Review of The Time Machine by H.G. Wells

SFFaudio Review

Science Fiction Audiobooks - The Time Machine by H.G. WellsThe Time Machine
By H.G. Wells; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 2 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2004
Themes: / Science Fiction / Time Travel / Math Fiction /

I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different.

Sounds suspiciously like the plot of every Doctor Who episode doesn’t it? But The Time Machine isn’t just about exciting time-travel adventures, it’s also about the class struggle in Great Britain in the late 19th century, the widening gap between rich and poor, what Humans have control over and what they don’t. Doctor Who has been known to tackle these ideas too, one of it’s serials even has H.G. Wells as a character, but the fact that The Time Machine did it first, and so well, speaks volumes.

Scientifically explained SF stories of time travel take their cue for explanation, when they do it at all, from this novel. Prior to its publication stories of travel in time went unexplained, the Connecticut Yankee, of Mark Twain’s comedic time-travel novel got a knock on his head that sent him back to Middle Ages England – and that was explanation enough in its way. But The Time Machine isn’t played for comedy, Wells’ futures are allegories for his worries about capitalism and communism, for his notation about gender blurring in the industrial age and his realization that not only are all men mortal, but so in fact is Mankind itself!

In just three hours Wells posits two futures: 1. A relative near term future humanity which has bifurcated into two distinct species (Eloi and Morlock) – they stand as the evitable result of aristocrat and proletariat class calcification present in the political theory at the time of it’s writing. 2. A vision of a far future Earth, showing the inevitable and unavoidable physical reality of the universe. Were this not a public domain text, and were not the plot so familiar to us we’d have to think ourselves blessed by this excellent reading. As it is, and as cheap as it is this classic of science fiction can be judged only by it’s audiobook. Thankfully the reading keeps pace with the text.

Sound quality is excellent, but the reader, James Spenser, doesn’t have much to do in the way of voices. He does however a marvelous job engendering anticipation, fear, disgust and sympathy through pacing. Spencer’s lack of an English accent for this Englishman’s tale doesn’t really matter, only one character in the novel is named, she couldn’t sensibly be called English and she doesn’t even have a speaking part. Much of the difficulty in this story comes from the stilted way it is rendered. Told in first person by an unnamed witness to the recounting of the main events, we are regaled second hand with the time traveler’s adventures in time. I can charitably call it “quaint.” Arthur C. Clarke later took up this kind of storytelling with his “Tales Of The White Heart” series of short stories, likely I think in homage to Wells. I’ve heard several audiobook renditions of The Time Machine now, of the non British reader’s Spencer’s is “the definitive edition.” And at just $5.00 it’s a deal.

Posted by Jesse Willis

LibriVox bills itself as "acoustical liberation …

Online Audio

LibriVoxLibriVox bills itself as “acoustical liberation of books in the public domain”, we bill it as “really cool”! The LibriVox volunteers read and record chapters of books in the public domain using the equipment they have at home, and then release the files as FREE audiobooks. The objective is to eventually make all books in the public domain available in the audio format. Several Science Fiction and Fantasy titles are already under way, and few have already been completed. Here’s a peek:

Completed Novels:
The Road To Oz by L. Frank Baum
A Christmas Carol by Charles Dickens
Frankenstein by Mary Shelley

Completed Shorts:
A Modest Proposal by Jonathan Swift

Multiple Narrator Forthcoming:
Alice’s Adventures In Wonderland by Lewis Carroll
Peter Pan by J.M. Barrie
The Trial by Franz Kafka
Dracula by Bram Stoker
A Journey To The Interior Of The Earth by Jules Verne

Single Narrators Forthcoming:
Flatland by Edwin A. Abbott
The Snow Queen by Hans Christian Anderson
Sky Island by L. Frank Baum
The Wizard Of Oz by L. Frank Baum
Beowolf
Anthem by Ayn Rand
A Connecticut Yankee In King Arthur’s Court by Mark Twain
The Invisible Man by H.G. Wells
The Time Machine by H.G. Wells
The Velveteen Rabbit by Margery Williams

A couple of very nice new releases to tell you abo…

New Releases

A couple of very nice new releases to tell you about:

From Telltale Weekly, an unabridged The War of the Worlds by H.G. Wells. Click here for a page that includes an excerpt. I’m looking forward to this – I listened to the Brilliance Audio version of this one… well, TRIED to listen to it. Found the reader not to my liking, though, which really kills an audiobook for me. It was packaged, by the way, with Wells’ The Time Machine, which was really excellent.

And from Infinivox, Solstice by James Patrick Kelly. Click here for more info and an excerpt. I really urge you to check out their stories.

Review of War of the Worlds, LA Theatre Works

Science Fiction Audio Drama - War of the WorldsWar of the Worlds
Starring Leonard Nimoy, Jerry Hardin, Gates McFadden, Dwight Schultz, Armin Shimerman, Brent Spiner, and Wil Wheaton
Adapted by Howard Koch; Directed by John de Lancie
Duration: 1 cassette, 70 minutes
ISBN: 0807235628
Producer: LA Theatre Works
Themes: / Science Fiction / Alien invasion / H.G. Wells / Civilization’s End /

In 1938, Orson Welles and the Mercury Theater of the Air frightened the American public with its realistic radio version of H.G. Wells’ War of the Worlds. Authentic sounding radio shows were interrupted by authentic sounding news casts which reported the landing and subsequent chaos caused by several angry aliens in Grover’s Mill, NJ. The story after the broadcast was the chaos caused by folks who thought the fictitious events were really happening, despite the occasional disclaimer. Orson Welles proved to us all, once and for all, that you can’t always believe what you hear.

In 1995, LA Theatre Works recreated this performance, live, directed by John de Lancie. The same script originally used by Welles, written by Howard Koch, is used here. This is not a remake, but a re-creation. The same script, same words, and the same cues are all here, just delivered by different actors.

The idea to gather Star Trek alumni and do this live radio show was John de Lancie’s. While listening, it is interesting to pick out who is who in the show. The production quality is excellent. But, as a fan of the original Welles production, only the performance of Brent Spiner as a crazed survivor stands out as a reason to give this one a listen. The original, imbued with its history and its great performances, is still the one to get.

This re-creation spawned several fine dramatic science fiction recordings led by John de Lancie and Leonard Nimoy under the name Alien Voices, and for that I’m grateful.

Review of Alien Voices: The Invisible Man

Science Fiction Audio Drama - Alien Voices The Invisible ManAlien Voices: The Invisible Man
By H.G. Wells; Performed by John de Lancie, Leonard Nimoy and a full cast
2 Cassettes or 2 CDs – Approx. 114 minutes [UNABRIDGED DRAMATIZATION]
Publisher: Simon & Schuster Audio
Published: 1998
ISBN: 067158104X (Cassette); 0671581058 (CD)
Themes: / Science Fiction / Invisibility / Fantasy / Star Trek / Classic / Philosophy /

One of Science Fiction’s seminal works is The Invisible Man by H.G. Wells. It’s premise is intriguing. What would it be like to be hidden from view? At first, there would be the advantage of watching others without being noticed. But, what would you do when the novelty wore off and the invisibility didn’t? Would you become a prisoner of your own freedom? Or perhaps a madman bent on enslaving others?The novel was written in 1897 when the world believed that science could cure all ills, but as we will glean from the story of The Invisible Man, the achievements of the human mind are worthless without a human soul to guide them. Come with us now, as Alien Voices explores the tragic life of a young scientist who seemed to be on the threshold of a brilliant future and something quite unexpected happens.

This loose adaptation of H.G. WellsThe Invisible Man is quite…fascinating. It has been adapted in the style of an old time radio drama, the majority of the plot is there, but it has been compressed and massaged to fit the actors and sensibilities of the Alien Voices team. Alien Voices formed in 1996 to create multi-media works of science fiction and fantasy, drawing upon the copyright expired classics and the languishing resources of the Star Trek alumni. Its three founding members are actor/director Leonard Nimoy, actor/director/writer John de Lancie, and writer/producer Nat Segaloff. de Lancie and Nimoy headline the dramas, in this case playing the title character and his university professor respectively. The rest of the cast is rounded out by: Susan Bay, Richard Doyle, Robert Ellenstein, Jerry Hardin, Marnie Mosiman, Kate Mulgrew, Ethan Phillips, Dwight Schultz and Nana Visitor.

This production is very good, the sound effects, voice talent and music are all very well done. The script is quite different from the original novel, but those modifications are very well done. The packaging is merely adequate, a traditional cd jewel case, a cardboard box and some quickie photoshop art. But most conspicuous by its absence is a cast and character list. The cast is named at the end of the program, but we are never told which actor is playing which character. It is easy to tell Ethan Phillips and Nana Visitor, but its hard to identify many of the others. Of the other actors the only one who sounded at all familiar was one who sounded like Mark Twain. A little investigation, and I determined that it was likely Jerry Hardin who played Twain in Star Trek: The Next Generation‘s two part episode Time’s Arrow!

The story itself has been modified and compressed, most of the original Wells’ version of The Invisible Man remains in this production. H.G. Wells is best remembered for The War Of The Worlds, which itself was adapted very early on by Mercury Theater and Orson Welles. That adaptation and a later film version had a  lasting impact upon popular culture, making the idea of “alien invasion” almost synonymous science fiction, at least to the majority who don’t read it. But science fiction isn’t always about the future, or about space travel, or aliens invading the Earth. Sometimes it is subtler, and in the case of The Invisible Man, it proves itself deeply rooted in philosophy.

Those who examine science fiction closely will see a profound connection between science and philosophy. In the case of The Invisible Man, Wells started to explore what would be necessary for invisibility to work, (for it to be rooted in science and not merely magic), AND to explore the consequences of invisibility actually working. But Wells himself was drawing upon resources of an even earlier time. In the philosopher Plato’s famous book The Republic (itself a work of proto-science fiction), we are introduced to Gyges, a shepherd who finds a magic ring which can turn him invisible. Gyges soon discovers that he can act unjustly without anyone knowing. For Plato this was a story to make us think about what being just and injust really is. For Wells and Alien Voices it is more about telling a good story. But a little philosophy does manage to sneak into the plot; For the Invisible Man, invisibility is power, and possessing that power he can do a great many things, like get revenge. But revenge is hindered by a few stumbling blocks, first he has to go out naked, his clothing isn’t invisible so he can’t wear it. He can’t eat or smoke or walk in dusty areas, all of those things make him visible. Also he can’t carry anything, so if he steals money (he can’t earn it), it appears to float about of its own accord, making people chase after him! It is almost as bad as king Midas’s dilemma, like Midas, The Invisible Man got his wish but it isn’t quite working out for him. Dust and moisture make his body visible in a ghostly way. His footprints appear in the dirt and snow. Oh yes and the small matter that the accumulated effect of these things has driven him to the edge of madness.

I liked the story, but I was constantly reminded of one glaring problem not mentioned in production. Wouldn’t an invisible man also be blind? If his corneas are absolutely transparent and his retinas are absolutely transparent, how would light be turned into mental images? The answer…. they wouldn’t be! An invisible man would be blind! For us to see the world a fraction of the light that hits our retina must be absorbed into our rods and cones, our corneas must focus the light. This issue made the whole story so implausible, in my mind it made me question whether this was science fiction at all! Thankfully I got over it. And have come to realize that even if it is flawed by this oversight, at least it demonstrates that philosophical fiction like all good science fiction is able to make us think out problems that don’t seem obvious at first. Who’d have thought invisibility would require blindness? Not me, at least not before listening to Alien Voices: The Invisible Man.

Review of War of the Worlds, Mercury Theater of the Air

SFFaudio Review

War of the Worlds, Mercury Theater of the Air, 1938

Orson Welles’ radio adaptation of the H.G. Wells classic War of the Worlds is itself a classic. The program is legendary for the panic it caused in some audience members when it originally aired on October 30, 1938. Welles played the first half of the story as realistic newscasts – “regular programming” is interrupted with convincing news of invading aliens. The drama then switches point of view to Welles’ main character, who wanders about the rubble-strewn streets looking for answers.

The story of the controversy caused by the broadcast is as interesting as the broadcast itself. A national debate ensued about whether or not to regulate radio drama in all sorts of different ways. It’s main effect was to illustrate that people can’t believe everything they hear, not unlike today’s graphics technology has proved that we can’t believe everything we see.

The quality of the script and the convincing performances of Orson Welles and the actor who, as a newscaster, described the emergence of the Martians from a crater left when they landed in Grover’s Mill, New Jersey, make this one of my all-time favorite audio dramas.

This recording is available from many different sources – my copy was published by Radio Spirits.