fantasy – Page 107

Review of Unicorn Variation By Roger Zelazny

Unicorn Variation
By Roger Zelazny; Read by Rene Auberjonois
1 Cassette – 83 Minutes [UNABRIDGED]
Publisher: Durkin Hayes
Published: 1995
ISBN: 0886467365
Themes: / Fantasy / Unicorns / Mythical Creatures / Chess / Angels /

Roger Zelazny wrote some of my favorite fantasies. I view him now as one of Neil Gaiman’s primary influences, as they both cover the same mythical territory in their fiction. (In fact, Neil Gaiman would be a perfect choice to pen scripts for Zelazny’s Amber novels – hint hint nudge nudge).

“Unicorn Variations” is a story from later in Zelazny’s career. In it, a man finds himself playing a chess game with a unicorn, the result of which could determine the fate of the human race. The unicorn talks quite a bit and has a sharp tongue with a dry sense of humor. The man in the story meets several mythical beasts, and they all know how to play chess, including Sasquatches, who are particularly good at it. A thoroughly enjoyable story.

“Angel, Dark Angel” is also included. It is much shorter than the cover story, and begins with a man who receives a phone call giving him the identity of a person he’s got to go meet. No more on this one – let Zelazny unfold it for you.

Rene Auberjonois is absolutely first-rate. I really enjoy his cadence and his personable tone. In the first story, he has the opportunity to use several different voices, which he does with wonderful skill, bringing the story to life as a great narrator can.

This one’s out of print – check eBay!

Posted by Scott D. Danielson

Review of The Greatest Horror Stories of the 20th Century

The Greatest Horror Stories Of The 20th Century
Edited by Martin Greenberg; Read by Various Readers
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1998
ISBN: 0787117234
Themes: / Horror / Fantasy / Science Fiction / Urban Fantasy / Magic / Curses / Telepathy / Childhood / Demons /

“Featuring some of the masters of the genre, past and present, The Greatest Horror Stories Of The 20th Century are as remarkable for their literary value as for their scream factor. Whether you are a passionate horror lover or a devotee in the making, you will find much to entertain. Listen for screams as ancient and unspeakable evil meets the modern psyche.”

Judicious use of musical cues are the only enhancement to these horror stories. Twelve horrific short stories, to be sure, but are they truly the greatest of the 20th century? Read on, MacDuff….

“The Graveyard Rats” by Henry Kuttner
Read by Michael Gross
A creepy Lovecraftian tale that almost could have been written by H.P. Lovecraft himself. It was first published in Weird Tales’ March 1936 issue. A worthy addition to the list of The Greatest Horror Stories Of The 20th Century list and Michael Gross does a good job with it. And by the way, the R.O.U.S.’s probably don’t really exist.

“Calling Card” by Ramsey Campbell
Read by Juliet Mills
First published in 1982, Ramsey Campbell’s entry in this anthology is more confusing than scary. Juliet Mills is fine but she couldn’t help unravel what we’re supposed to be afraid of. Something about a nice old lady and her mailman delivering a 60-year-old Christmas card?

“Something Had To Be Done” by David Drake
Read by John Aprea
First published in Fantasy & Science Fiction Magazine’s February 1975 issue, this is an excellent Vietnam War era is a freakshow of the ‘coming home in a bodybag story’. It combines the friendly fire and frag stories of that war with the accelerating fear of the supernatural – the tension builds until the closing moment – very similar in tone and quality to Robert R. McCammon’s Nightcrawlers. Reader John Aprea does good work with good material!

“The Viaduct” by Brian Lumley
Read by Roger Rees
“The Viaduct” is a Stephen King-ish tale without the supernatural element – two boys make an enemy of another and come to a sticky end. This is the longest tale in the collection, overly long in my estimation. I was amazed how little content this story has, especially for its length, none of the characters are sympathetic and by the end I was almost rooting for them all to be killed- just as long as it was done soon. Ineffectual because of its length and exploitative and I don’t mean that as an insult, it plays, if it plays at all, on fear without telling us anything about ourselves or anything else. On the other hand Roger Rees’ reading was just fine. “The Viaduct” is in my opinion not up to the standards of some of the stories in this collection.

“Smoke Ghost” by Fritz Leiber
Read by Beverly Garland
An early Fritz Leiber yarn, “Smoke Ghost” posits what a ghost from an urban industrial society would be like, as opposed rattling chains, old bed sheets and creaky haunted houses of the pre-industrial age. Frighteningly well written and very well read. First published in Unknown Magazine’s October 1941 issue.

“Passengers” by Robert Silverberg
Read by William Atherton
William Atherton did a very nice reading of this Hugo Award nominated and Nebula winning short story (1969). “Passengers” is more SF than horror but it is 100% worthy of inclusion. It is about the uninvited guests who wouldn’t leave. These evil aliens have invaded the Earth telepathically and at unpredictable times, seize control of a human mind and force a person to do… things(!). Society has adjusted, but not every individual person will go along with all the conventions humanity has adopted to deal with the “Passengers”. Silverberg’s story examines a relatively small SF theme, stories involving involuntary control of one’s body… think the character of Molly in Neuromancer or the Frederik Pohl and C.M. Kornbluth’s short story Sitting Around the Pool, Soaking Up Some Rays or Robert A. Heinlein’s The Puppet Masters – it is a horror story because it speaks to such a violation of one’s body. Also interesting is the counterfactual raised by the premise – illustrating how difficult it is to determine exactly where the boundary line between free-will and determinism lies.

“Sticks” by Karl Edward Wagner
Read by Patrick MacNee
Set in 1942, “Sticks” is a World Fantasy Award nominated story (1974) that is decidedly Lovecraftian in content and execution. Think Blair Witch Project meets pulp magazine illustrations and you’ll get the idea. Narrator Patrick MacNee does fine work with it too. With all this inspired by Lovecraft storytelling I only wish they’d included some of H.P.’s original prose, but in lieu of that “Sticks” is a good substitute.

“Yours Truly, Jack The Ripper” by Robert Bloch
Read by Robert Forster
First published in Weird Tales’ July 1943 issue “Yours Truly, Jack The Ripper” is actually a better story than it reads now. What seems a mite cliched today was quite fresh in 1943 and this tale was one of the earliest works of fiction to use ‘the ripper redjack’ – something that is relatively common today. Some narrators have a voice that grabs you and won’t let go, Robert Forster is one of them, his range is good, he does a great English accent on this one too – but its his cadence and his gravelly voice that pull me into his orbit every time. Well read and a good yarn.

“The Small Assassin” by Ray Bradbury
Read by Alyssa Bresnahan
Alyssa Bresnahan, professional full time narrator and AudioFile Magazine Golden Voice, does a very good reading of Bradbury’s short story. “The Small Assassin” is about a young couple and their first child; everything would be okay if only the newborn would only accept the world outside the womb. Horror as parenthood – who’d of thunk it? Newly minted parents probably. This tale was previously recorded by Ray Bradbury himself by pioneering audiobooks publisher Caedmon.

“The Words Of Guru” by C.M. Kornbluth
Read by Susan Anspach
Originally published under Kornbluth’s “Kenneth Falconer” pseudonym, in Stirring Science Stories’ June 1941 issue. Well regarded despite its pulpy exposition, “The Words Of Guru” is a genre-crosser full of cosmic demonism and full-tilt weirdness that comes to a thundering crash just minutes after it starts.

“Casting The Runes” by M.R. James
Read by David Warner
I was quite lost listening to this one. I couldn’t tell who was speaking much of the time, this has to do with the fact that many of the characters aren’t given names and the fact that the way this tale was written it would flow far easier on the printed page than it does aurally. In the paper version some names are blanked out (as if censored), David Warner does his best to fill in these gaps which are unreproducable in audio, but ultimately his efforts are unsuccessful. Magic and curses. First published in 1911!

“Coin Of The Realm” by Charles L. Grant
Read by Louise Sorel
Reminiscent in theme of Neil Gaiman’s style of urban fantasy, “Coin Of The Realm” is an interesting tale of the employees of a toll booth on a lonely highway who occasionally collect some very odd coins from the drivers on their road. First published in a 1981 Arkham House collection entitled Tales from the Nightside.

Posted by Jesse Willis

Review of ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy

SFFaudio Review

Independent and Distance Learning – ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy
Lectures by P.C. Hodgell and Michael Levy
20 MP3 Lectures
LINK: http://lrc.lib.umn.edu/Engl3020.htm
Approx 19 Hours [UNABRIDGED]
Publisher: University Of Minnesota
Published: 2002 (But recorded over several years)
Themes: / Non-Fiction / Science Fiction / Fantasy / Horror / Time Travel / Gothic Horror / Utopias / Dystopias / Religion / Vampires / Urban Fantasy / High Fantasy / Sword and Sorcery / Cyberpunk / Messiah / Apocalypse / Future War / Supermen / Robots / Feminism / Computers / Robots / Androids / Cyborgs / Dungeons & Dragons / Aliens /

Pat Hodgell and Mike Levy discuss the details of SF&F’s history in under 20 hours – no mean feat. Though in amongst the broad academic strokes there are many nice discussions listeners should note. These are academic university lectures, and not an entertainment talk show so the evidentiary schema is the primary focus.

The lectures are vaguely sequential to the history of science fiction and fantasy. The first lectures by Levy discusses the origins of Science Fiction, tackling the progenitive triumverate of Mary Wollstonecraft Shelley, H.G.Wells, and Jules Verne. The second lecture explores the early and mid twentieth century figures in the field: Edgar Rice Burroughs, Hugo Gernsback, John W. Campbell, Robert A. Heinlein. For the third and fourth lectures Fantasy author Pat Hodgell and the course’s instructor presents the origins of modern Fantasy from its roots in gothic novels and romanticism and then the various 19th century fantastic writings.

Levy’s turn on the fifth lecture covers the early Utopian and Dystopian stories with particular attention to the novels We, 1984 and Brave New World. His insightful commentary continues into the sixth lecture and covers post World War II SF with Astounding Vs. Galaxy Science Fiction Magazines, and the novels Frederik Pohl and C.M. Kornbluth’s The Space Merchants, Kurt Vonnegut’s Player Piano and John Brunner’s Shockwave Rider. For lectures seven and eight Hodgell investigates English Fantasy authors Charles Williams, C.S. Lewis and J.R.R. Tolkien. Handing off to Levy again for lectures nine and ten covering the general theme of Religion and the specific themes of Messiah and Apocalypse with the novel examples of James Blish’s A Case Of Conscience, Walter M. Miller Jr.’s A Canticle For Leibowitz, Arthur C. Clarke’s Childhood’s End and Robert A. Heinlein’s Stranger In A Strange Land.

Lecture eleven covers the theme of evolutionary Supermen – homo superior in his early fictional incarnations and where the strange motivation to write about them comes from. Lecture twelve is similar to eleven except its focus is on the manufactured heirs to humanity in the form of Computers, Robots, Androids and Cyborgs. This is also the first lecture to include a guest, SF author William F. Wu! Lectures thirteen and fourteen cover the ever popular Time Travel theme, including Connie Willis’ Firewatch, Mark Twain’s A Connecticut Yankee In King Arthur’s Court, Michael Moorcock’s Behold The Man and two of Heinlein’s excellent SF short stories All You Zombies and By His Bootstraps.

Lectures fifteen and sixteen investigate fantasy fiction after Tolkien’s influence covering the various themes of Horror, Vampires, Urban Fantasy, High Fantasy, Sword and Sorcery and the influence of the role playing game Dungeons & Dragons. Among the stories specifically discussed are Fritz Leiber’s Smoke Ghost, Richard Matheson’s I Am Legend, Ursula K. Le Guin’s “Earthsea” novels, Terry Pratchett’s “Discworld” novels and Robert E. Howard’s “Conan” stories. Lectures seventeen and eighteen examine women’s role in science fiction, with the themes of Utopias and Feminism, discussion of the novels Venus Plus X by Theodore Sturgeon and The Left Hand Of Darkness by Ursula K. Le Guin, as well as discussion of it’s authors, the likes of Joanna Russ, Ursula K. Le Guin, James Triptree Jr. and Octavia Butler.

Lecture nineteen breaks from the lecturing professor mold with Pat Hodgell doing an interview in the home of Minnesota SF author Gordon R. Dickson. He talks about how he writes, where he gets his ideas (from history dontcha know) and about the writing process – and this is a very valuable interview as Dickson is now deceased. Dickson novels discussed include among others Dorsai! and Soldier Ask Not. Pat Hodgell concludes the lecture series with a roundtable discussion with herself, Levy and SF author Elanor Arnason. Together they talk about Cyberpunk, William Gibson’s Neuromancer and the film Blade Runner, the use of Aliens in SF and some final thoughts about where they thing SF and F is going.

The sound quality of these lectures isn’t great. There are many background noises, people whispering, lecturers too close and too far from the mic, Gordon R. Dickson coughs a bit and various other aural annoyances are legion. But, it was recorded at a good level and I don’t think I missed one word that was above a whisper – these are lectures and they are free so don’t complain! The funny thing is after hearing these lectures I feel a very strange urge… to learn more about Minnesota. I’ve never had that urge before but Pat Hodgell and Mike Levy manage to include so many Minnesota references and connections into their lectures they sold me on the whole ‘10,000 Lakes to Explore’ deal! Hmmm, maybe these lectures are being given away for free because their underwritten by the Minnesota Tourism Bureau? In any case I heartily recommend you give one or some of these lectures a try they are good listening and good edjamacation.

Here’s a breakdown of the lectures::

Lecture 1 – 29 Minutes 6 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1A.MP3)

Lecture 2 – 27 Minutes 8 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1B.MP3)

Lecture 3 – 26 Minutes 46 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2A.MP3)

Lecture 4 – 27 Minutes 10 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2B.MP3)

Lecture 5 – 26 Minutes 7 Seconds – THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3A.MP3)

Lecture 6 – 26 Minutes 3 Seconds- THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3B.MP3)

Lecture 7 – 28 Minutes 2 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4A.MP3)

Lecture 8 – 27 Minutes 9 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4B.MP3)

Lecture 9 – 27 Minutes 18 Seconds- SCIENCE FICTION AND
RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5A.MP3)

Lecture 10 – 26 Minutes 57Seconds – SCIENCE FICTION
AND RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5B.MP3)

Lecture 11 – 27 Minutes 18 Seconds – SUPERMEN
(LINK: http://lrc.lib.umn.edu/dai/P131_6A.MP3)

Lecture 12 – 28 Minutes 11Seconds – ROBOTS, ANDROIDS
AND CYBORGS
(LINK: http://lrc.lib.umn.edu/dai/P131_6B.MP3)

Lecture 13 – 26 Minutes 7 Seconds- TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7A.MP3)

Lecture 14 – 27 Minutes 11 Seconds – TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7B.MP3)

Lecture 15 – 28 Minutes 2 Seconds – MODERN FANTASY AND
HORROR
(LINK: http://lrc.lib.umn.edu/dai/P131_8A.MP3)

Lecture 16 – 43 Minutes 47 Seconds – MODERN FANTASY
AFTER TOLKIEN
(LINK: http://lrc.lib.umn.edu/dai/P131_8B.MP3)

Lecture 17 – 27 Minutes 30 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9A.MP3)

Lecture 18 – 27 Minutes 57 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9B.MP3)

Lecture 19 – 44 Minutes 16 Seconds – AN INTERVIEW WITH
GORDON R. DICKSON
(LINK: http://lrc.lib.umn.edu/dai/P131_10A.MP3)

Lecture 20 – 43 Minutes 46 Seconds – CYBERPUNK AND
ALIENS
(LINK: http://lrc.lib.umn.edu/dai/P131_10B.MP3)

Posted by Jesse Willis

Review of Comic Book: The Movie

Comic Book: The Movie
Written & Directed by Mark Hamill; Performed by a Full Cast
DVD Video Special Feature – 7 Minutes [UNABRIDGED
AUDIO DRAMATIZATION]
Publisher: Miramax
Published: 2004
UPC: 786936230635
Themes: / Superhero / Comics / Fantasy / Humor /

The fictional Golden Age superhero Commander Courage is without doubt the greatest hero in comics for obsessed High School teacher Don Swan (Mark Hamill) in the mockumentary called Comic Book: The Movie. While the movie itself is well worth viewing it is one of the extra features on this 2 disc DVD set that is the most interesting for us: An original radio script supposedly first broadcast in the mid-forties, entitled “The Origin Of Commander Courage”. As most of the cast of Comic Book the movie is made up of animation voice talent they decided to do a dramatic “re-creation” of the script during a panel at the 2002 San Diego Comic Con. This brief origin story tells how Commander courage first got his unique super powers. The voice talent includes: Gary Owens (Roger Ramjet, Space Ghost), Maurice Lamarche (Pinky and the Brain, Futurama), Bob Paulsen (Animaniacs, The Tick) and Jim Cummings (The New Adventures of Winnie the Pooh, Shrek)! Video of the recording session is provided as well but we’re asked to imagine sitting with our families gathered around an old Philco Radio, tuning in to the first ever broadcast of the “Commander Courage Radio Show”‘. The script is ridiculous, but then so were most of the origin stories of 1940s superheroes. The live audience laughs as the casts takes liberties with the script and improvise their own sound effects. Well worth a look and a listen!

Posted by Jesse Willis

Review of Trailer Trash Savior by Tom Gerencer

Science Fiction Audiobooks - Trailer Trash Savior by Tom Gerencer Trailer Trash Savior
By Tom Gerencer; Read by Tom Gerencer
MP3 Download – 10 Minutes 9 Seconds [UNABRIDGED]
Publisher: www.TellTaleWeekly.com
Published: 2004
Themes: / Fantasy / Humor / Demons /

So the millennia have passed, and the time of the reckoning is once more nigh … not to mention that you’ve got a busted velvet-Elvis and the oil heat isn’t working. Find out what happens when the owner of a mullet and a used AMC Gremlin becomes “the chosen one,” and has to battle demons, various and sundry. First published in Brutarian magazine. Read by the author.

An underpaid trailer park resident is all that stands between the Earth and its total obliteration. Told in first person perspective, this odd clash of superhero style violence and the trailer park aesthetic works surprisingly well in this short story. The denizens of hell and worse planes of existence always seem to spring up during mealtime and if that isn’t bad enough our hero is forced to fight the unnamable forces of evil in a tackily decorated mobile home. This reading, by the author Tom Gerencer, isn’t bad at all – there is some backround hiss in the mp3 and the misnaming of a trailer park vehicle are all that mar the experience. Gerencer’s narration works pretty well here, and I think that has to do with it being a first person perspective tale – he isn’t forced to do different character’s voices – something best left to professional readers. This is the kind of story you recommend to a friend who’s in need of a really good laugh. Trailer Trash Savior is a full 4.6 Megabytes of downloadable MP3 for just four bits ($0.50 USD)! If you liked Buffy The Vampire Slayer, but maybe thought it was a little unrealistic for a teenage cheerleader to be the chosen one, and that say Bubbles from Trailer Park Boys would have made a better choice, have no fear the Trailer Trash Savior is here.

Posted by Jesse Willis

Review of The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance

The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance
By Neil Gaiman and Dave McKean; Performed by a Full Cast
STREAMING AUDIO LINK BELOW
1 Hour [AUDIO DRAMA]
Publisher: BBC Radio 3
Published: March 3rd 2005
Themes: / Fantasy / Mythology / Puppetry / England / Memory /

“That’s the way to do it!”

Audio drama is a hit or miss affair, but the BBC knows its stuff, so it is really terrific that they produced this adaptation of a Neil Gaiman and Dave McKean’s graphic novel. The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance is somber reminiscence of a young English boy’s familial experiences and the resonance it had with the seaside Punch and Judy shows. North American audiences probably aren’t familiar with the Punch and Judy so I’ll lay out the basics… Punch and Judy is a popular British puppet show for children, featuring Mr. Punch and his “bit of stuff” Judy. The performances consist of short scenes, each of which depict an interaction between the chaotic trickster Mr. Punch and one other character. The Punch and Judy show is always performed by a single puppeteer, (known in the trade as a Professor), which is why only two characters can be on stage at the same time. Mr. Punch is a hunchback who sports a hideous grin, beady piercing eyes, a giant chin, hooked nose and the dress of a court jester. Mr. Punch usually carries a stick, with which he happily beats the other character on stage. The other character could be Judy, her baby, a crocodile, the devil or even a string of naughty sausages. The plot of this particular audio drama shows us how the particular staging of a Punch and Judy show doesn’t vary the particular impact on the audience except when one has been cast in the play. McKean’s original piano score haunts the production and the actors all play their roles to perfection. While not as engaging as some of Gaiman’s later work this tale is nonetheless very neatly woven. This radio drama will be archived for one month on the BBC Radio 3 website. So listen while you may you naughty little sausages!

STREAMING AUDIO LINK:
http://www.bbc.co.uk/radio/aod/radio3_aod.shtml?radio3/thewire

Narrator …… Richard Dillane
Swatchell …… Alexander Morton
Grandfather …… Hugh Dickson
Morton …… Karl Johnson
Boy …… Jonathan Bee
Mermaid …… Rachel Atkins
Grandmother …… Susan Jameson
Father …… Stuart McLoughlin
Mr Punch …… Geoff Felix
Sister …… Frankie Dean
Music by Dave McKean and Ashley Slater
Directed by Lu Kemp

Posted by Jesse Willis