galactic empire – Page 2

Free Listens Review of Firstborn by Brandon Sanderson

“Firstborn” by Brandon Sanderson

Source: Tor.com (mp3)

Length: 1 hour, 13 minutes

Reader: Brandon Sanderson and Emily Sanderson

The story: If you keep up with fantasy literature, you probably know Brandon Sanderson from his own large fantasy novels, such as the excellent Mistborn, the juvenile fantasy Alcatraz series or as the writer called in from the bullpen to finish the late Robert Jordan’s sprawling Wheel of Time fantasy series. So for Sanderson to be writing space opera science fiction and a short story is two unusual situations at once. He’s so successful, at least in this story, that I wonder why he doesn’t write more short science fiction.

“Firstborn” is set in a galactic empire where space navies do battle with rebel forces, complete with space fighters dogfights. Dennison Crestmar, a young nobleman in the Imperial Navy, is struggling as an unsuccessful officer who is constantly compared to his older brother, the famed admiral Varion Crestmar, who has never lost a battle. The setting, plot, and characters seem ripe for a series of clichés, but somehow Sanderson crafts these parts into an engaging and inventive story.

Rating: 8/10

The reader: Sanderson, as he freely admits, is not a professional voice actor. He doesn’t have the richness of sound that the pros have and the recording quality has a bit of hiss. Yet, Sanderson is a very good amateur reader. He is expressive and seems to be enjoying reading his own work. When his wife checks in to read some of the middle portion of the story, she does an equally fine job. Although he does a good job here, I don’t think I’d like to see Sanderson narrate those fantasy novels he’s best known for; those things are long and I’d rather have him writing sequels than reading!

posted by Seth

LibriVox: D-99 by H.B. Fyfe

SFFaudio Online Audio

LibriVox Jerry Pyle, one of the participants in the Fourth Annual SFFaudio Challenge writes in to say:

hey jesse…

good news! i just completed D-99! you can find it here:

http://librivox.org/d-99-by-h-b-fyfe/

this was such an amazing experience. i just want to thank you for letting me be a part of the sffaudio challenge.

jer

Thank you Jerry!

Jerry has that all backwards of course – it was Jerry, along with the other cool folks at LibriVox that deserve our thanks. He and they have made us all a public domain Science Fiction audiobook that we can both enjoy and share with our friends forever and ever! If there’s any gratitude left after Jerry and LibriVox take their fair share it should go to Rick Jackson of Wonder Audio. Rick both suggested and commisioned the proofing of the etext for the Challenge. H.B. Fyfe himself is beyond accepting our thanks personally – he was transmuted, in 1997, into a force more powerful than we can possibly imagine. Should we need to we could spread any other deserved thanks a little further afield – we could also thank one of the audiobook publishers who supplied the prizes from which Jerry can now pick!

So Jerry, which 4th Annual SFFaudio Challenge prize would you like?

D-99
By H.B. Fyfe; Read by Jerry Pyle
20 Zipped MP3 Files or Podcast – Approx. 4 Hours 40 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 03, 2010
EARTHMEN IN TROUBLE Harris was caged in an underwater “zoo” by a pack of blue lobsters. Maria drew a five-year sentence on a puritanical planet for trying to buy a souvenir–and for being excessively feminine. Taranto and Meyers had committed the crime of being shipwrecked on a planet that didn’t like strangers. Gerson was simply kidnapped. And nobody had any idea why five citizens of Terra were being held on other worlds–and the ultra-secret Department 99 existed only to set them, and others like them, free. This tense novel is the story of one evening’s work for Department 99–their successes and failures–and of the strange crisis that almost wrecked D-99.

Podcast feed: http://librivox.org/rss/3755

iTunes 1-Click |SUBSCRIBE|

The audiobook is also available in two etext formats |PDF | and |HTML| – in case you’d like to read along!

[Special thanks also to Barry Eads (aka KiltedDragon) and James Christopher (aka Steampunk) @ LibriVox and Rick Jackson @ Wonder Audio!]

Posted by Jesse Willis

Review of Songmaster by Orson Scott Card

SFFaudio Audiobook Review

Songmaster
By Orson Scott Card; Read by Stefan Rudnicki
10 CDs, 9 Cassettes,or 1 MP3 disc – 12.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786178421 (CDs), 9780786180578 (MP3-CD), 9780786135097 (Cassettes)
Themes: / Science Fiction / Galactic Empire / Music / Education / Children / Despotism / Rebellion /

This early novel by Card is a precursor of many things to come from this great author. One of Orson’s favorite themes is that of a child with extraordinary talent coming of age. The child’s name is Ansset, and at very young age he is sent to the sequestered Songhouse. In the Songhouse, a powerful form of singing is taught that creates an abnormally strong emotional response in the listener. Ansset turns out to be exceptionally gifted singer and is groomed to be a Songbird.

The emperor, Mikal, who most believe to be the most horrible tyrant of the galaxy, wants to have a Songbird. Ansset is sent as a child to be Mikal’s Songbird. But there’s more to Ansset than what appears on the surface.

The writer’s credo “show, don’t tell” had to be abandoned in a sense. How does an author write about the impact of the music being sung without describing it? (telling). After all, the writer’s tools are words and not music. Card does show us the emotional impact that listeners have to the singing, so in that sense he is showing us. The great power of the songbird’s music could emotionally ravage a listener for good or ill. As a reader/listener, we need to believe this. So, how well does this novel succeed when it is about music, but is written in prose? In one word— beautifully. In the hands of less expressive author this could have been clumsy technique. This is a touching novel, in which you’ll care for Ansset.

The audiobook is narrated beautifully by Stefan Rudnicki. Mr. Rudnicki conveys an introspective and measured performance that suits the novel perfectly. There are parts of the text that he has to convey by singing. He does this in an understated manner that doesn’t undermine the emotional context of the scene. And the recording is up to the usually high standards that we expect of a Blackstone audiobook. If you’re fan of Ender’s Game or Card’s other works and you haven’t read or heard Songmaster—get it! If you’re not familiar with OSC’s works, this is a good place to start.

posted by The Time Traveler of the Time Traveler Show

Review of The Gripping Hand by Larry Niven and Jerry Pournelle

SFFaudio Radio Drama Review

The Gripping Hand
By Larry Niven and Jerry Pournelle; Read by Jay O. Sanders
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: 1993
ISBN: 0671791109
Themes: / Science Fiction / Hard SF / Biology / Politics / Economics /Galactic Civilization / Galactic Empire / Mormonism /

Twenty-five years have passed since the second Empire of man quarantined the mysterious aliens known only as Moties within the confines of their own solar system – afraid of the threat these aliens may pose to man kind. But the wall seperating man from the Moties is beginning to crumble…

The Gripping Hand is set in a the “CoDominium” universe originated by Jerry Pournelle. This is the sequel to their first novel together, The Mote In God’s Eye (not available on audio). The setting is that of a future interstellar empire in which humanity has only one major rival for complete dominance. The so-called “Moties” are an intelligent species that is so war-like, so very dangerous, that an enitre human naval task force sits blockading the Motie system’s only exit. The Moties are a species divided into distinct biological forms, each serving a different function. Master. Mediator. Engineer. Warrior. Each type is supremely adapted to its task, and only constant civil war has kept their population in check. Combined with the specialization is a terrible burden; if Moties don’t breed they die agonzing deaths.

For those who haven’t already read The Mote In God’s Eye, you may want to stop reading now as spoilers must follow. At the end of The Mote In God’s Eye, Sir Kevin Renner and His Excellency Horace Bury were secretly enlisted into Imperial Naval Intelligence. For the twenty-five years since then, they’ve acted as unpaid spies, keeping a watchful eye for “outies” (human raiders) in order that the empire might focus its meager resources on the overwhelming Motie threat. Bury is a merchant prince whose dealings allow him access to the underworld of many border worlds. Renner, a former naval officer, now acts as a field agent in the employ of Bury. When a botched Mormon kidnapping plot appears to involve a Motie phrase “the gripping hand”, Bury demands to inspect the fleet blockading the Motie system. His journey leads him to several surprises.

There’s a bit of bad news about this audiobook. If the abridgement had been longer there would still be some question as to whether or not we’d know what is going on in this book. I’ve listened about three times now and I’m pretty impressed at how much sense I’ve managed to make of it in spite of what little of the novel is there. It almost works. It has the barest framework of the plot left, lots of interesting characters, some very good dialogue, and a few simply brilliant SF ideas – but the final feeling I was left with at the end is great disappointment. We would really could have had a special audiobook here, if Simon & Schuster hadn’t knocked out so much in their drive to release 2-cassette abridgments as they did back in the early 1990s. This all is especially upseting because narrator Jay O. Sanders does a fantastic job with the accents and character voices. I think it is safe to say that the fad of abridging the snot out of every novel that comes down the pipe is over. That’s a good thing. It came to late for this audiobook. Some publisher out there should get a hold of The Mote In God’s Eye and record it, complete and unabridged, and while they’re at it they should get Jay O. Sanders to do the reading. We know he’ll do a good job.

Posted by Jesse Willis

Review of Star Wars: Revenge of the Sith by Matthew Stover

Star Wars: Revenge of the Sith
By Matthew Stover; Read by Jonathan Davis
11 CD’s – 14 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2005
Themes: / Science Fiction / Star Wars / Republic / War /

Well, here it is. Thirty years after the original Star Wars film, we have the conclusion. George Lucas said in an interview that he seems to have two sets of fans, one loyal to the first trilogy, and one younger set that prefers the recent trilogy. I admit up front that I’m of the first set, and that I found Episode I very disappointing, and Episode II a bit less disappointing. But like so many others, I went right out to see Episode III immediately upon its release. This audiobook is written by Matthew Stover, based on George Lucas’ screenplay for the film.

Now, I know that this is an audiobook review, but it’s very difficult not to bring the film into it. The audiobook is filled with sound effects and music from the movie, and because I’d seen that movie, Lucas’ brilliant and beautiful images were front and center in my mind while listening. Jonathan Davis’ superior narration also took from the film as he often imitated the actors while speaking. Palpatine sounds like Ian McDiarmid’s Palpatine, Obi-Wan sounds like Ewan McGregor’s Obi-Wan, and all to great effect. Jonathan Davis is fabulously talented. At times, his voice was altered by sound engineers (when speaking as General Grievous, for example), also to great effect. This audiobook sounded wonderful.

The movie was longish, clocking in at 140 minutes, every minute of which moved at breakneck speed. This audiobook runs 14 hours, and tells the same story as the movie, but Matthew Stover was given a lot more room to tell it. I don’t know how closely he consulted with Lucas on this, but the story runs at a much slower pace with lots of backstory and deep penetration into the characters’ thoughts. The first time a character is met in a story, Stover writes until he hits a natural break point in the action, then delves deep into that character’s past or his current state of mind, then returns to the action. The result is a satisfying companion to the film. Knowing what I know now about the characters would make watching the film a better experience, because Lucas spends no time at all on depth of character.

I would heartily recommend this audiobook to Star Wars fans who’d like to know more about these characters. Skywalker’s turn to the dark side makes a bit more sense here than it did in the movie, since his inner thoughts are revealed for us to see. Though I am still partial to the original three films, I found that this story adds depth to those stories too. Bravo to Random House Audio for producing this fine piece of work.

Posted by Scott D. Danielson

Review of Foundation and Empire by Isaac Asimov

Science Fiction and Fantasy Audio

Foundation and Empire
By Isaac Asimov; Read by Scott Brick
8 CD’s, 10 hours [UNABRIDGED]
Publisher: Books on Tape
Published: 2005 (Re-issued with new narrator)
ISBN: None on package
Themes: / Science Fiction / Psychohistory / Galactic Empire / Mental Powers /

This classic novel contains two parts. The first is The General and is much like Foundation in tone and subject matter. Galactic Empire is dying, and the Foundation grows in strength. The story is about Bel Riose, a General in the Empire, and the Empire’s last gasp against the Foundation.

But then Asimov takes it up a notch. “The Mule” is the second part of the book, and is one of Asimov’s finest works. The Foundation is unexpectedly confronted with an enigma who calls himself The Mule. Hari Seldon could not have considered such an anomaly in his equations, and when historical events are altered by The Mule’s mental ability to influence people, the Foundation responds.

And what more can I say about Scott Brick? I really enjoy him, and look forward to his narrations. This book was written more than fifty years ago, and it holds up as much more than a historical curiosity. Brick does a fine job with it.

Posted by Scott D. Danielson