fantasy – Page 103

Review of The Unnameable: Four Tales by H.P. Lovecraft

SFFaudio Review

The Unnameable: Four Tales by H.P. Lovecraft
By H.P. Lovecraft; Read by David Cade
1 CD – 1 Hour 16 Minutes [UNABRIDGED]
Publisher: Tales Of Orpheus / www.DavidCade.net
Published: 2005
ISBN: 0955209005
Themes: / Fantasy / Horror / Cthulhu Mythos / Cats / Music /

“We were sitting on a dilapidated seventeenth – century tomb in the late afternoon of an autumn day at the old burying ground in Arkham, and speculating about the unnamable.”

Dumb move guys, being in Arkham was the first mistake. Hanging out at the cemetary at twilight was the second. You don’t get a third with Lovecraft. Fortunately we get both a third and a fourth! This collection contains four complete Howard Philips Lovecraft short stories! Included are:

“The Book”
Told in a creepy first person, a disembodied voice, a voice that decries the day it discovered “the book”, in a library beside a great black oily river. The voice has forgotten its family, its life, even its own name. You will never forget this story. Probably written in 1933, a point at which Lovecraft was at the height of his powers, it shows.

“The Music Of Erich Zann”
One step from vagrancy, our anonymous narrator, recalls a fellow lodger Erich Zann. They shared a decrepit building on a mysterious French street, but Zann’s eerie music was not nearly as haunting as horror that chased him. First published in 1921, still
powerful.

“The Cats Of Ulthar”
A cryptic fable that gives reason to why killing a cat may be the most dangerous thing one can ever do. There are two kinds of people in the world: Dog people and
cat people. H.P. Lovecraft was obviously a cat person. Cats are mysterious, small but quite powerful and work best at night, just like this story. First published
1920.

“The Unnameable”
Randolph Carter, who we already know from The Statement Of Randolph Carter recalls the events which followed their visit to an Arkham, MA cemetary. This is the only story in this collection considered part of the Cthulhu Mythos and Carter is probably the only character to survive two brushes with the who should not be named. First published 1923.

British actor David Cade reads all four tales. There is some question in my mind on one matter, does having an English accent whilst reading very American stories necessitate a conflict? It probably would if there was much dialogue – but seeing as Lovecraft was far friendlier with exposition than he was with speaking parts it isn’t much of an issue at all. Cade is effective at bringing the mostly expository prose to gruesome life. All four stories are framed by muscial excerpts that are very well matched to the thematic material. One thing that bothered me greatly though was the lack of titles, each track is distinctly seperated by music, but the stories themselves are not named in the audio, one must look at the back of the CD case to find out which story you are listening to – something a blind listener would be unable to do.

Posted by Jesse Willis

Review of Pearl and Sir Orfeo by J.R.R. Tolkien

SFFaudio Review

Pearl and Sir Orfeo
By J.R.R. Tolkien; Read by Terry Jones
2 cassettes – 2 hours [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0001053744
Themes: / Fantasy / Mythology /

Pearl, the longer of the two stories in this collection, is an elegy for the poet’s baby daughter, told in alliterative verse. It tells the story of a man who goes into a graveyard to mourn the death of his baby daughter, whom he has lost like a pearl that slipped through his fingers into the grass. Worn out by his grief, he falls asleep and has a glorious vision of another, symbolically bejeweled, world, in which he meets his daughter again and discovers what has happened to her.

Sir Orfeo, a Celtic version of the Greek myth of Orpheus and Eurydice, complete with a twist happy ending. The moving story of a love so strong it was
able to overcome death itself.

*ALSO INCLUDED* ~Two Essays by J.R.R. Tolkien
Two introduction and background essays by the master himself, J.R.R. Tolkien regarding the translation and preservation of the anonymous fourteenth-century poems upon which these stories are based.

Best known for his work with Monty Python’s Flying Circus, Terry Jones lends his signature voice and style to these two wonderful translations by J.R.R. Tolkien. Jones, is well equipped to flesh out the characters and voices of Tolkien’s texts. The combination of the lilting verse and the audio medium bringing the absolutely right feel to the presentation. This audiobook makes it quite clear that heroic tales were meant to be heard rather than read. Jones uses his knowledge, he’s actually a scholar of medieval literature himself, for a particularly effective reading, he sets just the right tone to the musical quality of the verse. Also of interest to
Tolkien fanatics are the unmentioned (on the packaging) essays and introductions by Tolkien for both these tales, a fantastic resource for teachers and students studying Toklien and comparative mythology. One caveat – the accessibility of this audiobook’s text is high school or above and not at all suitable for young children.

Posted by Jesse Willis

Review of Letters from Father Christmas by J.R.R. Tolkien

Letters From Father Christmas
By J. R. R. Tolkien; Read by Sir Derek Jacobi, John Moffat and Christian Rodska
2 cassettes – 120 minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0618087842
Themes: / Fantasy / Christmas /

“Can you imagine writing to Father Christmas and actually getting a reply? For over twenty years, the children of J.R.R. Tolkien received letters from the North Pole – from Father Christmas himself! They told wonderful stories, of mischief and disaster, adventures and battles. Now, for the first time, these letters are brought to life on tape.”

While most of Tolkien’s work was published to great acclaim by ‘Tolkien the fantasy author’ or even ‘Tolkien professor of linguistics’, Letters From Father Christmas was never intended for publication at all, it was simply a collection of letters written over a twenty year period by ‘Tolkien the father’ to his own children. This makes it all the more special. There is no refinement of theme, or distinguishment of plot. Only the fanciful adventures of Father Christmas (that’s Santa Claus for most people) and the other residents of the North Pole. Sir Derek Jacobi along with John Moffat and Christian Rodska read the letters by performing in the voices of the letter writers. Accented with jingling bells in between letters. This is a skillfully adapted audiobook that transmutes the words of the original letters into audio gold. Unfortunately the letters also had wonderful colour illustrations referred to in the letters themselves. I’ve seen them – they were drawn and coloured by Tolkien himself, beautiful and funny images that can’t be adapted to audio. This is a case where the paperbook actually has something over a perfect audiobook translation of a paperbook. Harper Audio should have included a companion insert or something. But for those who already own a copy Letters From Father Christmas makes for perfect listening on the days leading up to Christmas!

Posted by Jesse Willis

Review of The Last Harbinger by Roger Gregg

The Last Harbinger
By Roger Gregg; Performed by a Full Cast
2 CDs – 130 Minutes [AUDIO DRAMA]
Publisher: Crazy Dog Audio Theatre
Published: 2005
Themes: / Fantasy / Satire / Government / The Press / Environment /

First of all, Crazy Dog Audio Theatre’s productions are not to be missed. They produced the hilarious Big, Big Space, a farce in the mold of Star Trek and other science fiction television shows. If you haven’t heard it, it’ll make you laugh out loud. And previous to The Last Harbinger was the amazing Diabolic Playhouse, a collection of dramas both funny and satirical. And now, The Last Harbinger, which is the finest production to date from Crazy Dog, and that is saying quite a bit.

The Last Harbinger is a story told in five episodes, all of which are included here. Roger Gregg, who wrote, produced, and directed, shines a bright light on our own world as he tells this story of the doomed people of Moloch. There are leaders that can’t speak without a teleprompter, newspeople more concerned about their own appearance than news, and citizens that should be angry but aren’t. Into this world, a messenger is sent to tell all of Moloch that they are doomed unless they change, and, since change is not an easy route, the harbinger is met with resistance. The story is dark, but not without humor.

I can’t say enough about this production. The satire is biting. The dialogue is crisp and extremely well acted. The sound couldn’t be better – I was immersed in Gregg’s world from the moment I gave it my full attention, and it wouldn’t let go. Roger Gregg and Crazy Dog Audio Theatre are the setting the highest of standards for fantastic audio drama.

The Last Harbinger is available for download at Audioville, or you can purchase the gorgeously packaged double CD at ZBS.

Posted by Scott D. Danielson

Review of Sir Gawain and the Green Knight, Translated by J.R.R. Tolkien

Sir Gawain And The Green Knight
Translated by J.R.R. Tolkien; Read by Terry Jones
2 cassettes – 150 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0001053736
Themes: / Fantasy / Mythology / Arthurian Legend /

It’s Christmas at Camelot and King Arthur won’t begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court’s wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. At the center of the story of the challenge and its consequences is Arthur’s brave favorite, Sir Gawain.

*ALSO INCLUDED* ~An Essay By J.R.R. Tolkien
An introduction and background essay by the master himself, J.R.R. Tolkien regarding the translation and preservation of the anonymous fourteenth-century poem upon which this story is based.

Another mytho-historic tale translated by J.R.R. Tolkien, who was, as many forget these days, a professor of linguistics at Oxford. Another medieval scholar contibuted to this audiobook…. Though best known for his work with Monty Python’s Flying Circus, Terry Jones lends not only his signature voice to Tolkien’s translation of the Arthurian legend but also his familiarity with the subject. Not just an internationally recognized comedian, Jones also happens to be a scholar of medieval literature. As such he is well equipped to flesh out the characters and voices of Tolkien’s text in an authentic way. The combination of the lilting verse and the audio medium bringing the absolutely right feel to the presentation, something that makes it quite clear that heroic tales were meant to be spoken aloud rather than simply read. Also of interest to Tolkien fans is the included essay by Tolkien on the translation. A hard to find audiobook but well worth the effort!

Posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

The Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz