Review of Arguably: Essays by Christopher Hitchens

SFFaudio Review

Hachette Audio - Arguably: Essays by Christopher HitchensArguably: Essays
By Christopher Hitchens; Read by Simon Prebble
24 CDs – Approx. 28.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: September 1, 2011
ISBN: 9781611139068
Themes: / Non-fiction / History / War / Biography / Science Fiction / Fantasy / Iran / Afghanistan / Germany / North Korea / France / Dystopia / Utopia / Religion / Tunisia / Piracy / Terrorism / Feminism / Pakistan /

The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for arthe enduring relevance of Karl Marx. The audio book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens’ credentials as-to quote Christopher Buckley-our “greatest living essayist in the English language.”

Here’s a question I was thinking about while listening to Arguably.

What is fiction for?

One answer, the bad one, is that it’s for entertainment. That’s certainly where many readers are willing go, and the fiction writers who write it too. Maybe that’s precisely why so much fiction is just so very shitty.

To me, if you aren’t exploring ideas in your fiction, then you really aren’t serving a greater purpose. Idea fiction, fiction with ideas rather than just action and plot, is to my mind a kind of supplement to the wisdom found in writings on history, biography and science.

Of the many lessons learned I in listening to the 107 essays in Arguably I was particularly struck by the wisdom Christopher Hitchens gleaned from his reading of fiction. Hitchens reviews many books in this collection, nearly half of the essays are book reviews. Books like 1984, Animal Farm, Flashman, The Complete Stories Of J.G. Ballard, Our Man In Havana, and even, surprisingly, Harry Potter And The Deathly Hallows all get fascinating, critical, and reverent reviews.

Yet Hitchens also takes the lessons with him into his writing about his travels. Hitchens writes about visits to such places as North Korea, Cyprus, Afghanistan, and Kurdish Iraq. When talking about his visit to Beirut we see what comes when Hitchens, a man of ideas, acts upon them. The essay, The Swastika and the Cedar sees the convictions of the commited anti-fascist Hitchens beaten and nearly kidnapped for an act of vandalism on a prominently displayed swastika. Writes Hitchens:

“Well, call me old-fashioned if you will, but I have always taken the view that swastika symbols exist for one purpose only—to be defaced.”

In a review of two books, Lolita and The Annotated Lolita, Hitchens applies the controversial subject in a real life look at the modern, and very non-fictional oppression and objectification of women. Indeed, the ideas he appreciated in fiction helped Hitchens to come to grips with the real world.

I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”

As to the narration of the audiobook. I’m ashamed to admit that I was initially dismayed when I saw that Christopher Hitchens had not narrated this audiobook himself. I was wrong to worry. Incredibly, Simon Prebble seems to have have become Hitchens for this narration. Prebble perfectly captures the erudite words, so eloquently performs them, and with an accent so like that of Hitchens’ own so as to make me think that it was Hitchens who had actually read it.

I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”

Here’s a list of the book’s contents, with links to the original etexts when available, along with my own notes on each:

ALL AMERICAN
Gods Of Our Fathers: The United States Of Enlightenment – a review of Moral Minority: Our Skeptical Founding Fathers by Brooke Allen

The Private Jefferson – a review of Jefferson’s Secrets: Death And Desire At Monticello by Andrew Burstein

Jefferson Vs. The Muslim Pirates – a review of Power, Faith, And Fantasy: America In The Middle East: 1776 To The Present by Michael B. Oren

Benjamin Franklin: Free And Easy – a review of Benjamin Franklin Unmasked: On the Unity of His Moral, Religious, And Political Thought by Jerry Weinberger

John Brown: The Man Who Ended Slavery – a review of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked The Civil War, And Seeded Civil Rights by David S. Reynolds

Abraham Lincoln: Misery’s Child (aka Lincoln’s Emancipation) – a review of Abraham Lincoln: A Life by Michael Burlingame

Mark Twain: American Radical – a scathing review of The Singular Mark Twain: A Biography by Fred Kaplan

Upton Sinclair: A Capitalist Primer – a review of The Jungle by Upton Sinclair

JFK: In Sickness And By Stealth – a review of An Unfinished Life: John F. Kennedy, 1917–1963 by Robert Dallek

Saul Bellow: The Great Assimilator – review of six novels by Saul Bellow (The Dangling Man, The Victim, The Adventures Of Augie March, Seize The Day, Henderson The Rain King, and Herzog)

Vladimir Nabokov: Hurricane Lolita – reviews of Lolita by Vladimir Nabokov and The Annotated Lolita edited and annotated by Alfred Appel, Jr.

John Updike: No Way – a review of The Terrorist by John Updike (with reference to The Coup too)

John Updike: Mr. Geniality
– a critical review of the affable Due Considerations: Essays And Considerations by John Updike

Vidal Loco – Gore Vidal went crazier, more elitist and perhaps more racist as he got older (with attention and quips for Quentin Crisp and Oscar Wilde and Joyce Carol Oates)

America The Banana Republic – Hitchens on the “socialistic” bank bailout of 2008 (“socialism for the rich and free enterprise for the rest”)

An Anglosphere Future – a review of The History Of The English Speaking Peoples by Andrew Roberts (with reference to both Sherlock Holmes and The White Company by Sir Arthur Conan Doyle as well as to Cecil Rhodes and Rudyard Kipling)

Political Animals – a review of Dominion: The Power Of Man, The Suffering Of Animals, And The Call To Mercy by Matthew Scully

Old Enough To Die – on capital punishment as applied to children

In Defense Of Foxhole Atheists
– a visit to the United States Air Force Academy and the tax funded proselytizing

In Search Of The Washington Novel – a search for some good fiction about Washington, D.C.

ECLECTIC AFFINITIES
Isaac Newton: Flaws Of Gravity – a stroll through the medieval streets of Cambridge with the scientists, mathematicians, and philosophers who worked there

The Men Who Made England: Hilary Mantel’s “Wolf Hall” – a review of Wolf Hall by Hilary Mantel

Edmund Burke: Reactionary Prophet – a review of Reflections On The Revolution In France by Edmund Burke

Samuel Johnson: Demons And Dictionaries
– a review of Samuel Johnson: A Biography by Peter Martin

Gustave Flaubert: I’m With Stupide – a review of Bouvard et Pécuchet by Gustave Flaubert translated by Mark Polizzotti

The Dark Side Of Dickens
– a review of Charles Dickens by Michael Slater a biography (Hitchens was a not uncritical admirer of the subject)

Marx’s Journalism: The Grub Street Years – a glowing review of Dispatches for the New York Tribune: Selected Journalism Of Karl Marx edited by James Ledbetter, foreword by Francis Wheen (Marx admired the United States, and other fascinating facts about the father of communism)

Rebecca West: Things Worth Fighting For – an introduction to Black Lamb and Grey Falcon: A Journey Through Yugoslavia by Rebecca West

Ezra Pound: A Revolutionary Simpleton – a review of Ezra Pound, Poet: A Portrait Of The Man And His Work: Volume I: The Young Genius, 1885-1920 by A. David Moody (a biography of the fascist poet)

On “Animal Farm” – an introduction to Animal Farm

Jessica Mitford’s Poison Pen – a review of Decca: The Letters Of Jessica Mitford edited by Peter Y. Sussman

W. Somerset Maugham: Poor Old Willie – a review of W. Somerset Maugham: A Life by Jeffery Meyers

Evelyn Waugh: The Permanent Adolescent – a look at the enigmatic life, writing, religion, and sexuality of Evelyn Waugh

P.G. Wodehouse: The Honorable Schoolboy – a review of Wodehouse: A Life by Robert McCrum

Anthony Powell: An Omnivorous Curiosity – a review of To Keep The Ball Rolling: The Memoirs Of Anthony Powell

John Buchan: Spy Thriller’s Father – a review of John Buchan The Presbyterian Cavalier by David R. Godine (with discussion of The 39 Steps and a fantasy novelette The Grove Of Ashtaroth)

Graham Greene: I’ll Be Damned – a review of The Life Of Graham Green: Volume II: 1939-1955 by Norman Sherry

Death From A Salesman: Graham Greene’s Bottle Ontology – an introduction to Our Man In Havana by Graham Greene

Loving Philip Larkin (aka Philip Larkin, the Impossible Man) – a review of Philip Larkin: Letters To Monica edited by Anthony Thwaite

Stephen Spender: A Nice Bloody Fool – a review of Stephen Spender: The Authorized Biography by John Sutherland

Edward Upward: The Captive Mind – a look at the British novelist and short story Edward Upward

C.L.R. James: Mid Off, Not Right On – a review of Cricket, The Caribbean, And World Revolution by Farrukh Dhondy

J.G. Ballard: The Catastrophist – a review of The Complete Stories Of J.G. Ballard

Fraser’s Flashman: Scoundrel Time – a look at the George MacDonald Fraser series of Flashman books and the connection with The Adventure Of The Empty House

Fleet Street’s Finest: From Waugh To Frayn – an essay on the dubious romance of journalism

Saki: Where The Wild Things Are – a review of The Unbearable Saki: The Work of H.H. Munro by Sandie Byrne

Harry Potter: The Boy Who Lived – a review of Harry Potter And The Deathly Hallows by J.K. Rowling

AMUSEMENTS, ANNOYANCES, AND DISAPPOINTMENTS
Why Women Aren’t Funny – a controversial essay on why more comedians are male and why women laugh at them the way they do

Stieg Larsson: The Author Who Played With Fire – a look at the phenomenon of the bestselling author of The Girl With A Dragon Tattoo

As American As Apple Pie – a literary and chronological history of the blowjob, with reference to Valdamir Nobokov’s Lolita

So Many Men’s Rooms, So Little Time – a fascinatingly insightful argument on what’s was going on with the Larry Craig bathroom airport scandal and related phenomena

The New Commandments – deconstructing the Ten Commandments

In Your Face – are bans on burqas and veils actually bans, or are they liberation?

Wine Drinkers Of The World, Unite – ill mannered waiters are ruining the business of wine drinking

Charles, Prince Of Piffle – a damning look at the prince who shouldn’t be king

OFFSHORE ACCOUNTS
Afghanistan’s Dangerous Bet – a visit to Afghanistan, it’s all about the women

First, Silence The Whistle-Blower – is there any hope for democracy in Afghanistan?

Believe Me, It’s Torture – a report on what it’s like to be water-boarded

Iran’s Waiting Game – a visit to Iran and a meeting with Hussein Khomeini the grandson of Ayatollah Khomeini

Long Live Democratic Seismology – on democracy, Chile, Iran, and earthquakes

Benazir Bhutto: Daughter Of Destiny – a personal remembrance of the brave liar, Benazir Bhutto

From Abbottabad To Worse – an explanation for the existence of Pakistan as the U.S.A.’s worst best friend

The Perils Of Partition – on what dividing a country does to it (it’s like a man with a broken leg – he can think of nothing else)

Algeria: A French Quarrel – a review of A Savage War of Peace: Algeria 1954-1962 by Alistair Horne

The Case Of Orientalism (aka East Is East) – a review of Dangerous Knowledge: Orientalism and Its Discontents by Robert Irwin

Edward Said: Where The Twain Should Have Met – a review of Orientalism by Edward Said

The Swastika And The Cedar – a visit to “the Arab street”

Holiday In Iraq – Hitchens on holiday in Kurdish Iraq: it’s lovely

Tunisia: At The desert’s Edge – a lavish and lengthy visit to Africa’s gentlest country

What Happened To The Suicide Bombers Of Jerusalem? – why is no one writing about the dog that didn’t bark?

Childhood’s End: An African Nightmare – on Joseph Kony and the Lord’s Resistance Army

The Vietnam Syndrome – on the horrific effects of Agent Orange and the legacies of dioxin

Once Upon A Time In Germany – a review of the movie The Baader Meinhof Complex, it explores the origins of The Red Army Faction

Worse Than “Nineteen Eighty-Four” – North Korea is a slave state seemingly modeled on 1984

North Korea: A Nation of Racist Dwarfs – a visit to North Korea

The Eighteenth Brumaire Of The Castro Dynasty – a look at the Castro regime’s familial coup

Hugo Boss – a visit to Venezuela with Sean Penn and a meeting with Hugo Chávez – he’s nuts

Is The Euro Doomed? – what will be the fate of Europe’s common currency?

Overstating Jewish Power – In the Israeli American relationship who’s pulling who’s strings?

The Case For Humanitarian Intervention – a review of Freedom’s Battle: The Origins Of Humanitarian Intervention by Gary J. Bass

LEGACIES OF TOTALITARIANISM
Victor Serge: Pictures From An Inquisition – reviews of The Case Of Comrade Tulayev and Memoirs Of A Revolutionary by Victor Serge

André Malraux: One Man’s Fate – a review of Malraux: A Life by Olivier Todd, translated by Joseph West

Arthur Koestler: The Zealot – a review of Koestler: The Literary And Political Odyssey Of A Twentieth-Century Skeptic by Michael Scammell

Isabel Allende: Chile Redux – an introduction to The House Of The Spirits by Isabel Allende

The Persian Version – a review of Strange Times, My Dear: The PEN Anthology Of Contemporary Iranian Literature edited by Nahid Mozaffari

Martin Amis: Lightness At Midnight – a review of Koba The Dread: Laughter And The Twenty Million by Martin Amis

Imagining Hitler – the problem of evil, and Hitler, with reference to Explaining Hitler by Ron Rosenbaum and Hitler 1889-1936: Hubris by Ian Kershaw

Victor Klemperer: Survivor

A War Worth Fighting – a persuasively systematic review of Churchill, Hitler And The Unnecessary War: How Britain Lost Its Empire And The West Lost The World by Pat Buchanan

Just Give Peace A Chance? – a critical review of Human Smoke by Nicholson Baker

W.G. Sebald: Requiem For Germany – a review of On The Natural History Of Destruction by W.G. Sebald

WORDS’ WORTH
When The King Saved God – for the love of the King James version

Let Them Eat Pork Rinds – Berthold Brecht, Charles Dickens and various other sources inform Hitch’s view of the Hurricane Katrina relief disaster

Stand Up For Denmark! – a still timely plea for preferring free speech to religious tolerance

Eschew The Taboo – on the banning of words, particularly the word “nigger”

She’s No Fundamentalist – a spirited defense of Ayaan Hirsi Ali

Burned Out – the verb “fuel” is fueled by journalistic sloppiness

Easter Charade – on life and death and Terri Schiavo

Don’t Mince Words – the disenfranchisement of south Asians in Britain isn’t the cause of bombings, hatred of women is.

History And Mystery – al-Qaeda in Iraq, jihadists, or “insurgents”? Do words matter? Of course they bloody well do.

Words Matter – political slogans make of “every adult in the country” an “illiterate jerk who would rather feel than think”

This Was Not Looting – how can a government “loot” it’s own weapons manufacturing facility? The government of Iraq managed it according to The New York Times.

The “Other” L-Word – a lighthearted piece on the prominence of the word “like” and it’s use

The You Decade – what’s wrong with you (marketing to the selfish)

Suck It Up – the Virginia Tech shootings prompted the wrong response from the world (namely that it prompted one)

A Very, Very Dirty Word – the English empire, in centuries to come, may only be remembered for soccer and the phrase “fuck off”

Prisoner Of Shelves – on the indispensability of books

Posted by Jesse Willis

BBCR4 + RA.cc: JAMES BOND: From Russia With Love RADIO DRAMA

Aural Noir: Online Audio

From Russia With Love is the third James Bond RADIO DRAMA made for BBC Radio 4 by the wife and husband team of Rosalind Ayres and Martin Jarvis. And it’s absolutely wonderful!

Compared to the movie adaptation, which complicates the plot and adds in more action sequences, this radio drama versio of the novel is much more of a straight-up espionage thriller. In fact it’s so straight-up it feels kind of like an episode of The Sandbaggers. Smart, realistic, gritty. But as with any Bond tale it’s also loaded with sexiness. I’m really in awe at the skill and scale of these adaptations.

Toby Stephens is absolutely terrific as Bond. And Olga Fedori, the spy who loves him, is the best “Bond girl” I’ve ever heard. Fedori plays Corporal Tatiana Romanova, the a Soviet state assigned seductress of 007. She’s a pawn in a game being played by SMERSH, the counter-intelligence agency of the Red Army.

Within the luxurious ninety minutes of the play you get a real sense of a story being told.

When I watch the James Bond movies it rarely occurs to me that there’s much of a plot in between the action sequences. In fact, I don’t well recall any of the Bond movie plots very distinctly. The movies, even though I mostly love them, are more apt to treat the plot’s premise as an excuse to get to the next exotic location or to the next fantastic stunt sequence. They’re more cartoon than novel. Not so with this adaption. Colonel Rosa Klebb, one of the big baddies of both, is creepy like she is in the movie, but with this radio adaptation you’ll almost feel bad for her in her later scenes. The one liners are there, but they’re not laughing jokes as much as they are punctuation marks for the gallows humour of Bond.

The radio drama adaptation offers a two kinds of Russian love, the sentimental and the soft, and the hard and the ruthless.

Indeed, the intimacy of audio version is amazing. Bundled up snugly on the Orient Express with the two sexy cold war era spies is a wondrous treat you can’t afford to let yourself miss.

Olga Fedori as Tatiana Romanova and Toby Stephens as James Bond

BBC Radio 4RadioArchives.ccSFFaudio EssentialFrom Russia With Love
Based on the novel by Ian Fleming; Performed by a full cast
1 MP3 via TORRENT – Approx. 87 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: July 21, 2012
Provider: RadioArchive.cc
It’s 1955 and the Russians plan an act of terrorism. Choice of target? James Bond. To be ‘killed with ignominy’: a major sex scandal will leave his reputation, and that of MI6, in tatters. Colonel Rosa Klebb of the KGB devises a plan to lure Bond into their trap, using beautiful Corporal Tatiana Romanova as bait – plus a Spektor, the latest Russian decoding device. MI6 learns that Tatiana wants to defect and ‘M’ orders Bond to Istanbul. When Tatiana makes contact she seems to be in love with him – but is she? Either way, he soon falls for her and they leave Istanbul together, accompanied by larger-than-life Darko Kerim, Head of British Intelligence in Turkey. The climax of the drama includes a surprising confrontation between Bond and the murderous Rosa Klebb. In writer Archie Scottney’s brilliantly evocative ‘radio screenplay’, we see another side to 007. Unsure of his judgement, can he bring the lovely Tatiana safely to England, along with the precious Spektor? Will the Russians succeed in having Bond killed? If so, who is the would-be murderer?

Cast:
General/Rene ….. John Sessions
Kronsteen ….. Mark Gatiss
Major/KGB director/Barman ….. Jon Glover
Rosa Klebb ….. Eileen Atkins
James Bond ….. Toby Stephens
May ….. Aileen Mowat
‘M’ …… John Standing
Moneypenny ….. Janie Dee
‘Q’ ….. Julian Sands
Kerim ….. Tim Pigott-Smith
Manager/Conductor ….. Matthew Wolf
Tatiana ….. Olga Fedori
Announcer ….. Micky Stratford
Nash ….. Nathaniel Parker
Ian Fleming ….. Martin Jarvis

Specially composed music by Mark Holden and Michael Lopez

Director: Martin Jarvis
Producer: Rosalind Ayres
A Jarvis & Ayres production for BBC Radio 4.

From Russia With Love

Tatiana Romanova, the Hagia Sophia, and the Orient Express

Trailer for the movie version:

Posted by Jesse Willis

Review of The Red Panda Adventures – Season 7

SFFaudio Review

If you haven’t already started listening to The Red Panda Adventures you’re doing yourself a grave disservice. Go back to the beginning and start with Season 1 (that’s HERE).

Superhero Audio Drama - The Red Panda Adventures - Season SevenThe Red Panda Adventures – Season 7
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: August 2011 – July 2012
Themes: / Fantasy / Superheroes / Mystery / Crime / Nazis / War / WWII / Adventure / Toronto / Androids / Espionage / Zombies / Magic / Aliens / Poetry / Astral Projection / Hypnosis / France / Germany / Berlin / Dinosaurs / Identity / Forgery / Romance /

The Red Panda Adventures is a comic book superhero series with a world, now in it’s seventh season, that is only comparable in scale to the entire Marvel or DC universes. But unlike either DC and Marvel, the Red Panda universe has all been written by one man, Greg Taylor. Because of that it has a consistency like the best seasons of Babylon 5.

The first episode of Season 7 follows right on the heels of last season’s final episode. In the season opener, From the Ashes, Kit Baxter gets a visit from the highest power in the land. And what with the Red Panda being presumed dead there’s only one thing to do – find a replacement for Canada’s greatest superhero. The government suggests that an unkillable machine, bent on vengeance, become the new Red Panda. And Kit, is fairly forced to accept the government’s choice. Now I won’t summarize any more of the plot. But, I will say this – Season 7 is a very different season than the previous six seasons.

What isn’t different is Taylor’s scripting. It’s still great, in fact its almost unbelievably great. Taylor has one of those highly distinctive writing styles, one that’s instantly recognizable – he’s like an Aaron Sorkin, a David Mamet, or an Ian Mackintosh. And with Taylor’s style comes a whole lot of substance too. He does incredible things with each half-hour script. Each standalone tale features a carefully measured combination of snappy repartee, genuine mystery, thrilling suspense, and clever action. And he does it all within a expanded universe so consistent so as to have become a kind of complete alternate history. His seven year series, and running, has created an image so vivid as to be completely realized. Taylor’s 1930s-1940s Toronto is far realer to me than any Gotham or Metropolis offered up in comics or movies. In fact to find anything comparable you’d have to go to the Springfield of The Simpsons!

Indeed, for the last seven years I’ve followed The Red Panda Adventures rather avidly and with each season I’ve become more engrossed in the show. The release of a new episode has become so inextricably linked to my listening habits so as to become like a good a visit from an old friend. It’s truly wonderful.

In my re-listening to the first eleven episodes of this Season 7 I picked up dozens and dozens of minor details in dialogue and plot that I’d missed the first time around. Take one point, early in the season, as an example – a character quotes the tagline of the CBS Radio series Suspense as a part of her dialogue.

How wonderful to find that!

And of course there are all the usual line echoes that we know from all past seasons (if you’re curious there’s a whole thread of Taylorisms over on AudioDramaTalk).

As for Season 7 as a whole, it has a sense of deep loss, very much in keeping with the times in which the story is set and the fallout from Season 6. Earlier I mentioned that Season 7 was unlike previous seasons, that’s because it features two overarching, and eventually intersecting, plots. The first, set in Toronto, deals with Kit Baxter, her new sidekick, her new job as associate editor of the Chronicle, and her developing pregnancy. The other plotline, set in Europe introduces us to a new character, a Lieutenant Flynn, a man in a deep denial, and his attempts to fight the Nazis behind their lines. It’s a radical change, and unforeseen change of pace, but not an unpleasant one.

The smaller scale stories from this season, like The Milk Run, work terrifically well too. As even the characters themselves will admit a plot about the forgery of rationing books doesn’t sound very dramatic next to the events unfolding in war torn France. But it’s a job that has to be done, and should be done, and done well it is. And that’s because the relatively harmless domestic crime of forgery is an important part of the story of WWII Toronto. The The Milk Run script tackles it in a way that makes it seem as if such a story could not not be told. In fact, this whole home-front end of the season’s story holds up very well next to the very dramatic later episodes.

One other such, The Case Of The Missing Muse, works very similairly. It’s a story in which we meet a super-villain, with a super-vocabulary, in a mystery that could have been set in any of the previous episodes. But what with the war time setting it of Season 7, and a new Red Panda running the show, it has a resolution that has its own unique wartime fit.

That replacement Red Panda, who in fact is a character from a previous season is still voiced by the wonderful Christopher Mott. The new Panda has a very different personality and temperament than our good friend August Fenwick. His goals as Red Panda are different, his methods are different, and it’s basically everything you like about when a hero regular superhero, from the comics gets, a replacement. It’s a new origins story – a fresh start – with all the promise that brings.

Some have argued that The Red Panda Adventures is really Kit Baxter’s story – and that certainly could be argued especially within the first arc of Season 7. Indeed, Kit Baxter, aka Flying Squirrel, does not get short shrift there. Besides her regular superhero duties, Kit’s also required to train the new Panda, fill in for the shattered Home Team (from last season) and somehow deal with the fact that her butler now knows she’s the Flying Squirrel! But that’s not all over at The Chronicle, the fictional Toronto newspaper that Kit works for, she, and we, get to visit with one of the best editor voices I’ve ever heard. Editor Pearly is your typical fatherly J. Jonah Jameson type caricature of an editor, but with a voice so crazily stressed out, a voice with lines so quickly delivered, you’ll barely understand a word he’s saying. It’s both fun and funny.

Then, just short of the midway point, a kind of focal transition takes place in between episodes 78 and 79, The Darkness Beyond and Flying Blind. The second arc begins slowly but soon ramps up. The aforementioned “Lieutenant Flynn”, and a team of commandos lead by one Captain Parker must escape from a Nazi stalag prison. Once achieved they spend much of the rest of the season either on the run or doing Special Operations Executive style missions in Nazi occupied France or in Berlin itself! And long time fans of the series will recognize the return of a certain Australian accented commando in one episode.

This new military aspect of the show is actually rather remarkable, being like a kind of Canadian version of WWII Captain America. It features a large male cast, allied soldiers, that act like something like a hybrid of the comics like Sgt. Rock, Sgt. Fury And His Howling Commandos, and The Unknown Soldier. Indeed, in the final episode of Season 7, The Black Heart, the show even gives a nice tip of the hat towards the later Nick Fury (the one who’s an agent for S.H.I.E.L.D.). That final season episode, incidentally, is set to be podcast later this month and features several other reveals, and dare I say reunions, which fans will be sure to love – I know I sure did. Suffice it to say, the Season 7 season-ender is definitely not a cliffhanger.

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis

The SFFaudio Podcast #157 – AUDIOBOOK: The Syndic by C.M. Kornbluth

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #157 – The Syndic by C.M. Kornbluth, read by Mark Nelson.

This UNABRIDGED AUDIOBOOK (6 Hours 20 Minutes) comes to us courtesy of SciPodBooks.com and WonderEbooks. The Syndic was first published in Science Fiction Adventures, December 1953 and March 1954.

Come back for our next episode (SFFaudio Podcast #158) to hear our discussion of it.

Here’s the etext |RTF| (Rich Text format).

The Syndic by C.M. Kornbluth - illustrated by Sussman
The Syndic by C.M. Kornbluth - illustrated by Sussman
The Syndic by C.M. Kornbluth - illustrated by Sussman

Posted by Jesse Willis

Recent Arrivals: The Great Courses catalogue expiring February 16, 2012

SFFaudio Recent Arrivals

The Great CoursesThe Great Courses (formerly called The Teaching Company) has a new catalogue out. It is offering discounts up to 80% (for Canadian customers). I’ve scanned it, here’s the |PDF|, but be sure to have a look at it quickly as the catalogue’s offers expire on February 16, 2012.

Incidentally, this new course entitled Espionage and Covert Operations: A Global History sounds terrific!

Posted by Jesse Willis

New Releases: Random House Audio

New Releases

Random House AudioOf the latest Random House Audio releases these three seem the most interesting to me. First up, one we’ve covered before…

It may have a cover too boring to post, but the book trailer for Ernest Cline’s Ready Player One is definitely post-worthy:

Categorized as “historical” and “romance” but it doesnt sound like either from the clip. It’s told in 2nd person and narrated by Jim Dale!

Random House Audio - The Night Circus by Erin MorgensternThe Night Circus
By Erin Morgenstern; Read by Jim Dale
CDs – Approx. 14 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: September 13, 2011
ISBN: 9780307938909
A fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance.

When I heard that there was a new movie called “Killer Elite” I expected that it was just another pointless remake – this time of the 1975 Sam Peckinpah movie of the same name. Turns out it isn’t a remake, just a lifted title, and that the plot is actually based on a 1991 novel called The Feather Men! On the Wikipedia entry for the author, Ranulph Fiennes, he’s described as an “adventurer” and the novel is supposed to be based on true events.

Random House Audio - Killer Elite by Ranulph FiennesKiller Elite (previously published as The Feather Men)
By Ranulph Fiennes; Read by Jonathan Cowley
Digital Download – Approx. [UNABRIDGED]
Publisher: Random House Audio
Published: September 6, 2011
ISBN: 9780307934352
Here is a gripping novel, inspired by real-life events, about a private team of British vigilantes that sets out to eliminate a gang of cold-blooded contract killers. From 1977 to 1990, four former British soldiers die, one by one, supposedly due to accident or illness. But soon a link is established between the victims: a shared mission in the desert kingdom of Oman, where they fought for a sultan against insurgents and ruined the life of a rival sheikh, who in turn has sent a band of assassins to methodically slay the soldiers and salvage his pride. Now these clever assassins are on the run from an underground group of SAS vets with nothing to lose, no time to waste, and a desire to dispense their own form of justice—no matter the cost.

Posted by Jesse Willis