fantasy – Page 104

Review of The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call of Cthulhu by H.P Lovecraft

The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call Of Cthulhu
By H.P. Lovecraft; Read by Wayne June
3 CDs – Approx 3.5 Hours [UNABRIDGED]
Publisher: Audio Realms
Published: 2005
Themes: / Fantasy / Horror / Gods / Evil / Mathematics / Dreams /

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

When Fantasy is inspired by science it can be especially powerful. H.P. Lovecraft built his mythos using the scientific concepts of his day. There could have been sensible talk of ‘other dimensions’ before the experiments surrounding the nature of light. And much of the alienness of his creations explicitly depend on such concepts in theoretical physics as non-euclidian geometry. With these concepts being in the air Lovecraft set out to plant a seed of churning fear with his fiction – turning the many unknowns science was uncovering into unspeakable horrors that lurk within the imagination. Combine this with Lovecraft’s dense and brooding prose and you’ve got something that no modern author could get away with. No modern author could, Lovecraft does. Audio Realms is starting to release the titles that make any classic fantasy fan salivate. Here in this terrific audiobook are two tales of horror that we declare to be SFFaudio Essential:

The Dunwich Horror is the tale of a backwater New England town with a devolving populace and one particularly strange family’s chronicle. It starts with two small things. The cataloguing of some mouldering old books and a disturbing birth of a new resident. These events are the begining of a new danger for the hamlet of Dunwich and possibly the Earth entire. What’s interesting here, as with so many early horror tales, is that Lovecraft creates evil not by revealing action directly but by atmosphere and appeal to our primitive revulsion reflex. Lovecraftian evil is not something created by moral degeneracy (though he does talk of that), but rather by sheer alieness, an atmosphere of ignorance and most of all a lurking dread.
I’m not sure it would make much sense to be an apologist for the Elder Gods who’d consume us without a thought – but what exactly makes them so evil? Since everyone who finds out has their sanity blasted we’re not likely to find out very soon.

The Call Of Cthulhu is a reconstructed tale. A nephew finds in the his recently deceased uncle’s study some strange documents. A young nephew discovers in his recently deceased uncle’s study some correspondences and notes, along with a mysterious and disturbing statue. It seems that several mysteriously similar cults worship of a being, who they call Cthulhu. A sea voyage eventually yielded a brush with an unearthly force. I won’t reveal any more of the plot, but I will say this, I think Philip K. Dick may have been inspired by this story for his novel Galactic Pot Healer. This creepy tale is perhaps the definitive Lovecraftian work. They even named a great role playing game after it. One suggestion, this one is pretty scary, you may want to wear brown pants while listening.

Narrator Wayne June’s voice will give you the absolute lurking creeps. His deep raspy voice is also used to good effect for all the narration, when he is infrequently called upon to do the voices of the damned he distinguishes between them well. This is the best Lovecraft adaptation to audio I’ve heard and more frightening than hell. For full effect a listener should turn down the lights, put on a good set of headphones, sit in a lonesome room with a view of the sea and pray that Lovecraft was just making all this stuff up.

Posted by Jesse Willis

Review of The Statement of Randolph Carter by H.P. Lovecraft

The Statement Of Randolph Carter
By H.P. Lovecraft; Read by Bill Mills
1 MP3 File – Approx. 26 Minutes [UNABRIDGED]
Publisher: Renaissance E Books / REB Audio
Published: 2005
Themes: / Fantasy / Horror /

“Carter! for the love of God, put back the slab and get out of this if you can! Quick!–leave everything else and make for the outside–it’s your only chance! Do as I say, and don’t ask me to explain!”

An excellent introductory mini-biography of Lovecraft precedes the reading of this infamous short story of lurking horror. Written in 1919 and first published in 1920 The Statement Of Randolph Carter is one of the best ways to step into the terrible beauty of the Lovecraftian mythos. Told as a statement in monologue by the title character – Carter recalls to the gentlemen assembled around his hospital bed the singular incident that brought him there – an event so horrific it would likely blast the mind of the sanest man should it be witnessed first hand. Following the clues they found in the text of an ancient book from India two men discover a nameless horror entombed in the Earth. Bill Mills’ reading is truly eerie. There is a constant musical background during the reading – it doesn’t too badly hurt the production but I myself would have preferred a music-free reading. The Statement Of Randolph Carter is available now as a high quality MP3 through Fictionwise.com just in time for Halloween!

Posted by Jesse Willis

Review of The Fifth Sorceress by Robert Newcomb

Review

The Fifth Sorceress
By Robert Newcomb; Read by Simon Jones
5 CDs – 6 Hours [ABRIDGED]
Publisher: Random House Audio
Published: 2002
ISBN: 0553713922
Themes: / Fantasy / Magic /

“It is more than three centuries since the ravages of a devastating war nearly tore apart the kingdom of Eutracia. In its wake, those who masterminded the bloodshed-a quartet of powerful, conquest-hungry Sorceresses-were sentenced to exile, with return all but impossible and death all but inevitable. Now a land of peace and plenty, protected and guided by a council of immortal wizards, Eutracia is about to crown a new king. And as the coronation approaches, the spirit of celebration fills every heart. Except one.”

Ya, mine! That’s mostly a joke, mostly. Overall this novel wasn’t terrible. I didn’t have my mind wander off too often, and whenever it did Newcomb would throw a shocking scene at it to bring me back. But I have a number of problems with The Fifth Sorceress:

1. It is yet another in the irrepressibly publishable world-saving magic fest novels. You know the kind where some editor says, “Wait I know, let’s tell another Tolkien story, but not do it as well.” Ya that kind.

2. The pseudo-mystic blood based magic system at the story’s core. This magic system has provenance which could have come straight from bullshit artist Madame Blavatsky. Untrue is not a possible criticism of fiction so I’ll just say “distasteful”. It might be possible or even interesting to tell a story like this straight faced, but it’d have to be with a damn impressive point to it. This didn’t.

3. Magic use. Generic and temporary bodily weakness seems to be the only consequence of the use of magic. Depressing in its unoriginality.

4. Women “of the blood” are always evil and men “of the blood” always good. So much for subtlety and complexity in gender relations. Newcomb could have done a lot more with his bifurcated magic system than making it bad girls vs. good guys.

5. The cookie-cutter world itself. Planets full of improbably named bodies of water and calcified quasi-medieval governments don’t do much for me – not after the 40 or 50th iteration of them anyway. Be more creative please.

Despite these problems there are some genuinely original and shocking scenes peppered throughout the novel and Newcomb handles these all well. Another point in its favor is that Newcomb doesn’t leave the reader hanging at the end, even though this is the first book in a series. Leaving us hanging is something he could have done in an attempt to get us to read the next installment in “The Chronicles of Blood And Stone” series. He leaves open the possibility for you to read on but doesn’t punish you by withholding an ending.

On the audio end, this is a fully digital recording so The Fifth Sorceress sounds phenomenal. But the real kudos goes to narrator Simon Jones (of The Hitchhiker’s Guide To The Galaxy fame) who does a fine job keeping the aural end up. When he voices the hapless Prince Tristan he invokes his old Arthur Dent persona. The centuries old wizard named Wigg sounds like a more put-upon Gandalf and most of the females voiced by Jones sound either wicked or seducing or both at the same time – a neat trick. If you’re in the mood for a light listen The Fifth Sorceress may suit you. Overall I really can’t say I hated it. I credit this mostly to the abridger. The abridgement may, in fact, have made an hefty and mostly indigestible novel far more palatable. After all that can you believe I’m going to attempt the sequel?

Posted by Jesse Willis

Review of Something Wicked This Way Comes (with A Sound of Thunder) by Ray Bradbury

Something Wicked This Way Comes (with A Sound of Thunder)
By Ray Bradbury; Read by Stefan Rudnicki
8 CD’s – 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0786175354
Date Published: 2005
Themes: / Fantasy / Halloween / Carnival / Magic / Supernatural / Aging /

Sometime each October, a line is crossed; the line between falling leaves and fallen leaves, between shirtsleeves and a jacket, between the relief that summer has ended and the slight dread of the upcoming winter. Most of us don’t really notice the moment of crossing; we look up sometime afterwards and wonder where all the pumpkins came from. Some people, though, are exquisitely aware of this moment; they live in it, they draw it out and savor it, and a special few of them create art about it that allows the rest us to actually experience it. Dave McKean captures it with his eerie photo collages, M. Ward puts his old-young-man voice to good use singing about it, particularly in a track called “One Life Away,” and Terry Gilliam almost-but-not-quite captured it on film in the recent The Brothers Grimm. Ray Bradbury did some of his best work while inhabiting it. In The Illustrated Man and The October Country, he told stories about people’s lives intersecting that weird border. In The Halloween Tree, he abandoned story for the most part, and spent his time describing the sensory experience of the moment of crossing. In Something Wicked This Way Comes, recently released as an audiobook by Blackstone Audio, he skillfully combined plot and description to examine this and life’s other unnoticed, but profound, sea changes.

Will Halloway and Jim Nightshade are the young protagonists of the story, best friends born just two minutes apart, but each on a different side of the line. Each of the boys personifies their respective border country; Will is blue-eyed and blonde, responsible, mannered, charming, the type of kid who looks like he was born wearing a scout uniform. Jim is darker, his eyes and his hair, but also his mood and personality. While it would be easy (and tempting) to say that Will is “better” than Jim, Bradbury shows his wisdom by describing the value of both of the boys’ attributes, how one, without the other, is vulnerable and incomplete, and how the different elements each boy bring to the friendship ultimately strengthen it.

The story follows Will and Jim as they cross a number of boundaries; the October line, the line between boyhood and adolescence, and the line between innocence and experience. The arrival of a strange carnival to the boys’ idyllic town complicates these passages. “Cougar and Dark’s Pandemonium Shadow Show” is indeed something wicked, and the danger it presents to the boys and their town makes for an engaging, suspenseful tale.

Audiobook veteran Stephen Rudnicki reads Something Wicked, and gives a largely enjoyable performance, with only a few rough spots. Listeners familiar with Rudnicki will understand that dialogue between two pubescent boys isn’t exactly the perfect material for his sonorous voice. Everything is forgiven, however, when Mr. Dark makes his entrance. Rudnicki’s reading of the tattooed ringmaster’s introductory sentence literally gave me chills. Mr. Cougar, the Dust Witch, and the rest of the Shadow Show freaks are also done justice by Rudnicki’s interpretations.

Blackstone Audio seems to have heard my pleas for more DVD-type extra features on audio books, and have included an extra disc with a Bradbury short story, “A Sound of Thunder,” also read by Rudnicki. The story, a powerful exploration of the dangers of time travel, was recently made into a motion picture starring Edward Burns (and almost universally panned).

An interesting element of this audio book is that, whether by accident or design, the discs almost invariably ended at a point of terrific suspense. Rather than simply turning a page to assuage my anxiety about the fate of the characters, I was scrambling to eject discs, open cases, balance discs on my various fingers and insert new discs. Call me a masochist, but I thought it actually made the experience more enjoyable. Even listeners who don’t share my Hitchockian penchant for prolonging a story’s tension will have a hard time finding a better group of guides than Bradbury, Rudnicki, Jim, Will, and Mr. Dark for this year’s passage over that peculiar line.

posted by Cory

Review of Wild Magic (The Immortals, Book 1) by Tamora Pierce

Wild Magic (The Immortals, Book 1)
by Tamora Pierce, read by Full Cast Audio
8 CDs – 8 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2005
ISBN: 1932076832
Themes: / Fantasy / Magic / Wizardry / Youth / Magical Creatures / Horses /

In Wild Magic’s Book One: The Immortals, Tamora Pierce has created a cast of strong women and made a world in which they fit naturally. The whole book takes place from the point of view of Diane (Carmen Viviano-Crafts), a young girl escaping from a dark secret in the highlands. Daine hires on with a horsetrader, Ouna (Raquel Starace) How delightful to meet a female horsetrader in a fantasy novel. Too often, such strong female characters overplay their roles but each of the characters in Wild Magic seems balanced and very real. So it troubles me that I felt like Ms. Pierce was playing games by withholding information that Daine surely knew, especially because she does such a delightful job at inviting me into Daine’s thoughts.

I do not mind the tension she tried to create by keeping Daine’s “dark secret” from me at the beginning, but after a time, it began to wear on me. I spent chapters hearing Daine’s thoughts about how she had to escape her past, without ever knowing what that past was. I finally discovered that she had gone mad and was afraid that it would happen again. Once I knew that, I was able to really worry with Daine. But poor Daine wouldn’t tell her friends what was bothering her. While I can understand her reluctance, as the book continued she was given no reason to continue hiding her secret and plenty of reasons to ask for help. When she finally does reveal her past in all its gory detail, Numair the Mage, basically says, “Oh, well I can fix that.” And does, in two sentences.

So, after all of that build up, Daine’s problem is solved with, almost literally, the wave of a magic wand.

In a similar vein, I listened to paragraphs of buildup as something was attacking the band of travellers over the water without having a clue about what it was. I knew everyone was preparing for an attack. I knew people were frightened, but I had no idea why. It turned out to be a gryphon that Daine was able to befriend.

With that said, the world of Wild Magic is fascinating. I am curious about which of the threads in this volume will carry over to the next books. Many of the scenes were resonant with emotion, I just wish I hadn’t had to guess what was happening in so many of the others.

Full Cast Audio does a fantastic job of bringing Ms. Pierce’s book to audio life. In particular, I need to note Daniel Bostick who played Numair the Mage. His voice built pictures in my head every time his character spoke.

Posted by Mary Robinette Kowal

Review of Farmer Giles of Ham & Other Stories by J.R.R. Tolkien

Farmer Giles of Ham & Other Stories
By J.R.R. Tolkien; Read by Derek Jacobi
2 Cassettes – 3 hours [UNABRIDGED]
Publisher: Harper Audio
Published: 1999
ISBN: 0001056107
Themes: / Fantasy / Dragons / Giants / Magic / Humor / Art /

*Includes three tales from The Perilous Realm:

Farmer Giles of Ham
One of Tolkien’s most popular stories. Full of wit and humor and set in the days of giants and dragons, it tells the tale of a reluctant hero Farmer Giles, his grey mare, and his talking dog Garm, who all three conspire to save Ham and the middle kingdom first from the a deaf giant and again from the dreaded dragon Chrysophylax.

Smith of Wootton Major
Tells of baking a Great Cake to mark the Feast of Good Children and the magical events that follow.

Leaf by Niggle
Recounts the adventures of a painter trying to capture a tree on canvas.

A wonderful treat for the lovers of Tolkien. Though far overshadowed by his stories about Hobbits and rings the author of The Lord Of The Rings and The Hobbit also wrote some great short stories, and here they are! Three amusing and interesting stories, by the greatest English fantasist since William Shakespeare. If you enjoyed The Lord Of The Rings for more than the battle scenes you should definietly try this two little cassette package on for size. Performed by Sir Derek Jacobi, best known for his role in “I, Claudius”, this is a skillful reading that transforms each character into a person, even the dog in the title story has his own voice. Jacobi captured my attention fully, I was really delighted to have a performer of such skill as his read it to me. Worth hunting down!

Posted by Jesse Willis