horror – Page 77

Review of King Kong by Edgar Wallace and Merion C. Cooper

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King Kong
By Edgar Wallace and Merion C. Cooper; Read by Stefan Rudnicki
5 CD’s, 5.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 0786175362
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs / Commentary /

This audiobook has two phrases emblazoned on the cover: “Special Blackstone Collector’s Edition Audiobook” and “The Greatest Horror Story of All Time!!” (both exclamation points are there…) Of the first phrase I can say that this audiobook is certainly special. Not only does it include the unabridged audio version of the novelization of the original King Kong film, but it also includes a bonus disc containing commentary from Ray Bradbury, Ray Harryhausen, Orson Scott Card, Larry Niven, Catherine Asaro, Harlan Ellison, Jack Williamson, and Marc Scott Zicree. Is it the greatest horror story of all time? Not in my eyes, but the words fit nicely on this gorgeously packaged audiobook.

The original King Kong film (1933) holds a special place in a lot of hearts. I don’t share those feelings, possibly because the film predates me by 35 years. I recall more details about the 1976 remake starring Jessica Lange than I do the original. I was 10 in 1976 and, since that version of King Kong was mediocre, it stirred little in me. News of Peter Jackson’s remake didn’t excite me.

But this audiobook has awakened my interest in a big way, for two reasons. First, the story itself. Engagingly read by Stefan Rudnicki, the story of Kong, Denham, Ann Darrow, and Jack Driscoll is really a good story. The filmmaker Denham’s recklessness, actress Ann Darrow’s willingness to go along, and Jack Driscoll’s love keep things very interesting. Kong, of course, is the character around which the story revolves, and his journey from island to New York City and from beast to human-like ape fascinates.

The second thing that sparked my interest is the commentary. I loved the commentary included here. All of the people I mentioned above had a different and interesting take on King Kong, from Harlan Ellison’s declaration of the original film’s perfection to Catherine Asaro’s discussion of power unused. After listening to this, I’m now eager to see the new film, and even more eager to watch the original.

It would be an excellent thing if other books are given similar treatment. Unabridged classic science fiction novels with commentary would add a new and greatly appreciated dimension to the audiobook experience. Kudos to Blackstone for giving us this Special Edition.

Posted by Scott D. Danielson

Review of The Unnameable: Four Tales by H.P. Lovecraft

SFFaudio Review

The Unnameable: Four Tales by H.P. Lovecraft
By H.P. Lovecraft; Read by David Cade
1 CD – 1 Hour 16 Minutes [UNABRIDGED]
Publisher: Tales Of Orpheus / www.DavidCade.net
Published: 2005
ISBN: 0955209005
Themes: / Fantasy / Horror / Cthulhu Mythos / Cats / Music /

“We were sitting on a dilapidated seventeenth – century tomb in the late afternoon of an autumn day at the old burying ground in Arkham, and speculating about the unnamable.”

Dumb move guys, being in Arkham was the first mistake. Hanging out at the cemetary at twilight was the second. You don’t get a third with Lovecraft. Fortunately we get both a third and a fourth! This collection contains four complete Howard Philips Lovecraft short stories! Included are:

“The Book”
Told in a creepy first person, a disembodied voice, a voice that decries the day it discovered “the book”, in a library beside a great black oily river. The voice has forgotten its family, its life, even its own name. You will never forget this story. Probably written in 1933, a point at which Lovecraft was at the height of his powers, it shows.

“The Music Of Erich Zann”
One step from vagrancy, our anonymous narrator, recalls a fellow lodger Erich Zann. They shared a decrepit building on a mysterious French street, but Zann’s eerie music was not nearly as haunting as horror that chased him. First published in 1921, still
powerful.

“The Cats Of Ulthar”
A cryptic fable that gives reason to why killing a cat may be the most dangerous thing one can ever do. There are two kinds of people in the world: Dog people and
cat people. H.P. Lovecraft was obviously a cat person. Cats are mysterious, small but quite powerful and work best at night, just like this story. First published
1920.

“The Unnameable”
Randolph Carter, who we already know from The Statement Of Randolph Carter recalls the events which followed their visit to an Arkham, MA cemetary. This is the only story in this collection considered part of the Cthulhu Mythos and Carter is probably the only character to survive two brushes with the who should not be named. First published 1923.

British actor David Cade reads all four tales. There is some question in my mind on one matter, does having an English accent whilst reading very American stories necessitate a conflict? It probably would if there was much dialogue – but seeing as Lovecraft was far friendlier with exposition than he was with speaking parts it isn’t much of an issue at all. Cade is effective at bringing the mostly expository prose to gruesome life. All four stories are framed by muscial excerpts that are very well matched to the thematic material. One thing that bothered me greatly though was the lack of titles, each track is distinctly seperated by music, but the stories themselves are not named in the audio, one must look at the back of the CD case to find out which story you are listening to – something a blind listener would be unable to do.

Posted by Jesse Willis

Review of Nightmares on Congress Street, Part 5

SFFaudio Review

Nightmares on Congress Street – Part 5
By Rocky Coast Radio Theatre; Performed by a Full Cast
2 CD’s – 2 hours [AUDIO DRAMA]
Publisher: Rocky Coast Radio Theatre
Published: 2005
Themes: / Horror / Science Fiction / Murder / Government / Spirits /

Here’s another top-notch title from Rocky Coast Radio Theatre out of Maine. It contains seven dramatized horror tales:

The Demon of the Gibbet by Fitz-James O’Brien
A horror poem, very nicely rendered.

The Tell-Tale Heart by Edgar Allen Poe, adapted by Patrick Bradley
A modern adaptation of Poe’s classic story. Nightmares on Congress Street, Part IV contained Poe’s “A Cask of Amontillado” presented traditionally – this one is also excellent, but the script updates the story to a modern setting.

Retroactive Anti-Terror by Alex Irvine, adapted by William Dufris
This science fiction story portrays a different type of horror – a future where people are prosecuted for what they might do. Alex Irvine’s original story appeared in Salon.com in 2004. The story makes a clear political statement which people from all viewpoints would benefit from hearing.

Much A-Zoo About Nothing written and performed by Michael Duffy
A humorous song in which a guy goes to a zoo and encounters “ten green men with super suits on”.

The Wind by Ray Bradbury, adapted by William Dufris
It starts when Alan calls Herb on the phone obviously very nervous. After a little prodding by Herb, Alan reveals that it’s the wind he’s so worried about, and the tense story takes off from there. Bradbury probably has more stories available as audio drama than any other author, and this wonderful adaptation has me hunting for more.

The Door Below by Hugh B. Cave, adapted by William Dufris
Another good horror story that takes place mostly in a lighthouse… ghosts, anyone?

The Statement of Randolph Carter by H.P. Lovecraft, adapted by William Dufris
This is my favorite of the collection. Dufris and crew perfectly capture the creepy horror of Lovecraft’s original story.

Nightmares on Congress Street V is the second title I’ve heard from Rocky Coast, and I’m convinced that they are one of the top current producers of audio drama. With first-rate acting, the careful placing of sound effects, very good music, and fantastic scripts, these stories capture and hold tight. I can’t recommend this title highly enough for fans of audio drama and horror.

You can get this title from Paperback Digital, Tantor Media, Amazon, and Audible.

Posted by Scott D. Danielson

Review of The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call of Cthulhu by H.P Lovecraft

The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call Of Cthulhu
By H.P. Lovecraft; Read by Wayne June
3 CDs – Approx 3.5 Hours [UNABRIDGED]
Publisher: Audio Realms
Published: 2005
Themes: / Fantasy / Horror / Gods / Evil / Mathematics / Dreams /

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

When Fantasy is inspired by science it can be especially powerful. H.P. Lovecraft built his mythos using the scientific concepts of his day. There could have been sensible talk of ‘other dimensions’ before the experiments surrounding the nature of light. And much of the alienness of his creations explicitly depend on such concepts in theoretical physics as non-euclidian geometry. With these concepts being in the air Lovecraft set out to plant a seed of churning fear with his fiction – turning the many unknowns science was uncovering into unspeakable horrors that lurk within the imagination. Combine this with Lovecraft’s dense and brooding prose and you’ve got something that no modern author could get away with. No modern author could, Lovecraft does. Audio Realms is starting to release the titles that make any classic fantasy fan salivate. Here in this terrific audiobook are two tales of horror that we declare to be SFFaudio Essential:

The Dunwich Horror is the tale of a backwater New England town with a devolving populace and one particularly strange family’s chronicle. It starts with two small things. The cataloguing of some mouldering old books and a disturbing birth of a new resident. These events are the begining of a new danger for the hamlet of Dunwich and possibly the Earth entire. What’s interesting here, as with so many early horror tales, is that Lovecraft creates evil not by revealing action directly but by atmosphere and appeal to our primitive revulsion reflex. Lovecraftian evil is not something created by moral degeneracy (though he does talk of that), but rather by sheer alieness, an atmosphere of ignorance and most of all a lurking dread.
I’m not sure it would make much sense to be an apologist for the Elder Gods who’d consume us without a thought – but what exactly makes them so evil? Since everyone who finds out has their sanity blasted we’re not likely to find out very soon.

The Call Of Cthulhu is a reconstructed tale. A nephew finds in the his recently deceased uncle’s study some strange documents. A young nephew discovers in his recently deceased uncle’s study some correspondences and notes, along with a mysterious and disturbing statue. It seems that several mysteriously similar cults worship of a being, who they call Cthulhu. A sea voyage eventually yielded a brush with an unearthly force. I won’t reveal any more of the plot, but I will say this, I think Philip K. Dick may have been inspired by this story for his novel Galactic Pot Healer. This creepy tale is perhaps the definitive Lovecraftian work. They even named a great role playing game after it. One suggestion, this one is pretty scary, you may want to wear brown pants while listening.

Narrator Wayne June’s voice will give you the absolute lurking creeps. His deep raspy voice is also used to good effect for all the narration, when he is infrequently called upon to do the voices of the damned he distinguishes between them well. This is the best Lovecraft adaptation to audio I’ve heard and more frightening than hell. For full effect a listener should turn down the lights, put on a good set of headphones, sit in a lonesome room with a view of the sea and pray that Lovecraft was just making all this stuff up.

Posted by Jesse Willis

Review of The Statement of Randolph Carter by H.P. Lovecraft

The Statement Of Randolph Carter
By H.P. Lovecraft; Read by Bill Mills
1 MP3 File – Approx. 26 Minutes [UNABRIDGED]
Publisher: Renaissance E Books / REB Audio
Published: 2005
Themes: / Fantasy / Horror /

“Carter! for the love of God, put back the slab and get out of this if you can! Quick!–leave everything else and make for the outside–it’s your only chance! Do as I say, and don’t ask me to explain!”

An excellent introductory mini-biography of Lovecraft precedes the reading of this infamous short story of lurking horror. Written in 1919 and first published in 1920 The Statement Of Randolph Carter is one of the best ways to step into the terrible beauty of the Lovecraftian mythos. Told as a statement in monologue by the title character – Carter recalls to the gentlemen assembled around his hospital bed the singular incident that brought him there – an event so horrific it would likely blast the mind of the sanest man should it be witnessed first hand. Following the clues they found in the text of an ancient book from India two men discover a nameless horror entombed in the Earth. Bill Mills’ reading is truly eerie. There is a constant musical background during the reading – it doesn’t too badly hurt the production but I myself would have preferred a music-free reading. The Statement Of Randolph Carter is available now as a high quality MP3 through Fictionwise.com just in time for Halloween!

Posted by Jesse Willis

Review of Nightmares on Congress Street Part IV

SFFaudio Review

Nightmares on Congress Street Part IV
by Various, performed by the Rocky Coast Radio Theatre
1 MP3-CD – 2 Hours 35 Minutes [AUDIO DRAMA]
Publisher: Paperback Digital
Published: 2004
ISBN: 1584390069
Themes: / Horror / Poetry / Zombies / Poe / Cremation /

“Nightmares on Congress Street” is a radio show that has been broadcast each Halloween Eve since 2001. This is “Part IV” because it’s a recording of the 4th annual broadcast. It’s not “Part IV” in the sense that you need to run out and find parts I-III before listening to this one. As far as I know, they aren’t available. The shows are recorded by a group of theatrical professionals from the Portland, ME area, and are broadcast on Maine Public Radio.

It’s rare that I hear something modern that captures the spirit of Halloween. Sure, there’s some scary stuff out there, and some funny scary stuff out there, but “Nightmares on Congress Street” really catches the fun spirit of Halloween. There are scares and laughs in good measure throughout, and you’d be hard-pressed to find better production quality anywhere.

Included here are six productions:

The Monkey’s Paw by W.W. Jacobs
A mummified monkey’s paw seems to grant wishes, but, as always, a person should be careful what he wishes for.

The Cremation Of Sam McGee by Robert W. Service
The cover doesn’t list who does which part, but the actor who performed this horror poem was just fabulous. The poem tell the story of Sam McGee, who stumbles into the camp of a cowboy, and who asks that cowboy to make sure to cremate him if he dies.

The Cabin in the Woods by Clay T. Graybeal
A bunch of folks go to a cabin to spend some time, but doesn’t that plant outside look like someone we know? Ridiculous.

The Cask of Amontillado by Edgar Allan Poe
One of the finest renditions of this Poe classic that I’ve ever heard.
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled –but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity.
And punish he does. Bravo to the actors on this one.

The Librarian by Rhonda Carlson
This piece is done by Rhonda Carlson, Rocky Coast Radio Theatre’s composer. Delightful mayhem, this one.

The Horror of Walker Point by Anthony S. Marino
This one is an excellent tale right out of George Romero’s playbook. It is performed in a kind of “War of the Worlds” style – regular programming is interrupted for important news about a chemical spill. As more and more people are affected by these chemicals, the newscasters bravely stay on the air.

I thoroughly enjoyed this production, and am eager to hear this year’s show!

You can get this title at Paperback Digital, Audible, and at Tantor.

Posted by Scott D. Danielson