The SFFaudio Podcast #383 – READALONG: The Andromeda Strain by Michael Crichton

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #383 – Jesse, Bryan Alexander, and Steen Hansen talk about The Andromeda Strain by Michael Crichton.

Talked about on today’s show:
1969, before the Apollo 11 Moon Landing, contemporary critics, SF critics vs. mainstream critics, the defense of the ghetto against interlopers, Ray Bradbury, Doris Lessing, a deep feeling, spoiling the book, showing what was wrong with it, getting the facts wrong, interpretation, Luke Burrage reviewing, Robert J. Sawyer, bad writing, had they done nothing … nothing would have happened, the mutation, the Wildfire facility, Star Trek, scientists out for the good of humanity, self-destruct sequences, MAD: Mutually Assured Destruction, every nuclear sub movie, film-like, The Ipcress File by Len Deighton, airport fiction tropes, hyper competent high level government high tech mcguffins, brain-washing, novel -> film, written for film?, ER, picky fiddly science and bureaucratic operation, killed or useless, trusted scientists to save the world, ruthlessly hard science, Hollywood couldn’t make this movie now, restrained, chilly, the gender swap, Robert Wise, Shirley Jackson, The Haunting Of Hill House, Alfred Bester, a document dump, classified material, overloading the reader with verisimilitude, Eaters Of The Dead by Michael Crichton, The Thirteenth Warrior, Vikings, Russians and Byzantium, completely bullshit, Mr. Bullshit, regular SF vs. techno-thriller, a yummy INFODUMP, nobody had a definition for life, black cloth, a watch, a piece of granite, pure Science Fiction, Bryan’s mind destroyed at age 8, binary numbers, lasers vs. darts, Larry Niven, 24, Colossus: The Forbin Project, Steen welcomes our robot overlord, high-scale AI, Iain M. Banks, humans as pets, humans as cogs, I Have No Mouth And I must Scream, Prof. Eric S. Rabkin, Dante Alighieri, lost race, the descent into Hell, from red to blue, the harrowing of Hell, a cold war story where the Russians aren’t the bad guys, The Bedford Incident, James Follett’s The Light Of A Thousand Suns, set in the recent past, the shotgun approach, Margaret Atwood, picking and choosing at the buffet table, dedicated to A.C.D., M.D. -> Dr. Arthur Conan Doyle -> Dr. Michael Crichton, “not a new story”, the glowing review in Life magazine, a retelling of The Blob, the Technovelgy, auto-doc, the suppressed cancer drug, Jensen Pharmaceuticals, gut flora, nudity and ass-grabbing, rectal suppository, astro-Tang, coffee, all that cleaning, they’re too holy, the five levels is a gimmick, the leveling, it’s bullshit!, we all know we have to wash our hands, the Wikipedia entry for the Airport Genre

Airport novel(s) represent a literary genre that is not so much defined by its plot or cast of stock characters, as much as it is by the social function it serves. An airport novel is typically a fairly long but fast-paced novel of intrigue or adventure that is stereotypically found in the reading fare offered by airport newsstands for travelers to read in the rounds of sitting and waiting that constitute air travel.

Rudyard Kipling’s fiction was published as a railway magazine, the origin of pulp fiction, The Lion’s Game by Nelson DeMille, the opening to The Strain, having the reins of political power at your fingertips, in the 2008 miniseries remake, back stories/love stories, a muddy anti-science mess, pre-Apollo -> Watergate -> conspiracy theories, the technical glitch (paper between the bell and the striker), germ warfare?!, the remake of The Manchurian Cantidate, the films and adaptations reflect the times, the 2008 version is super-militarized, X-18, F-4 phantoms, Dracula, the long gothic tradition of found documents, Plan 9 From Outer Space, a cold war document, The Parallax View, Captain America: Winter Soldier, Crichton like Spielberg loves power, Close Encounters Of The Third Kind, the end of Raiders Of The Lost Ark, medical people as superheroes, uber-expert scientists, power fantasy fiction, scepticism of power, image Michael Crichton at a Science Fiction convention, the immune reaction, You are not of the body!, techno-thrillers, why Ian Fleming’s James Bond books became so popular, JFK, Ronald Reagan was a big fan of Tom Clancy, The Hunt For Red October, Reagan based foreign policy of Red Storm Rising, Jack Ryan was a wonk Navy -> CIA agent -> CIA Director -> President, Firefox, political fiction written for a jet-set audience, conservative Heinleinian, Andromeda Strain cosplay?, Footfall by Larry Niven and Jerry Pournelle, SF writers save the world from alien invasion, science matters vs. science fiction, the first biology crisis, outflanking the ghetto, the 2006 Worldcon, Greg Benford, Greg Bear, David Brin, thinking up scenarios, if I was a terrorist how would I destroy the the United States, Wildfire, Cold War contingency planning, the Rand Corporation, the odd-man out element, his name was Hall but should have been Corridor, does this make sense?, the odd man is gay?, The Odd Couple, gay coding?, gay men are most likely to turn off nukes?, The Great Train Robbery, timing pacing planning tricking, that roller-coaster spark, opening observation, we are always observing, fun fiction for Henry Kissinger and the jet set, bureaucrats of a class, this function material is reflective, Science Fiction writers are poor, Robert Silverberg, Lawrence Block and Donald Westlake, Isaac Asimov, a biology book, Paul Di Filippo, bio-punk, Ribo-funk, The Bay (2012), The Hot Zone, the wet science, cloning, the neglected science, Coma, Protector by Larry Niven, how electron-microscopes work, crystallography, “it mutated”?!?!?, that was odd, it’s communicating with itself, block-chain virus, deep hurting, The Door Into Ocean by Joan Slonczewski, medicine without silicon, the Patriarchy, The Highest Frontier, Blood Music by Greg Bear, a Halo novel, The Wind From A Burning Woman, a “wild” writing style, bio is hard to do, Pontypool, prions, the worst part of The Walking Dead, we’re all infected, a symbol for regular death, Titan by John Varley, a 100ft tall Marilyn Monroe monster, The Satan Bug by Alistair Maclean (1962), where does the techno-thriller begin, a precursor to techno-thriller, The Stolen Bacillus by H.G. Wells, a really obvious anarchist, Wells defused the whole genre for sixty years, The Food Of The Gods, a convincing linguistic maneuver, fawning of technology bureaucracy power and the function of government, a stack of Jane’s Fighting Ships, the Sputnik shock, British invasion novels, Tom Clancy as a zombie brand, special helicopter trip, massive government expenditure for the competent man, an empty jetliner, vicarious thrill, power fantasy, “he’s the most important person right now”, this is our bailiwick!, nice and short, Dean Koontz, Phantoms, A Game Of Thrones by George R.R. Martin, Ghost Fleet by August Cole and P.W. Singer, Douglas Preston and Lincoln Child books, no CRISPR, China is no Soviet Union, futurism, education moves so slowly, Little Brother by Cory Doctorow, an X-Box with Paranoid Linux, Reamde by Neal Stephenson, a Kurt Vonnegut vibe, a Welsh Muslim terrorist, like pornography you know a techno-thriller when you see it.

The dedication for The Andromeda Strain

title page for The Andromeda Strain

Algis Budrys review of The Andromeda Strain

Life Magazine review of The Andromeda Strain

The Andromeda Strain - illustration by Dusty Abell

The Andromeda Strain by Michael Crichton - Random House Audio read by Chris Noth

Posted by Jesse Willis

FREE LISTENS REVIEW: Thousandth Night by Alastair Reynolds

Review

Thousandth Night by Alastair Reynolds

SourceSubterranean Press (part 123456789101112131415)
Length: Approx. 3 hours
ReaderSam A. Mowry

The story: In the far future when Thousandth Night is set in, humankind has advanced to the point where almost anything is possible: living for hundreds of thousands of years, travelling across the galaxy, and transforming the structure of the human body to almost any form. One thing that is not possible is breaking the laws of physics by travelling or communicating faster than the speed of light.
One group of humans, the Gentian line, meets every few thousand years. For 999 days each member shares his or her experiences from travelling through the galaxy. Then on the thousandth night, they elect the member with the most entertaining presentation to prepare the next reunion.

Reynolds introduces together a number of space opera technologies on the framework of a mystery during one Gentian reunion. He later reused these technologies in the setting for another novel, House of Suns.  Although the big science fiction ideas are the star, Reynolds never loses sight of the effects of science on humans. In fact, one of the major themes of the novella is our efforts change the physical world around us and the long-term consequences, good and bad, of those actions.

Note: This story contains sexual situations and may not be suitable for younger listeners.

Rating: 8 / 10

The reader: Mowry has a wonderfully smooth voice with a richness like a less gravelly Charlton Heston. His reading is clear and his pacing is rhythmic. He doesn’t try to charge the reading with emotion that isn’t there, but instead remains restrained. The only complaint I have is that his fairly straight reading sometimes makes it difficult to know what is narration and what is dialog. After a bit, I got into the story and had no trouble with knowing when characters were speaking and enjoyed his reading tremendously.

Posted by Seth

Full Cast Audio: Space Sation Rat by Michael J. Daley

SFFaudio News

Science Fiction Audiobook - Space Station Rat by Michael J. DaleyMichael J. Daley’s Space Station Rat is “Hard Science Fiction for the 4th or 5th grade level.” Hey! I used to have a pet rat. And I was at my best in science when I was in Grade 5. That’s why I think this is a book is tailor-made for me.

Space Station Rat is a new audiobook from a new Full Cast Audio imprint called “OneVoice.” Narrator Daniel Bostick and director Bruce Coville show what is involved in a Full Cast Audio (single voice) production in this YouTube video.

[via Mary Burkey’s Audiobooker blog]

Posted by Jesse Willis

Review of WWW: Wake by Robert J. Sawyer

SFFaudio Review

WWW: Wake by Robert J. SawyerWWW: Wake
By Robert J. Sawyer; Read by Jessica Almasy, Jennifer Van Dyck, A. C. Fellner, Marc Vietor, and Robert J. Sawyer
Audible Download – 12 hours 13 minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2009
Themes: / Science Fiction / Artificial Intelligence / Cyberpunk / Cybernetic Implants / Technothriller / Consciousness /

I don’t normally inject personal anecdotes or experiences into my reviews. It just isn’t my style. In the case of WWW: Wake, however, I simply can’t resist. I’m legally blind, and Robert J. Sawyer’s latest novel concerns itself with ways of seeing, in both the purely physical sense and in more metaphorical ways. It tells the story of 15-year-old blind math genius Caitlin Decter, whose family has just relocated from Austin, Texas to Waterloo, Ontario. She receives an email from a scientist in Tokyo who believes he can restore her sight by means of a behind-the-eye implant linked via Bluetooth to a pocket-sized transmitter and decoder which the ever-witty Decter dubs her “Eye-Pod”. Instead of seeing the real world, Caitlin initially sees only a kaleidoscope of criss-crossing lines and circles transposed on a flashing checkerboard of seemingly random lights. After some initial puzzlement, researchers determine that Decter is actually seeing the inner workings of the World Wide Web.

This premise is already intriguing enough, but add to it a nascent consciousness growing inside the raw data transmitted through cyberspace, and you have the makings of a great technothriller. Fortunately, Sawyer’s writing doesn’t fall victim to many of the clichéd tropes of that genre. There’s very little in the way of the sensationalism of films like Lawnmower Man or Ghost In The Machine. Instead, Sawyer explores the philosophical implications of a growing, learning artificial intelligence. Meanwhile, of course, Caitlin Decter must come to grips with her new “web sight”, as she calls it, in addition to facing the normal teenage challenges of adjusting to a new high school.

WWW: Wake strikes a good balance between the cerebral and the emotional. The novel stops just short of qualifying as “hard science fiction”, but it also, as I said, shies away from becoming a popcorn thriller. Decter is a complex and ultimately likable character. She’s a brilliant mathematician–in the online world she goes by the alias Calculass–and she’s confident in her mental prowess, but at the same time she faces the insecurities caused by her blindness in addition to the standard turbulence of adolescence. The supporting cast of characters in Caitlin’s life are just as three-dimensional. Her mother is loving and generous, while her father, a theoretical physicist, is well-meaning but emotionally distant. The interactions and conflicts between the characters are subtly portrayed, lending WWW: Wake a sense of realism despite the bizarre goings-on behind Caitlin’s eyes.

Is Caitlin’s blindness realistic? This is where my own personal experience comes into play. I’ve been legally blind since birth, although since I have some residual vision the comparison isn’t exact. Even so, it’s evident to me that Robert J. Sawyer has done his homework in this regard. Caitlin’s life is replete with all the trappings associated with blind life: white canes (which I just traded in for my first guide dog), text-to-speech screen-reading software, and braille displays. More importantly, Sawyer understands how the world is conceived and constructed for those of us with either no vision or limited vision. This becomes apparent as Caitlin’s sight changes throughout the novel in interesting ways, and as she struggles to pin names and concepts to the new visual stimuli that are firing down her optic nerves.

The Audible Frontiers production of Wake is stellar in its production value. As the voice of Caitlin Decter, Jessica Almasy does most of the heavy lifting, and her performance shines. Sound and voice is especially important in the world view of a character who, through much of the novel, lacks any kind of visual stimuli, and Almasy deftly handles these complex nuances. Of course, Decter is also a precocious and spunky teenage girl, and Almasy rises to the challenge of matching Decter’s dynamic character. The other narrators also do an excellent job, and Sawyer himself even lends his voice to occasional passages.

The book’s one weakness lies in its plotting. Along with Caitlin’s story and the development of the “web consciousness”, two other storylines weave in and out of the novel. While they’re interesting in their own right, they never come to a satisfying conclusion and never intersect in a meaningful way with the main story. I understand that Wake is merely the first in the WWW trilogy of novels, and that Sawyer will likely resolve them in upcoming volumes. Still, an author as talented as Sawyer should be able to bring these narrative threads to enough of a climax to maintain the novel’s cohesion.

Minor structural shortcomings aside, WWW: Wake is both an emotionally satisfying story of a blind girl coming to grips with ways of seeing, and an intellectually stimulating examination of technology and consciousness. Along with William Gibson’s Neuromancer and Neal Stephenson’s Snow Crash,Wake presents a unique perspective on information technology. I eagerly await its sequels Watch and Wonder.

Update: I didn’t realize this at the time, but apparently I wrote this review on the birthday of Annie Sullivan, who taught the deaf-blind Hellen Keller how to communicate with the world. Sullivan is a strong symbolic and thematic presence in Wake. Coincidence, or fate?

Posted by Seth Wilson