The Stonehenge Gate
By Jack Williamson; Read by Harlan Ellison
7 CDs – 8.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786146550 (Cassette), 9780786174119 (MP3-CD), 9780786167784 (CD)
Click here for audio sample.
Superman Returns
By Marv Wolfman; Read by Scott Brick
8 CDs – 9.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 0786145455 (Cassette), 0786171332 (CD), 0786175729 (MP3-CD)
Click here for audio sample.
Here are the New Releases for July!
Danse Macabre by Laurell K. Hamilton, read by Cynthia Holloway, Brilliance Audio, Unabridged
Click for an audio sample
A Dry, Quiet War by Tony Daniel, read by Jared Doreck, Infinivox, Unabridged
Fear Nothing by Dean Koontz, read by Keith Szarabajka, Random House Audio, Unabridged, (re-release)
Click for an audio sample
Of Fire and Night: The Saga of Seven Suns Book 5 by Kevin J. Anderson, read by David Colacci, Brilliance Audio, Unabridged
Click for an audio sample
Peter and the Shadow Thieves by Dave Barry and Ridley Pearson, read by Jim Dale, Brilliance Audio, Unabridged
The Stonehenge Gate by Jack Williamson, read by Harlan Ellison, Blackstone Audio, Unabridged
This was mentioned by Harlan Ellison in our recent interview. A Grandmaster reading a Grandmaster!
Click for an audio sample
Superman Returns by Marv Wolfman, read by Scott Brick, Blackstone Audio, Unabridged
Click for an audio sample
Voyagers by Ben Bova, read by Stefan Rudnicki, Blackstone Audio, Unabridged
Click for an audio sample
To cap our first Author Of The Month month SFFaudio is proud to offer our first ever audio (MP3) interview with an SFWA Grandmaster. In this FREE downloadable interview, Harlan Ellison discusses his career in both audiobooks and audio drama with SFFaudio editor Scott Danielson. The interview was recorded on May 23, 2006.
Download the |MP3|
Posted by Jesse Willis
The Voice from the Edge: Midnight in the Sunken Cathedral
By Harlan Ellison; Read by Harlan Ellison
5 CDs – 5 Hours [UNABRIDGED]
Publisher: Fantastic Audio
Published: 2001
ISBN: 1574534157
Themes: / Science Fiction / Fantasy / Horror / The Mob / Dreams /
Harlan Ellison will talk your ear off. After listening to the man perform 11 of his stories over the better part of five hours, I’ve come to the conclusion that he is not the type of guy that you’re going to be able to get away from easily; not once he’s started talking. But would you want to? Ellison is like the guy you sit down next in a bar only because it’s the only seat open, praying that he’ll leave you alone, but, sure enough, he turns to you and immediately begins to regale you with that “Car Talk” voice of his about his latest exploit. “Terminator? My idea. That sumbitch James Cameron tried to pass it off as his own, but I wasn’t having it.” Or, “I tell you I never met anybody more uptight than those guys over at Disney. I make one little joke… it was stupid, yeah, but just a joke! Of course nobody would really ever draw Tinkerbell doing that, but try telling those guys that you were only joking. Nope; there’s ol’ Harlan, out on his ass the same day he was hired.” Ellison seems to be one of those guys that are vastly entertaining to listen to, and to watch in action, but only as long as his perpetual low-level rage is never directed at you.
Which is what makes this collection perfect. You get to sit in your car, office, wherever, and hear Ellison tell you some of his best stories without ever worrying that you’re going to get more involved than you want to be. But, maybe you should be worried, just a little. While there are a few stories in this collection that are pretty light-hearted from beginning to end, most of them begin innocently enough, but then slowly become more and more disturbing until it’s almost impossible not to feel some sense of unease and trepidation, and then, when they end, almost palpable relief. “S.R.O.,” for example; what starts out as a cheery little tale of off-center entrepreneurship, read in Ellison’s best 1920’s gangster voice, begins to drift into a much more solemn treatment of beauty and the lengths to which people will go to experience it.
Then there are the stories which begin creepy and stay that way. “The Function of Dream Sleep” begins with the image a mouth opening in a man’s side, which is disturbing enough, but Ellison keeps on turning the “dread” knob up until even driving along an interstate in broad daylight seems somehow sinister and unreal. I’d be interested in reading these stories in text form to see how much of this sensation comes from the actual writing and how much comes from the sheer desperation Ellison puts into his performances. I wasn’t surprised to see that Ellison has a few acting credits to his name, (most awesomely, “man at orgy” in Godson); the range of character and emotion that are present in these readings rivals that of any “professional” reader. At times it’s apparent that Ellison’s familiarity with the stories allows him to enhance his performances by adding laughter, stutters, and other little bits of paralanguage that only he would be able to get away with. The postscript to “The Function of Dream Sleep,” in which Ellison explains some of the elements of his most autobiographical story, is also told in this extemporaneous manner. It’s like the old guy at the bar has finally started to wind down and is going casually toss off one last bit of terror that will keep you up for weeks before he empties his drink, slaps you too hard on the back, and starts shuffling for home.
On The Road With Ellison, Volume 1
Live performance by Harlan Ellison
1 CD – 60 minutes
Publisher: Deep Shag Records
Published: 2001 (reissue from 1983)
UPC: 809879000322
Themes : / Non-fiction / Writing / Politics / Publishing /
On the Road with Ellison, Volume 1 is a collection of live lecture/performances by Harlan Ellison in 1981, 1982, and 1983 in front of three different university corwds. When he talks of mailing a dead gopher to an editor (er… comptroller) he’s hilarious, and when he reads an essay he wrote (“An Edge in My Voice: Installment #54”) he rattles our collective cage, making us look at a man who threatened to blow up the Washington Monument in a whole new way.
From the very first track, where he warns audience members to leave if words offend them, Ellison is abrasive yet totally engaging. Or perhaps he’s totally engaging because he’s so abrasive. Either way, the tracks are thoroughly enjoyable, and the album is worth grabbing.
And yes, there’s a Volume 2, also available from Deep Shag.
Posted by Scott D. Danielson
ed. – Here is a fine example of Harlan Ellison as narrator.
City of Darkness
By Ben Bova; Read by Harlan Ellison
2 Cassettes – 3 hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1998
ISBN: 0787117269
Themes: / Science Fiction / City / Gangs / Environment /
This is a story about a teenager who feels New York City calling to him – “live here, live here, whatever it is, it’s here, and nowhere else”. No, this isn’t Fame. In fact, it’s much closer to John Carpenter’s Escape from New York, because Ben Bova’s Manhattan has been covered by a dome, and only opens for tourists in the summer, because of several issues, including the quality of the environment (not fit for people) and the mood of the citizens (you can’t move around in the city without being shot at).
The teenager, Ron Morgan, receives his results on tests that determine his entire future. He scores very well (extremely well), but New York beckons. His father be damned, he sneaks off to get in one last visit before giving his life to the machine. Mayhem ensues, and when the gates close for the summer, Ron finds himself locked on the wrong side. He finds the city sparsely populated by interesting characters, many of whom are young people who have split up in a way that would have made William Golding nod. Gangs rule the day, and Ron finds himself in an extremely difficult spot, with nothing to rely on other than his mechanical aptitude.
This may be my favorite Ben Bova work. He crams many of his recurring themes into this story, but social and environmental concerns rule the day here. His picture of future New York is dismal, and very much an if-this-goes-on warning. The citizens who decide to stay in the city choose to because they don’t see life in mainstream society (i.e., a lifetime in pursuit of dollars) as a better option – another thing Bova makes us consider.
Now, the story is quite good. But, what makes the audiobook great (and it is great) is the way it was read. Harlan Ellison performs the novel, and won an Audie Award for it. Ellison’s style of narration is unique in my experience. He can keep up with the best narrators in the business when it comes to accents and character creation, and then adds a story-telling touch that makes it all the more personal. His emotion isn’t limited to dialogue. He stammers when a character stammers. He’s excited when the action is intense. He is fully present while he’s narrating, and he lets himself feel and convey those feelings without waiting for dialogue to do it. It spills over, right out the earphones, and makes the story much more vivid and intense. This is a superior piece of narration – one that professionals should hear.
Posted by Scott D. Danielson