The Influence of RADIO DRAMA on comics and vice versa

SFFaudio News

EC ComicsThere’s a fascinating article by Kurt Kuersteiner HERE titled “OTR: The Evil Influence Behind EC.” In it Kuersteiner maps some of the many stories swiped from radio drama series and turned into EC Comics.

It came to me at the perfect time too. I’ve just been getting into EC comics over the last few months. Having grown up under the censorship of the Comics Code Authority I didn’t really know what I was missing. Now though, reading these pre-code comics, I can now see that my intellectual growth had been greatly stunted.

I’d have been a far smarter person if I’d been able to buy and read comics like these as a kid.

My favourite such tale so far was published in the July/August 1953 issue of Weird Fantasy (issue number 20). It’s called The Automaton. At first it seemed to me like a mashup of a Philip K. Dick’s The Electric Ant, Alfred Bester’s Fondly Fahrenheit and George Orwell’s 1984. But looking at the chronology that can’t be what it is. First off Philip K. Dick was just getting started around then. And while he was a comics reader The Electric Ant wasn’t published until 1969.

And while by 1953 Bester had already been working in comics – he hadn’t yet written Fondly Fahrenheit. So the story is definitely Orwellian and very cool, and certainly like a couple of Dick and Bester tales that were yet to be written. But then again, maybe it was inspired by a radio drama that I’ve not heard yet. Anybody know of one like this?

As it stands The Automaton is set in the futuristic dystopian world of Los Angeles in 2009. Our protagonist is XT-751, a man recounting his story of being sent to a northern labour camp after a suicide attempt. Suicide is illegal in this world because the state owns every person from the cradle to the grave.

I actually have been thinking about The Automaton for months now. And after reading Kuersteiner’s article it somehow gelled into a post. It’s just been something I could’t quite shake. The story is not only extremely thought provoking, and still timely, but also extremely frightening. And maybe a lot of the rest of it is that it is about as far away from superhero comics as you can possibly get. Best of all it’s told in just seven pages – that’s a highly distilled story.

The only credit for The Automaton is for the artist, Joe Orlando, but maybe he wrote it too?

From EC Comics - Weird Fantasy #020 - The Automaton Page 1

From EC Comics - Weird Fantasy #020 - The Automaton Page 2

From EC Comics - Weird Fantasy #020 - The Automaton Page 3

From EC Comics - Weird Fantasy #020 - The Automaton Page 4

From EC Comics - Weird Fantasy #020 - The Automaton Page 5

From EC Comics - Weird Fantasy #020 - The Automaton Page 6

From EC Comics - Weird Fantasy #020 - The Automaton Page 7

Posted by Jesse Willis

The SFFaudio Podcast #145 – READALONG: Little Brother by Cory Doctorow

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #145 – Little Brother by Cory Doctorow. Jesse, Tamahome, Professor Eric S. Rabkin and Jenny discuss Little Brother by Cory Doctorow. |ETEXT|

Talked about on today’s show:
Tam can’t trust anyone over 25, Jesse’s review in 2008, re-reading Little Brother in 2012, South Carolina, did Jenny vote Herman Cain (Stephen Colbert)?, SOPA/PIPA, non-fiction essay combined with YA, cliche, didacticism vs. propaganda vs. agitprop, we loved the infodumping, the underlying Oedipal structure, Robert A. Heinlein, libertarian bent, The Moon Is A Harsh Mistress, Starship Troopers, Ray Bradbury, Something Wicked This Way Comes, ‘this book has well devolved mythic structure’, levers vs. buttons, relevance, Homer, Electronic Frontier Foundation, the future of money, Luke Burrage’s review of Down And Out In The Magic Kingdom, money is hard to understand, Little Brother is a call to arms, National Defense Authorization Act (suspending habeous corpus as outlined in Article One of the United States Constitution), Nineteen Eighty-Four, George Orwell, Ms. Galvez’s Social Studies class, history, Heinleinian straw men vs. Doctorowan straw men, DHS, TSA, pebbles in your shoes, gait recognition, Oedipus = lame-foot, Charles Walker, the yippies, “this is a masterwork”, Jesse hates sequels, will the sequel to Little Brother deliver anything like what we might expect?, idea based writing vs. character based writing, w1n5t0n, trust, Marcus’ moral problem (RFID cloning without consent for the “greater good”), what act of violence is allowable?, moral relativism, the ends vs. the means, adolescence, “when is it time to overthrow the government?”, treason, Jenny makes “a gorgeous point”, Cory Doctorow’s choice to set Little Brother in, Law & Order (Lenny Briscoe), British North American Act, Canada didn’t have a bill of rights until 1981, The Charter Of Rights And Freedoms, Canada’s founding fathers are not demi-gods, Byron Sonne, G-20, is Little Brother a libertarian book?, “freedom is something you have to take for yourself”, Friedrich Hayek, Prometheus Award, the government of California is the hero (or the CHP), authority tries to perpetuate itself, UC Berkley, sex, juvenile vs. YA, “we live on Mars but we keep our houses extremely hot”, Snow Crash by Neal Stephenson, The Dervish House, Ready Player One, The Diamond Age, Eric makes a minor discovery, Big Brother -> Little Brother, Star-Begotten by H.G. Wells has the origin of “Big Brother”, Olaf Stapledon, “man is the boy who won’t grow up”, Spanish Civil War, The Midwich Cuckoos by John Wyndham (aka The Children Of The Damned), The Iron Heel by Jack London, comparing Doctorow with London, what is propaganda?, pamphleteering, Joseph Goebbels, Eric thinks etymologically, propagation and ideology, the Wikipedia entry on propaganda, is The Moon Is A Harsh Mistress propaganda?, “Oceania is now”, more strawful men, Sinclair Lewis, agitprop fiction, Science Fiction, “it’s a call to arms”, being a hacker, “go forth and hack my children”, “pay attention”, Gitmo by the bay, Iraq, Hacking The X-Box, Mac vs. PC ads, the hacker ethic is the science ethic, LARPing, “just to be smarter about the world around me”, alternative schooling, BART (Bay Area Rapid Transit), SkyTrain, The People Mover (The DPM), jitney, first person perspective, how to care, the terrorism detector and super-AIDS, Jane Jacobs, Jenny’s favourite character was Andrew, crystallizing the Oedipal issues, the Scoville scale, “the word is mister”, Ange vs. mom, The Tempest, severe haircut lady’s sadism, The Dark Knight Returns, is there a hero-normative angle?, The Puppet Masters, Friday, Have Spaceship-Will Travel, the ideal audience, Good Night Moon, Kirby Heybourne’s narration, transitional objects, Cory’s analogies are wonderful, taking a hiatus from Science Fiction, a pleased (but silent) smile, Jesse still has all his LEGO, a balding grey haired kid, Paranoid Linux, Jenny is ambivalent about whether she is of two minds, that couldn’t really happen here … could it?, Erich Fromm’s Escape from Freedom, the closer you get to power the more obvious it becomes, idelogical blindness, Drew wants to be able to believe, “He loved big brother.”

Kaiser Wilhelm II biting the world
Govenment Tech Support

Posted by Jesse Willis

George Orwell’s Animal Farm (a 1954 animated movie like an audiobook)

SFFaudio News

One piece of criticism I like about this 1954 animated film adaptation of Animal Farm is from an IMDB reviewer named “bob the moo” who wrote: “the narration-heavy delivery makes it more like an audio book than a film.”

I can’t quite agree, it is a movie, but it does certainly leans heavily on the narration.

Most reviewers seem to think it’s a pretty good adaptation, Leonard Maltin gave it four stars, and it is fairly faithful to the novel’s plot. Despite being one of Britian’s first animated features it was apparently funded by the CIA.

[via OpenCulture.com]

Posted by Jesse Willis

SFFaudio Challenge #6

SFFaudio Commentary

The SFFaudio Challenge Number SixTHE CHALLENGE:
This is our 6th Annual SFFaudio Challenge. Every November 11th, for the last six years, we’ve offered the following challenge to SFFaudio readers:

“We’ll give you an audiobook if you make one for everyone else.”

That deal still holds. We’ll get you an audiobook if you make make an audiobook out of one of the public domain etexts we suggest. All you’ll need to do is claim a title (by email), record the audiobook, using your own human voice (sorry no robots), and follow the rules (see the first comment of this post for the rules). Some titles will not be public domain in all countries, but this is a global challenge. We’ve also added, for the very first time, a French language title!

Still feeling a little unclear on how it all works? Then have a look at our past SFFaudio CHALLENGES:

|OUR FIRST CHALLENGE|
|OUR SECOND CHALLENGE|
|OUR THIRD CHALLENGE|
|OUR FOURTH CHALLENGE|
|OUR FIFTH CHALLENGE|

PRIZES:
Tantor MediaThis year we’re doing something a bit different with prizes, something better. Instead of offering those unwieldy physical copies we’ve got DRM-FREE MP3 downloads for you! This not only saves us on postage it also allows for a much greater selection of audiobooks! For each audiobook you complete, you can choose one of more than 1,300 titles available! All prizes this year come courtesy of Tantor Media.

CHALLENGE TITLES:
The Friendly Demon (aka The Devil Frolics With A Butler) by Daniel Defoe |HORRORMASTERS|PDF| (short story)

Seventh Victim by Robert Sheckley |PDF| (short story)*

CLAIMED BY CAINE DORR NOVEMBER 12, 2011

Untouched By Human Hands (aka One Man’s Poison) by Robert Sheckley |PDF| (short story)*

Writing Class by Robert Sheckley |RTF| (short story)*

CLAIMED AND COMPLETED BY WILLIAM COON (of Elquoent Voice) ON NOVEMBER 13, 2011

The Purple Cloud by M.P. Shiel |GUTENBERG| (novel)

City At World’s End by Edmond Hamilton |ARCHIVE.ORG| (novel)

The Common Man by Mack Reynolds |GUTENBERG| (short story)

The Ship Of Ishtar by A. Merritt |GUTENBERG AUSTRALIA| (novel)

Supernatural Horror In Literature by H.P. Lovecraft |WIKISOURCE|GUTENBERG AUSTRALIA| (essay)

Almuric by Robert E. Howard |WIKILIVRES|GUTENBERG AUSTRALIA| (novel)

Nineteen Eighty-Four by George Orwell |GUTENBERG AUSTRALIA| (novel)

Animal Farm by George Orwell |GUTENBERG AUSTRALIA| (novel)

Empire by Clifford D. Simak |GUTENBERG| (novel)**

CLAIMED BY BILL KIRBY ON JANUARY 3, 2012

The Great Potlatch Riots by Allen Kim Lang |GUTENEBERG| (short story)

The Dominion In 1983 by Ralph Centennius |GUTENBERG| (30 pages)

Ten From Infinity by Paul W. Fairman |GUTENBERG| (novel)

CLAIMED BY KAREN SAVAGE ON NOVEMBER 11, 2011

No Great Magic by Fritz Leiber |GUTENBERG| (short story)

CLAIMED BY DANIEL GURZYNSKI ON NOVEMBER 21, 2011

The Syndic by C.M. Kornbluth |RTF| (novel)*

CLAIMED BY MARK NELSON ON NOVEMBER 13, 2011

Our first French audiobook:

La Vie Électrique by Albert Robida |GUTENBERG| (novel)

So, who wants to sign up?

[*With special thanks to Rick Jackson of Wonder Publishing for selection advice **This etext was part of SFFaudio Challenge #2, but wasn’t completed]

Posted by Jesse Willis

CBC Q: Interview with Margaret Atwood

SFFaudio Online Audio

CBC Radio One - Q: The PodcastHost Jian Ghomeshi of CBC Radio One’s Q has an astounding new interview with Margaret Atwood. Atwood’s latest book, In Other Worlds: SF And The Human Imagination, can be found in the “Literary Criticism” section of your local paperbook store.

Gomeshi talked to Atwood about the realistic novel, comics, Weird Tales and the “sluttish” reputation of SF.

In Other Worlds by Margaret Atwood

One point in the interview left me confused and asking questions. Atwood claimed that “Conan the Barbarian is the literary descendant of Walt Whitman … and Henry James”.

I am floored.

What the fuck is she talking about?

Seriously, did she misspeak?

Did she mean to say that Robert E. Howard himself was their literary descendant?

Surely she didn’t mean the the character. Either way I don’t get it.

Or maybe she meant the stories themselves were somehow in the tradition of Walt Whitman and Henry James??? How could that be?

No matter how I look at it I don’t see how either Walt Whitman or Henry James ties into Howard. It just doesn’t make any kind of sense to me.

Does anybody know what the hell Atwood meant by that?

Seriously, I do not get it.

Will I have to buy her book to understand this thesis?

Have a listen |MP3|.

Podcast feed: http://www.cbc.ca/podcasting/includes/qpodcast.xml

Posted by Jesse Willis

P.S. CBC, please release Apocalypse Al. You can call it “scientific romance” or something else, just release it.

New Releases: Miéville, Spillane/Collins, Anderson, London, Wells, Zamyatin

New Releases

Here are six intriguing new releases that caught my eye and perhaps will yet catch my ears.

I haven’t read Miéville yet, maybe this is the one, its all about communication – or at least that’s the message I think this book is sending.

RANDOM HOUSE AUDIO - Embassytown by China MiévilleEmbassytown
By China Miéville; Read by Susan Duerden
Digital Download – Approx. 12 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: May 17, 2011
ISBN: 9780307913807
Sample: |MP3|
China Miéville doesn’t follow trends, he sets them. Relentlessly pushing his own boundaries as a writer—and in the process expanding the boundaries of the entire field—with Embassytown, Miéville has crafted an extraordinary novel that is not only a moving personal drama but a gripping adventure of alien contact and war. In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak. Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language. When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

Stacy Keach, the only narrator for this job…

BLACKSTONE AUDIO - Kiss Her Goodbye by Mickey Spillane and Max Allan CollinsKiss Her Goodbye: A Mike Hammer Novel
By Mickey Spillane and Max Allan Collins; Read by Stacy Keach
7 CDs – Approx. 8 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: May 25, 2011
ISBN: 9781441787354
Mike Hammer has been away from New York too long. Recuperating in Florida after the mob shoot-out that nearly claimed his life, he learns that an old mentor on the New York police force has committed suicide. Hammer returns for the funeral—and because he knows that Inspector Doolan would never have killed himself. But Manhattan in the seventies no longer feels like home. Hammer’s longtime partner, Velda, disappeared after he broke it off for her own safety, and his office is shut down. When a woman is murdered practically on the funeral’s doorstep, Hammer is drawn into the hunt for a cache of Nazi diamonds that makes the Maltese Falcon seem like a knickknack and for the mysterious woman who had been close to Doolan in his final days. But drug racketeers, who had it in for Doolan, attract Hammer’s attention as well. Soon he is hobnobbing with coke-snorting celebrities at the notorious disco, Club 52, and playing footsie with a sleek lady DA, a modern woman on the make for old-fashioned Hammer. Everything leads to a Mafia social club where Hammer and his .45 come calling, initiating the wildest showdown since Spillane’s classic One Lonely Night.

I have no idea what this means:

“Poul Anderson’s classic fantasy, The Broken Sword, knocks The Fellowship of the Ring into a cocked hat.”—Guardian (UK)

That’s a good thing right?

BLACKSTONE AUDIO - The Broken Sword by Poul AndersonThe Broken Sword
By Poul Anderson; Read by Bronson Pinchot
7 CDs – Approx. 8 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: May 1, 2011
ISBN: 9781441786876
Thor has broken the sword Tyrfing so that it cannot strike at the roots of Yggdrasil, the tree that binds together earth, heaven, and hell. But now the mighty sword is needed again to save the elves in their war against the trolls, and only Skafloc, a human child kidnapped and raised by the elves, can hope to persuade Bölverk the ice-giant to make Tyrfing whole again. But Skafloc must also confront his shadow self, Valgard the changeling, who has taken his place in the world of men.

A collection of eight of Jack London’s best short stories – if you haven’t read the title story then you’re missing out on a great proto-Hard SF story! Awesomeness.

TANTOR MEDIA - To Build A Fire And Other Stories by Jack LondonTo Build A Fire And Other Stories
By Jack London; Read by Patrick Lawlor
5 CDs – Approx. 6 Hours [UNABRIDGED]
Publisher: Tantor Media
Published: May 25, 2011
Sample |MP3|
To Build a Fire,” the best-known of Jack London’s many short stories, tells the tale of a solitary traveler on the Yukon Trail accompanied only by his dog as they endure the extreme cold. A classic narrative of a battle for survival against the forces of nature, “To Build a Fire” is London at his best. Also included here are “The Red One,” “All Gold Canyon,” “A Piece of Steak,” “The Love of Life,” “Flush of Gold,” “The Story of Keesh,” and “The Wisdom of the Trail.” A vital collection of works by one of the greatest short-story writers in American literature, this edition is sure to delight audiences of all ages.

I sense a serious but coming.

TANTOR MEDIA - I Don't Want To Kill You by Dan WellsI Don’t Want To Kill You: Book 3 in the John Cleaver series
By Dan Wells; Read by Kirby Heyborne
8 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Tantor Media
Published: March 29, 2011
ISBN: 9781452600543
Sample |MP3|
John Cleaver has called a demon—literally called it on the phone—and challenged it to a fight. He has faced two of the monsters already, barely escaping with his life, and now he’s done running; he’s taking the fight to them. But as he wades through his town’s darkest secrets, searching for any sign of who the demon might be, one thing becomes all too clear: in a game of cat and mouse with a supernatural killer, the human is always the mouse. In I Am Not a Serial Killer, we watched a budding sociopath break every rule he had to save his town from evil. In Mr. Monster, we held our breath as he fought madly with himself, struggling to stay in control. Now John Cleaver has mastered his twisted talents and embraced his role as a killer of killers. I Don’t Want to Kill You brings his story to a thundering climax of suspicion, mayhem, and death. It’s time to punish the guilty. And in a town full of secrets, everyone is guilty of something.

Grover Gardner thinks this is the first time the book will be available in audio – I think he’s right!

TANTOR MEDIA - We by Yevgeny ZamyatinWe
By Yevgeny Zamyatin; Read By Grover Gardner
6 CDs – Approx. 7 Hours [UNABRIDGED]
Publisher: Tantor Media
Published: March 28, 2011
ISBN: 9781452601601
Sample |MP3|
Set in the twenty-sixth century A.D., Yevgeny Zamyatin’s masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful “Benefactor.” Recognized as the inspiration for George Orwell’s 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown’s brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years’ suppression.

Posted by Jesse Willis