Reading, Short And Deep #419 – Chu-Bu And Sheemish by Lord Dunsany

Reading, Short And Deep

Reading, Short And Deep #419

Eric S. Rabkin and Jesse Willis discuss Chu-Bu And Sheemish by Lord Dunsany

Here’s a link to a |PDF|.

Chu-Bu And Sheemish was first published in The Saturday Review, December 30, 1911.

Posted by Scott D. Danielson Become a Patron!

The SFFaudio Podcast #558 – AUDIOBOOK/READALONG: The Horror At Martin’s Beach by Sonia Greene and H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #558 – The Horror At Martin’s Beach by Sonia Greene and H.P. Lovecraft; read by Martin Reyto (for Legamus.eu). This is an unabridged reading of the short story (18 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Marissa VU, Wayne June, and Terrence Blake

Talked about on today’s show:
Sonia H. Greene, The Invisible Monster, Weird Tales, prenuptial contract, courtship, the sea is New York, drugged to New York, interesting, Lovecraft components, Lovecraft skeleton, originally titled, a much last apt title, you never find invisible things, Lovecraft’s commonplace book, [entry 51: Enchanted garden where moon casts shadow of object or ghost invisible to the human eye.], The Moon Bog, The Dreamquest Of Unknown Kadath, the Moon as a giant egg, “I have never heard an even approximately adequate explanation of the horror at Martin’s Beach.”, the baby, the mother, a single eye, another invisible something, my fancy conjured up still another eye, the eye is the Moon, everybody is assuming its the mom, where does it say it in the story, deep grief, Iron Shadows In The Moon, the father, how do they know its a baby, it had its baby teeth, the layering, small for a cosmic being, demi-cosmic, that new baby smell, not very scientific, the most amazing discrepancies, Captain Orne, if Eric [Rabkin] was here, it rained for forty nights, taxidermied, P.T. Barnum, a mermaid is a seal grafted on to a baby, DC horror comics from the 1970s, I want comics god-damn it, True Ghost Tales, Minnesota, bigfoot displayed in a van, a monkey suit with modifications, “The object was some fifty feet in length, of roughly cylindrical shape, and about ten feet in diameter. It was unmistakably a gilled fish in its major affiliations; but with certain curious modifications, such as rudimentary forelegs and six-toed feet in place of pectoral fins, which prompted the widest speculation.” selling hokum,

The naturalists had shown plainly that it radically differed from the similarly immense fish caught off the Florida coast; that, while it was obviously an inhabitant of almost incredible depths, perhaps thousands of feet, its brain and principal organs indicated a development startlingly vast, and out of all proportion to anything hitherto associated with the fish tribe.

John Lilly‘s communications with dolphins, sons of Poseidon, a species, cyclops kitten, a half-god, his out, his wife wrote that part, the depths of the oceans being unexplored they harbour life-forms that have one eye, bioluminescence, otherworldly, monster ideas from the depths of the sea, symmetry is for weaklings, scientific men are people who work for Orne, fakes, but not this time, revenge mom, The Beast (1996), William Petersen, Beast by Peter Benchley, no mothering instinct, projection by the readers and Sonia Greene, the evil men who stole the baby, Captain Orne as Ulysses, a mythological interpretation, the old one version of Poseidon, we’re bringing the female idea to it, a trope, throughout nature, bear cubs, the daddy bear gives no shits, dads don’t care, human vs. animal, dads do care, almost nothing happens, stylistic preparation, a real life event, a simple horror story, a cosmic dimension, a moralistic dimension, two different readings, Ridley Scott thought Deckard was a replicant, eternal revenge, a purpose so revolting to my brain, revenge isn’t revolting, collateral damage, all humanity was guilty, a species wide revenge, humans all look alike, my fifty foot baby, what humans do, all the wolves are killed for the crime of one wolf, a storm came twice, wrapping up his business, he’s ornery, “get revenge”, its planned all this out, set aside your propensity for disbelief, here she/he/it comes, make the presence known, grieving and scheming, you killed my baby and now you’re throwing shit at me?, an inordinate indication of intelligence, an article by Professor Alton about hypnotic powers not being confined to recognized humanity, there trickled upon my ears the faint and sinister echoes of a laugh, only humans and hyenas, they laugh at anything, a sad laugh, read it with skepticism, what is the horror?, is it the thing?, or was it that people were frozen?, electricity explains it, hacksaw to the hempen line, there is no hempen line, that’s their interpretation, a proposed theory, what if there was never a line to begin with, physically hooking on to people, less about the specific thing in the water, the way the Moon plays on the water, everybody is turned into frogs, the Moon was about a foot above the water, a coin at arms length, from what angle?, phenomenological vs. actual, what’s that over there?, the moon looks gigantic, its about the hypnotism theory, why the people fail to act, that’s the horror, a huge part of the horror, if we read it that way the invisible monster is us, retire to your room, the narrator’s perspective, death march, resigned to fate, so real and creepy, not calling for help, not struggling, looking back over their shoulders in fear, a perfect description of this universe,

And as I gazed out beyond the heads, my fancy conjured up still another eye; a single eye, equally alight, yet with a purpose so revolting to my brain that the vision soon passed. Held in the clutches of an unknown vise, the line of the damned dragged on; their silent screams and unuttered prayers known only to the demons of the black waves and the night-wind.

a cluster of religious stuff, the voice of heaven resounded with the blasphemies of hell, ventriloquism, a cyclopean din, her pallid beams, a whirlpool, the narrator laughing, that interpretation, the hyena is laughing because its sad, even creepier, gallows humour, forelegs, one big eye, a laugh?, angler-fish, glowing eyes, feet on the chest, what it’s all for?, sure you did, bub, they know about the fishy tribes, Martin’s Beach has hills with cabins, veranda, a vacation spot, the rich above, the poorer below, above and below,

It was in the twilight, when grey sea-birds hovered low near the shore and a rising moon began to make a glittering path across the waters. The scene is important to remember, for every impression counts. On the beach were several strollers and a few late bathers; stragglers from the distant cottage colony that rose modestly on a green hill to the north, or from the adjacent cliff-perched Inn whose imposing towers proclaimed its allegiance to wealth and grandeur.

the horror is is the coverup by the hotel, the same dynamic you see in Jaws, the corporate is the horror, Aha, I got the formula now!, community vs. the individual, what the fuck happened, everybody’s involved, Fair Game by Philip K. Dick, Professor Anthony Douglas, numerous grunts, his ample middle, a nuclear scientist in Colorado, gold bars on the side of the road, this is the weirdest thing, he’s in his easy chair, an eye the size of the entire sky, any giant sky monsters over Colorado?, Fair Game on SickMyDuck.narod.ru:

Shapes. Two enormous shapes squatting down. Two incredibly huge figures bending over. One was drawing in the net. The other watched, holding something in its hand. A landscape. Dim forms too vast for Douglas to comprehend.

At last, a thought came. What a struggle.

It was worth it, thought the other creature.

Their thoughts roared through him. Powerful thoughts, from immense minds.

I was right. The biggest yet. What a catch!

Must weigh all of twenty-four ragets!

At last!

Suddenly Douglas’s composure left him. A chill of horror flashed through his mind. What were they talking about? What did they mean?

But then he was being dumped from the net. He was falling. Something was coming up at him. A flat, shiny surface. What was it?

Oddly, it looked almost like a frying pan.

it doesn’t make any sense as science fiction, what’s funny is the set-up, how he’s fat, this is the sea’s revenge for fishing, it isn’t specifically about this one animal, the sea doing what we do to it, look at the tuna cans, line and pole tuna, industrialized fishing, still another reading, the Moon in relation to its proximity to the water, the gravitational pull of the Moon, The Other Gods, a lot going on, its not as crappy as it looks, William Shakespeare, as flies to wanton boys as are we to the gods, the line is flypaper, why are they pulling, someone needed rescuing, insidious, human instinct in propensity to rubberneck, cheap houses near the sea, at least some of the people came from the rich area, Weird Talers: Essays On Robert E. Howard And Others by Bobby Derie, a blog post with a letter from Sonia Greene, he was never kissed by any woman, The Private Life Of H.P. Lovecraft, Carol Weld, happily ever after (sort of), its all right there in the setup, a little softer than Lovecraft’s usual, 15 adjectives about how horrible everything is, the rest doesn’t take that statement seriously, its lacking that indifference, there’s definitely some bellows, very humanish, the easy reading is that it’s a revenge tale, my Twitter friend Jason Thompson’s illustrations, a couple on the beach, the moon low in the sky next to the fish monster, there’s some sort of massive connection, a big round thing in the sky that YOU can see, it is an eye, paranoia, ‘And when you gaze long into an abyss the abyss also gazes into you’, human history’s relationship without the Moon, telescope, when you look at the moon, you can see mountains, it is another place, another world, comforting and horrifying, how important the universe is as a reality, profits, dancing, cottages, cars, a speck in the sea of black infinity, its hard to understate, the cosmic layer, the moon as a character, the Moon is the mother, opening a path, a way, a lane, calling down to the depths, opening the people to an influence from another reality, the bridge of moonbeams in The White Ship, I am Basil Elton,

I am Basil Elton, keeper of the North Point light that my father and grandfather kept before me. Far from the shore stands the grey lighthouse, above sunken slimy rocks that are seen when the tide is low, but unseen when the tide is high. Past that beacon for a century have swept the majestic barques of the seven seas. In the days of my grandfather there were many; in the days of my father not so many; and now there are so few that I sometimes feel strangely alone, as though I were the last man on our planet. … Very brightly did the moon shine on the night I answered the call, and I walked out over the waters to the White Ship on a bridge of moonbeams. The man who had beckoned now spoke a welcome to me in a soft language I seemed to know well, and the hours were filled with soft songs of the oarsmen as we glided away into a mysterious South, golden with the glow of that full, mellow moon.

the opening, Sonia writing in the mom part, Lovecraft writing the Moon part, layers, cynical thing, clusters of adjectives, satanic and demonic, the more religious cosmology, regular folks, weird letters received, all recapitulated in the Peter Benchley, conferences, inspiring of, A Tropical Horror by William Hope Hodgson, architeuthis, giant squid, the title, self reference, your average bear does’t have a Lovecraftian world-view, the most amazing discrepancies, no common bond, differing reports, a widely witnessed phenomenon, a tremendous difference, everybody’s unreliable, what the hell did they see?, weirder stuff happens under the Moon, Slavoj Žižek, conceiving and Žižek, Lovecraft was the terrible thing, and vice versa, a problem of habituation, kinda sick, this is going to be better for you, Virginia, he could’ve moved with her, I got all my friends and my (podcasting club), the Kalem Club, unrecorded podcasts, an anthology of just Moon stories, power of the moon, the Moon doing a ton of heavy lifting, imagine that line goes all the way out to the Moon, we can get there its just incredibly hard, gravitons are definitely a real thing, it has phases, without the Moon, what would you even look at, its so important, it looms large (especially when near the horizon), we hide from it in our cities and our houses.

Jason Thompson's (MOCKMAN) illustration of The Horror At Martin's Beach by Sonia Greene and H.P. Lovecraft

Jason Thompson sketch for The Horror At Martin's Beach

Posted by Jesse Willis

The SFFaudio Podcast #445 – READALONG: Citadel Of Fear by Francis Stevens

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #445 – Jesse, Paul, Mr Jim Moon, and Bryan Alexander talk about Citadel Of Fear by Francis Stevens

Talked about on today’s show:
1918, Famous Fantastic Mysteries, 1970, Friend Island, interview with a sea-woman, “peace ships”, women are grizzled teetotallers, The Elf-Trap, Carcassone, Kentucky, Carolina, so obscure, an artists colony, she’s kind of like a female Lovecraft, hidden beyond normal perceptions, Gertrude Mable Barrows Bennett, A. Merritt, pure raving pulp, impressive, giant narrative yank, Neal Stephenson, a little Tim Powers-y, lost civilization, H. Rider Haggard, come back to haunt him, the lost city, strangled to death by a python, Boots = Colin, character names, The Mound by H.P. Lovecraft and Zealia Bishop, a Doctor Moreau in the suburbs, very melodramatic, a giant killer ape called “Genghis Khan”, a sub-sub genre of killer gorillas, the whole Aztec mythology, a sub-boss, a strangely international novel, the Irish nature of the heroes, Mexico present and past, a whole raft of gods, Egyptian and Japanese gods, undisciplined, scene by scene, two dudes wandering through the desert, The Monster Men by Edgar Rice Burroughs, David Stifel, a created creature, a man without a soul, pirates, machine gunning scenes, mixing it up, completely spurious quote from H.P. Lovecraft, the elder gods called out, “wonderful and tragic allegory… amazing, thrilling”, The Curse Of Yig, strange monsters, mad science and ancient sorcereies, a bizarre fungal-oid process, The Shunned House, always bringing it back to the domestic, the female characters are at least as powerful as the male, a house attacked, a domestic dispute, the manifestation of Quetzalcoatl, the Goodreads summary:

Two adventurers discover a lost city in the Mexican jungle. One is taken over by an evil god while the other falls in love with a woman from Tlapallan. Back in the states, the possessed man begins to use magic to mutate civilians. The other walks away, but the pair must duel in the end.

dry and desiccated hills, romance, Julie Davis:

“This is a very enjoyable combination of lost world, Lovecraftian monsters, H.G. Wells, and (of course!) a romance. I especially liked the fact that the people who believe the supernatural reality the fastest are Irish. They are used to their Celtic gods and tales, natch!”

the Rabid Puppies, a light quick and very praising review, undisciplined, what does this mean?, it’s like Eden, there’s a snake, foreshadowing, not well planned out, because it was serialized…, how much did Stevens know, wading around in Aztec mythology, Deities & Demigods, Doctor Who: The Aztecs, sharing a cup of chocolate, the look on Hartnell’s face, Aliette de Bodard, the mindset of a priest of an Aztec god, Grant Morrison’s The Invisibles, Q (1982), Amy H. Sturgis, cave-men days, the reversal of The Time Machine, The Daleks, a beautiful allegory, a bottle episode, Marco Polo, dropped into an alien culture, a description from Barbara of what the Aztec culture was like, Temple Of Evil, a garden for the retirees, retirement age of 52, a plurality of viewpoints, save them from Cortez, profoundly affected, Quetzalcoatl has 400 hit points and infinite movement, the Irish aspect, as readers of Lovecraft know…, immigration restriction, Irish heroes, extra big, extra strong, extra smart, the Irish cop, tough and sarcastic, Robert E. Howard, Dorothy Macardle’s The Uninvited, the Celtic connection to all things bogey, bugaboos, our “Nordic character”, you can’t shoot that, Sven Bjornsen and his wife Astrid, the Norse as the ideal, the Nazis, Lovecraft’s respect for the Scandinavians, the strange pacings, a kaleidoscope, the plot was getting away from her, the classic cliffhanger, Tlalpan, Cortez as the reincarnation of Quetzalcoatl, Montezuma’s failure to act, Cortez as a canny operator, Francisco Pizarro, the British and French and Portuguese in India, set between two small towns that don’t exist, Steven’s husband, the domestic spheres, household events, going through doorways, a lot of doorway stuff, liminal, wrong-footing, a civil war, the Cortez moment, almost a retelling, booted out, a sense of something else, this isn’t a triumphant colonial novel, The Man Who Would Be King, the white hounds, The Hound Of The Baskervilles, the place of black and red, the skin colour of the household, the “greaser”, The Electric Executioner by Adolphe de Castro and H.P. Lovecraft (is TERRIBLE!), are the hounds the disease?, the Wild Hunt, elves, lost world, strange city, Jack Vance, the black stone of evil incarnate, Robert E. Howard-y vs. Edgar Rice Burroughs-y, adventure pulp, domestic supernatural, Conjure Wife by Fritz Leiber, Chapter 6: The Black Eidolon, unevenly constructed paragraphs, kind of weird, always going back to the bungalow and the veranda, being a wife means being in a home, Philip K. Dick’s characters hang out in southern California, there’s something meta about everything she does, too diverse?, a boldy feminist piece, Fahrenheit 451 has gravitas because it’s dystopic, The Hitchhikker’s Guide’s To The Galaxy, Harry Harrison, John Scalzi, comedic science fiction novels, falling absolutely flat, playing with our expectations, closing towards the end, leaving Talapalan, back to domestic concerns, the power of Dracula, Undine, ancient Mexican deities and monsters, 1918, invasion, Cecil Rhodes, Rhodesia, Great Work Of Time by John Crowley, a steam-punk utopia, a gorgeous writer, a haunting writer, it turns on Rhodes, what’s up with Anne Of Green Gables?, parallels, Chapter 24, a reversal of the first scene, the kitchen sink, a weird balance between the Irish Celtic and the Aztec and the Mexican, Neil Gaiman-y, H.P. Lovecraft would have taken her to task over her structuring, disconcerting and unfamiliar, Doctor Reed’s compound, fungous creatures shaped by thoughts, albino marsh, a red flap, a gold chair, fortress of fear, one of the problems, Thor has a hammer, a twin, the complexity, the collapse of Aztec civilization, the Norns vs. the Fates, Cold War 2.0, Greek and Roman mythology, Latina and Greek, Pallas Athena, different periods, semi-appropriating, Theseus, different emphases, Greco-Roman culture, feudalism, The Marriage Of Cadmus And Harmony by Roberto Calasso, genre history, bursting with intelligence and ideas.

Virgil Finlay illustration of Citadel Of Fear by Francis Stevens

PAPERBACK LIBRARY - Citadel Of Fear by Francis Stevens

Virgil Finlay illustration of The Citadel Of Fear by Francis Stevens

Posted by Jesse Willis

The SFFaudio Podcast #357 – READALONG: Captain James Hook And The Curse Of Peter Pan by Jeremiah Kleckner and Jeremy Marshall

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #357 – Jesse and David Stifel talk about Captain James Hook And The Curse Of Peter Pan by Jeremiah Kleckner and Jeremy Marshall.

Talked about on today’s show:
that Burroughs guy (or Captain Hook), Jeremy Marshall, Jeremiah Kleckner, a modern book?, a little under six hours, a take off on a well known property, not a kid’s book, the Peter Pan play, the starting point for this book, childish irresponsibility, a Twilight Zone episode, J.M. Barrie’s Peter Pan, written for adults, vocabularies, they got a dog, in-jokes, Alice In Wonderland, he workshopped it, Hook wasn’t in the play originally, kids love pirates, this kid kidnaps other kids, a sequel, the timeline, Harry Potter of a hundred years ago, Hook, Pan, the Disney film, the black and white Broadway broadcast, kinescope, what a great role, the prototypical adult, the Etonian accent, Cyril Ritchard’s voice, The Roar of the Greasepaint – The Smell of the Crowd, the writing is so good, subtly twisted scenes, why it is short, Jeremiah Kleckner is an English teacher, how to enjoy reading, pre-production, the competition, an ACX book, Jeremiah Kleckner’s blog, auditions, the new publishing model, the cover art, Jesse is very cynical, so is David, self-published, word-wooze, wound and wooze, guberreality?, Chinese food, David Baldacci, what writing is about, a lot of gushing, an alternate take, a prequel to Peter Pan, fairies, a crocodile, Neverland, the Lost Boys, a jigsaw puzzle, who is Captain Hook?, Hook is right, Peter Pan is a self-indulgent little brat, flying, too bad!, Peter Pan treats the Lost Boys like toys, set on a course for evil, with Billy Mumy, It’s a Good Life, “happy fun”, the alliterative punctuation, the god Pan, the god of lonely shepherd boys and the god of panic, panopticon, pan was able to multiply himself infinitely, not the horny goat god, the god of wildness, children and childhood became a thing, children’s literature, child focused culture, child labour, Barrie was the peak of child culture, anti-science, “who believes in fairies?”, why we need Mr Jim Moon, the push pull of science, science killing all the fantasy of being a child, Sir Arthur Conan Doyle, he just wants to believe, The Best Of Sick Jokes,

Willie, with a thirst for gore,
Nailed his sister to the door.
Mother said, with humor quaint,
“Willie, dear, don’t scratch the paint.”

the symbol of how good the writing is, James Hoodkins, breaking the bottle, the night before his thirteenth birthday, “have fun forever”, a lucky escape, Michael Darling, the Darling family, a failed adult, a funding problem, Smee, Captain Hook’s boatswain (bo’sun), an interesting backstory for Smee, “it’s me”, Blackbeard, Long John Silver, Treasure Island, Black Sails mixes historical and fictional pirates, Robert Louis Stevenson, the second reality, Jesse Labette, Smee by A.M. Burrage, clean fun, hide-and-seek, The Demolished Man by Alfred Bester, sardine, a retelling, why does Hoodkins have a sidekick in William, responsibility, double-sided reality, watch out for William, a first step towards manhood, be his mommy, what if…, a stunning achievement, “I’m taking them to heaven.”, a child’s heaven, death, never land, just step out the window, jumping off the roof, almost a real place, The Etymologicon: A Circular Stroll Through The Hidden Connections Of The English Language by Mark Forsyth, the impact of Peter Pan, Wendy, Jonathan Swift, Vanessa, Hermione, a romp, a great performance in a meaty role, natives will tell, by today’s standards, losing regionalisms, mid-Atlantic accent, the Edgar Rice Burroughs audiobooks, a swashbuckling adventure, a completely flawless performance, a sleeper that deserves to be heard, a really fine audiobook that deserves more exposure, the Amazon.com reviews are excellent, “masterful narration”, little Billy at 5, an undersold masterpiece, with the marketing budget…, David’s tastes, science fiction as a modernization of fantasy, thinking critically about a classic, Hook was right!, Hook’s the hero!, it’s not just what you know about Peter Pan, a lot of pirate research, more real than The Pirates Of The Caribbean, not an arrrgh until the appearance of Long John Silver

Captain James Hook And The Curse Of Peter Pan by Jeremiah Kleckner and Jeremy Marshall

Posted by Jesse Willis

Review of Ilium by Dan Simmons

SFFaudio Review

Ilium by Dan SimmonsIlium (Ilium #1)
By Dan Simmons; Narrated by Kevin Pariseau
Publisher: Brilliance Audio
[UNABRIDGED] – 25 Discs; 30 hours
Themes: / Mars / gods / ancient Greece / scholars / Shakespeare / fantasy /
Publisher summary:
From the towering heights of Olympos Mons on Mars, the mighty Zeus and his immortal family of gods, goddesses, and demigods look down upon a momentous battle, observing—and often influencing—the legendary exploits of Paris, Achilles, Hector, Odysseus, and the clashing armies of Greece and Troy.Thomas Hockenberry, former 21st-century professor and Iliad scholar, watches as well. It is Hockenberry’s duty to observe and report on the Trojan War’s progress to the so-called deities who saw fit to return him from the dead. But the muse he serves has a new assignment for the wary scholic, one dictated by Aphrodite herself.With the help of 40th-century technology, Hockenberry is to infiltrate Olympos, spy on its divine inhabitants…and ultimately destroy Aphrodite’s sister and rival, the goddess Pallas Athena. On an Earth profoundly changed since the departure of the Post-Humans centuries earlier, the great events on the bloody plains of Ilium serve as mere entertainment.Its scenes of unrivaled heroics and unequaled carnage add excitement to human lives devoid of courage, strife, labor, and purpose. But this eloi-like existence is not enough for Harman, a man in the last year of his last 20. That rarest of post-postmodern men—an ‘adventurer’—he intends to explore far beyond the boundaries of his world before his allotted time expires, in search of a lost past, a devastating truth, and an escape from his own inevitable ‘final fax.’ Meanwhile, from the radiation-swept reaches of Jovian space, four sentient machines race to investigate—and, perhaps, terminate—the potentially catastrophic emissions of unexplained quantum-flux emanating from a mountaintop miles above the terraformed surface of Mars.

If someone were to describe this book to me (if they even could), I don’t know if I would believe how much I absolutely enjoyed it. Dan Simmons is a mad genius.

Shakespeare-quoting humanoid robots, Greek Gods, post-humans, and old-style humans somehow make the craziest awesome story imaginable.

Ilium is a story told through essentially three unrelated viewpoints. First, there’s Hockenberry. This is told in first person. Hockenberry is called a “Scholic,” a human from our the 20th century (our time) who was rebirthed in a future where Homer’s Trojan War is being fought. His job is to report on the war … to the Greek Gods.

At first, this is completely confusing. Why? is a question I asked myself over and over, but it begins to make sense with time. Plus, it’s hard not to be fascinated with the events of the Iliad. It’s also impressive how much research went into it, though that’s only an assumption since my knowledge of the Trojan War is essentially from the movie, Troy (but I have read the Odyssey!).

The second viewpoint is the humans, mainly Daemon. Daemon is a self-involved fool who is unlikeable to say the least. But who wouldn’t be when you have everything handed to you on a silver platter by robots called servitors (sp – I did listen to the audio so forgive me), like all humans everywhere. Pleasure is their life, knowledge … is lacking.

The third viewpoint is that of a sonnet-loving humanoid robot called a “moravec” and named Mahnmut. Specifically, and only, Shakespeare’s sonnets. It’s work consists of exploring the moon of Jupiter called Europa. Mahnmut is called in on a mission with a group of moravecs to explore some occurrences on the planet mars.

At first, I was highly entertained, though confused, with the events of the Trojan war and the other parts were just above boring. Slowly, the story takes hold and it had me hook, line, and sinker.

Listening to the audiobook, I was looking forward to my morning and evening drives and not too sad to do errands on my lunch hour either. Somehow, it ALL makes sense even though it sounds like the oddest collection of classics to make up a cohesive story all its own. What does Shakespeare have to do with the Iliad or Proust (his work makes appearances too) for that matter, all set in the future with technology that gives humans everything they ever want or need?

It’s crazy I tell ya. Crazy! How did I like this book this much? I’m telling you, Simmons is a mad genius. I will just sit back and let him take me on his journey. It’s amazing. I question not.

Kevin Pariseau is the narrator of this audiobook and while at first I thought he over-acted the part of Hockenberry, though somehow not the other parts, I really grew to like him and found out that it was literally just the character of Hockenberry that he was playing. And it’s impressive given how many Greek words and names he’s got to …erm… name.

The only problem is that Ilium is only half the story. It stops at a huge cliffhanger and I’m already heading to Olympos to see how this ends.

5 out of 5 Stars (Mind … blown)

Posted by Bryce L.

The SFFaudio Podcast #282 – READALONG: Ancillary Justice by Ann Leckie

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #282 – Jesse, Tamahome, Bryan Alexander, and Julie Davis discuss Ancillary Justice by Ann Leckie.

Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.

Ancillary Justice by Anne Leckie WORD CLOUD

Posted by Jesse Willis