Holly Black – SFFaudio

Recent Arrivals: Welcome To Bordertown edited by Holly Black and Ellen Kushner

SFFaudio Recent Arrivals

Just crossed the border, literally (it came in the back of a Subaru), here’s a Brilliance Audio audiobook collection that does almost everything right! First, check out the awesome cover art for Welcome To Bordertown:

Next, note the detailed track listings on the back:

So that’s a look at the outside, inside the discs themselves don’t detail their contents, which is bad, but not fatal (considering you’ve got the back of the audiobook to go by). As to the audio content itself, well I’m looking forward to picking up stories here and there as I research the authors more – that’s usually how I listen to collections these days.

This is the official description:

Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves. The Way from our world to the Border has been blocked for thirteen long years. . . . Now the Way is open once again — and Bordertown welcomes a new set of seekers and dreamers, misfits and makers, to taste life on the Border.

Here are thirteen interconnected stories, one graphic story, and eight poems — all new work by some of today’s best urban fantasy, fantasy, and slipstream writers

Now I’ve already checked out Neil Gaiman’s entry, which is a poem entitled The Song Of The Song. And I listened to Holly Black reading her own introductory essay. In it she credits the original Bordertown books as ‘creating the urban fantasy subgenre’. Ellen Kushner, Black’s co-editor, reads Terri Windling’s introductory essay, which details the background for the Bordertown series itself. It’s is described as a “Thieves’ World for teens.” Windling also talks about the phenomenon of shared worlds. Also, and this is pretty cool, there’s an additional editorial introduction written, and read, by Ellen Kushner (one that’s not found in the paperbook edition at all).

The only thing missing from this great audiobook edition is the story named Fair Trade by Sara Ryan and Dylan Meconis. But that’s probably because it’s actually a comic and so it would have been very hard to translate into audio (there are two panels of it HERE). And finally, here’s a promo video for the book:

Posted by Jesse Willis

The SFFaudio Podcast #159 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio Podcast #159 – Scott, Jesse, Tamahome, and Charles Tan talk about recently arrived audiobooks, new releases and more.

Talked about on today’s show:
Charles sent to World Fantasy, John Scalzi’s Fuzzy Nation is a reworking, Is WWW: Wonder by Robert J. Sawyer YA?, three from Angry Robot, Giant Thief by David Tallerman, Empire State by Adam Christopher is superhero noir, free comic book day, The Shadow comic by Garth Ennis, listening speeds, Dead Harvest by Chris F. Holm, Bolinda Audio from Australia, Dreamquake by Elizabeth Knox, YA is big, Neil Gaiman’s Coraline, “scare the crap out of little kids”, The Novice by Trudi Canavan, cozy fantasy, Dark Is The Moon by Ian Irvine, Hemlock Grove by Brian McGreevy, being developed for Netflix, polarizing, Angels Of Vengence by John Birmingham, futuristic Clancy?, White Horse by Alex Adams, Into The Black: Odyssey One by Evan Currie, ebook first, “I’m getting refreshed”, Jenny would like Deathless by Catherynne M. Valente, not Genevieve Valentine, Welcome To Bordertown edited by Ellen Kushner (Sfsignal interview) and Holly Black is all-new, “these stories are too wet”, A Handful Of Stars by Dana Stabenow is an older book, “Alaskans in space”, The Outcast Blade by John Courtenay has vampires, “well that’s disappointing”, how about steampunk?, the splitting of Warriors by George R.R. Martin and Gardner Dozois, Legends by Robert Silverberg, Scott thinks Far Horizons should be an audiobook, Agatha H. And The Clockwork Princess by Phil and Kaja Foglio, Girl Genius comics online, Dante Valentine series by Lilith Saintcrow, Clockwork Heart by Dru Pagliassotti, “clockpunk”, Nightfall by Stephen Leather, soul legalities, “God is the ultimate scammer”, Sherrilyn Kenyon’s Infamous, paper books, Comedia Della Morte by Chelsea Quinn Yarbro, usefulness of blurbs, The Company Of The Dead by David J. Kowalski, end of Scott’s stack, I didn’t know 8 Million Ways To Die by Lawrence Block was a book, lots from Audible Frontiers, Gregory Benford’s Galactic Center series with multiple narrators, Planet Of The Apes by Pierre Boulle, think of the movie inverted, “take your damn dirty hands off me”, Terry Bisson’s They’re Made Out Of Meat, Charles is reading the Shirley Jackson award nominees (horror and dark fantasy) to prepare for interviews, Peter Staub’s Mr. Clubb and Mr. Cuff, “it scared the pants off me”, where’s the John Joseph Adams anthology audiobooks?, Kim Stanley Robinson audio short story at Lightspeed Magazine, 2312 stays in the solar system, Mars trilogy if you like science, tons of new Robert Silverberg on Audible, The World Inside will be an HBO series, Scott liked Book Of Skulls, a bunch of Connie Willis, what’s on the horizon?, Existence by David Brin, Red Mars was a marathon, A Short, Sharp Shock by Kim Stanley Robinson, what kind of fantasy does he write?, John Scalzi’s Redshirts, bye Charles

Posted by Tamahome

Review of Hounded by Kevin Hearne

SFFaudio Review

Hounded: The Iron Druid Chronicles
By Kevin Hearne; Read by Luke Daniels
8 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2011
Themes: / Fantasy / YA / Druids / Occult / Werewolves / Vampires /

This is the first of a hugely popular YA series, highly recommended by a friend and, luckily for me, available as a review book from SFFaudio.

Here’s the brief summary for those who, like me, hadn’t heard of this book:

Atticus O’Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His neighbors and customers think that this handsome, tattooed Irish dude is about twenty-one years old — when in actuality, he’s twenty-one centuries old. Not to mention: He draws his power from the earth, possesses a sharp wit, and wields an even sharper magical sword known as Fragarach, the Answerer. Unfortunately, a very angry Celtic god wants that sword, and he’s hounded Atticus for centuries. Now the determined deity has tracked him down…

The book begins with verve as Atticus is a charming narrator who introduces us to his friends, who are mainly from the supernatural world. We meet Druid gods, local werewolves, a Viking vampire, the local coven of witches, and Atticus’s Irish wolfhound, Oberon, with whom Atticus can carry on mental conversations. There are few genuine humans in Atticus’s life and none are developed beyond a paltry few amusing characteristics, such as the Irish widow who likes to get drunk before going to Mass and forgives murder on her lawn if she is told the victims were British. The most likable character in the group is the dog Oberon who is charmingly focused on doggish things and has just enough understanding of Atticus’s world to offer his own solutions from time to time.

My initial attraction to the story soon ground to a halt. The problem with this book, and it is a large problem, is that Atticus is a perpetual Peter Pan character. His emotional development seems to be frozen at several years younger than his outward 21 years since a heaving bosom is all it takes to permanently distract him from whatever he’s doing. Pity. One would have hoped that 2,100 years of living would result in a certain amount of experience leading to wisdom. Instead, Atticus spends more time in a practical joke on an ambulance attendant than in thinking through how much he should have healed himself from a bullet wound to make it seem convincing to local law enforcement. That’s ok though because Atticus has friends and allies who unfailingly show up to give an easy solution without readers ever feeling that Atticus himself is too worries about the outcome. This leads to a permanent lack of dramatic tension.

It’s a pity there isn’t a “Wendy” to accompany Atticus’s “Peter Pan.” That would give Hounded the necessary depth and contrast. Now we can see how wise J.M. Barrie was in the construction of his tale. Without a truly human element who lacks control of the situation, all the adventures are one boring episode after another with nary a worry about how Atticus will escape.

The one good thing about this book is the narrator, Luke Daniels. I haven’t come across him before but will keep an eye out for him in the future. His talents kept me listening long past the point where I would have given up. His voicing of Oberon has found its way into my head whenever we “speak” for what our dogs in our household.

Sadly, Daniels’ talents aren’t enough to make this shallow story worth your time. There are many wonderful YA stories out there that are worth reading and rereading: The Graveyard Book by Neil Gaiman, the Harry Potter series by J.K. Rowling, Eon: Dragoneye Reborn by Alison Goodman, White Cat by Holly Black, and Assam and Darjeeling by T.M. Camp are just a few.

For that matter, try Peter Pan by J.M. Barrie. You’ll see what Hounded could have been with proper attention given to the storytelling.

Posted by Julie D.

Review of White Cat by Holly Black

SFFaudio Review

I wake up barefoot, standing on cold slate tiles. Looking dizzily down. I suck in a breath of icy air.

Above me are stars. Below me, the bronze statue of Colonel Wallingford makes me realize I’m seeing the quad from the peak of Smythe Hall, my dorm.

I have no memory of climbing the stairs up to the roof. I don’t even know how to get where I am, which is a problem since I’m going to have to get down, ideally in a way that doesn’t involve dying.

[…]

I’d dreamed of a white cat. It leaned over me, inhaling sharply, as if it was going to suck the breath from my lungs, but then it bit out my tongue instead. There was no pain, only a sense of overwhelming, suffocating panic. In the dream, my tongue was a wriggling red thing, mouse-sized and wet, that the cat carried in her mouth. I wanted it back. I sprang up out of the bed and grabbed for her, but she was too lean and too quick. I chased her. The next thing I knew, I was teetering on a slate roof.

A siren wails in the distance, drawing closer. My cheeks hurt from smiling.

Eventually a fireman climbs a ladder to get me down. They put a blanket around me, but by then my teeth are chattering so hard that I can’t answer any of their questions. It’s like the cat bit out my tongue after all.

Born into a family of curse workers, Cassell doesn’t have the magical powers to be a “worker.” Curses come in all shapes and sizes from transforming victims into something else down to emotionally influencing people. All that is needed is the touch of a finger. This makes gloves much more than a fashion accessory since they are a necessary item of protection.

Curse work is illegal so curse workers are all either part of the powerful crime families, con workers, or exist with their secret on the edges of society. Cassell’s family owes allegiance to a powerful crime family and working cons is as normal as breathing. In fact, working the con is the thing that makes up for not being a worker and Cassell eyes the world from this vantage point, which makes him a solitary figure with few friends.

Cassell has a dark secret, a problem with sleepwalking, and a family who specializes in running cons. He also lost the love of his life, Lila, long ago. However, he put that all behind him and is concentrating on life in boarding school and building a normal life, along with keeping book on the side. (Hey, a guy has to have a little spending money, right?) So when a white cat begins following him everywhere, terrifying dreams bring Lila back into his waking thoughts, and those dark secrets begin surfacing again, Cassell begins to suspect that he is a pawn in a complicated con game.

Can he out-con the pros and solve his problems? Well, of course he can or what would be the point of reading the book? The fascination is with watching Cassell have to admit that he needs help from others, seeing his longing for family ties even as he fears that he may have been betrayed by them,

Holly Black has a fully realized alternate world where the presence of curse working and magic define much more than Cassell’s personal problems. There is a slight but interesting subplot about an organization that is working for “worker’s rights.” The government has begun pushing a testing program, urging workers to come forward and be identified. Family loyalty along with the inner workings of crime families are also interesting embellishments to the plot. The magical abilities described are fascinating, as is the concept of “blow back” which besets anyone who works a curse. Nothing is done with impunity so you’d better be darned sure you want to curse someone because you will suffer some sort of severe reaction in turn.

Perhaps the most interesting aspect of the book is that Cassell is an unreliable narrator. What is more, he knows he is an unreliable narrator as he is afraid that he is too influenced by dreams or that his memory has been worked. Everyone around him is fairly unreliable as well since Cassell is never sure when someone is working a con or being natural. Although some major plot twists are fairly well telegraphed ahead of time, this hardly matters because we are so concerned with the fact that Cassell may be working a con we don’t see or that he is being conned himself.

The story is narrated by Jesse Eisenberg, who is probably best known for portraying the awkward college student in Zombieland or the equally awkward Mark Zuckerberg in Social Network. His trademark delivery works perfectly as the story is told by Cassell who is equally as awkward as either of those movie characters. Furthermore, Eisenberg alters his voice slightly but effectively to portray different characters: a fortune teller, Cassell’s mother, his roommate Sam, and the crime boss all get slightly different intonations which perfectly convey character. I would have liked the book anyway as a straight read, but with Eisenberg’s narration I bought it hook, line, and sinker. Just like an average mark, in fact.

It is called urban fantasy but didn’t really feel that way to me. It is fantasy because of the curse working element but other than that there are precious few fantastic elements. Likewise, it is labeled YA, but aside from the age of the narrator and some elements like having to attend classes, it didn’t feel like something written for younger readers.

I thoroughly enjoyed this book. What can I say? I like con stories. I like the universe Holly Black created. Jesse Eisenberg’s narration pulled me into the story so I stayed there long enough to care about a boarding school student with an interesting set of problems. I also liked the fact that the story arc was concluded in this book except for one element which obviously serves as a bridge to the second book of the series.

It’s just plain fun all round and moves at a fast, addictive pace. Recommended.

Posted by Julie D.

Random House Audio: Three FREE audiobooks: Louis L’Amour, Holly Black, Marjorie Weinman Sharmat

SFFaudio Online Audio

Random House Audio has made three very different audiobooks available for FREE DOWNLOAD on their website. One’s a novel, and the other two are short stories. As all three are in the MP3 format and just single files (even the novel) I’m going to HuffDuff all three later today. I’ve already started listening to Louis L’Amour title, and I’ve got to tell you, the introductory material in which L’Amour himself tells stories from his own life, is ABSOLUTELY RIVETING – it’s amazing, amazing stuff.

White Cat: The Curse Workers, Book One
By Holly Black; Read by Jesse Eisenberg
1 |MP3| – Approx. 6 Hours 41 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: May 11, 2010
ISBN: 9780307711816
Cassel comes from a family of curse workers—people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they’re all criminals. Many become mobsters and con artists. But not Cassel. He hasn’t got magic, so he’s an outsider, the straight kid in a crooked family. You just have to ignore one small detail—he killed his best friend, Lila, three years ago. Cassel has carefully built up a façade of normalcy, blending into the crowd. But his façade starts to crumble when he finds himself sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He’s noticing other disturbing things too, including the strange behavior of his two brothers. They are keeping secrets from him. As Cassel begins to suspect he’s part of a huge con game, he must unravel his past and his memories. To find out the truth, Cassel will have to outcon the conmen.

Nate The Great Goes Undercover (From Nate the Great Collected Stories: Volume 1)
By Marjorie Weinman Sharmat; Read by John Lavelle
1 |MP3| – Approx. 14 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: May 13, 2008
ISBN: 9780807216651
Nate the Great has his first night case! Somebody is raiding Oliver’s garbage can each night, but who? The list of suspects is long. Nate courageously encounters a skunk and a telephone pole, but not until he goes under cover of the garbage can lid does he narrow the suspects down to one.

Survival
By Louis L’Amour; Read by Richard Crenna
1 |MP3| – Approx. 1 Hour 6 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: Nov 9, 1999
ISBN: 055345031X
This harrowing adventure of shipwreck and survival is L’Amour’s fictionalized account of the heroic true story of merchant seaman Tex Worden and his efforts to save the passengers of the doomed Raratonga. A unique look at the early life and times of one of our most cherished writers, Survival is the action-packed oral biography of a true American original, an audiocassette that no L’Amour fan will want to miss. Includes biographical notes read by L’Amour himself.

Posted by Jesse Willis