Guy de Maupassant – Page 12

The Weird Circle

SFFaudio Online Audio

I’ve been sitting on this post for a while. The problem was that even though I’ve spent a considerable amount of time working on it, it has been slow going. I figured it will be years more before I finished it at that rate. If you’ve got some ideas about the authors I haven’t been able to discover please drop a comment. In the meantime here’s what I’ve got:

The Weird Circle was a 1940s half hour radio drama series that ran 78 episodes in syndication from 1943 to 1945 in the USA.

One story I suggest fans of SF check out is What Was It? by Fitz-James O’Brien, this 1859 story, starts off with all the proto-typical mumbo jumbo about seances and haunted houses and then takes a more Science Fictiony turn. It’s also, according to Wikipedia, one of the earliest modern stories about invisibility. The show’s producers primarily drew upon early and mid-19th century gothic fiction stories for their adaptations.

The final story in this series, The Black Parchment, seems something like a French version of The Monkey’s Paw.

Episodes:

The Fall Of The House Of Usher
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: August 29, 1943
Provider: Archive.org

The House And The Brain
Based on the story by Edward Bulwer-Lytton; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 5, 1943
Provider: Archive.org

The Vendetta
Based on the novel by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 12, 1943
Provider: Archive.org

The Narrative of Arthur Gordon Pym
Based on a novel by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 19, 1943
Provider: Archive.org

Declared Insane
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 26, 1943
Provider: Archive.org
Based on the story Interdiction by Honoré de Balzac

A Terribly Strange Bed
Based on the story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 3, 1943
Provider: Archive.org

What Was It?
Based on a story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 10, 1943
Provider: Archive.org

The Knightsbridge Mystery
Based on the story by Charles Reade; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 17, 1943
Provider: Archive.org
First published in Life in 1882, later republished in Argosy (UK) Jul 1931.

The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

William Wilson
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 31, 1943
Provider: Archive.org
First published in October 1839.

Passion In The Desert
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 7, 1943
Provider: Archive.org
Turned into a film.

Mateo Falcone
Based on a story by Prosper Mérimée; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 14, 1943
Provider: Archive.org
First published in 1829.
Turned into an opera.

The Man Without A Country
Based on Edward Everett Hale; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 21, 1943
Provider: Archive.org
First published in Atlantic Monthly December 1863.

Dr. Manette’s Manuscript
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 28, 1943
Provider: Archive.org
Adapted from the novel A Tale of Two Cities by Charles Dickens.

The Great Plague
By Thomas Hood (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 5, 1943
Provider: Archive.org
Adapted from the short story A Tale Of The Great Plague by Thomas Hood.

Expectations Of An Heir
Based on a story by Samuel Johnson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 12, 1943
Provider: Archive.org
Adapted from The Lingering Expectation Of An Heir

The Hand
Based on a story by Guy de Maupassant (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 19, 1943
Provider: Archive.org

Jane Eyre
Based on the novel by Charlotte Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 26, 1943
Provider: Archive.org

The Murders In The Rue Morgue
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 2, 1944
Provider: Archive.org

The Lifted Veil
Based on a novella by George Eliot; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 9, 1944
Provider: Archive.org
The Lifted Veil was first published in 1859.

The 4:15 Express
Based on the story by Amelia B. Edwards; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 16, 1944
Provider: Archive.org

A Terrible Night
Based on a story by Fitz James O’Brien; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 23, 1944
Provider: Archive.org

The Tell Tale Heart
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 30, 1944
Provider: Archive.org

Niche Of Doom
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 6, 1944
Provider: Archive.org
Based on the story La Grande Breteche by Honoré de Balzac.

The Heart Of Ethan Brand
Based on a story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 13, 1944
Provider: Archive.org
Based on the story Ethan Brand by Nathaniel Hawthorne. First published in .

Frankenstein
Based on the novel by Mary Shelley; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 20, 1944
Provider: Archive.org

Feast Of The Red Gauntlet
Based on a novel by Sir Walter Scott; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 27, 1944
Provider: Archive.org
Based on the novel Redgauntlet.

Murder Of The Little Pig
Based on a story by Émile Gaboriau; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 5, 1944
Provider: Archive.org

Specter Of Tappington
Based on the story by Richard Harris Barham; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 12, 1944
Provider: Archive.org
First published in 1837. Lieutenant Charles Seaforth is back from India, and will stay in “the oak room” a notoriously haunted room in Tappington manor. But when a skeletal specter steals Seaforth’s pants in the night he’s forced to wear his tropical shorts to breakfast!

Strange Judgement
; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 19, 1944
Provider: Archive.org

Wuthering Heights
Based on the novel by Emily Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 26, 1944
Provider: Archive.org
First published in 1847.

Curse Of The Mantle
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 2, 1944
Provider: Archive.org

The Cask Of Amontillado
Based on the story by Edgar Allan Poe; Performed by a full cast
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 9, 1944
Provider: Archive.org

A Rope Of Hair
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 16, 1944
Provider: Archive.org

Falkland
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 23, 1944
Provider: Archive.org

The Trial For Murder
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 30, 1944
Provider: Archive.org

The Werewolf
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 7, 1944
Provider: Archive.org

The Old Nurse’s Story
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 14th, 1944
Provider: Archive.org

The Middle Toe Of The Right Foot
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 28, 1944
Provider: Archive.org

The Dream Woman
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 3, 1944
Provider: Archive.org

The Phantom Picture
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 10, 1944
Provider: Archive.org

The Ghost’s Touch
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 17, 1944
Provider: Archive.org

The Bell Tower
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 24, 1944
Provider: Archive.org

Evil Eye
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 1, 1944
Provider: Archive.org

The Mark Of The Plague
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 8, 1944
Provider: Archive.org

The Queer Client
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 15, 1944
Provider: Archive.org

The Burial Of Roger Melvin
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 22, 1944
Provider: Archive.org

The Fatal Love Potion
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 29, 1944
Provider: Archive.org

Mad Monkton
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 5, 1944
Provider: Archive.org

The Returned
Based on a story by Neville Brand (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 12, 1944
Provider: Archive.org

The Executioner
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 19, 1944
Provider: Archive.org
First published in 1830.

Rappaccini’s Daughter
Based on the story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 26, 1944
Provider: Archive.org
First published in 1844.

The Wooden Ghost
Based on a story by Sheridan Le Fanu; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 3, 1944
Provider: Archive.org
Adapted from Schalken The Painter by Sheridan Le Fanu. First published in 1839.

The Last Days Of A Condemned Man
Based on the novel by Victor Hugo; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 10, 1944
Provider: Archive.org
First published in 1829.

The Warning
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 17, 1944
Provider: Archive.org

The Doll
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 24, 1944
Provider: Archive.org

The Diamond Lens
Based on the story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 31, 1944
Provider: Archive.org
First published in 1858 in The Atlantic Monthly.

The History Of Dr. John Faust
Based on a story by anonymous; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 7, 1945
Provider: Archive.org
Based on a chapbook story Historia von D. Johann Fausten first published in 1587.

Duel Without Honor
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 14, 1945
Provider: Archive.org

The Spectre Bride
Based on a story by William Harrison Ainsworth; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 21, 1945
Provider: Archive.org
First published in 1822.

The Tapestry Horse
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 28, 1945
Provider: Archive.org

The River Man
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 4 1945
Provider: Archive.org

Ancient Mariner
Based on a poem by Samuel Taylor Coleridge; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 11 1945
Provider: Archive.org
Based on The Rime Of The Ancient Mariner by Samuel Taylor Coleridge. First published in 1798.

The Oblong Box
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 18 1945
Provider: Archive.org

The Mysterious Bride
Based on a story by James Hogg; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 25, 1945
Provider: Archive.org
First published in 1830.

The Thing In The Tunnel
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 4, 1945
Provider: Archive.org
Based on The Signal-Man by Charles Dickens. Later adapted as an audio drama for Hall of Fantasy (1950), Suspense (1956), Nightfall (1982) and Seeing Ear Theatre (1998?). A spectral figure in a dark railway tunnel has a message

The Moonstone
Based on the novel by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 11, 1945
Provider: Archive.org
Based on the novel The Moonstone by Wilkie Collins. First published in 1868.

The Pistol Shot
Based on a story by Alexander Pushkin (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 18, 1945
Provider: Archive.org
Based on the short story The Shot by Alexander Pushkin. First published in 1830.

The Possessive Dead
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 25, 1945
Provider: Archive.org

The Goblet
Based on the story by Ludwig Tieck; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 1, 1945
Provider: Archive.org
Translated from German into English in 1827. Donaldo is the governor of an Italian island. He chooses a woman of low birth as his bride to be and gives her a series of engagment gifts, a silver ring, a silver pendant, and a silver goblet. The problem is, Francesca, his intened, has falllen in love with the silversmith!

The Case Of Monsieur Valdemar
Based on a story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 8, 1945
Provider: Archive.org
Based on The Facts in the Case of M. Valdemar by Edgar Allan Poe. First published in 1845.

The Shadow
Based on a story by Hans Christian Andersen; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 15, 1945
Provider: Archive.org
Based on The Shadow. First published in 1847. Classified as a “fairy tale.” A man’s shadow becomes another person and tries to control his life.

Bride Of Death
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 22, 1945
Provider: Archive.org
A beautiful woman is fated to marry a dead man.

Dr. Jekyll And Mr. Hyde
Based on the novel by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 29, 1945
Provider: Archive.org

The Red Hand
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 6, 1945
Provider: Archive.org
A money hungry husband bent on murder chases his wife across France.

The Haunted Hotel
Based on a story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 13, 1945
Provider: Archive.org
First published in 1878. Set in Venice.

Markheim
Based on the story by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 20, 1945
Provider: Archive.org
This is a radical adaptation, set in a contemporary (to 1945) setting, and providing much of the presumed back-story (stuff that isn’t actually in the text of Stevenson’s original tale). First published in 1885 |ETEXT|.

The Black Parchment
By ????; Performed by a full cast
1 |MP3| – Approx. [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 27, 1945
Provider: Archive.org
Raphael Roland, a degenerate Parisian gambler intent on suicide, saves a drowning man in the Seine. In response he’s given a certain black parchment, written is Sanskrit, that grants wishes to the bearer. But, as an owner’s wishes are granted the parchment gets smaller and smaller and its owner gets older and older.

Posted by Jesse Willis

The Horla by Guy de Maupassant

SFFaudio Online Audio

The subject of SFFaudio Podcast #125 [which will be live Monday September 12th, 2011] is The Horla, a sort of ghost story by Guy de Maupassant. If you’re still not familiar with this particular Guy let me place him in context for you. He was one of the inventors of the short story and a master of the form. The stories he wrotes hold up incredibly well, being completely fresh despite being more than century old. His style is simple, straightforward and even more accessible than the works of either H.P. Lovecraft and Edgar Allan Poe (despite their tales having been written in English and his being written in French). Poe’s writings, of course, all preceded Guy de Maupassant. In fact Poe died the year before Maupassant was born! There’s kind of a succession going on here…

Poe -> Maupassant -> Lovecraft

…Maupassant died in in 1893, Lovecraft was born in 1890. But unlike so many of Maupassant’s tales, the ones that leave you smirking sympathetically at a collection of colourful characters, The Horla is not a tale of a social faux pas with an ironic twist – instead, I judge it as being three-fifths Science Fiction, two-fifths Horror, and 100% totally freaky!

Check out this haunting passage:

“The vulture has eaten the dove,
and the wolf has eaten the lamb;
the lion has devoured the sharp-horned buffalo,
and man has killed the lion with arrow, sword and gun;
but the Horla is going to make of man what we have made of the horse and the ox:
his chattel,
his servant
and his food,
by the mere exercise of his will.
Woe to us.”

I think what I like best about The Horla is the strong bent towards skepticism and naturalistic explanation that’s exhibited by the unnamed protagonist. He comes across like a hard Science Fiction reader, full of excitement for the wonders of the universe. He’s unwilling to accept magical explanations for the obviously strange phenomena he witnesses. He tells us his story in diary entries that seem to track both his mood, variously ebullient and depressed, as well as the facts and impressions of the strange happenings on his estate and elsewhere in France. When he leaves his seaside home, where the bulk of the action takes place, he relates a story that sounds like it must be fully supernatural. And in Paris, where he has first hand experience of disturbing para-psychological phenomena (post-hypnotic suggestion), he reserves judgement. And finally, when lying in bed he repeatedly experiences something we today might describe as sleep paralysis. Is it that the narrator insane? Or does the universe have a secret that is not yet widely known? Find out for yourself!

Here are two fantastic audiobook versions:

The Horla
By Guy de Maupassant; Read by Gregg Margarite
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: July 11, 2009
|ETEXT|

The Horla
By Guy de Maupassant; Read by Jim Moon
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: February 22, 2011
“Mr Jim Moon delves into classic French literature to unearth a seminal vampiric tale of creeping fear, dread and madness”

And from the same podcaster, a thorough and fascinating exploration the story and the film adaptation:

Diary Of A Madman
1 |MP3| – Approx. [DISCUSSION]
Podcaster: Hypnobobs
Podcast: March 05, 2011
“This week Mr Jim Moon launches into an in-depth discussion of Guy de Maupassant’s The Horla. Also we have a look at its screen adaptation – Diary of a Madman starring Vincent Price.”

There have been two audio dramatizations:

The Weird Circle The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

Mystery In The Air – The Horla
By Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: August 21, 1947
“The Horla, written in 1887 by Guy de Maupassant, is an unusual horror tale about an invisible alien entity that seeks to inhabit and control human beings. It was cited by Lovecraft as being the inspiration for his classic story, The Call Of Cthulhu, and as an important forerunner to the weird horror genre pioneered by himself, August Derleth, Clark Ashton Smith, and others, in the early-mid 20th century. This version, from Mystery in the Air (oddly, a summer replacement for the Abbott and Costello Show), benefits from a brisk script and a wonderful live performance by Peter Lorre as your weekly raging psychopath.”

Two stunning illustrations, by Lynd Ward, from The Horla:

The Horla - illustration by Lynd Ward

An uncredited illustration from Library Of The World’s Best Mystery And Detective Stories, Volume 4:

The Horla - illustration from Library Of The World's Best Mystery And Detective Stories Volume 4

Here’s the trailer for the very loosely adapted 1963 movie starring Vincent Price:

Posted by Jesse Willis

The Necklace by Guy de Maupassant

Aural Noir: Online Audio

Sometimes titled “The Diamond Necklace” this story is a 3,000 word short story that is often upheld as a tale at, or very near, the pinnacle of ironic fiction. Guy de Maupassant’s short story La Parure is usually given the English title “The Necklace” – despite “La Parure” literally translating into English as “The Finery”.

The Necklace has been reprinted hundreds of times, in books, textbooks and newspapers. It has been collected volumes of “mystery or detective” stories – which is pretty damn odd considering that it has neither a detective nor a mystery in it. And stranger still, it has been anthologized in collections with titles like Masterpieces Of Terror And The Unknown and Isaac Asimov Presents The Best Horror And Supernatural Of The 19th Century.

How does this modest little tale, featuring a Parisian couple, and their acquaintances, a story with no supernatural elements at all qualify as a “supernatural” tale?

How can a story, like The Necklace, in which nobody dies, or is even physically injured, be considered ‘a tale of terror or horror’?

Perhaps the mystery lies not within such questions, but instead with one’s interpretation. Perhaps, just as with the translation from one language to another, there are kinds of horrors, kinds of terrors, indeed kinds of fates which can only be classified as a moral horror, a social terror, or one of life’s little mysteries that leaves us asking questions like the ones above.

Guy de Maupassant has created a story for the ages, a mystery story in which you, the reader, are the detective. Your job is to solve the case of…

The Necklace (La Parure)
By Guy de Maupassant; Read by Patti Cunningham
1 |MP3| – Approx. 19 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: November 21, 2009
|ETEXT|
Mathilde is a beautiful bride of a mid-level Parisian bureaucrat. Her natural elegance and grace seem somewhat out of place with her husband’s junior position. This is the story of a beautiful woman who works hard and gets everything she wants. First published in the February 17, 1884 issue of Le Gaulois (a French daily newspaper).

Here’s the cover illustration (artist unknown) for La Parure from the October 8, 1893 issue of Gil Blas (a Parisian literary magazine):

The Necklace (La Parure) illustration from Gil Blas, 1893

The most evocative illustrations I’ve seen for The Necklace are by Gord Rayner- they accompany an uncredited radio style play adaptation (for four actors) in the 1960s Canadian textbook entitled Sense And Feeling edited by R.J. Scott. Here’s the 12 page play |PDF| and here are the illustrations:

THE NECKLACE - Illustration by Gordon Rayner from SENSE AND FEELING

Update:

Here’s a wonderful radio dramatization that keeps most of the tale intact:

Favorite Story – The Necklace
Adapted from the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 27 Minutes [RADIO DRAMA]
Broadcaster: KFI
Broadcast: October 7, 1947
Cast:
Heather Angel … Mathilde Loisel
Hans Conried … Pierre Loisel

Posted by Jesse Willis

A Piece Of String by Guy de Maupassant (as read by Stefan Rudnicki)

Aural Noir: Online Audio

Here’s a really thoughtful short crime story that I think my Catholic friends will especially enjoy (it’s good and it’s pretty hard to find a good audio edition). Though some have classified it as humorous it has plenty of depth (they must be thinking it is a black comedy). It follows in the tradition of The Boy Who Cried Wolf and may remind you of later works like Joseph Heller’s Catch-22. In the paperbook translation where I first read it, the title was A Piece Of Yarn. This is not a literal translation of the French (“La Ficelle“) but is actually about ten times better than A Piece Of String (for reasons which are clearer after reading the entire tale). And as an added bonus there’s probably not a better American accented narrator for this story than Stefan Rudnicki. Enjoy!

A Piece Of String by Guy de Maupassant A Piece Of String (aka A Piece Of Yarn)
By Guy de Maupassant; Read by Stefan Rudnicki
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Publisher: Redwood Audiobooks (Listen To Genius)
Published: 2008
Source: ListenToGenius.com
A thrifty hand, a shrewd eye and a good story are universally loved by the prideful farmers of Normandy. But Maître Hauchecome soon finds himself in a epistemological struggle between his word, his reputation and his story.

The full text of the tale follows below:

A Piece Of String
By Guy de Maupassant

Along all the roads around Goderville the peasants and their wives were coming toward the burgh because it was market day. The men were proceeding with slow steps, the whole body bent forward at each movement of their long twisted legs; deformed by their hard work, by the weight on the plow which, at the same time, raised the left shoulder and swerved the figure, by the reaping of the wheat which made the knees spread to make a firm “purchase,” by all the slow and painful labors of the country. Their blouses, blue, “stiff-starched,” shining as if varnished, ornamented with a little design in white at the neck and wrists, puffed about their bony bodies, seemed like balloons ready to carry them off. From each of them two feet protruded.

Some led a cow or a calf by a cord, and their wives, walking behind the animal, whipped its haunches with a leafy branch to hasten its progress. They carried large baskets on their arms from which, in some cases, chickens and, in others, ducks thrust out their heads. And they walked with a quicker, livelier step than their husbands. Their spare straight figures were wrapped in a scanty little shawl pinned over their flat bosoms, and their heads were enveloped in a white cloth glued to the hair and surmounted by a cap.

Then a wagon passed at the jerky trot of a nag, shaking strangely, two men seated side by side and a woman in the bottom of the vehicle, the latter holding onto the sides to lessen the hard jolts.

In the public square of Goderville there was a crowd, a throng of human beings and animals mixed together. The horns of the cattle, the tall hats, with long nap, of the rich peasant and the headgear of the peasant women rose above the surface of the assembly. And the clamorous, shrill, screaming voices made a continuous and savage din which sometimes was dominated by the robust lungs of some countryman’s laugh or the long lowing of a cow tied to the wall of a house.

All that smacked of the stable, the dairy and the dirt heap, hay and sweat, giving forth that unpleasant odor, human and animal, peculiar to the people of the field.

Maître Hauchecome of Breaute had just arrived at Goderville, and he was directing his steps toward the public square when he perceived upon the ground a little piece of string. Maître Hauchecome, economical like a true Norman, thought that everything useful ought to be picked up, and he bent painfully, for he suffered from rheumatism. He took the bit of thin cord from the ground and began to roll it carefully when he noticed Maître Malandain, the harness maker, on the threshold of his door, looking at him. They had heretofore had business together on the subject of a halter, and they were on bad terms, both being good haters. Maître Hauchecome was seized with a sort of shame to be seen thus by his enemy, picking a bit of a head. two arms and string out of the dirt. He concealed his “find” quickly under his blouse, then in his trousers’ pocket; then he pretended to be still looking on the ground for something which he did not find, and he went toward the market, his head forward, bent double by his pains.

He was soon lost in the noisy and slowly moving crowd which was busy with interminable bargainings. The peasants milked, went and came, perplexed, always in fear of being cheated, not daring to decide, watching the vender’s eye, ever trying to find the trick in the man and the flaw in the beast.

The women, having placed their great baskets at their feet, had taken out the poultry which lay upon the ground, tied together by the feet, with terrified eyes and scarlet crests.

They heard offers, stated their prices with a dry air and impassive face, or perhaps, suddenly deciding on some proposed reduction, shouted to the customer who was slowly going away: “All right, Maître Authirne, I’ll give it to you for that.”

Then lime by lime the square was deserted, and the Angelus ringing at noon, those who had stayed too long scattered to their shops.

At Jourdain’s the great room was full of people eating, as the big court was full of vehicles of all kinds, carts, gigs, wagons, dumpcarts, yellow with dirt, mended and patched, raising their shafts to the sky like two arms or perhaps with their shafts in the ground and their backs in the air.

Just opposite the diners seated at the table the immense fireplace, filled with bright flames, cast a lively heat on the backs of the row on the right. Three spits were turning on which were chickens, pigeons and legs of mutton, and an appetizing odor of roast beef and gravy dripping over the nicely browned skin rose from the hearth, increased the jovialness and made everybody’s mouth water.

All the aristocracy of the plow ate there at Maître Jourdain’s, tavern keeper and horse dealer, a rascal who had money.

The dishes were passed and emptied, as were the jugs of yellow cider. Everyone told his affairs, his purchases and sales. They discussed the crops. The weather was favorable for the green things but not for the wheat.

Suddenly the drum beat in the court before the house. Everybody rose, except a few indifferent persons, and ran to the door or to the windows, their mouths still full and napkins in their hands.

After the public crier had ceased his drumbeating he called out in a jerky voice, speaking his phrases irregularly:

“It is hereby made known to the inhabitants of Goderville, and in general to all persons present at the market, that there was lost this morning on the road to Benzeville, between nine and ten o’clock, a black leather pocketbook containing five hundred francs and some business papers. The finder is requested to return same with all haste to the mayor’s office or to Maître Fortune Houlbreque of Manneville; there will be twenty francs reward.”

Then the man went away. The heavy roll of the drum and the crier’s voice were again heard at a distance.

Then they began to talk of this event, discussing the chances that Maître Houlbreque had of finding or not finding his pocketbook.

And the meal concluded. They were finishing their coffee when a chief of the gendarmes appeared upon the threshold.

He inquired:

“Is Maître Hauchecome of Breaute here?”

Maître Hauchecome, seated at the other end of the table, replied:

“Here I am.”

And the officer resumed:

“Maître Hauchecome, will you have the goodness to accompany me to the mayor’s office? The mayor would like to talk to you.”

The peasant, surprised and disturbed, swallowed at a draught his tiny glass of brandy, rose and, even more bent than in the morning, for the first steps after each rest were specially difficult, set out, repeating: “Here I am, here I am.”

The mayor was awaiting him, seated on an armchair. He was the notary of the vicinity, a stout, serious man with pompous phrases.

“Maître Hauchecome,” said he, “you were seen this morning to pick up, on the road to Benzeville, the pocketbook lost by Maître Houlbreque of Manneville.”

The countryman, astounded, looked at the mayor, already terrified by this suspicion resting on him without his knowing why.

“Me? Me? Me pick up the pocketbook?”

“Yes, you yourself.”

“Word of honor, I never heard of it.”

“But you were seen.”

“I was seen, me? Who says he saw me?”

“Monsieur Malandain, the harness maker.”

The old man remembered, understood and flushed with anger.

“Ah, he saw me, the clodhopper, he saw me pick up this string here, M’sieu the Mayor.” And rummaging in his pocket, he drew out the little piece of string.

But the mayor, incredulous, shook his head.

“You will not make me believe, Maître Hauchecome, that Monsieur Malandain, who is a man worthy of credence, mistook this cord for a pocketbook.”

The peasant, furious, lifted his hand, spat at one side to attest his honor, repeating:

“It is nevertheless the truth of the good God, the sacred truth, M’sieu the Mayor. I repeat it on my soul and my salvation.”

The mayor resumed:

“After picking up the object you stood like a stilt, looking a long while in the mud to see if any piece of money had fallen out.”

The good old man choked with indignation and fear.

“How anyone can tell—how anyone can tell—such lies to take away an honest man’s reputation! How can anyone—-”

There was no use in his protesting; nobody believed him. He was con.

fronted with Monsieur Malandain, who repeated and maintained his affirmation. They abused each other for an hour. At his own request Maître Hauchecome was searched; nothing was found on him.

Finally the mayor, very much perplexed, discharged him with the warning that he would consult the public prosecutor and ask for further orders.

The news had spread. As he left the mayor’s office the old man was sun rounded and questioned with a serious or bantering curiosity in which there was no indignation. He began to tell the story of the string. No one believed him. They laughed at him.

He went along, stopping his friends, beginning endlessly his statement and his protestations, showing his pockets turned inside out to prove that he had nothing.

They said:

“Old rascal, get out!”

And he grew angry, becoming exasperated, hot and distressed at not

being believed, not knowing what to do and always repeating himself.

Night came. He must depart. He started on his way with three neighbors to whom he pointed out the place where he had picked up the bit of string, and all along the road he spoke of his adventure.

In the evening he took a turn in the village of Breaute in order to tell it to everybody. He only met with incredulity.

It made him ill at night.

The next day about one o’clock in the afternoon Marius Paumelle, a hired man in the employ of Maître Breton, husbandman at Ymanville, returned the pocketbook and its contents to Maître Houlbreque of Manneville.

This man claimed to have found the object in the road, but not knowing how to read, he had carried it to the house and given it to his employer.

The news spread through the neighborhood. Maître Hauchecome was informed of it. He immediately went the circuit and began to recount his story completed by the happy climax. He was in triumph.

“What grieved me so much was not the thing itself as the lying. There is nothing so shameful as to be placed under a cloud on account of a lie.”

He talked of his adventure all day long; he told it on the highway to people who were passing by, in the wineshop to people who were drinking there and to persons coming out of church the following Sunday. He stopped strangers to tell them about it. He was calm now, and yet something disturbed him without his knowing exactly what it was. People had the air of joking while they listened. They did not seem convinced. He seemed to feel that remarks were being made behind his back.

On Tuesday of the next week he went to the market at Goderville, urged solely by the necessity he felt of discussing the case.

Malandain, standing at his door, began to laugh on seeing him pass. Why?

He approached a farmer from Crequetot who did not let him finish and, giving him a thump in the stomach, said to his face:

“You big rascal.”

Then he turned his back on him.

Maître Hauchecome was confused; why was he called a big rascal?

When he was seated at the table in Jourdain’s tavern he commenced to explain “the affair.”

A horse dealer from Monvilliers called to him:

“Come, come, old sharper, that’s an old trick; I know all about your piece of string!”

Hauchecome stammered:

“But since the pocketbook was found.”

But the other man replied:

“Shut up, papa, there is one that finds and there is one that reports. At any rate you are mixed with it.”

The peasant stood choking. He understood. They accused him of having had the pocketbook returned by a confederate, by an accomplice.

He tried to protest. All the table began to laugh.

He could not finish his dinner and went away in the midst of jeers.

He went home ashamed and indignant, choking with anger and confusion, the more dejected that he was capable, with his Norman cunning, of doing what they had accused him of and ever boasting of it as of a good turn. His innocence to him, in a confused way, was impossible to prove, as his sharpness was known. And he was stricken to the heart by the injustice of the suspicion.

Then he began to recount the adventures again, prolonging his history every day, adding each time new reasons, more energetic protestations, more solemn oaths which he imagined and prepared in his hours of solitude, his whole mind given up to the story of the string. He was believed so much the less as his defense was more complicated and his arguing more subtile.

“Those are lying excuses,” they said behind his back.

He felt it, consumed his heart over it and wore himself out with useless efforts. He wasted away before their very eyes.

The wags now made him tell about the string to amuse them, as they make a soldier who has been on a campaign tell about his battles. His mind, touched to the depth, began to weaken.

Toward the end of December he took to his bed.

He died in the first days of January, and in the delirium of his death struggles he kept claiming his innocence, reiterating:

“A piece of string, a piece of string—look—here it is, M’sieu the Mayor.”

Posted by Jesse Willis

Five Free Favourites #5

SFFaudio Online Audio

Hi! I’m Rich, a videogame maker, musician and composer. I’ve done audio work of one kind or another for more years than I care to count (I’m actually over 400 years old -it’s a rare condition). In 2001, I co-founded Digital Eel, an indie game development group (Seattle, WA area). These days, I do design and create sfx and strange music for our games. My interest in audio drama (radio-tinged) began in the 60’s listening to Lights Out and Inner Sanctum on scratchy LP’s, but I primarily blame the Firesign Theatre and Douglas Adams for my abiding appreciation of the medium. Okay, anyhow, I picked out five SF and horror favorites from radio’s glory days for your audio perusal. In other words, unlike things smaller than your elbow, they are safe to stick in your ears. Mostly. Enjoy!

Five Free Favourites

Oh, be sure to check out my website, Radio Tales Of The Strange & Fantastic, for more radio drama goodness…

1.
X Minus One: Mars is Heaven
Story by Ray Bradbury; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: May 8, 1955
“Mars is Heaven!”, a short story by Ray Bradbury, was first published in 1948 but remains one of the most popular science fiction stories to this day. Many will recall it from the Martian Chronicles set released two years later; a classic Bradbury collection that has never gone out of print. What will the first men on Mars find when they land there? An unwelcome alien environment? A dead lifeless place or…a place of the dead? If you like The Twilight Zone, you’ll dig this story, and the X Minus One version is one of the best.

2.
Suspense: Donovan’s Brain
By Curt Siodmak; Performed by a full cast
2 MP3s – [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: May 19 & 25, 1944
Part 1 |MP3|, Part 2 |MP3|
Donovan’s Brain, the classic “brain kept alive in a jar” tale, was first published in 1942 as a novel by Curt Siodmak (whose story and screenplay for Universal’s classic monster movie, The Wolf Man, scarifyed moviegoing audiences a year before). Today, the 1953 film version is more well known but Suspense nailed it on CBS radio nine years earlier with an unforgettable one hour version directed by, and starring (not surprisingly), the formidable Orson Welles. Is it good, you ask? Does it deliver…suspense? Sure, sure, sure…

3.
Dimension X: The Roads Must Roll
By Robert A. Heinlein; Performed by
1 |MP3| – [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: September 1, 1950
In the future depicted in The Roads Must Roll, the 1940 Nebula award-winning short story by Robert A. Heinlein, automobile, truck and train traffic had become impossibly congested and unmanageable, so the engineers have taken over and have converted roads and highways into rolling roads -similar to conveyor belts but on a massive scale- that move people and goods from place to place at speeds of up to 100 miles per hour. Hang on to your potatoes! Problem is, the technicians who keep the roads rolling are becoming increasingly dissatisfied with their status. They believe that because rolling roads are of prime importance to the nation’s infrastructure, they should be rewarded more highly than other workers. And when such issues of technological change, politics, unions and class come together, serious conflict is bound to occur…

4.
Mystery In The Air: The Horla
By Guy de Maupassant; Performed by a full cast
1 |MP3| – [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: August 21, 1947
The Horla, written in 1887 by Guy de Maupassant, is an unusual horror tale about an invisible alien entity that seeks to inhabit and control human beings. It was cited by Lovecraft as being the inspiration for his classic story, The Call of Cthulhu, and as an important forerunner to the weird
horror genre pioneered by himself, August Derleth, Clark Ashton Smith, and others, in the early-mid 20th century. This version, from Mystery in the Air (oddly, a summer replacement for the Abbott and Costello Show), benefits from a brisk script and a wonderful live performance by Peter Lorre as your weekly raging psychopath.

5.
Escape: Three Skeleton Key
Story by George Toudouze; Performed by a full cast
1 |MP3| – [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: March 17, 1950

“Three Skeleton Key, the small rock on which the (lighthouse) stood, bore a bad reputation. It earned its name from the story of the three convicts who, escaping from Cayenne in a stolen dugout canoe, were wrecked on the rock during the night, managed to escape the sea but eventually died of hunger and thirst. When they were discovered, nothing remained but three heaps of bones, picked clean by birds. The story was that the three skeletons, gleaming with phosphorescent light, danced over the small rock, screaming…”
– from Three Skeleton Key by George Toudouze, Esquire magazine, January 1937

Creepy stuff to be sure, so what happens on they key? Terrifying events which I won’t spoil except to say that if you are afraid of a certain creature, as Indiana Jones dislikes snakes, you may find this story unsettling. But don’t fret. Vincent Price is there to hold your hand….until they come. Escape presented Three Skeleton Key many times due to audience requests. Price played the lead role at least twice. This version is generally considered to be his best performance of this play.

Posted by RC of Radio Tales of the Strange and Fantastic