Review of Dark Adventure Audio Theatre: The Shadow Over Innsmouth

SFFaudio Review

SFFaudio EssentialThe Shadow over Innsmouth cover artDark Adventure Radio Theatre: H.P. Lovecraft’s The Shadow Over Innsmouth
Adapted from the novella by H.P. Lovecraft; Performed by a full cast
1 CD – Approx. 77 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: October 27, 2009
Themes: / Horror / Cultists / Deep Ones / Cthulhu Mythos /

The final installment of a great series of faux Old Time Radio dramatisations of Lovecraft stories by the H.P. Lovecraft Historical Society’s very own Dark Adventure Radio Theatre is probably the easiest to convert in their point of view. By no means do I want to belittle their skill and effort but of all of Lovecrafts stories “Innsmouth”‘s dramaturgy comes easier to audio than, say, The Shadow out of Time [Review]. Bear in mind that Lovecraft was not exactly known for his use of action or suspense in the traditional sense, but  this novella about a degenerated community on New England’s seaside features his attempt of a chase and narrow escape plus a final plot twist.
I assume that most readers will at least be vaguely familiar with the plot but for those who are not here’s a very brief overview.
A young man tours New England, more precisly the fictional area that became known as “Lovecraft Country”, in a search for antiques and his family’s history. He learns of the town of Innsmouth which used to be a prosperous fishing and trading port but which has long ago fallen into gloom and decay, shunned by outsiders and inhabited by secretive people on whom generations of inbreeding have not been kind.
Of course, he disregards all warning not to go there and buys a ticket for the bus to Innsmouth. Ahh, the carelessnes of youth!
Sure, he only wants to get a quick peek and then leave again with the evening bus. What he learns from his own observations and the only two people willing to talk to him – an outside shopkeeper and the town drunkard – is bad enough. All the churches of Innsmouth have  either been abandoned or have been converted for use by the town’s sinister cult the Esoteric Order of Dagon. The cult that was brought to Innsmouth from the Pacific by one of its most prominent captains at a time when Innsmouth’s economy was failing. The new gods helped but at what terrible price our young protagonist is abuot to find out. Too bad that the bus that was supposed to bring him out of town in the evening has most inconveniently broken down leaves him stranded and cut-off in a town filled with people who are not entirely human anymore and even less keen on snooping outsiders than your usual run-of-the-mill hillbillies. Fortunately, there is a room available in the best (and only) hotel in town… and this is where the fun begins – our protagonist has to escape from Innsmouth.
But remember… you may take a man out of Innsmouth but can you take Innsmouth out of the man?
Find out more and watch <a title=” Shadow over Innsmouth Trailer” href=””>the trailer on Youtube.
There is not really much more  to say about the last and thus far final installment of DART that is different from the previous ones. Although the crew does not produce audio dramas for a living they take this serious enough to be on par with most professional publishers, and indeed even better than some. Luckily they don’t take it so serious as to avoid the tongue-in-cheek humour which stands ol’ Lovecraft better than you might think.
The story has been dramatised well, music and sound design are great, the acting convincing and the feeling of an Old Time Radio show has been well preserved. The fact that DART have invented a visit from a government official to the protagonist (a fact actually mentioned in the original story) not only provides a convincing reason why the narrator keeps going on in the typical Lovecraftian monologues but also made it possible to tell  the  story’s ending a bit more dramatic than its literary predecessor.
Every DART show comes as both MP3 download and “enhanced” physical CD. The Shadow over Innsmouth  is no different and the CD contains such props as a “real” match book (with one final match left) of the Gilman hotel, a handdrawn map of Insmouth, a fake newspaper clipping, and a postcard. A nice extra (and free for all) service is the downloadable script to read along.
To round off this the final audio drama the HPLHS offers a nicely designed box in the shape of a classic tube radio that holds all four currently available CDs.
The only thing that this leaves me wanting is more. I want more Dark Adventure Radio shows! Alas, the HPLHS has been awfully quiet on the audio front recently. One can only assume that their resources have been eaten up mainly by their film endeavours.

Posted by Carsten Schmitt

Review of We’re Alive: A Story of Survival – Season One

SFFaudio Review

Blackstone Audio - We're Alive: A Story of Survival - the First SeasonWe’re Alive: A Story of Survival – Season One
By Kc Waylan and Shane Salk; Performed by a full cast
12 CDs – Approx. 14.2 Hours [AUDIO DRAMA]
Publisher: Blackstone Audio
Published: 2011
ISBN: 9781455114580
Themes: / Horror / Zombies / Post-Apocalypse / Los Angeles /

This exciting audio drama is based on an immensely popular podcast that has received hundreds of positive reviews and has had over four million downloads—and counting.

Uneven and slightly amateurish, but also fun, mildly addictive and highly listenable, We’re Alive: A Story of Survival, the first season (Modern Myth Productions, LLC) should appeal to fans of the zombie/post-apocalyptic/survivalist genres.

Unlike most audiobooks, which typically feature a single narrator reading text in unadorned style, We’re Alive is an audio drama. It employs a large cast, incorporates a wide range of sound effects, and is scripted in a way that caters to the ear, emphasizing dialogue and interpersonal relationships over lengthy descriptive narrative. Our minds are left to fill in the gory details, and it works. It’s simultaneously fresh and retro, reminding me of what the old radio shows of yesteryear must have been like. We’re Alive was launched and remains an ongoing podcast (check it out HERE) but you can obtain the entire first two seasons from Blackstone Audio, Inc.

The storyline is about what you’d expect: A zombie apocalypse strikes without warning, quickly overwhelming most of the population. Three young Army reservists (Michael, Angel, and Saul) commandeer a humvee and seek out survivors in downtown Los Angeles. After rescuing a couple civilians they find an apartment building, clear it of zombies, and begin to fortify it, rigging it up with a generator and stocking up on food, water, and ammunition. More survivors eventually trickle in and/or are rescued by the group, including Burt, an aging Vietnam veteran who acts and sounds a lot like Clint Eastwood. Soon there’s a small but thriving community holed up in the apartment building.

We’re Alive has a few problems. I had a hard time distinguishing between some of the women. The men are generally given more agency and are more fully developed characters. There are some writing weaknesses, including characters that bicker and bitch over trifles and at times seem more concerned with saving face than staying alive. This creates plenty of distractions and gets the group in more trouble than it should, at first with zombies and later with a greedy, nasty group of human convicts (the “Mallers”). Also, a few of the characters’ skill-sets seem a bit too fortuitous (one of the women is a pro archer — rather convenient).

The story also uses zombies that break sharply with most undead traditions. Some have a rudimentary intelligence, at least one can talk and strategize, and at times they are directed by some unseen controlling force to capture and carry away their victims rather than consuming them. While I’m not a strict zombie purist, these traits lessen their scare factor and weakened them as a threat. Zombies are at their best when they’re relentless, merciless eating machines; take away that characteristic and they become caricatures. There’s even some species of large zombie monsters lurking in the background, though they’re not described well and it’s impossible at least through season one to determine if they’re a large zombified animal or a creature of pure fancy. In short, if you’re a zombie purist, or expecting undead in the Romero mold or new Dawn Of The Dead style, be prepared for a lot of “rule breaking.”

But We’re Alive also has plenty of good things going on, enough to give it my recommendation. Most of the characters grow on you and the voice acting is reasonably good. There are enough plot twists and turns to keep you guessing. There’s a hardly a dull moment—when not fighting the undead or the Mallers, the survivors are fighting amongst themselves, often chafing against Michael’s inflexible never-question-my-orders military style of leadership. Ex-lawyers and teachers find themselves growing vegetables on the rooftop, serving as quartermasters, or standing guard duty, with inevitable grousing and dereliction of duties. As the survivors’ supplies start to dwindle, they’re forced to take increasingly dangerous runs for food and ammo into the “hot zone” of zombie and looter-infested downtown L.A. There’s also a larger backstory about the hows and whys of the zombie outbreak that’s still unrevealed but will undoubtedly be a part of latter seasons.

While it lacks the moral/philosophical questions and hardcore grittiness of The Walking Dead, We’re Alive is nevertheless fun stuff and I’m looking forward to listening to season two.

Posted by Brian Murphy

The SFFaudio Podcast #162 – AUDIOBOOK/READALONG: The New Mother by Lucy Clifford

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #162 – The New Mother by Lucy Clifford, read by Heather Ordover (of Craftlit). This is a complete and unabridged reading of the short story (21 Minutes) followed by a discussion of it by Jesse, Tamahome, Julie Davis, and Heather Ordover.

Talked about on today’s show:
Brownies!, The Mote In God’s Eye by Larry Niven, what is the lesson of The New Mother, naughtiness will be punished without chance of redemption, Lucy Clifford’s children were good, the big people, Coraline by Neil Gaiman, button eyes, crafty, The Father Thing by Philip K. Dick, Philip K. Dick had two fathers, glass eyes and a wooden tail, stand the baby on it’s head, “don’t talk to strangers”, free range children, scared straight, dancing dogs, hopelessness, don’t give in to temptation, “listen to your mother”, the magic cupboards, cargo cult mindset, is the girl the devil?, Something Wicked This Way Comes, creepy warnings, has the girl been the victim of a curse?, a moral story, evil things sometimes look attractive, Anyhow Stories: Moral And Otherwise, the Wikipedia entry for Coraline, The Father Thing and Coraline have hope, horror, The Shining by Stephen King, G.K. Chesterton “fairy tales are more than true”, The Hanging Stranger by Philip K. Dick, To Kill A Mockingbird, Stand By Me, BB guns vs. aliens, did Dick read The New Mother?, Beyond The Door by Philip K. Dick, fantasy, the world is a magical place for children, the magic of housework, mom’s like God providing manna, the “good clock” that tries to keep going, frozen peas and creamed corn, the McCarthy era, The Twilight Zone, The Monsters Are Due On Maple Street, Invasion Of The Body Snatchers, child abuse, untrustworthy parents, “this is real”, stepping into adulthood, 19th century, 1950s, Coraline’s ineffectual parents, the Turkey and Blue Eyes, what happened to the turkey?, what’s up with the peardrum?, the Dictionary Of American Regionalisms, horrormasters.com, “it’s too heavy“, deception vs. self-deception, when do we learn do we naughty?, or do we learn it?, is it a game?, naughty vs. evil, reverse psychology, Tom Sawyer, a dead rat on a string, what’s the deal with the missing father?, fairy tales, Persuasion by Jane Austen, away at sea, fun garages, the feeling of bigness, Julie makes it all sound homey, Philip K. Dick’s father was a WWI veteran, pastoral vs. mechanized hell, Vietnam veterans, the new father in Coraline, the s-word, the movie of Coraline, a giant spider with bony arms, Neil Gaiman’s inspirations are classic literature, The Graveyard Book, The Jungle Book, Silas, Nobody Owens’ governess is named Mrs. Lupescu, Mr. Lupescu by Anthony Boucher, Weird Tales, Neil Gaiman is a fantasy master like J.R.R. Tolkien or Robert E. Howard, The Sandman, Aladdin, The Sandman: Season Of Mists, rescuing readers with Neil Gaiman, the teacher’s conundrum, there’s nothing better for a young reader than comics, Red Nails by Robert E. Howard, comic adaptations, don’t play down to your audience, Gargoyles, William Shakespeare, don’t pile on memorization, pile on fun, everything of value is learned through story, if you invert everything the girl in The New Mother you still don’t know what’s going on, is she just evil?, did she sit upon a baby?, are the two dogs the man and woman missing from the box?, many locks and many keys, unanswered questions, “perhaps you’ve lost yourself”, levels of naughtiness, being naught isn’t following orders, truth in advertizing, critical thinking, Grimm’s fairy tales, the etymology of “grim”, the University of Arizona, Grima Wormtongue, Harry Potter, Grimm, Once Upon A Time, Lee Arenberg, “to wend the grim tooth” (to recourse to harsh measures).

The New Mother - Then She Kissed Them
The New Mother - A Peardrum

Posted by Jesse Willis

Hypnobobs: The Horror Of The Heights by Sir Arthur Conan Doyle

SFFaudio Online Audio

I’m becoming convinced that Mr Jim Moon, of the Hypnobobs podcast, is wholly made of pure running awesome.

His wonderful narration and his podcast sound design (with it’s elegant clockwork logic), he delivers great fiction with incredibly well researched audio essays – and does all this on a regular basis.

He’s like a marvelous homemade fruit jelly that you just want to spread all over everything – okay maybe that sounds a little strange but his podcast is truly that wonderful. I just love it to bits.

Take last week’s podcast. From his great “Library of Dreams” Mr Jim Moon performed Sir Arthur Conan Doyle’s The Horror Of The Heights. I’d never heard of it, it’s terrific, and Jim Moon’s reading of it is perfect.

The Horror Of The Heights by Sir Arthur Conan Doyle

Illustration by Virgil Finlay for The Horror Of The Heights by Sir Arthur Conan Doyle (from Famous Fantastic Mysteries, December 1947)

Hypnobobs - The Horror Of The Heights by Sir Arthur Conan DoyleThe Horror Of The Heights
By Sir Arthur Conan Doyle; Read by Jim Moon
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: May 12, 2012
“There are jungles in the upper air, and there are worse things than tigers which inhabit them….” First published in The Strand Magazine, November 1913.

Podcast feed:
http://feeds.feedburner.com/Hypnobobs

iTunes 1-Click |SUBSCRIBE|

Here’s a |PDF| assembled from the publication in the December 1947 issue of Famous Fantastic Mysteries.

The Horror Of The Heights

And here’s a |PDF| made from the original publication in The Strand Magazine, November 1913.

The Horror Of The Heights by Sir Arthur Conan Doyle

The Horror Of The Heights by Sir Arthur Conan Doyle

The Horror Of The Heights by Sir Arthur Conan Doyle

The Horror Of The Heights by Sir Arthur Conan Doyle

Posted by Jesse Willis

CBC: Nightfall: Late Special by Clint Bomphray

SFFaudio Online Audio

Early last morning I played a Nightfall episode expecting it to be an adaptation of a William Hope Hodgson story – but it turns out I had selected the wrong one – what I got instead was a surprisingly surprising story – I kept expecting a stone ship to turn up, but it never did – instead there was a horrific car accident, some truly terrific voice acting, and a set of uniquely creepy circumstances – all of it optimized for the audio medium – this episode typifies the entire Nightfall series – it’s great audio drama – it’s truly frightening and it’s highly recommended!

CBC - NightfallNightfall #06 – Late Special
By Clint Bomphray; Performed by a full cast
1 |MP3| – Approx. 26 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
Broadcast: August 8, 1980
Source: Archive.org
A car crash during a late season blizzard strands a young woman in an abandoned train station, where she meets a mysterious stranger who obliges her to make a singularly existential choice.

Cast:
Terry Tweed … Claire Acton
Chris Wiggins … Tom Parker, the Conductor
David Hughes … Vic
Trisha Allen … the Telephone Operator
Judy Sinclair … Claire’s Mother
Richard Donat & Frank Perry … Dick & Frank, the Police Officers

Recording Engineer:
John Jessop

Sound Effects:
Bill Robinson

Production Assistant:
Nina Callaghan

Story Editor:
John Douglas

Producer:
Bill Howell

[via, in part, Nightfall-25.com]

Posted by Jesse Willis

Hypnobobs: The Graveyard Rats by Henry Kuttner

SFFaudio Online Audio

Our First published, in Weird Tales, when Kuttner was just 21 years old, The Graveyard Rats became an instant classic. It has been one of my all time favourite horror stories since I first heard it – in The Greatest Horror Stories Of The Twentieth Century |READ OUR REVIEW| – it’s full of Lovecraftian imagery, has a loathsome protagonist, and it possesses an unshakeable claustrophobic menace that’ll keep you up late for fear of what sleep might bring.

Mr. Jim Moon’s reading of it, for his wondrous Hypnobobs, now makes it one of my all-time favourite podcasts episodes too.

The Graveyard Rats - Illustration from SHOCK
The Graveyard Rats by Henry Kuttner

Hypnobobs #08 - The Graveyard Rats by Henry KuttnerSFFaudio EssentialThe Graveyard Rats
By Henry Kuttner; Read by Jim Moon
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: August 21, 2011
First published in Weird Tales, March 1936.

Podcast feed: http://www.geekplanetonline.com/hosting/originals/hypnobobs/feed.xml

iTunes 1-Click |SUBSCRIBE|

And here’s a |PDF| constructed from it’s publication in Shock.

My depiction of Old Masson:
Old Masson by Jesse

Anthony’s depiction of Old Masson:
Old Masson by Anthony

Posted by Jesse Willis