fantasy – Page 99

Review of Storm Front by Jim Butcher

SFFaudio Audiobook Review

Editor’s Note: Let’s give a big hand to our newest reviewer, Michael Bekemeyer. When Michael isn’t writing screenplays and shooting pictures, he writes and reads his own stories on his podcast, Scatterpod.

Storm Front: Book 1 of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 hrs [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2004
ISBN: 0965725561(MP3 disc); 0965725502(CDs)
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

Fans of the Dresden series of books will probably recognize this title as the first in the widely successful series authored by Jim Butcher. Those of you who have been living under a rock somewhere, like I have, might only have known this as a TV series on the Sci-Fi Channel. Either way, once introduced to the world of Harry Blackstone Copperfield Dresden, you are most likely to find yourself under his spell and wanting more.

If first impressions count the most, you might not think much of Harry Dresden. He is the classic underdog; a private investigator complete with a sagaciously dry sense of humor, a cat called Mr., a car that breaks down more than it runs and oh, yes, magical powers. That’s right, he’s a wizard and a P.I. and therein lies the charm of this series.

The story starts like a lot of detective stories. The unlikely hero is hired by a seemingly normal client, who is trying to find her missing husband and the mystery that is woven is tight and spellbinding, as well as thoughtful and told in first person. So we, the reader (or listener) find things out as Dresden does and are never allowed the luxury of knowing what’s going on before he does.

Sounds pretty cut and dry, I know, but as the mystery unfolds we are introduced to a holistically inventive cast of characters that includes vampires, demons, giant scorpions, a dark wizard, prostitutes, fairies, drug dealers, gangsters, a nymphomaniac and even a peeping-pizza-delivery-guy-Tom. Each of these characters adds to the story and texture of the Dresden universe with richly orchestrated layers of darkness, humor and a never-ending sense of impending doom. And, since being underestimated is part of Dresden’s charm, we find that he has more than just a few card tricks up his sleeve.

The story is narrated by James Marsters, who you will most certainly know as Spike from Buffy the Vampire Slayer television series. His dry reading of the text does an excellent job of expressing the internal monologue of Harry Dresden. Since the story in first person, from the perspective of the main character, Marsters does not do a lot of voices, or interpretation of the characters. I think, as an actor, he may have been more inclined to capture the dramatic truth of the moment as opposed to using animated voices to tell the tale. So, it feels like we are gathered around a campfire while Dresden is personally recounting the details of the story for us.

The production value of this audio book is high, with rich sound that is full and easy to listen to. However, there were a few minor things that stood out to me. At times the reading sounded rushed. For instance, there are several times when the narrator almost flubs a line and doesn’t stop to correct himself. Also, there were several times when the background noise and page turns really jumped out at me. I know it may sound a bit picky to mention such things, but the beauty of listening to a story in audio form, is that the listener can enter the audible world of the story. Even the slightest glitch can instantly kill the mood.

All in all, I highly recommend this audiobook. I am happy to say that the hiccups in the production do not deteriorate the stellar performance and storytelling that you will find in Storm Front, Dresden Book 1. So, if you haven’t already found yourself under Dresden’s spell, this audio presentation by Buzzy Multimedia is a fine place to start.

posted by Michael Bekemeyer of the Scatterpod podcast

Review of Rings, Swords, And Monsters: Exploring Fantasy Literature by Michael D.C. Drout

SFFaudio Review

Rings, Swords, And Monsters: Exploring Fantasy Literature
Lectures by Professor Michael D.C. Drout
7 CDs & Book – 7 Hours 51 Minutes [LECTURES]
Publisher: Recorded Books LLC / The Modern Scholar
Published: 2006
ISBN: 1419386956
Themes: / Non-Fiction / Lectures / Fantasy / J.R.R. Tolkien / Middle Earth / Beowulf / Children’s Fantasy / Arthurian Legend / Magic Realism / World Building /

“It used to be that fantasy was a boy’s genre and that was clear even back through the 80s and 90s, that 90% of your audience for fantasy literature, 90% of your audience for Tolkien was male. That is no longer the case. When I give lecturings [sic] at gatherings of Tolkien enthusiasts the crowd is easily 50-50 male female and often times more female than male – though I will have to say that many of the women in the crowd are wearing elf-princess costumes – I’m not really sure what that means.”
-Lecture 13: Arthurian Fantasy (on the ‘Marion Zimmer Bradley effect’)

Most of this lecture series is concerned with Tolkien. Drout explains what influenced Tolkien’s fiction, how his work impacted Fantasy and how later writers reacted to and imitated him. A full five of the 14 lectures are on Tolkien’s books proper, with another four on what influenced him, and who he influenced. The scholarship here is absolutely engrossing, hearing Drout tease out details from names, the structure and the philosophy of Tolkien’s The Lord Of The Rings, The Hobbit and The Silmarillion will delight any Tolkien fan. At one point in Lecture 4 Drout explains the sources for the names of both the 13 dwarves of The Hobbit and Gandalf too. According to Drout, Gandalf was originally named “Bladderthin.” But this isn’t just scholarship here, Drout is very much a critic, a fan of the works he studies. He gives a critical examination of plots, themes and the worlds of each of the Fantasy novels he talks about. Drout dissects Ursula K. Le Guin’s Earthsea books, calling them possibly the best Fantasy since Tolkien, on the one hand and also shows what doesn’t quite work in them. Drout, like Tolkien is an scholar of Anglo-Saxon so there is also plenty of talk about Beowulf and the impact it had on Tolkien. In fact, central to many of his arguments is the linguistic background each work of Fantasy makes use of. Tolkien works so well, argues Drout, in part, because it all hangs linguistically together. Stephen R. Donaldson’s The Chronicles Of Thomas Covenant, which Drout thinks immensely prominent in post-Tolkien Fantasy, doesn’t have a cohesive linguistic bedrock, and that hurts the series – which he thinks is otherwise one of the best realized “secondary worlds” created. Whatever it is Drout talks about, he backs up his critical opinion. Terry Brooks’ Shannara series, he’s read them, and has dissected the plots to show how as time has gone by and Brooks has written more, he’s come to have something of his own voice, and not just stayed the pale Tolkien imitator he started as.

The lectures on Tolkien inevitably lead to the Narnia books by C.S. Lewis. Drout gives them their due, and shows why some of it works and some of it doesn’t. Arthurian Fantasy, which predates Tolkien, seems to have run a parallel course to “secondary world” fantasy literature. After hearing Lecture 13 you’ll come away with a desire to find a copy of T.H. White’s The Once and Future King and Mary Stewart’s Merlin series. My own opinion is that Drout gives too much credit to J.K. Rowling and her Harry Potter novels, he talks about her writing for about 8 minutes. In fairness it would probably not be possible to talk about Children’s Fantasy literature without mentioning her popular series. But on the other hand there are many different kinds of Fantasy that Drout doesn’t talk about at all. I wonder why Neil Gaiman isn’t mentioned. What of Robert E. Howard? And why almost no talk about short stories? James Powell’s A Dirge For Clowntown needs some attention! The only solution is for Recorded Books to go back and ask for more from this professor. Call it Gods, Barbarians, and Clowns: Further Explorations Of Fantasy Literature or something. Until then I’ll be working on my Cimmerian-clown costume.

Posted by Jesse Willis

Review of Guardians Of The West by David Eddings

SFFaudio Audiobook Review

Guardians Of The West (Book #1 of the Malloreon)
By David Eddings; Read by Cameron Beierle
14 CDs , 1 MP3 CD or Cassettes- Aprox. 15 hours [UNABRIDGED]
Publisher: Books in Motion
Published: 2006
ISBN: 1596072377 (MP3-CD), 1596072369 (CDs), 1596072350 (Cassettes)
Themes: / Fantasy / Magic / War / Magical Creatures / Wizards / Gods /

Guardians Of The West is the first book in a five book series called the The Malloreon. There’s a previous five volume series, The Belgariad, that takes place in this same fantasy setting. In fact, Guardians Of The West picks up shortly after The Belgariad’s ending. I had never read The Belgariad series, so I had to play catch-up listening to this title.

After a prologue that was obviously written as a refresher to those who had read the previous series, the story gets underway. The tale unfolds slowly enough. The large cast of characters are easy to get to know and are varied and interesting in themselves. There is Errand, a naive child with special gifts. Polgara, who is a motherly near-immortal. And her father, Belgrath, a boozing, womanizer, a real Falstaffian character until things get serious.

The novel’s central characters switches to the young king, Garion, who we find to be having trouble with his new spirited queen, Ce’Nedra. The plot really begins to move when there are hints of a new dark power known only as Zandramas. The pacing remains leisure through the first half of the novel. After the climatic ending to the first series, I suppose Eddings needed to maneuver and reintroduce the cast to his readers and create a new major conflict. This could have been frustrating if wasn’t for Eddings’ gift for dialog and characterization.

This book needed a talented voice actor to carry off the large and varied cast. Sprawling fantasy novels may be the most challenging genre for an actor to convey. Cameron Beierle does it all with unequivocal panache. His very intonations carry enough characterization that Eddings’ descriptions of characters become redundant. He uses many accents that seem entirely appropriate to the characters. Like Harry Potter’s narrator, Jim Dale, he has a seemingly endless repertoire of voices. I’d go so far as to call Cameron Beierle the American Jim Dale.

If you haven’t read or listened to Eddings’ Belgariad series, I’m sure that’s the place to start. The first book in the series is called Pawn of Prophecy and it along with all the books in the two series are available from Books In Motion. And all narrated by Cameron Beierle!

posted by The Time Traveler of the Time Traveler Show

Review of Conan The Barbarian Movie Adaptation LP

SFFaudio Audiobook Review

Conan The Barbarian
Based on the Motion Picture directed by John Milius; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 43 minutes [AUDIO DRAMA]
Publisher: Power Records
Published: 1982 (Out Of Print)
Product #: 1134
Themes: / Fantasy / Revenge / Battle / Mythology / Gods / Snakes /

“I was born on the battlefield! The first sounds I
heard were the screams of dying men!”

It took almost a half of century for Robert E. Howard’s legendary thief, warrior, barbarian and eventual King to debut on the silver screen. In the fifty or so years prior to the 1982 theatrical release of Conan The Barbarian, and against all odds, Conan had clutched fate by its throat and demanded success in practically every media it was translated into. Novels, magazines, newspaper syndication and comics, they were all conquered by this sword-wielding barbarian. These conquest continually garnished him a growing legion of loyal followers. So by Conan’s God Crom, it only made sense for Hollywood to be this fantasy character’s next path to tread under his sandaled feet.

Ridley Scott… Oliver Stone… Many talented directors attempted to bring “Conan The Barbarian” to theaters before writer/director John Milius’ inspired script finally got it right and brought the project to fruition. John’s vision, which some critics called “horribly violent” and “sexist”, captured the true lifeblood and essence of the Hyborian Age and all its brutality and sinister ways. Directed on location in Spain for Universal Pictures, it starred world renowned bodybuilder Arnold Schwarzenegger as Conan of Cimmeria and Shakespearean actor James Earl Jones as the dreaded snake cult leader Thulsa Doom.

As always, making a motion picture about any character with a large fanbase creates controversy, and Conan The Barbarian was no different. Many fans questioned most of the inexperienced cast and their acting ability. Arnold Schwarzenegger was a world champion bodybuilder. Valeria, played by Sandahl Bergman, was a professional dancer. Even the director’s surfing partner took on the role of Subotai. Overwhelmingly, other than James Earl Jones, the cast was perceived as great lot of physical specimens rather than accomplished actors. Confusion also lingered among purists regarding Milius’ choice to retell Conan’s origin, which somewhat contrasted with the purist understanding of the barbarian’s earlier years. But other fans defended the retelling, arguing that creator Robert E. Howard never truly fleshed out Conan’s childhood, only briefly touched upon it. Moreover, they were quite pleased that Milius honored the legacy of Conan by sampling script ideas from many of Conan’s original tales like “The Tower of the Elephant” and “The Thing in the Crypt”.

Whichever side fans took, most couldn’t help not to revel in the sure beauty of the film… especially its Fantasy panting-like cinematography, awe inspiring original score and its seriousness in tone (something sorely missing in the later and utterly inferior sequel.) So, like all forms of media before it, the film Conan The Barbarian was a success and is now considered a classic among fans of the sword & sorcery genre. Conan was once again triumphant.

That same year, Power Records released the story of “Conan The Barbarian” which was surprisingly good among movie adaptation albums of its time. Known more for creating stories for adolescents, it was really quite astonishing to see Power Records adapt a “R” rated film, gloriously filled with masses of graphic violence, explicit nudity and even an orgy! The adaptation did exclude the “worst” parts of the film of course, but most mothers I know would balk upon their children listening to lines like “The last image I saw was my parent’s heads on a pair of Vanir pikes!” This adaptation was obviously made for young adults.

A whole new cast of actors were used, and the actors chosen for Conan, Subotai and The Wizard were an excellent choice. Conan is more intelligent than he appeared in the film, in the vein of the original Robert E. Howard writings. Actually, the original film script called for Conan to have more dialogue and narrate his own story rather than Mako’s ‘The Wizard’ doing the chronicling. But due to Schwarzenegger’s thick accent, much of Conan’s lines were trimmed down and/or removed in trade of Arnold’s powerful visual presence, which is where a problem lies. I actually had trouble appreciating this adaptation at first. Being a great fan of the film, I had the original actor’s voices and their dialogue (or Conan’s lack thereof) imprinted in my mind so deeply, it was hard to listen with a fresh perspective. Challenging yourself to give it a second “go around” is where the reward lies!

Conan narrating his tale is not the only difference between the adaptation and the actual film. Though fans of the film will be pleased to know that practically all of the story differences you hear were actually in the original John Milius script, before they were edited for various creative and/or monetary reasons. Some differences are subtle, like Thulsa Doom’s high priests are named Yaro and Rexor (rather than the familiar Rexor and Thorgrim). Others are larger events, like when Conan and Subotai enter the cities of Zamora looking to plunder the riches of the snake tower. While traveling through the filthy city of Shadizar, the script & adaptation details an extra scene of Conan and Subotai witnessing a snake cult procession moving through the streets. This is where Conan first hears the cursed chant of his nemesis Thulsa Doom since his parent slaying so long ago. He also gets his first glance of the haunting Princess he would later steal for King Osric, as she calls out to Conan from her platform, commanding him to “throw down his sword” in the name of Set. It’s a great scene.

My only gripe with the record adaptation is I wish it featured the film’s original score. While the orchestration Power Records uses is vast and surprisingly well done, it’s hard to stand against the classic work of composer Basil Poledouris. Though, with their excellent cast and matching production values, this can be easily overlooked. Especially when listening to the “new” dialog and scenes ultimately left on the cutting room floor. As a fan of all things Conan and especially the films, it creates quite a thrill and leaves you slightly imagining… what might have been.

posted by Akim Bischoff

Review of Airborn by Kenneth Oppel

SFFaudio Audiobook Review

Airborn SFFaudio Essential
By Kenneth Oppel; Performed by a FULL CAST
10 CDs – 10.5 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2006
ISBN: 1933322543
Themes: / Fantasy / Parallel World / Alternate History / Airships / Swashbuckling / Pirates /

…the pirate airship was already adjusting its course, keeping pace, and as it forced us closer to the waves, we would have less space to manoeuvre. There was a great flash from the pirate ship’s underbelly and a thunderous volley of cannon fire scorched the night sky across our bow.

A voice carried by bullhorn shuddered the air. “Put your nose to the wind and cut speed.”

The story of Airborn is told by 15 year old Matt Cruse, a lowly cabin boy on the a ziz-like commercial airship called the Aurora, primarily used as a passenger liner, the Aurora also carries industrial an commercial goods between continents. Matt was actually born in the air and dreams of becoming an officer one day, not only to further his career as an airman but also to better support his family back home. One day, while aloft and on watch, Matt spies a damaged hot air balloon drifting in the South Pacificus. Only Matt’s natural aptitude in the rigging can save the dying man carried in it. When Matt rescues him the feverish old man’s words are of an amazing, and highly improbable creature he’d spotted in the sky. A year or so later, young Kate de Vries, who was granddaughter to the hot-air balloonist, comes aboard the Aurora. Kate herself has dreams of following in her grandfather’s flightpath and becoming a famous naturalist. They might never have discovered her grandfather’s secret though, had it not been for sudden and vicious pirate raid lead by the legendary air-pirate Szpirglas (pronounced Spear-glass). After the attack and crash-landed on an uncharted island off the regular air-routes it is up to Matt to discover the secret of Kate’s grandfather, repair the damaged airship along with the crew and win the heart of Kate herself. If Matt can just pull it all together he might even live long enough to attend the Air Academy and become a officer.

This is a simple, almost classically structured, juvenile adventure story in the Heinleinian tradition. What is so different about this novel is that it isn’t set in a familiar setting – no spaceships and farm boys here, instead we have an alternate history/alternate universe tale, set on Earth, but an Earth which has place names subtly altered (The city of Vancouver is called Lionsgate City, the Pacific ocean is the Pacificus). Most importantly a flourishing airship economy has made the world of Airborn a cross between a benign steampunk world and pneumatic tube etherland of alternate science and technology. The successful airships industry is buoyed not by helium or hydrogen but instead by a mango scented and plentiful noncombustible gas: hydrium. Also in use are ornithopters, which are a fun but failed technology in our world, though they seem to serve well enough in Airborn, at least for short hops. The world’s extant empires are all subtly altered too, it appears that the expansive British Empire centered in “Angleterre, is tempered, perhaps by a more vigorous Germanic or French empire? North America itself is cut-up into “Kanada” and the “American Colonies”. The Aurora itself though is the primary setting of the novel. As a commercial passenger airship it is based out of Lionsgate City (Vancouver) and plies the airways of the Pacific to Sydney, Siberia and beyond.

There is a tremendous difference between a FULL CAST reading and a regular audiobook. A full cast audiobook, and by that I mean a FULL CAST AUDIO production, is as close to an audio drama as you can get without actually becoming a dramatization. Each character has his or her own actor, this along with descriptive text and punctuating music transmogrifies the unabridged words into vibrant mental images. I’d be willing to bet that if you were to hook-up a person listening to Airborn to a Functional Magnetic Resonating Imaging machine the FMRI would show tremendous activity in the visual cortex. There is a sequel, called Skybreaker in the release pipeline coming from Full Cast Audio, if it lives up to the standard set in writing and production it will be an SFFaudio Essential too.

posted by Jesse Willis

Review of The Magic Tree House Collection by Mary Pope Osborne

SFFaudio Audiobook Review

The Magic Tree House Collection
By Mary Pope Osborne; Read by Mary Pope Osborne
5 CDs – 5 Hours 40 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: 2001
ISBN: 0807206121
Themes: / Fantasy / Children’s Fantasy / Time Travel / Magic / Dragons / Knights / Pirates / Prehistoric /

This delightful children’s fantasy series features Jack and Annie. They’re siblings that find a tree house full of books. By opening the books the children are transported across time and space. This collection contains the first eight books of this popular kids series. In each book the children find themselves going to a different place. The books contained in this audiobook are:

1. Dinosaurs Before Dark
2. The Knight at Dawn
3. Mummies in the Morning
4. Pirates Past Noon
5. Night of the Ninjas
6. Afternoon on the Amazon
7. Sunset of the Sabertooth
8. Midnight on the Moon

Each book’s setting contains the tropes you’d expect to find. So in Pirates Past Noon, for instance, you have pirates, sailing ships, booty and treasure maps. There are story arc’s that stretches over a number of the books. The first concerns—who is the owner of the Magic Tree House.

Mary Pope Osbourne does a wonderful job of narration. Her pacing is excellent and her voice characterization are right on the mark. She has a gentle, soothing voice that children will love.

If you know or have a young person, of about five to ten years old, that you want to turn on to audiobooks, this audio collection is a perfect introduction. For my eight year old, we used it as part of our bedtime story ritual. I’ve bought the books so we can read along some nights. Other nights we take turns reading the books out loud.

posted by The Time Traveler of the Time Traveler Show