19 Nocturne Boulevard: AUDIO DRAMA

SFFaudio Online Audio

19 Nocturne BoulevardJulie Hoverson from 19 Nocturne Boulevard, writes in to say:

“One of our episodes, The Outpost, just won the 2008 Mark Time award for best science fiction audio drama!!”

Congratulation Julie! 19 Nocturne Boulevard is a podcast audio drama anthology series. Among the episodes are several dramatized H.P. Lovecraft adaptations. These are Chillin’ (a modernization of Cool Air), Within the Walls of Eryx, and The Temple. Julie also hints of several more Lovecraftian pieces in the works.

And for those who like me, were wondering, here’s the hidden podcast feed for the show:

http://neohoodoo.libsyn.com/rss

Posted by Jesse Willis

China Mieville on H.P. Lovecraft’s The Horror Of Red Hook

SFFaudio Online Audio

A short video of city lover China Mieville talking about H.P. Lovecraft’s The Horror Of Red Hook (which is set in New York City). Lovecraft didn’t like living in NYC.

Lovecraft spelled out his inspiration for The Horror At Red Hook in a letter to Clark Ashton Smith:

“The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale The Horror at Red Hook, you will see what use I make of the idea in connexion with the gangs of young loafers & herds of evil-looking foreigners that one sees everywhere in New York.” -from H. P. Lovecraft, Selected Letters Vol. 2

Lovecraft’s wife, Sonia Greene, wrote of her husband’s xenophobia:

“Whenever we found ourselves in the racially mixed crowds which characterize New York, Howard would become livid with rage. He seemed almost to lose his mind.”
-From Lovecraft: A Look Behind the Cthulhu Mythos

And here is a reading of the story itself…

Weird Tales January 1927The Horror Of Red Hook
By H.P. Lovecraft; Read by April Sadowski
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Podcaster: Broken Sea Audio Productions
Podcast: October 2008
Red Hook is a mysterious slum in New York City, full of gangs, crime, and just perhaps a terrible cult. Detective Malone had a case that had tendrils extending into Red Hook. It seems that one Robert Suydam, a corpulent and scruffy recluse, has been looking younger, more radiant and prosperous. What does that have to do with the recent spate of kidnappings? First published in the January 1927 issue of Weird Tales.

[via Monster Rally, Ominvoracious, Wikipedia and BSAP]

Posted by Jesse Willis

Review of The Strain by Guillermo del Toro and Chuck Hogan

SFFaudio Review

The Strain by Guillermo del Toro and Chuck HoganThe Strain
By Guillermo del Toro and Chuck Hogan; Read by Ron Perlman
Audible Download – 13 hours 36 mins [UNABRIDGED]
Publisher: Harper Audio
Published: 2009
Themes: / vampires / scientific thriller / horror / New York / mythology / medical mystery

Yes, it’s another book about vampires. But wait, don’t shrug it off just yet. Several things set The Strain apart from the glut of vampire novels flooding the market of late. First, it’s co-written by movie director Guillermo del Toro, whose past film successes include the vampire flick Blade II, the comic-book adaptation of Hellboy, and the mythological Pan’s Labyrinth. He’s also heading up the forthcoming film adaptation of J.R.R. Tolkien’s The Hobbit. Furthermore, The Strain takes a more sobering view of the undead, divorced from the romanticism weighing down the vampire genre.

The Strain begins when a plane lands at JFK airport with almost all its passengers struck dead. The Center for Disease Control calls in its chief investigator Ephraim Goodwether, newly divorced and newly sober, to look into the matter. Mysteries abound when the passengers’ bodies go missing from the morgue, the few survivors begin acting strangely, and a coffin-like trunk inexplicably vanishes from the plane’s cargo hold. Ephraim and his partner Nora, with whom he’s had some past romantic involvement, find unlikely aid in the guise of pawn shop owner Abraham Setrakian, an aged Holocaust survivor who carries an odd staff with a silver wolf’s-head handle. The old man explains that a centuries-old conflict between vampire tribes is about to burst forth onto the streets of New York.

And indeed it does. The narrative frequently shifts away from the main storyline to tell the stories of men and women infected with a strange virus, whose vector is a disgustingly pulsating capillary worm. Initial side effects resemble a mild flu and include sore throat and slight disorientation. But this is only the beginning. The sore throat, it turns out, heralds the growth of a new sinister organ, a long tendril-like apparatus under the tongue tipped with a deadly stinger, which in turn infects other humans. Other vampiric characteristics soon manifest, including the whitening of gums, an aversion to sunlight, and immunity to most forms of attack.

The premise is intriguing, especially since it presents a more scientific approach to the undead than most other vampire novels, except perhaps Richard Mathesen’s superior I Am Legend. Unfortunately, the actual story unfolds too slowly and spasmodically, and lacks evidence of any real structural forethought on the part of the authors. Del Toro originally pitched the idea as a TV show, and evidence of his screenwriting background can be found in the scene headings affixed to each section and in the many entertaining but ultimately superfluous vignettes of violence. The suspense sequences are spine-tingling and the action scenes hair-raising, but most of them do little to further the story.

The book’s shining gem is the character of Abraham Setrakian, whose harrowing escape from Nazis and forces even more sinister we learn throughout the book in flashback sequences. Del Toro’s interest in mythology and folklore take center stage, and provide the most compelling moments of the book.

It’s difficult to know how the division of labor fell between Guillermo del Toro and Chuck Hogan in writing The Strain, but my impression is that del Toro provided the concept and perhaps wrote some of the pivotal scenes, while Hogan did the heavy lifting of filling in the gaps and pulling the whole thing together. This should have been a good thing, since Chuck Hogan is an acclaimed best-selling author. However, writing good speculative fiction requires a certain sensitivity and perspective that I believe Hogan lacks, although this is only a guess on my part since I’ve read none of his other work. Del Toro has keener vision as a storyteller, at least as seen in his films, though these skills don’t necessarily translate to the written word. Since the cover bears both their names, both del Toro and Hogan must bear some blame for crafting a less-than-stellar novel.

The Strain is narrated by actor Ron Perlman, who incidentally also played a role in del Toro’s Blade II. Particularly in works of suspense and horror, a good voice actor can make the difference between scenes that leave you gripping the arms of your chair and scenes that make you laugh out loud by virtue of their inadvertent cheesiness. I’m pleased to report that Perlman’s voice work in The Strain had the former impact on me. His intonations are pitch-perfect, and he snarls out the vampiric growls and moans with enough force and feeling to chill the blood.

The Strain is the first in a trilogy of the same name, as can be seen in the novel’s grim and hurried ending. As Dante Hicks says of The Empire Strikes Back in Clerks, “it ends on such a downer.” That said, the ending brought significant changes to the lives of several pivotal characters who, despite the spotty storytelling, I’ve grown to care about, and I’ll probably read the sequel when it hits the audio airwaves next year.

Posted by Seth Wilson

New Releases

New Releases

Smoky Mountain Horrors by Weston OchseSmoky Mountain Horrors
By Weston Ochse; Read by Weston Ochse
Audible Download – 4 Hours 47 Minutes [UNABRIDGED]
Publisher: Kanigit Media / Audible.com
Published: May 11, 2009
Set mostly in Appalachian country, backwood characters will leave you laughing in pain and gasping in horror. You will learn something new about Weston’s horrific mountain tales every time you listen. They are not for the feint of heart. A collection of short horror stories. Two of the stories available for free HERE.

Tantor - The Coming Of Conan The Cimmerian by Robert E. HowardThe Coming Of Conan The Cimmerian (Book One in the Conan of Cimmeria Series)
By Robert E. Howard; Read by Todd McLaren
14 CDs or 2 MP3-CDs – 16 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Audio
Published: June 11th, 2009
ISBN: 9781400112234 (cd) , 9781400162239 (mp3-cd)
Thirteen of Robert E. Howard’s legendary stories starring Conan the barbarian, a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers.

Haze
By L.E. Modesitt, Jr.; Read by William Dufris
10 CDs or 1 MP3-CD – 11 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Audio
Published: June 25th, 2009
ISBN: 9781400112913 (cd), 9781400162918 (mp3-cd)
A war is about to start between planets in this new science fiction novel by the bestselling author of the Recluce series.

Red Seas Under Red Skies (Book 2 of the Gentleman Bastard series)
By Scott Lynch; Read by Michael Page
20 CDs or 3 MP3-CDs – 25 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Audio
Published: June 4th, 2009
ISBN: 9781400110520 (cd), 9781400160525 (mp3-cd)
In The Lies of Locke Lamora, Scott Lynch took us on an adrenaline-fueled adventure with con artist extraordinaire Locke Lamora. Now Lynch brings back his outrageous hero for a caper so death-defying, nothing short of a miracle will pull it off.

From Recorded Books’ SCI-FI AUDIO imprint (First quarter 2009 new releases on CD)…

Rollback
By Robert J. Sawyer; Read by George K.Wilson
9 CDs – 10 Hours 45 Minutes [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781436186506
Dr. Sarah Halifax earned worldwide fame for deciphering the first alien message received on Earth. Now nearing the end of her days, she learns that, at long last, the reply has come.

Shaman’s Crossing (Book One of The Soldier Son Trilogy)
By Robin Hobb; Read by
16 CDs – 18.5 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 978-1-4361-7968-3
Nevare Burvelle was born to be a
soldier in the Gernian army. But as Nevare’s career takes off, his worldview alters considerably. Corruption and nepotism reign, and now Nevare questions his own ideals, wondering why he continues fighting for the empire.

Fifty Degrees Below
By Kim Stanley Robinson; Read by Richard Ferrone
15 CDs – 18 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 978-1-4361-8634-6
When the Gulf Stream stalls, dangerously low temperatures grip the Eastern Seaboard and Western Europe. While multinational corporations attempt to exploit the disaster, humankind’s only hope may be a desperate move to dump millions of tons of salt into the ocean.

Mean Streets
By various; Read by various
9 CDs – 9.5 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 978-1-4361-9217-0
Featuring New York Times best-selling authors Jim Butcher and Simon R. Green, and national best-selling authors Kat Richardson and Thomas E. Sniegoski, Mean Streets offers four novellas from the hottest names in contemporary paranormal suspense. Running the gamut from demons and werewolves to zombies and black magic, these whodunits crackle with otherworldly secrets, making for a noir collection with an extra set of fangs.

Fool’s Experiment
By Edward M. Lerner; Read by George K.Wilson
10 CDs – 11.5 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781436164849
As a NASA engineer, critically acclaimed author Edward M. Lerner developed a background in science and technology perfectly suited to his fast-paced SF thrillers. In Fools’ Experiments, the military-industrial complex unwittingly unleashes a devastating threat to humanity after government programmers experiment with viruses and worms. But what escapes is no ordinary computer virus, and when the deadly artificial life-form reaches the Internet, humanity’s very existence is at stake.

From Recorded Books’ SCI-FI AUDIO imprint (Second quarter 2009 new releases on CD)…

Forest Mage (Book Two of the Soldier Son Trilogy)
By Robin Hobb; Read by John Keating
22 CDs – 19 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781436179706
Nevare Burvelle has survived major combat and is making a quick recovery from a disease plaguing his fellows in the King’s army. He also believes he is free from the Speck magic that held him under its sway. Now traveling home to rendezvous with his fiancée, Nevare suffers haunting visions and soon realizes that malicious magic still resides within him—and is intent on destroying everything he holds dear.

Brightness Reef
By David Brin; Read by George K.Wilson
20 CDs – 17 hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781436179744
Persecuted refugees from six separate alien races have migrated to the idyllic planet Jijo. And despite their incredible diversity, the inhabitants live together in blissful harmony. However, settlement on Jijo is illegal—and it’s only a matter of time before the residents of this forbidden paradise are discovered by the galactic powers-that-be.

Iron Sunrise
By Charles Stross; Read by George Guidall
11 CDs – 13 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781440710575
PlanetMoscow is vaporized by an unnatural star explosion, prompting those who escaped to counterattack the likely culprit—planet New Dresden of the neighboring system.
But New Dresden wasn’t to blame, and as worlds go to war, an unseen enemy labors to destroy the universe itself.

Counting Heads
By David Marusek; Read by Kevin R. Free
13 CDs – 14 Hours 45 Minutes [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 978-1-4361-8640-7
The debut novel from highly regarded short-story author David Marusek, Counting Heads pushes the limits of the genre. Life in the year 2134 is nearly perfect, with nanotechnology and medical science granting people near immortality. But when Sam Harger is flagged as a terrorist, his powerful wife dies in a plane crash, and his daughter’s cryogenically frozen head becomes a sought-after prize, Sam must fight to save the human race from a secret cabal.

The Fabulous Riverboat (Riverworld Saga, Book 2)
By Philip José Farmer; Read by
10 CDs – 12 hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 978-1-4361-8636-0
The Fabulous Riverboat tells of a world where all of humanity has been mysteriously resurrected on the banks of one mighty river. Samuel Clemens (a.k.a.MarkTwain) is tasked with finding a fallen meteorite and using its ore to build a massive riverboat. But in order to succeed, he’ll have to outwit some of history’s most nefarious villains.

Into Looking Glass
By John Ringo; Read by L.J. Ganser
10 CDs – 12 Hours [UNABRIDGED]
Publisher: Recorded Books / Sci-Fi Audio
Published: 2009
ISBN: 9781440710612
When a subatomic physics experiment causes a massive explosion, interdimensional gateways open in Florida—and aliens pour out. Some intend to bring Earth to its knees. Others seem willing to help, but will annihilate the planet if Navy SEAL Command Master Chief Robert Miller can’t stop the menace from spreading.

And from Recorded Books’ new “Mystery” imprint…

The Somnambulist
By Jonathan Barnes; Read by John Curless
9 CDs – 11 hours [UNABRIDGED]
Publisher: Recorded Books Mystery
Published: 2009
ISBN: 978143618066-5
Set amidst Victorian London’s seamy, fog-shrouded underworld. Meet Edward Moon, an illusionist and detective who operates solely with the aid of his hulking, mute sidekick.

Posted by Jesse Willis

Review of Dark Adventure Radio Theatre: H.P. Lovecraft’s The Dunwich Horror

SFFaudio Review

The H.P. Lovecraft Historical Society - Dark Adventure Radio Theatre - H.P. Lovecraft's The Dunwich HorrorSFFaudio EssentialDark Adventure Radio Theatre: The Dunwich Horror
Adapted by Sean Branney and Andrew Leman; from the story by H.P. Lovecraft;
Original music by Troy Sterling Nies; Performed by a full cast
1 CD or MP3 download – 75 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: 2007
Themes: / Horror / Fantasy / Weird Tales / New England / Cthulhu Mythos / Yog-Sothoth / Degenerated Backwater Communities /

After their first venture into Lovecraftian audio theatre with At the Mountains of Madness in 2006, the H.P. Lovecraft Historical Society have recently increased their efforts to bring Lovecraft back, if not to the airwaves than at least to our CD players and iPods.

The Dunwich Horror is one of the best known Lovecraft stories set in the Miskatonic Valley with its degenerate backwater folks and cultists, Lovecrafts fictional literary playground, and was first published in 1929 in Weird Tales. There is a classic 1940s radio drama version around – an episode of the famous Suspense show, now in the public domain and freely available on the internet.

The first Dark Adventure Radio Theatre production, At the Mountains of Madness, showed some dramatic weaknesses, however,  The Dunwich Horror provides a thoroughly enjoyable audio drama experience. Whilst most Lovecraft fans would want it to be as close to the original as possible (which it is) it does take into account that an audio drama has to follow different dramatic conventions to keep its listeners entertained for more than an hour. Don’t expect an action packed audioFX orgy, though. It’s a Lovecraft story after all, so there will be lots of monologues and narrated bits, all adding to the charme of the original and the faux old time radio show format that this audio drama is presented in. Incidentally, Dark Adventure Radio Theatre has refreshingly politically incorrect fake advertizing (for cigarettes!) The cast does a great job of bringing to life the varied range of characters – from backwater farmers, to New England academics. Production values are overall good and fortunately they did not go wild with freely available sound effects as some other dramas of the semi-professional kind sometimes do. A commercial publisher with bigger budget might have been able to do better, but the guys from Dark Adventure Radio Theatre did a great job with a lovingly rendered version of the Dunwich Horror that shows an eye for detail.

The Dunwhich Horror: All the goodies

As the HPLHS started off by producing Lovecraft collectibles and high-quality “authentic” props, for the Call of Cthulhu pen & paper and live roleplaying games, it is not surprising that the CD contains a lot of goodies. Namely, a map of the Dunwich area complete with a note stapled onto it, a page from the dreaded Necronomicon and one from Whateley’s diary plus a clipping from the Arkham Advertiser showing Wilbur Whateley himself – all of which are of superb quality. Whilst no one really needs any them, these props make nice gimmicks nevertheless.

For anyone who does not need a physical audio storage medium or shies the shipping and duty costs involved with a mailorder from the USA, an MP3 download is available for about half the price. The file is properly tagged but it does not contain the cover art – this is a minor flaw in all of the HPLHS’ audio dramas downloads.

Another nice extra is the freely available script which helps learners of English to follow the show (download available from the HPLHS website as a PDF)

Posted by Carsten Schmitt

Review of Desperation by Stephen King

SFFaudio Review

Desperation by Stephen KingDesperation
By Stephen King; Read by Kathy Bates
8 CDs – 9 hours – [ABRIDGED]
Publisher: Penguin Audio
Published: 2009 (reissue from 1996)
ISBN: 9780143143895
Themes: / Horror / Possession / Small town / Spirits / God / Writers /

I had high hopes for Stephen King’s Desperation (small band of people held captive in a demon-haunted mining town, breaking loose to battle possessed corpses, scorpions, and wolves—what’s not to like?), but alas, it failed to deliver on its intriguing premise. I’d give it an above average 3 ½ out of 5 stars. It contains some interesting ideas and is worth a read, but is not in the class of King’s best works.

Desperation contains some effective action sequences and the usual dollop of King-ian gross-out horror scenes, though there’s little actual frightening stuff in here. The book walks a hazy middle ground between a straight-up horror story and an examination of the nature of faith and the personage of God, and at least (for me) never really succeeds with either objective.

The basic problem I had with Desperation is that it contains no memorable or even particularly likeable personalities. The closest we get to a main character is John Edward Marinville, a pretty obvious stand-in for King himself (Johnny is a graying popular writer and member of the Baby Boomer generation whose career is starting to flag, and embarks on a cross-country motorcycle trip to attempt to find inspiration for his next novel. Which is apparently identical to how King arrived at the idea for Desperation). But after his introduction Johnny gets placed on the back burner as King juggles a bunch of other introductions, and we don’t learn what makes him tick until the book is nearly through.

I will give King some benefit of the doubt as the Penguin audio book I listened to for this review was abridged, and King’s original text is cruelly slashed. It’s apparent that some character development was left on the Penguin cutting room floor. The audio version is (somewhat) saved by narrator Kathy Bates of Misery fame, who does a fine job as the reader.

The rest of the characters are your standard cast of interchangables, save for David Carver, an 11-year-old boy who is able to communicate directly with God. King was certainly ambitious with Desperation: Like he did with The Stand, King inserts God directly into this book. He also spends some time exploring the nature of God through David’s struggle to reconcile a being that is supposedly all-knowing and all good, but is also cruel and demands borderline unbearable sacrifices of his worshipers here on earth. In the cruelest act of all, King writes, sometimes God lets His broken and suffering people live.

Opposing our band of heroes is the demon Tak, an evil spirit penned up in a 19th century mine—the China Pit—located on the outskirts of the small, secluded town of Desperation, Nevada. Tak is freed when a modern-day mining company accidentally unearths the ancient shaft. There’s an old legend in Desperation that a group of Chinese miners were buried alive in the mine after the shaft caved in, and the white miners outside sealed them in, alive, after deciding a rescue was too risky. In another weakness of the book, it’s not apparent whether the Chinese had stumbled onto Tak, or whether he was summoned by the curses of the dying, vengeful workers trapped inside.

Tak has the ability to inhabit the bodies of his victims, and he uses his hosts to embark on a murderous rampage that wipes out nearly the entire population of Desperation. Last of all Tak takes possession of Collie Entragian, the hulking town sheriff, and using his body and his cruiser rides up and down Highway 50 snaring unwitting hostages one by one.

Entragian/Tak locks his hostages in the Desperation town jail for use as human hosts (demon-possessed bodies wear out rather quickly and gruesomely, we learn). But spurred on by a vision from God, David manages to squirm through the bars of his cell and free the group. The rest of the book follows David as he accepts God’s command to defeat Tak. But first he has to overcome the group’s skepticism of God and his own shaken faith, which is cruelly tested again and again.

The middle of the book is a rather uninspired, drawn-out sequence of the group holed up in Desperation’s movie theatre. The book ends in a final showdown at the China Pit as the survivors attempt to seal the shaft. I wanted to see more of the inside of the mine, which seemed to have lots of potential as a set-piece, but the book ends rather abruptly.

I’d be remiss if I didn’t mention a scene in which Johnny/King shouts out, “God forgive me, I hate critics!” before detonating a cache of explosives. I have to believe that King wrote the scene with a big grin on his face, and I certainly got a laugh out of it, even though I’m likely among the critics for which King has little use.

Posted by Brian Murphy