloon doesn’t appeal, anybody who writes a lot, thinking about what other people don’t have to think about, his job is to think hard about real things, why is this phenomenon so pervasive?, what’s behind it, what’s underneath it?, a different kind of truth, undercurrents vs. facts, the insights by the editor and the author, poking at the why, bad boob jobs, alien abductions, not interested in the why, interested in the what, more honest than other kinds of newspapers, at an instinctual or animal level, an indictment of humanity, ratings, Gawker and Peter Thiel, the online equivalent, Inside Edition, Bill O’Rielly, a horror of a human being, Geraldo Rivera, wjhat got Gawker got in trouble for, breaking real news stories, National Enquirer has broken real news stories, unpopular facts, Nightcrawler (2014), the monsters are all human, making a story, the movie was so low budget that the editor’s office doesn’t have a desk it has a dining room table, he’s too short, Jesse forgives The Night Flier (1997) a hell of a lot, crappy little movies that do a lot with what they’re given.

Stephen King's The Night Flier (1997)

THE NIGHT FLIER

Posted by Jesse Willis