To Virgil Finlay… by H.P. Lovecraft (narrated by Wayne June)

SFFaudio Online Audio

To Virgil Finlay by H.P. Lovecraft

I mentioned to Wayne June that I’d found the above poem in the July 1937 issue of Weird Tales. He hadn’t heard of it before. Then he went and narrated it for us!

|MP3|

Written in a letter, dated November 30, 1937, it was sent from H.P. Lovecraft to Virgil Finlay. It was inspired by art drawn for a Robert Bloch story, published in the May 1936 issue of Weird Tales, and entitled The Faceless God. Here’s the illustration that inspired it:

The Faceless God - illustration by Virgil Finlay

Here’s at least part of the letter:

“I could easily scrawl a sonnet to one of your masterpieces if you weren’t too particular about quality. For example –

To Virgil Finlay Upon his Drawing Of Robert Bloch’s Tale “The Faceless God”
By H.P. LOVECRAFT

In dim abysses pulse the shapes of night,
Hungry and hideous, with strange miters crowned;
Black pinions beating in fantastic flight
From orb to orb through soulless voids profound.
None dares to name the cosmos whence they course,
Or guess the look on each amorphous face,
Or speak the words that with resistless force
Would draw them from the halls of outer space.

Yet here upon a page our frightened glance
Finds monstrous forms no human eye should see;
Hints of those blasphemies whose countenance
Spreads death and madness through infinity.
What limnner he who braves black gulfs alone
And lives to wake their alien horrors known?

Well well – quite in the Yuggoth tradition! I’ll have to keep a copy of this to try on one or another of the fan magazines!”

[Thanks Wayne!]

Posted by Jesse Willis

The Influence of RADIO DRAMA on comics and vice versa

SFFaudio News

EC ComicsThere’s a fascinating article by Kurt Kuersteiner HERE titled “OTR: The Evil Influence Behind EC.” In it Kuersteiner maps some of the many stories swiped from radio drama series and turned into EC Comics.

It came to me at the perfect time too. I’ve just been getting into EC comics over the last few months. Having grown up under the censorship of the Comics Code Authority I didn’t really know what I was missing. Now though, reading these pre-code comics, I can now see that my intellectual growth had been greatly stunted.

I’d have been a far smarter person if I’d been able to buy and read comics like these as a kid.

My favourite such tale so far was published in the July/August 1953 issue of Weird Fantasy (issue number 20). It’s called The Automaton. At first it seemed to me like a mashup of a Philip K. Dick’s The Electric Ant, Alfred Bester’s Fondly Fahrenheit and George Orwell’s 1984. But looking at the chronology that can’t be what it is. First off Philip K. Dick was just getting started around then. And while he was a comics reader The Electric Ant wasn’t published until 1969.

And while by 1953 Bester had already been working in comics – he hadn’t yet written Fondly Fahrenheit. So the story is definitely Orwellian and very cool, and certainly like a couple of Dick and Bester tales that were yet to be written. But then again, maybe it was inspired by a radio drama that I’ve not heard yet. Anybody know of one like this?

As it stands The Automaton is set in the futuristic dystopian world of Los Angeles in 2009. Our protagonist is XT-751, a man recounting his story of being sent to a northern labour camp after a suicide attempt. Suicide is illegal in this world because the state owns every person from the cradle to the grave.

I actually have been thinking about The Automaton for months now. And after reading Kuersteiner’s article it somehow gelled into a post. It’s just been something I could’t quite shake. The story is not only extremely thought provoking, and still timely, but also extremely frightening. And maybe a lot of the rest of it is that it is about as far away from superhero comics as you can possibly get. Best of all it’s told in just seven pages – that’s a highly distilled story.

The only credit for The Automaton is for the artist, Joe Orlando, but maybe he wrote it too?

From EC Comics - Weird Fantasy #020 - The Automaton Page 1

From EC Comics - Weird Fantasy #020 - The Automaton Page 2

From EC Comics - Weird Fantasy #020 - The Automaton Page 3

From EC Comics - Weird Fantasy #020 - The Automaton Page 4

From EC Comics - Weird Fantasy #020 - The Automaton Page 5

From EC Comics - Weird Fantasy #020 - The Automaton Page 6

From EC Comics - Weird Fantasy #020 - The Automaton Page 7

Posted by Jesse Willis

The Flayed Hand by Guy de Maupassant

SFFaudio Online Audio

Guy de Maupassant’s short story, La Main Écorchée (which translates to The Flayed Hand), is a creepy supernatural tale of horror. The title delivers exactly what you might suspect – a gruesome story that doesn’t end at all well for one of the characters. More surprising to me, as compared to W.W. Jacobs’ The Monkey’s Paw, are the characters.

They were not what I expected at all. The story played itself out like a black comedy. Then, in researching the story I learned that in his teens Maupassant was shown, by the poet Algernon Swinburne, a mummified hand!

The Flayed Hand by Guy de MaupassantThe Flayed Hand
By Guy de Maupassant; Read by Alan Winterrowd
1 |MP3| – Approx. [UNABRIDGED]
Published: Boomcoach’s Audiobooks
Published: 2009
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Published under the pseudonym Joseph Prunier, this was Guy de Maupassant’s first short story. It appeared in L’Almanach Lorrai in 1875.

The Weird CircleWeird Circle – The Hand
Based on The Flayed Hand by Guy de Maupassant; Perfomed by a full cast
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Broadcaster: MBS, NBC, ABC
Broadcast: October 14, 1943 or December 19, 1943
A severed hand in a trophy room gets its revenge on the one who cut it off.

CBS Radio Mystery TheaterCBS Radio Mystery Theater – #0080 – The Hand
Based on the short story The Flayed Hand by Guy de Maupassant; Adapted by Ian Martin; Performed by a full cast
1 |MP3|- Approx. [RADIO DRAMA]
Broadcaster: CBS
Broadcast: April 24, 1974
Source: CBSRMT.com
A postal surprise in the form of a human hand leaves a man convinced of its apocalyptic portents.
Cast:
Mildred Clinton
Ian Martin
Alexander Scourby
Guy Sorel

Here is the splash page from the Classics Illustrated comics adaptation:

Classics Illustrated - The Flayed Hand by Guy de Maupassant

Incidentally, one of my favourite Michael Caine movies, the schlocky 1981 film, The Hand, was probably indirectly inspired by The Flayed Hand:

Posted by Jesse Willis

The SFFaudio Podcast #139 – AUDIOBOOK/READALONG: The Pyramid Of Amirah by James Patrick Kelly

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #139 – The Pyramid Of Amirah by James Patrick Kelly, read by James Patrick Kelly. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it (by Jesse, Tamahome, and James Patrick Kelly himself). Here’s the ETEXT.

Talked about on today’s show:
Call him Jim!, James Patrick Kelly’s FREE READS podcast, “a gift story”, PBS, Mayan temples, ancient Mayan empire, Copán (Honduras), “time passes”, “2,000 words of nothing happening and 200 words of everything changes”, is it Science Fiction or Fantasy?, David G. Hartwell, Katherine Cramer Year’s Best Fantasy 3, 3D TV, the Earstone is the iPod Nano’s successor, Catholicism, religion, it’s a Horror story, sacrificial victims who volunteer, is Amirah hallucinating?, David Hume on miracles, take a miracle and make it a recipe, Memphis (Egypt), is religion a fantasy?, what is slipstream?, proto-slipstream, “Kelly Link is a goddess”, Feeling Very Strange: The Slipstream Anthology edited by James Patrick Kelly and John Kessel, cognitive dissonance, slipstream encourages cognitive dissonance, “for every religion there is an equal and opposite religion”, “making the familiar strange and the strange familiar”, horror, comedy, Fantasy, The Lord Of The Rings, Science Fiction, Nine Billion Names Of God by Arthur C. Clarke, The Crawling Chaos, James Patrick Kelly doesn’t fully understand The Pyramid Of Amirah, is the Dalai Lama happy?, stay in your god tombs, The Girl Detective, Karen Joy Fowler, Carol Emshwiller, Franz Kafka, readers are happier when they’re really really surprised, most readers don’t re-reread stories, slipstream is a balcony on the house of fiction, behind the push of science is the turbulence of religion and the fantastic, Bruce Sterling, Ted Chiang is slipstream?, J.R.R. Tolkien, some short stories are Rorschach tests, Bruce Coville’s Full Cast Audio, Robert A. Heinlein’s juvenile novels, the love hate relationship with Heinlein, Heinlein’s villains are all straw men, Starship Troopers, The Moon Is A Harsh Mistress, Heinlein’s sexy mother, Heinlein’s late career needed editing, Stranger In A Strange Land, stories in dialogue with other stories, Think Like A Dinosaur is in dialogue with The Cold Equations by Tom Godwin (and the controversy about it), The New York Review Of Science Fiction, not all problems are institutional problems (you are going to die), institutional facts vs. brute facts, John W. Campbell, was Campbell a terrible editor?, “all stories must have telepathy”, the story that must not be named (in Galaxy SF April 1975), Jim Baen, religious Science Fiction, Death Therapy by James Patrick Kelly, Terry Carr, The Best Science Fiction of the Year #8, collaborations, John Kessel, Jonathan Lethem, Robert Frazier, ISFDB, The Omega Egg, Mike Resnick, Kafkaesque: Stories Inspired by Franz Kafka, Tachyon Publications, The Secret History Of Science Fiction, The Drowned Giant by J.G. Ballard, The Lottery Of Babylon by Jorge Luis Borges, Max Brod, Joe Hill, Heart Shaped Box, You Will Hear The Locust Sing by Joe Hill, T.C. Boyle, Michael Chabon, Carter Scholz, Don DeLillo, Lucius Shepard, The Nine Billion Names Of God by Carter Scholz, A Recursion In Metastories by Arthur C. Clarke, post-cyberpunk stories, what is post-cyberpunk?, Mirrorshades: The Cyberpunk Anthology, Cheap Truth, the way technology changes the way we are, Cory Doctorow, Charles Stross, a new cyberpunk anthology is in the works, is there pre-cyberpunk?, Blade Runner, Philip K. Dick isn’t really cyberpunky, steampunk has a vision, what is the ethos of a steampunk story?, alternate history, goggles and zeppelins vs. computer hacking and mirror-shades, Pavane by Keith Roberts, William Gibson, Boneshaker by Cherie Priest, Bernardo’s House is an iconically Jim Kelly short story, Isaac Asimov, robots, a post-cyberpunk character, a prim and proper sex doll, There Will Come Soft Rains by Ray Bradbury, Mary Robinette Kowal, puppets, a stage adaptation of There Will Come Soft Rains.

A Recursion In Metastories by Arthur C. Clarke (Galaxy SF, October 1966 - Page 78)

The Pyramid Of Amirah by James Patrick Kelly - from Fantasy & Science Fiction, March 2002

Posted by Jesse Willis

The SFFaudio Podcast #138 – AUDIOBOOK/READALONG: The Crawling Chaos by Winifred V. Jackson and H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #138 – The Crawling Chaos by Winifred V. Jackson and H.P. Lovecraft, read by Wayne June. This is a complete and unabridged reading of the short story (21 Minutes) followed by a discussion of it (by Jesse, Tamahome, Jim Moon and Wayne June). Here’s the ETEXT.

“In The Crawling Chaos the narrator flees inland, taking his adjectives with him.” -L. Sprague de Camp (from Lovecraft: A Biography)

Talked about on today’s show:
Wayne June is still alive!, first impressions of The Crawling Chaos, Wikipedia’s plot summary of The Crawling Chaos, dream logic, an opium vision, the tripiness, the philosophy behind The Crawling Chaos, The Haunted Palace by Edgar Allan Poe, the self as a haunted palace, Poe is so 19th century, The Raven, The Fall Of The House Of Usher, entropy, there is no meaning in this uncaring universe, “and all the planets mourned”, you’d need a lot of Prozac (or opium) to go through a life like that, the catharsis of apocalypse, a cosmic apocalypse, the plot is a jumble of junk, the biblical echoes, “only the gods reside there” (in Teloe), a very old testament vibe, “lest you turn into a pillar of salt”, the protagonist is us (mankind), Lovecraft’s recurring themes, the ordinary man who swaps places with another, The Shadow Out Of Time, Polaris, Beyond The Wall Of Sleep, transcendental mind-swap stories, the story was a pseudonymous collaboration between Elizabeth Berkley (aka Winifred V. Jackson) and Louis Theobald, Jun. (aka H.P. Lovecraft), Nyarlathotep, “send me some money”, a lot of dross with a powerful effect, “the year of the plague”, the “oriel window” is an eyeball!, “calm down Howard”, “he’s in his own brain”, who or what is “the crawling chaos”?, the ocean pounding is his heart beating, “We’re all doomed!”, what is the crawling chaos?, S.T. Joshi, Rudyard Kipling, the peninsular beach house, Tiger Tiger (from The Jungle Book), The Tyger by William Blake, is the beautiful youth Mowgli?, who are “they”?, a fawn faced youth, Weena from H.G. Wells’ The Time Machine, did Winifred read The Time Machine before sleep?, what is the meaning of “Teloe”? is it teleology, reaching for meaning or purpose and losing it, Amber and Chalcedony, pleasure barges bound for blossomy Cytheron, Liquid Gold, Lord Dunsany, the heavenly host, the destruction of the physical (the corpse-like clay), black clouds like vultures, Supernatural Horror In Literature by H.P. Lovecraft, “the oldest and strongest emotion of mankind is fear”, City In The Sea by Edgar Allan Poe, opium addiction, why opium?, Confessions Of An English Opium-Eater by Thomas De Quincey, Charles Baudelaire, a waking dream, if the story was written in the 1960s…, LSD, morphine and Morpheus (dream), a waking dream, Aldous Huxley, Timothy Leary, The Doors Of Perception, out of Plato’s cave, Philip K. Dick, mindset and environment, mescaline, dreams vs. drug trips, journeys into the unconscious, Mouthpiece by Edward Wellen, decoding the death ravings of Dutch Schultz (HERE), William Burroughs, Robert Anton Wilson, “French Canadian Bean Soup”, stream of unconsciousness, Frances vs. French people, “swimming through New York”, The Librarian TV series, “perfectly ordinary strange adventures”, puns are big for the subconscious, Samuel R. Delany, Groucho Marx.

The Tyger by William Blake

The United Co-Operative, April 1921 - The Crawling Chaos

Posted by Jesse Willis

Review of Patient Zero by Jonathan Maberry

SFFaudio Review

Horror Audiobook - Patient Zero by Jonathan MaberryPatient Zero: A Joe Ledger Novel, Book 1
By Jonathan Maberry; Read by Ray Porter
12 CDs – Approx. 14.2 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: October 2010
Themes: / Horror / Zombies / Terrorists / Covert Intelligence /

Jonathan Maberry caught my attention immediately with Patient Zero’s dedication:

This book is dedicated to the often unsung and overlooked heroes who work in covert operations and the intelligence communities.

And then he caught it again with the quote with which the book begins.

A hero is no braver than an ordinary man, but he is braver five minutes longer. — Ralph Waldo Emerson

I know a particular person who is one of those unsung heroes and so my natural inclination is to look approvingly upon the author’s sentiments.

However, I wasn’t here for a covert intelligence story or a spy story but for zombies. Also, because I’d heard the Writing Excuses podcasters praising the Joe Ledger series.

Then I heard the first two sentences of the book itself.

When you have to kill the same terrorist twice in one week, then there’s either something wrong with your skills or something wrong with your world.

And there’s nothing wrong with my skills.

Aha. The hat trick … which also informed me that I actually was here for a covert intelligence story, for a spy story, and, this should go without saying by now, for zombies.

Here’s a quick story synopsis.

Joe Ledger is a hardened Baltimore cop with serious skills in physical combat. After a surprise raid on suspected drug traffickers, he is strong-armed into joining the DMS, a rapid response task-force that handles problems too big for Homeland Security. The latest problem is a terrorist’s bio-weapon which, for all practical purposes, turns the infected into zombies. While Joe and his team try to track and stop the threat, we also see the bad guys: a tangled knot of corporate interests and Muslim fanatics gearing up for the ultimate assault on American soil.

In a way this is a meta thriller. It is obvious that there are the standard types which are being used. The Warrior. The Super Villain. The Mad Scientist. The Best Friend who is also The Conscience. Characters will even call people by these labels. This is reinforced by such tidbits as when a scientist excitedly asks Joe if he’s read Doctor Spectrum comics where Joseph Ledger is a character. However, Maberry keeps it from being cliched. Perhaps it is the zombies but I felt it was also due to Joe Ledger’s character and the blistering pace of the book. Short, fast chapters keep the action moving and the reader on the edge of their seat.

As with many thrillers, the story is relatively formulaic. The good guys are very good. The bad guys are very bad. Joe bleeds red, white, and blue and there is no way he is going to let terrorists harm Americans. There is a bit of humor, a touch of romance, and a ton of suspense. And zombies. Lots and lots of zombies coming in wave after wave.

It’s a formula that works. We need heroes and villains in our stories. Sometimes it is easy to see who they are. Patient Zero works because Maberry reminds us of how much entertainment there is to be had in the telling of such a tale.

My one problem with the book was that there were a couple of extended zombie attack sequences where Joe and the team just had to keep fighting and fighting … and fighting. We’d have gotten the same effect by cutting out just a bit of the fighting, particularly in the crab plant. They didn’t really have to be down to the point of ripping legs off of tables for weapons in order for me to understand just how desperate the situation was. However, this is a small quibble.

Much of the delight in this audiobook comes from Ray Porter’s narration. He reads Joe Ledger’s lines as if he were Ledger himself, reacting perfectly with a naturalness that made me feel as if I were hearing Joe’s actual thoughts. I particularly enjoyed the moments when he would hesitate or pause to emphasize points because that carried me into Joe’s emotions much more than if I had been reading.

The only problem with the narration was that Porter was a little too thorough. There is one character whose identity we don’t know until the end of the book but who we hear speaking with his employer. As I listened, I continually wondered if Porter had randomly chosen the accent with which this character spoke. I found myself listening to other characters in the book, wondering if we’d met this character yet and if he had that accent. It didn’t give it away much before the book itself did but it turns out that the narrator was being true to the character and that is something that I don’t think would have come across in the actual book. This isn’t a big deal, but it was an interesting problem.

Overall, you have to like this sort of thriller to enjoy this book. But if that’s the sort of thing you like, as I obviously do, then you’re going to really enjoy meeting Joe Ledger. And wave after wave of zombies.

Posted by Julie D.