Review of The Blight of Muirwood by Jeff Wheeler

SFFaudio Review

The Blight of MuirwoodThe Blight of Muirwood (Muirwood #2)
By Jeff Wheeler; Read by Kate Rudd
Publisher: Brilliance Audio
Published: 15 January 2013
ISBN: 978-1-4692-5038-0
12 discs; 14 hours [UNABRIDGED]

Themes: / fantasy / orphan / servant /

Publisher summary:

Rising from her humble beginnings as a lost orphan, Lia is summoned to be Muirwood Abbey’s protector and special guardian for Ellowyn Demont, the lost heir of the fallen kingdom of Pry-Ree. After the death of the ruthless king at the battle of Winterrowd, the great Aldermaston and Abbey leader calls on Lia to use her mystical talents to save Muirwood from two new threats — a vengeful queen accusing the Abbey of her husband’s death and a deadly plague threatening to destroy the land. Amidst the turmoil, a battle ensues, and soon Lia learns the world’s magic has begun to falter. As a blanket of dread envelops the Abbey, hopes are tested, and Lia will be forced to come to terms with a secret that will change her life forever.

Mr. Wheeler ramps things up second book of his Muirwood trilogy, and I found myself enjoying this one more than the first. Mr. Wheeler continues his trend of explaining things as you go along, and doesn’t spend large amount stopping for world building. I find that a nice change of pace from the Epic Fantasy multi-book series I tend to read.

The story picks up right where The Wretched of Muirwood left off, then skips ahead about a year. During that time Lia has been trained to be the new hunter of Muirwood Abbey.  Most of the characters from the first novel return in the second, and Mr. Wheeler gives us more depth and insight into their characters. Some great new characters are added to the cast, including Martin, who is training her as he once did John Hunter.

Colvin has returned to the abbey with Edmund, his sister, and Ellowyn Demont, the air to the throne of Pry-Ree. Lia is tasked to help the two mastons protect Ellowyn from various threats of kidnapping and murder throughout the realm. There are also some new threats to the Abbey including Colvin’s rival Earl of Dieyre and the King’s Widow, the Queen Dowager. Signs start to appear of a blight threatening the Abbey, and once again Lia must leave the safety of Muirwood in an effort to protect it.

As this is book 2 of a trilogy, it does suffer from middle book syndrome, and ends at a very annoying place. None of the real threats were resolved, more of a holding pattern than any real resolutions. I was suspecting as much as I was approaching the last disc with too many things left unresolved. Luckily for me I had book 3 ready to go, and jumped immediately into it. That isn’t to say this book is not without it’s revelations, although I can’t say I was very surprised by anything that happened. Still, it made for an enjoyable read. Any book that makes it hard for me to stop is always a good thing.

This book is nearly twice as long as the first book (14 hours vs. 8 hours in audio form). It didn’t really feel that way to me. I kept finding excuses to listen more than I normally would, especially last night as I was approaching the end of the story and didn’t want to wait till morning for the conclusion. Ms. Rudd is once again the narrator (not surprising since the whole trilogy was released at the same time as audio books). Her performance is comparable to that of the previous book. It’s good, but doesn’t add anything to the story. She once again seems to use her own voice for all the female characters and a slightly different voice for all of the male characters.

Review by Rob Zak.

Review of The Night Watch by Sergei Lukyaenko

SFFaudio Review

The Night Watch
By Sergei Lukyaenko; Read by Paul Michael
15 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2012
Themes: / Fantasy / Urban Fantasy / Magic / Good and Evil / Supernatural /

Sergei Lukyanenko is a science-fiction and fantasy author, writing in Russian, and is arguably the most popular contemporary Russian sci-fi writer. His works often feature intense action-packed plots, interwoven with the moral dilemma of keeping one’s humanity while being strong.

In The Night Watch, set in modern Moscow, the “Others” live among us, an ancient race of humans with supernatural powers who swear allegiance to either the Dark or the Light. A thousand-year treaty has maintained the balance of power, and the two sides coexist in an uneasy truce. But an ancient prophecy decrees that one supreme “Other” will rise up and tip the balance, plunging the world into a catastrophic war between the Dark and the Light. When a young boy with extraordinary powers emerges, fulfilling the first half of the prophecy, will the forces of the Light be able to keep the Dark from corrupting the boy and destroying the world?

The book is three novellas, linked by their setting and the fact that each is told by Anton, a Light Other who is now getting field experience after being a file clerk for several years. As he gets more experience, the reader learns more about the subtleties and intricacies of the world between Light and Dark. Each of the stories is thoroughly engrossing and although they build upon each other, the first two stand alone fairly well. The third conclusion brings the book’s overall story arc to a conclusion.

The first page of the book has two messages, which are puzzling and amusing as an introduction. However when I had finished the book I realized they also served to sum up how the author uses the different stories and characters:

This text has been approved for distribution as conducive to the cause of Light. — The Night Watch

This text has been approved for distribution as conducive to the cause of Dark. — The Day Watch

Final result: simply fantastic. The way the three stories all look at Light and Dark, treaties and compromises, and even what it means to be unyielding on one side or the other … not only provides a gripping adventure, but food for thought about our own lives.

Audio Notes: I was delighted to find the audio CD available for only $10 and promptly began “rereading.” Narrator Paul Michael has a low key style in reading this book. His dialogue reading features what sound like authentic Russian accents which enhance the book greatly since Anton’s thoughts are read in a regular American accent.

However, I soon noticed that whenever a character spoke there is very little emotion portrayed, no matter how stressful the moment. There are plenty of stressful, action-filled moments and to have them all conveyed in such a subdued fashion drained the color and excitement of the story for me. Eventually, the entire book seemed so colorless that I stopped listening and picked up the print copy to read the third novella.

My husband regularly has conference calls with Russians. Upon hearing my comments, he mentioned that he has noticed a monotonous quality whenever the Russians are speaking English. He attributes it to the difficulty in speaking a foreign language and conducting business simultaneously. Although I was interested to hear this, I neither know nor care whether this is a universal Russian trait. Story narration requires some level of acting to convey the text properly to the ear.

Whatever the reason, I cannot recommend the audio if you want to experience the full flavor of the book.

Posted by Julie D.

The SFFaudio Podcast #209 – AUDIOBOOK/READALONG: The Door In The Wall by H.G. Wells

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #209 – The Door In The Wall by H.G. Wells, narrated by Jason Mills (from LibriVox). This is a complete and unabridged reading of the short story (40 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mirko and Mr. Jim Moon.

Talked about on today’s show:
1906, Mirko’s choice, Audrey , The Night Bookmobile by Audrey Niffenegger, Astrid Lindgren, a weird subject, Kingdom Of The Ants, The Flowering Of The Strange Orchid, The Sea-Raiders, fairy tales, the one video adaptation of The Door In The Wall, bitey leopards, open symbolism, premonitions, the garden as a symbol of that what was missing, “there’s more than just the hard headed practicalities”, all the things that it is not, nostalgia, do I have a green door in my life?, “not-stalgia”, happy memories, that longing for things that could have been, the wall appears at critical moments in his life (and the lives of others), the story is front loaded, is it the garden of Eden?, a striking list, untended flowers, no weeds, spikes of delphiniums, red steps, marble, fountains, a sundial, distant hills, London, not-London, parquets, the two spotted panthers, Odysseus and Circe, turning men into animals, the “very clean” capuchin monkey, this way and that way, the fair girl’s first word is “Well?”, “old man musing among laurels”, is the old man him?, the dark woman with a book, The Interpretation of Dreams by Sigmund Freud, The Red Bird, “the mother of all childs”, becoming a librarian in real life, suicide, was the last door a false door?, “the grave mother”, is she fate?, the portal into Narnia, The Tomb by H.P. Lovecraft, only kids and teenagers can see the door, a reversal of Narnia, Weena’s garden in The Time Machine, idiot playmates, the idyllic garden is not a place of struggle, the false Eden of The Time Machine, women’s voting rights?, an escapist life vs. an active participation in society, “how does this apply to the real world?”, Wells’ own life, Lionel Wallace sacrifices his life (until he stops), showing up, it can’t be an accident that the main Wallace is a politician, The Music Of Erich Zann, Pickton’s Model, missing streets, The Window To Another World by Lord Dunsany, The Crystal Egg by H.G. Wells, “‘So what do you know about panthers?’ I said.”, Dionysus, a dichotomous god (the opposite of Apollo), the panther symbolizes the overcoming of earthly desires, H.G. Wells’ peccadilloes, there’s much material in this small story, the incidences of the door increases, science and reality vs. illusion, “the reader must judge for themselves”, the perfect summer, Ray Bradbury, idealized fantasy landscapes, vivid and indistinct, does the garden have visitors and permanent residents?, the gallery, the last page, in turning that page of realities he is suddenly back on the street, The Lion The Witch And The Wardrobe, “the can live whole lives in there”, the Goodreads reviews, Doctor Who, dalek playmates, Neverland, C.E. Weber, “it is our old friend the dear old magic door”, Star Trek’s holodeck, Behind The Green Door, a private members club, the narrative style gives a documentary distance, Nyarlathotep, The Crawling Chaos, Fungi From Yuggoth, Wells didn’t write sympathetic characters, The Country Of The Blind, The Invisible Man, flawed humanity, pull it back sir and get a life.

The Door In The Wall by H.G. Wells
The Door In The Wall by H.G. Wells
The Door In The Wall by H.G. Wells

Posted by Jesse Willis

Review of The Wretched of Muirwood by Jeff Wheeler

SFFaudio Review

The Wretched of Muirwood by Jeff WheelerThe Wretched of Muirwood (Muirwood #1)
By Jeff Wheeler; Read by Kate Rudd
Publisher: Brilliance Audio
Published: 15 January 2013
ISBN: 978-1-4692-5057-1
8 discs; 9 hours [UNABRIDGED]

Themes: / fantasy / orphan / servant /

Publisher summary:

The Wretched of Muirwood, the opening novel in the Muirwood Trilogy, is the tale of the orphan Lia — who is part of a pariah caste known only as the “wretched,” a people unloved, unwanted, and destined to a life of servitude. Forbidden to read or write, and forced to slave away in the Abbey kitchen, Lia is all but resigned to her fate. But when an injured squire named Colvin is abandoned at the Abbey kitchen, opportunity arises, and Lia conspires to hide Colvin and change her life forever… Her plan becomes a perilous one when a nefarious sheriff starts a manhunt for Colvin, and the land is torn by a treacherous war between a ruthless king and a rebel army. Ominous and illuminating, Lia sets out on an epic quest for freedom with hopes to unravel the secrets of her concealed past.

Apart from picking a girl to center the story around, this book follows many of the common fantasy tropes including the “young unknown thrust into adventure to discover they are more than they realize.”

The world Mr. Wheeler has created is one where no matter your station (King or Innkeeper) knowing your family line is VERY important. So much so that they distinguish between normal Orphans and Wretcheds (Orphans whose parentage is unknown). Wretched are often abandoned to the various Abbey’s around the world and sheltered until they turn 18, at which point they must make their way in the world. Wretched’s take their last names from their assigned role. Our protagonist, Lia Cook, a young girl of 13, has been assigned to work in the kitchens. In particular, she is assigned to smaller of two kitchens, which serves the head of the Abbey, referred to as the Aldermaston.

Lea wants nothing more in life than to become a learner and to gain the ability to read and write. As a wretched however, this is denied to her. One night, a knight comes pounding on the door seeking help for his young squire, and Lea’s life is changed, forever. The rest of the story pretty much follows in a fairly cookie-cutter fashion. It’s a short book, so there isn’t a lot of world building. We learn things as Lea does.

This is the first book I’ve read by Mr. Wheeler. His writing style doesn’t jump out at me as exceptional, but it is well done. His characters have reasonable depth for such a short book and varying personalities. The magic system feels original to me, based on various statues referred to as “Leerings” by commoners, or Gargoyles by the learned. They are carved for a specific action based on an element (water, fire, etc) and are meant as a focus to use “The Medium”. The ending is a bit predictable, but as this is rather short story, I still found it enjoyable and have already jumped into the second book.

This is the first book I’ve listened to read by Kate Rudd. Ms. Rudd is a good reader, but nothing spectacular.  She does voices for some of the Male characters, but seemed to read all the female characters in her own voice. She has a clear and pleasant sounding voice, but I didn’t find her performance to add anything extra to the book as I have with other readers.

Overall, this is a decent fantasy story. Quick and easy reading. Nothing especially great, but has me interested enough to jump right into book 2.

Review by Rob Zak.

Poem Talk: Discussion of Dream-Land by Edgar Allan Poe

SFFaudio Online Audio

Poem TalkOne of my favourite poems, and one of my favourite Edgar Allan Poe poems, Dream-Land, gets an all too brief half-hour discussion (a close reading) by the folks at the Poem Talk podcast (episode #48). When I talk about this poem with my students it usually takes between 45 minutes and an hour.

Podcast December 19, 2011, it was hosted by Al Filreis and featurd John Timpane, Thomas Devaney, and Jerome McGann. The official shownotes are HERE.

|MP3|.

Posted by Jesse Willis

LibriVox: Shadows In The Moonlight by Robert E. Howard

SFFaudio Online Audio

Shadows In The Moonlight by Robert E. Howard

`Shadows

Though Robert E. Howard had originally titled this Conan adventure “Iron Shadows In The Moon” it was actually first published under the title Shadows In The Moonlight. Current publications, and adaptations, tend to favour Howard’s original title. But either way the novelette, featuring a shipload of pirates, a shapely maiden, and a giant ape, makes for some very good reading.

LibriVoxShadows In The Moonlight
By Robert E. Howard; Read by Phil Chenevert
4 Zipped MP3 Files or Podcast – Approx. 1 Hour 31 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 17, 2013
First published in Weird Tales, April 1934.

Podcast feed: http://librivox.org/rss/7755

iTunes 1-Click |SUBSCRIBE|

Iron Shadows In The Moon - illustrated by John Buscema and Alfredo Alcala

Iron Shadows In The Moon - illustrated by John Buscema and Alfredo Alcala

Iron Shadows In The Moon - illustration by Mark Schultz

Iron Shadows In The Moon - illustration by Mark Schultz

Iron Shadows In The Moon - illustration by Cary Nord

Posted by Jesse Willis