Here’s the ghostly novella, The Beckoning Fair One, set for our upcoming podcast readalong. It’s read for us by the wonderful Julie Davis from the wondrous Forgotten Classics podcast!
The Beckoning Fair One
By Oliver Onions; Read by Julie Davis
1 |MP3| – Approx. 2 Hours 40 Minutes [UNABRIDGED]
Provider: Forgotten Classics
Podcast: July-August, 2012
First published in 1911.
The Zombie Survival Guide: Complete Protection From The Living Dead
By Max Brooks; Read by Marc Cashman
Approx. 8 Hours 38 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: September 12, 2006
ISBN: 9780739342725
Themes: / Zombies / Humor / Horror / Apocalypse /
The next time a Class 2 zombie outbreak occurs in my neighborhood, I’ll be well-prepared to deal with the shambling corpses of hungry undead now that I’ve read Max Brooks’ The Zombie Survival Guide: Complete Protection From The Living Dead.
The Zombie Survival Guide dispels exaggerated myths and legends of the undead and instead presents the reader with unvarnished “truths” about zombies. You’ll find information on zombies’ physical strength, sight, hearing, and rate of decay, and the pros and cons of various weaponry for battling the undead (everything from medieval maces and claymores, to M-16s and flamethrowers). It describes various scenarios for identifying early signs of localized (Class 1) outbreaks, to full-blown widespread undead infestation (Class 3). You’ll find best practices for battling zombies in urban settings, in harsh desert and swamp environments, even under the sea. The Zombie Survival Guide tells you how to defend your home by stocking up with key food and supplies and moving to your second floor and destroying all staircases (recommend for Class 2), or how to survive on the run as you move to the most remote and therefore safest parts of the planet in a world-wide zombie apocalypse in which mankind is overrun (Class 4). The best vehicle should an outbreak occur? You might not guess it, but it’s a bicycle. On a bike you can easily outrun the slow, slouching pace of zombies, it will never run out of gas, you can carry a bicycle over rough terrain, and you can maneuver a bike through the inevitable traffic jams that accompany a full-on panic. Motorcycles are very good too, though their noise attracts the undead. Boats are also a secure means of travel, says Brooks, but watch your anchor line—zombies walking on the ocean floor can use it to climb up to your boat. “Hundreds” of hapless victims have died this way, Brooks tells us.
The Zombie Survival Guide serves as a perfect gateway to Brooks’ highly recommended World War Z |READ OUR REVIEW|. If for nothing else, and you find Brooks’ post-apocalyptic strategems and survival tactics tedious, I’d recommend this book simply for the highly entertaining “Recorded Outbreaks” section. Here Brooks describes various zombie outbreaks throughout history, from ancient tales recorded in chilling primitive artwork, all the way up through living eyewitness accounts from the early 21st century. These are written in the economical journalism style that Brooks’ employs so effectively in World War Z, lending these “outbreaks” a documentary-style feel, which makes them seem more realistic and terrifying. According to Brooks there have been many zombie outbreaks throughout history—perhaps even in my neighborhood, hence my need to be ready—but these have been largely laughed off by skeptical media, ascribed to outbreaks of disease, localized madness, or industrial pollution, or covered up by governments or the CDC, fearful that public knowledge would result in full-scale panic.
For all its earnestness you have to take The Zombie Survival Guide with a heavy dose of salt. While it’s written in a deadpan style and never descends into farce, and purports to be a “real” guide for complete protection against the walking dead, when you read passages like “If you want to know the true danger of an airborne (parachute) attack against zombies, try dropping a square centimeter of meat on a swarming anthill. Chances are, that meat will never touch the ground. In short, air support is just that—support. People who believe it to be a war-winner have no business planning, orchestrating, or participating in any conflict with the living dead,” you can’t help but laugh (I did laugh out loud, several times). While not as well-written or as compelling as World War Z, for zombie aficionados The Zombie Survival Guide is nevertheless a must-read.
Marc Cashman narrates with a dry, clipped voice that perfectly suits the how-to nature of The Zombie Survival Guide. There’s a touch of William Shatner in his delivery, with dramatic pauses in odd places, but that only adds to the fun.
The Sisters Grimm: Magic and Other Misdemeanors (Book 5)
By Michael Buckley; Read by L. J. Ganser
6.5 Hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2008
Themes: / Fantasy / Magic / Mystery / YA /
This is the fifth book in the series, but my first foray into the world of the Sisters Grimm.
At first I found it interesting. Two young girls, Sabrina and Daphne, are the last in a long line of descendants or Wilhelm Grimm. They live with their Granny Relda, Uncle Jake, Mr. Canis and Puck, a mischievous fairy with a penchant for trouble. Their parents are asleep, victims of some sort of sleeping spell.
The girls are being trained to be detectives and help the Ever Afters, immortal folk from the fairy tales, who are trapped in Ferryport Landing.
I like the premise. I like the characters and the story. But as I got into the story I found myself pulling out my iPod every chance I could get to listen. I even found myself lying in bed, listening to the story when I should have been sleeping.
This time, the group must pay the evil Mayor Heart and Sheriff Nottingham exorbitant back taxes or risk losing their home. At the same time, three of their Ever After friends have lost valuable magical items and need the Grimm’s help in recovering them.
The ending is not what I expected. Well, not exactly. Nor were several of the twists thrown in to distract the family and keep them from solving the case. But they all fit very nicely and the ending was satisfactory – sort of. The story ended with a “To be continued” as the overarching story continues. I’ve already purchased book six to begin as soon as I finish this review.
On a scale of one to ten, I give this book an enthusiastic nine. Read it. Give it to your daughters, nieces, nephews and anyone who loves fantasy and fairy tales. It’s a delightful book.
The SFFaudio Podcast #178 – An unabridged reading of The Yellow Wallpaper by Charlotte Perkins Gilman (32 minutes, read for LibriVox by Michelle Sullivan) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, Jenny Colvin, and Julie Hoverson.
Talked about on today’s show:
Charlotte Perkins Gilman vs. Charlotte Perkins Stetson, wall-paper vs. wallpaper, a seminal work of feminist fiction, a ghost story, a psychological horror story, the Wikipedia entry for The Yellow Wallpaper, Alan Ryan, “quite apart from its origins [it] is one of the finest, and strongest, tales of horror ever written. It may be a ghost story. Worse yet, it may not.” postpartum depression, “the rest cure”, phosphates vs. phosphites, condescending husbands, infantilization of women, superstitions, is she dangerous?, is she only pretending to go insane or is she actually mad?, will reading The Yellow Wallpaper drive you to insanity?, an androcentric society, Titus Andronicus by William Shakespeare, Life by Emily Dickinson
MUCH madness is divinest sense
To a discerning eye;
Much sense the starkest madness.
’T is the majority
In this, as all, prevails.
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Jenny is the husband’s sister (or mistress?), “gymnasium or prison, she doesn’t know she’s living in a short story”, does the family think she’s crazy a the story’s start?, biting the bed is a bit suspicious, barred windows, suicide, has she forgotten that she’s the wrecked the wallpaper to begin with, a haunted house vs. a haunted woman, is the supernatural only within minds?, Julie goes crazy without something to read, first time motherhood can be a struggle, duplicity, crazy people are known to make unreasonable requests, “why is the cork on the fork?”, Dirty Rotten Scoundrels, what’s the rope for?, “all persons need work”, counting the holes, are women moral by default?, Herland by Charlotte Perkins Gilman, utopia, “everything is both beautiful and practical”, the eighteenth amendment to the U.S. Constitution (prohibition), the husband faints (and so she wins?), creeping vs. crawling, the creepiest ending, smooch vs. smudge, neurasthenia, William James (brother of Henry James), “Americanitis”, the fashion of being sick, hypochondria as a fad, the “fresh air” movement, Kellogg’s cereal 9and other patented medicines), a yogurt colonic, mental illness is shameful in Asia, mental illness vs. oppression, an absolutely unreliable narrator, Stockholm syndrome style thinking, “You think you have mastered it, but just as you get well under way in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you.” worrying a tooth, tooth loss as an adult is horrific, as a kid it’s fun, why are we rewarded by the tooth-fairy?, is the tooth-fairy universal?, was chronic fatigue syndrome a fad?, fame is popular, Münchausen’s syndrome (the disease of faking a disease), take up a hobby!, distinguishing genuine from real, syndrome (symptoms that occur together) vs. disease (dis-ease), “which is worse…”, how to look at doctors, Tam’s doctor is nicer than House, M.D., witch doctors, non-invasive cures, gallium, Vitamin C, The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements by Sam Kean, Julie Hoverson’s reading of The Yellow Wallpaper, the unnamed narrator (let’s call her Julie), “what’s with the plantain leaf?”, a modern version of The Yellow Wallpaper would be set at fat camp (is that The Biggest Loser), starts off, Flowers In The Attic by V.C. Andrews, arsenic doughnuts (are not Münchausen syndrome by proxy), The Awakening by Kate Chopin, civilizing influence, bathing!, “men know what side their sex is buttered on”, In The Next Room (or The Vibrator Play) by Sarah Ruhl, Changeling (screenplay by J. Michael Straczynski), what is your Yellow Wallpaper?, fiction is Jesse’s wallpaper, ‘tv, videogames, comics … none of these make you crazy’, heroin chic, Julie has many yellow papers, Tam’s yellow wallpaper is the bookstore, Sebastian Junger vs. J.G. Ballard, 1920s, The Great Gatsby by F. Scott Fitzgerald, posing gowns, identical wigs, Jenny’s yellow wallpaper is dreams, The Evil Clergyman (aka The Wicked Clergyman) by H.P. Lovecraft, nice wallpaper, authorial self-interpretations, Eric S. Rabkin, re-reading as an adult something you read as a kid, The Prince Of Morning Bells by Nancy Kress, The Portrait Of A Lady by Henry James, The Lord Of The Rings by J.R.R. Tolkien, old time radio comedies, should you read fiction from the beginning? Start with Canterbury Tales by Geoffrey Chaucer?, Hyperion by Dan Simmons, Jonathan Swift, Peter F. Hamilton, E.E. ‘doc’ Smith, Mastermind Of Mars by Edgar Rice Burroughs.
Last Call
By Tim Powers; Read by Bronson Pinchot
16 CDs – Approx. 19.1 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441757364
Themes: / Fantasy / Gambling / Immortality / Las Vegas / Poetry / Arthurian Legend / Greek Mythology / Egyptian Mythology
Scott Crane abandoned his career as a professional poker player twenty years ago and hasn’t returned to Las Vegas, or held a hand of cards, in ten years. But troubling nightmares about a strange poker game he once attended on a houseboat on Lake Mead are drawing him back to the magical city. For the mythic game he believed he won did not end that night in 1969—and the price of his winnings was his soul. Now, a pot far more strange and perilous than he ever could imagine depends on the turning of a card. Enchantingly dark and compellingly real, this World Fantasy Award–winning novel is a masterpiece of magic realism set in the gritty, dazzling underworld known as Las Vegas.
Tim Powers’ Last Call (1992 William Morrow and Co.; 2010 Blackstone Audio, Inc.) is studded with references to old myths, snatches of T.S. Eliot’s “The Wasteland,” the art of poker playing, and the unique culture and atmosphere of old and new Las Vegas. It contains numerous major and minor characters, overarching themes and subplots, and digressions into probability theory. In other words, it demands close reading and attention to detail. Listening to it in half-hour chunks as I did while driving to work was probably not the best idea, and may have affected my review of the book, but what follows is an honest appraisal.
There’s a lot to like in Last Call, and I lot I liked. At its heart it’s really about the vast, mysterious forces driving the universe and the ways in which they manifest in our lives. Why does tragedy pass over a criminal and take a good person instead? Why does a disease like cancer randomly strike a family man with a wife and children to support? Although life appears chaotic and meaningless, perhaps there are active, purposeful forces of fate at work as well, old gods that exist outside our typical suburban lives but can be sought out and appealed to, and even manipulated. In Last Call Powers breathes new life into ancient myths like the Arthurian Fisher King, the Greek god Dionysus, and the Egyptian goddess Isis, incorporating themes of resurrection and physical health tied to spiritual health. These ancient demigods reappear in the forms of unlikely modern-day characters, including broken-down ex-gambler Scott Crane and his estranged foster-sister Diana. Last Call also includes a cast of memorable bad guys, including a bloated fat hit man Trumbull who is convinced that eternal life can be had through the consumption of raw flesh, and the chief baddie Georges Leon, a mystic who achieves immortality through stealing and possessing the bodies of the living. Crane is the central figure in the story, a man who in 1969 played a portentous game of Assumption with a powerful set of tarot cards. Twenty years later Crane returns for a second game against Leon with nothing less than his soul on the line.
Last Call is ultimately a hopeful book, as it implies that there may be a purpose to our lives and a way to control one’s destiny, if you can read the cards and master the archetypes of the Tarot. In Powers’ hands playing cards are a metaphor for the mysteries of life and the skill and luck required to navigate its uncertain waters.
Neil Gaiman’s American Gods employs a similar conceit of old gods reincarnated in the modern world but I must say I enjoyed Gaiman’s take better. Powers is a talented writer and I enjoyed his descriptions of the seedy soul of Las Vegas, as well as some memorable set-pieces he creates, including an encounter with the ghost of the infamous gangster Bugsy Siegel beneath the waters of Lake Mead. But the slow pace of the narrative, the meandering plotline, the too-numerous characters and plotlines that drop in and out of the story without sufficient explanation and resolution (Crane’s wife Susan, for example), and tedious descriptions of card game after card game make Last Call a difficult listen and at times an outright chore, despite the fine narration by Bronson Pinchot.
Perhaps my lukewarm reaction to Last Call has something to do with the fact that I I’m not a fan of card playing; Vegas is a cool place to visit and I’ve tried my hand at a few slot machines, but sitting down at a table in the company of hardcore gamblers has zero appeal for me. If you read Last Call watch closely for the signs, the subtle flush of cheek or restless eyes that the best card players know how to detect and interpret. As for casual readers: Beware.
Written in the narrative form of DeMille’s A Strange Manuscript Found In A Copper Cylinder or Poe’s The Narrative of Arthur Gordon Pym Of Nantucket Tonia Brown’s The Cold Beneath is a new “steampunk horror” audiobook.
The Cold Beneath
By Tonia Brown; Read by Chris Barnes
Download – Approx. 6 Hours 53 Minutes [UNABRIDGED]
Publisher: Dynamic Ram Audio Productions
Published: 2012 In the race to the North Pole, who will become the victor, and who will fall to the ravages of the Cold Beneath? Phillip Syntax is the world’s best biomechanic with a checkered past of betrayal and lost love. When given a chance at redemption by the celebrated soldier Gideon Lightbridge, how can he refuse? This ill-fated expedition turns from daring to disastrous when their airship, the Northern Fancy, crashes in the far and frozen north, leaving the crew stranded without hope. But that isn’t the worst of it. One by one the dead crew members arise from the cold ashes to seek the warmth of the living, and it becomes every man for himself in an effort not to join the ranks of the revenants.
I’ve been listening to the novel, and find it to be punky, flowery and straightforward. The writing itself seems breezy, without pretense or subterfuge. The first few minutes of the audiobook introduces some very steampunkily named characters (“Mr. Syntax” and “Mr. Lightbridge”) – both voiced by the narrator Chris Barnes. Barnes seems to have a natural Scottish accent but as the characters are English and American he creditably voices them as such.
Writing this now, as I approach the first hour mark of the audiobook, I find The Cold Beneath to be a wholly improbable bit of fun, a brummagem amalgam of ahistorical realities, a sepia toned breccia of impossible ideas held in their interstices by a sticky cement of amiable frivolousness.
In other words, The Cold Beneath promises to be nothing more than a distracting steampuk adventure, set aboard an airship, with one of the characters sporting clockwork robotic legs, and, by looking at the cover, perhaps later, some scary frozen zombies.
If you liked the writing energy of Tee Morris’ Billibub Baddings And The Case Of The Singing Sword |READ OUR REVIEW| or the airship adventures of Jay Lake’s Mainspring |READ OUR REVIEW| then Tonia Brown’s The Cold Beneath might be your cup of brown joy.