Review of Terminal Freeze by Lincoln Child

SFFaudio Review

Random House Audio - Terminal Freeze by Lincoln ChildTerminal Freeze
By Lincoln Child; Read by Scott Brick
9 CDs – Approx. 10 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: February 2009
ISBN: 9780739382028
Themes: / Horror / Thriller / Techno-thriller / Science / Biology / Evolution / Paleoecology / Alaska / Ice / Ice Road Trucking /

Four hundred miles north of the Arctic Circle lies Alaska’s Federal Wilderness Zone, one of the most remote places on Earth. But for paleoecologist Evan Marshall and a small group of fellow scientists, an expedition to the Zone represents the opportunity of a lifetime to study the effects of global warming. The expedition changes suddenly, however, with an astonishing find. On a routine exploration of a glacial ice cave, the group discovers an enormous ancient animal encased in solid ice. The media conglomerate sponsoring their research immediately intervenes and arranges the ultimate spectacle—the animal will be cut from the ice, thawed, and revealed live on television. Despite dire warnings of a local Native American village, and the scientific concerns of Marshall and his team, the “docudrama” plows ahead—until the scientists make one more horrifying discovery. The beast is no regular specimen…it may be an ancient killing machine. And they may be wrong in presuming it dead.

Lincoln child begins Terminal Freeze by quoting all but the last couple sentences of THIS. It’s not exactly a scholarly article, more of a “fun science facts” story. But like Child there are plenty of other folks willing to proffer their own answers to this “mystery.” AboveTopSecret.com (a forum devoted to “conspiracies, UFO’s, paranormal, secret societies, political scandals, new world order, terrorism”) and AnswersInGenesis.org (a site about Young Earth creationism and a literal interpretation of the Book of Genesis) both have explanations for the seemingly flash frozen mammoth that fit into other “theories.” If Child’s solution to the mystery, this novel, wasn’t presented as fiction it’d be just as ridiculous.

So, this isn’t really a Science Fiction novel. At first I had a hard time figuring out what it was. I clued in about the time I started hearing the scientists protags talking about something called “the Callisto Effect” – it sounded like utter bunk – so I looked it up. Yup it is bunk, it’s a fictional theory first invented for the Lincon Child/Douglas Preston novel The Relic (which got turned into a pretty good horror movie). The Callisto Effect is a Child/Preston invention, a kind of a fictional spin-off of the saltation hypothesis. As one other reviewer of this book noted the Callisto Effect can be summed up like this:

“…when a species becomes too numerous or starts to lose evolutionary vigor a monstrous superpredator suddenly appears and kills until it can kill no more.”

So ya, like I was saying, there are scientists in Terminal Freeze, and they talk about pseudo-scientific ideas, but this is just window dressing for the plot of a monster hunt.

We might think of the “techno-thriller” as a kind of a modern gothic novel. Even as far back as the 19th century, Edgar Allan Poe and Jules Verne, were setting their “fantastic tales in the remaining unexplored regions of the world. By the early 20th the likes of H.P. Lovecraft, and John W. Campbell only had one unexplored continent: Antarctica. The same would be true for a modern audience but now that even Antarctica has been laregly de-mystified we’re having to place our monster horror stories in inaccessible caves and hidden military bases (at least that’s the route Terminal Freeze takes).

The story is rather drawn out, with a number of blandish stock characters brought in seemingly only to be picked off one by one (which surpringly both does and doesn’t happen). The scientists, none of whom are particularly interesting, end up working with a local native, who was also co-incidentally a former soldier at Fear Base, and also a former junior scientist there, and also a co-discoverer of the original monster (back in the 1950s). Given those credentials you’d think then that he’d be absolutely instrumental in solving the mystery of what the frozen monster is and how it escaped. But no, he just gives a highly ineffectual and unrealistically cryptic warning (at the beginning of the novel) is promptly ignored – shuffles off the stage only to be brought back later, like Chekhov’s gun, jumbling around a bag of religious artifacts – which do nothing. Apparently the gun on the mantle was just a prop. Child added in an absolutely unnecessary batch of TV documentary people. The only reason I can think they’re there for is that it’d make for some good visuals should they make a movie of this novel. They’re all there when the monster in the ice escapes from the mysteriously melted ice. And of course their there when people start dying grizzly deaths as they wander off alone. But they don’t do much with those cameras and they end up leaving before the end.

After finishing the novel I was kind of interested in finding out if any of the locations in this novel were real. In the book there is a mountain called “Mount Fear,” a glacier called “Fear Glacier,” and a “Fear Base” (a D.E.W. Line style military facility). It turns out that they all don’t really exist, they are all made up.

One thing I did like about the novel was the discussion about the different types of ice. When the scientist are sitting around trying to explain how the creature in the ice escaped they briefly discuss different ways water crystallizes into ice, how these different types of ice are formed, and their differing properties. This briefly re-invigorates the mystery – but it is ultimately thrown away – discarded and replaced with a less than satisfactory explanation.

Scott Brick, who probably reads more books than any other audiobook narrator working today, does his best with what he’s given. The baddies come off badish, the heroes come off goodish, the monster comes off monsterish. The most interesting portion of the novel is actually a bit, almost completely tangential to the monster plot when an “ice road trucker” has to drive the survivors to safety. Brick works hard to make the cracking of the ice and the freezing cold compelling. And that’s the part of the novel is more believable.

Posted by Jesse Willis

SFsite: reviews of audiobooks and audio dramas

SFFaudio News

SFSite.comJust posted over on SFSite.com several reviews of audiobooks:

A review of Nightmare at 20,000 Feet by Richard Matheson
Narrated by various readers, unabridged, Blackstone Audio, 10.5 hours
review by Susan Dunham |MP3|

A review of Blue Moon Rising: Part 1 by Simon R. Green
Multicast performance, Graphic Audio, 5 hours
review by Fred Greenhalgh |MP3|

A review of Aliens Rule edited by Allan Kaster
Narrated by Vanessa Hart and Tom Dheere, unabridged, Infinivox, 3 hours, 43 minutes
review by Susan Dunman

A review of Sleep Traveler by Marcus Hame
Multi-cast production, unabridged, Synerge Books, 1 hour, 50 minutes
review by Bonnie L. Norman

A review of Glass Houses: Morganville Vampires, Book 1 by Rachel Caine
Narrated by Cynthia Holloway Tantor Audio, 8.5 hours
review by Gil T. Wilson

Posted by Jesse Willis

Five Free Favourites: Halloween Edition

SFFaudio Online Audio

Fred here, and I think Jesse called it: October is audio drama month.

Here’s where people who think The Shadow is just something that shows up at 5 o’clock start paying attention to this art form that’s been kicked back to life by modern recording technology like some Frankenstein zapped with 50 million volts.

I’m featuring horror audio all month long on Radio Drama Revival but I’ve run into the same dilemma I run into every year – how to share ALL of the great horror audio that I can’t fit into my ‘pod?

Well, here’s a list of five entries, all gruesomely awesome, which I hope will help whet your bloodthirsty appetite this Halloween season.
Five Free Favorite Horror Radio Drama

Zombie Podcast1 – We’re Alive: A Story of Survival

Zombies!!! Take Resident Evil and mix it with the marines from Aliens and you wind up with something like the outcome of this zombie podcast.

A group of foul-mouthed marines ends up locked up in an apartment building with a scattered batch of survivors after a zombie holocaust breaks loose with little notice (or explanation).

This one is well-produced, action-packed, and is as much about an odd group of people trying to survive together as it is about the roving droves of hungry undead. Not to be missed.

Wormwood Audio Podcast2 – Wormwood

Wormwood made it into my previous Five Free Favourites and it makes it again. Though not strictly “horror,” this brilliantly twisted thriller serial has ample spooks to make it a priority on any horror fan’s iPod.

If you haven’t been following, you have two full seasons to catch up on, tons of bonus content, and a third season coming up which is sure to send you to an early grave.

God of the Razor Horror story3 – The Grist Mill

Okay, the Grist Mill isn’t free but two episodes of their work are available for free download on Radio Drama Revival, so that sort of counts.

The one you should under no circumstances miss is God of the Razor. AM/FM Theater rightfully won the Ogle Award for this fine adaptation of Joe Lansdale’s classic horror short. There’s a reason you should stay out of basements in the South…

Also, Jeff Adams’ The Estates is an extremely awesome innovation to the spooky story meme – Stepford Wives meets The Shining. Thank you, Jeff.

The Buoy Audio Drama4 – The Buoy (Part 1 and Part 2)
The Cape Cod Radio Mystery Theater has been at it for a while, and “The Buoy” is perhaps the crowning gem of their productions.

This is a good classic New England ghost story, which packs an even stronger punch because of its eerie parallels to the classic Poe tale, “The Pit and the Pendulum.” A man “from away” winds up tied to a buoy as the tide comes in, and recounts his terrifying tale.

As the water gets higher, and no escape is in site, the real terror sets in…

dunesteef audio fiction magazine5 – Halloween in July

The Dunesteef Audio Fiction Magazine aired this back in March, but it is much better fitting for Halloween. Breaking the trend from the rest on the list, this is not strictly audio drama, but hosts Rish Outfield and Big Anklevich did a splendid job bringing the text to live. Writer Kevin Anderson also has a script in the mix for my upcoming Halloween Live Radio Drama.

Posted by Fred Greenhalgh

The SFFaudio Podcast #039

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #039 – Jesse and Scott are joined by Fred Greenhalgh of Final Rune Productions (and the Radio Drama Revival podcast) to talk about the twin arts of radio drama and audio drama.

Talked about on today’s show:
Modern radio drama, The Sonic Society podcast, Roger Gregg, William Dufris, H.P. Lovecraft, Halloween, horror, The Grist Mill, Dark Passenger by Fred Greenhalgh, Willamette Radio Workshop, zombies, The Drabblecast podcast, Dunesteef Audio Fiction Magazine, WMPG, Maine, equipment for recording, Zoom Q3, Zoom H2, software for editing audio, Audacity, Adobe Audition (formerly Cool Edit Pro), Pro Tools, The Most Dangerous Game, Three Skeleton Key, Infidel by Roger Gregg, “field recording” audio drama, Marantz PMD660, the growth of amateur audio drama, AudioDramaTalk.com, Mad Horse Theatre Company, Waiting For A Window by Fred Greenhalgh, 2008 Ogle Awards, Wireless Theatre Company, The Grimm Of Stoddesden Hall, folklore, mythology, Medusa On The Beach, New Orleans, fantasy, Day Of The Dead by Fred Greenhalgh, the Dragonlance series by Margaret Weis and Tracy Hickman, Robert Jordan, Final Fantasy, German audio drama (“Hörspiel”), the freakonomics of audio drama (dubbing drives interest in audio drama), the Torchwood radio dramas, Lux Radio Theatre, Academy Award Theatre, will radio drama revive?, what’s wrong with terrestrial radio?, what’s wrong with satellite radio?, Sirius Channel #163, radio drama in decline?, CBC mothballing radio drama, Colonial Radio Theatre, turning radio drama into cartoons, The Anne Manx series, Anne Manx animated (on YouTube), Radio Repertory Company of America, Decoder Ring Theatre’s The Red Panda Adventures, machinima, Creepshow, Wormwood, is the month of October for radio drama?, or is it just Halloween?, The War Of The Worlds, Simon Jones, The Hitchhiker’s Guide To The Galaxy (radio drama), The Hitchhiker’s Guide To The Galaxy by Douglas Adams, The Adventures Of Sexton Blake, Dirk Maggs, stream of consciousness, post modern audio drama, Yuri Rasovsky‘s The Cabinet Of Dr. Calagari, Tom Lopez (aka Meatball Fulton), The Cabinet Of Dr. Fritz, Cellphone Theatre, ZBS.org, Audible.com’s new stereo format, Bradbury 13, 90 Second Cellphone Chillin’ Theatre, Blackstone Audio’s The Maltese Falcon, narration in audio drama, Rogue Male, storytelling and medium, First Blood, RadioArchive.cc.

Posted by Jesse Willis

Naxos Audiobooks: The Signalman by Charles Dickens

SFFaudio Online Audio

Naxos AudiobooksNaxos Audiobooks is offering…

“A free classic short story download every week until Hallowe’en!”

These stories will come from a 2007 audiobook short story collection called Classic Ghost Stories, all are read “with relish” by Stephen Critchlow.

First up is…

Naxos Audiobooks - The Signal Man by Charles Dickens The Signal Man (from Classic Ghost Stories)
By Charles Dickens; Read by Stephen Critchlow
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Publisher: Naxos Audiobooks
Published: October 2007
“These stories are designed to engender a chill in the listener which is not just due to the season. Stephen Critchlow, a characterful actor, is a collector of ghost stories and relishes putting across those slightly odd moments when things don’t just seem to follow the normal process. Charles Dickens was chilling enough in his novels – one only has to remember the entry of Magwitch in Great Expectations! – but as a writer set deeply in the Victorian era and unashamedly a lover of the melodramatic, it comes as no surprise that one of the greatest classics of the genre was The Signalman.”

[via Mary Burkey’s Audiobooker blog]

Posted by Jesse Willis

BSAP: OTR Swag Cast

SFFaudio Online Audio

BrokenSea Audio Presents: OTR Swag CastEver since the most famous radio drama broadcast in U.S. history (The War Of The Worlds, October 30, 1938) the month of October has been an important one for audio drama. Indeed, the most recent few podcasts of BrokenSea Audio’s OTR Swag Cast illustrate my point nicely. Bill Hollweg, the host, is a connoisseur of OTR. And this is his podcast devoted to it. The idea behind the “Swag Cast” is to “digitally restore shows from the golden age of radio.” And so, with each episode, he picks, cleans-up and podcasts some old time radio shows (along with assorted interviews). The most recent few programs feature some rather rare Alfred Hitchcock and Vincent Price interviews and dramatizations. Give it a listen! You’ll find a “jack the ripper” style drama, with an ending that should never be replicated, a drama about Vincent Price starring Vincent Price and interviews in which you’ll learn about both men and their love of audio!

Podcast feed:

http://brokensea.com/otr/?feed=podcast

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis