Edgar Allan Poe – Page 36

Hypnobobs: What Was It? by Fitz James O’Brien

SFFaudio Online Audio

Mr. Jim Moon, a recent guest on SFFaudio Podcast #126, has recorded another story you just have to hear! It’s an old one, it’s wonderful, it’s obscure and it’s been recorded with an amateur’s enthusiasm and a professional’s sound. Mr. Moon, who I’m coming to realize is something of an expert in weird fiction, tracked down the complete text – apparently nearly all modern editions have used a slightly condensed version – cleanly narrated it (without any added sound effects or annoying bed music), then complimented the reading with what I can only describe as a very thoughtful commentary of an impassioned researcher.

Honestly, how could anyone ask for more than that?

My figurative hat is off to you Mr. Jim Moon. You are what makes the internet a wonderful place to visit.

What Was It?
By Fitz James O’Brien; Read by Jim Moon
1 |MP3| – Approx. 50 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: September 18, 2011
One of the earliest known examples of invisibility in fiction is What Was It? by Fitz James O’Brien – He’s been called “the most important figure after Poe and before Lovecraft” and this story serves as a kind of a bridge between the supernatural and the scientific, between the likes of de Maupassant’s The Horla and Wells’ The Invisible Man.

Podcast feed: http://feeds.feedburner.com/Hypnobobs

Posted by Jesse Willis

The SFFaudio Podcast #126 – AUDIOBOOK/READALONG: The Statement Of Randolph Carter by H.P. Lovecraft

Podcast

The SFFaudio Podcast #126 – a complete and unabridged reading of The Statement Of Randolph Carter by H.P. Lovecraft, read by Wayne June (from the Audio Realms collection The Dark Worlds Of H.P. Lovecraft – Volume 3), followed by a discussion of the story. Participants include Jesse, Scott, Tamahome, Jenny Colvin (of the Reading Envy blog) and Mr. Jim Moon (of Hypnogoria.com).

Talked about on today’s show:
H.P. Lovecraft never played soccer?, Mr. Wayne June is the voice of Lovecraft, Michael Clarke Duncan has a swarthy voice, Pat Bottino’s voice might work for Lovecraft, Tama was a Lovecraft virgin until The Statement Of Randolph Carter, The Statement Of Randolph Carter is a good place to start with Lovecraft, forbidden writings, nameless things with many adjectives, Edgar Allan Poe, The Tell-Tale Heart, a radical thesis: Harley Warren is a mean practical joker, Jesse renders the story meaningless, The Turn Of The Screw, Big Cypress Swamp, Florida, Imprisoned With The Pharaohs, alligator-men, secret places and cultists, legion (many – demons – The New Testament), The Lovecraft Vocabulary Challenge, necrophagous niter, The Cask Of Amontillado, did Randolph Carter cover up that tomb?, using The Statement Of Randolph Carter for vocabulary expansion, “hoary”, adding horror, The Silver Key, Randolph Carter is an occult thrill seeker, “we’re one lid away from total doom”, I don’t find books of forgotten lore in used bookstores, Harry Houdini’s book on the occult had an introduction written by Lovecraft!, Lovecraft’s letters, the Call Of Cthulhu RPG works differently than other RPGs, Dungeons & Dragons, From Beyond, Re-Animator, Herbert West Re-animator, it’s such a cute little horror, showing Lovecraft on screen may be best done humorously, dripping oozing ichor, China Miéville, piling on the connotations, bringing home the horror, “it was an eldritch night and I was feeling squamous”, night terrors, Tama had a nightmare that DC was going to relaunch all their comics, “Warren is calling”, what does a gelatinous voice sound like? it’s a rip-of from Poe, The Facts In The Case Of M. Valdemar, hypnotism, Warren’s theory about why certain corpses say fat and firm, Demons by John Shirley, The Unnameable, a funny riposte, “your giant zombie theory doesn’t work”, In The Mouth Of Madness, The Strange Adventures of H.P. Lovecraft, The New Cthulhu, Robert E. Howard, The Black Stone, Clark Ashton Smith, Conan lives in a Lovecraftian universe, Scientology, L. Ron Hubbard, The People Of The Dark, Worms Of The Earth, Howard’s non-Lovecraftian horror, Pigeons From Hell, Howard was a collector of words and ideas, what’s the Mongolian word for sword?, Cimmeria was a real place, Lovecraft was a crafter of stories whereas Howard was a storyteller, Lovecraft’s poetry, yellow peril, The Horror At Red Hook, raging racist, respectable white folks turning into fish people, Clive Barker, “you’re one puzzle box away from doom”, dark fantasy, hidden secret magical worlds.

The Statement Of Randolph Carter by H.P. Lovecraft - illustration by Andrew Brosnatch

The Statement Of Randolph Carter

The Statement Of Randolph Carter scene in Providence, issue 8

The Statement Of Randolph Carter Illustration by Pete Von Sholly

Posted by Jesse Willis

The SFFaudio Podcast #125 – AUDIOBOOK/READALONG: The Horla by Guy de Maupassant

Podcast

The SFFaudio Podcast #125 – The Horla by Guy de Maupassant, read by Gregg Margarite (of LibriVox), followed by a discussion of the story – participants include Jesse, Tamahome and Jenny Colvin (of the Reading Envy blog).

Talked about on today’s show:
“c’est magnifique!”, is this Jesse’s favourite story from the 19th century?, H.G. Wells, is The Horla Science Fiction, aliens, ghosts, Guy de Maupassant is crafting our feeling on how the story should be interpreted, Mont Saint-Michel, Ladyhawke, Second Life, Normandy, Paris, France, ghosts, goats with human faces, biblical stories of possessed pigs, metaphor of the wind, the wind as a telekinetic force, invisibility, personal experience vs. faith, succubi, vampires, Jim Moon’s Hypnobobs podcast (reading of The Horla and Dairy Of A Madman), was Guy de Maupassant interested in science?, his prolific output, Sigmund Freud, is this a psychological drama?, the character in the movie vs. the short story, sleep paralysis and depression, is the unnamed protagonist of The Horla bioplar?, syphilis, H.P. Lovecraft, Benjamin Franklin, the character has a Science Fiction attitude (a disposition towards science), a story of possession (like in The Exorcist), glowing eyes, Rouen, “excuse my French”, external confirmation, diagnose yourself, São Paulo, Brazil, The Horla means “the beyond”, what lives beyond the Earth?, Jenny wasn’t thinking aliens at all, creatures from other dimensions, the Predator’s cloaking device, is the horla really Santa Claus?, hypnotism and hypnotists, post-hypnotic suggestion, confabulation, its a quasi-phenomenon, why can’t everyone be hypnotized?, Hamlet, did he burn down his house or did the horla do it?, noir, movies demand the defeat of evil, “Son Of The Horla and Spawn Of The Horla“, science and skepticism, who broke all the drinking glasses?, the Futurama version of a Twilight Zone episode,

“The vulture has eaten the dove, and the wolf has eaten the lamb; the lion has devoured the sharp-horned buffalo, and man has killed the lion with arrow, sword and gun; but the Horla is going to make of man what we have made of the horse and the ox: his chattel, his servant and his food, by the mere exercise of his will. Woe to us.”

Tamahome should read some H.P. Lovecraft, here’s H.P. Lovecraft’s description of The Horla:

“Relating the advent in France of an invisible being who lives on water and milk, sways the minds of others, and seems to be the vanguard of a horde of extra-terrestrial organisms arrived on earth to subjugate and overwhelm mankind, this tense narrative is perhaps without peer in its particular department.”

Lovecraft is using deep time to scare us instead of the supernatural, The Statement Of Randolph Carter, sorry I cant talk right now I’m being digested, Cthulhu’s guest appearance on South Park, the elements, space butterfly,

“We are so weak, so powerless, so ignorant, so small — we who live on this particle of mud which revolves in liquid air.”

a cosmic view, the Carl Sagan view, evil is everywhere, an allegory for science, Frankenstein, “men ought not meddle in affairs normally deemed to women”, the Frankensteinian monster, a warning against science vs. science is our only way of understanding the universe, we have one place to look and that is to science, the propaganda he’s pushing, “there are things we can’t explain”, gentlemen did science back then, Library Of The World’s Best Mystery And Detective Stories on Wikisource, the case of my body being haunted, Edgar Allan Poe, Diary Of A Madman, turn us into batteries, “this is a looking glass”, the main character holding a photograph of himself, foreshadowing, out of body experience, Tama fails the quiz of the lesson earlier, when we don’t know – don’t conclude, we ought not conclude anything from this scene, we are not supposed to know we know the answer, Harvey Keitel’s appearance on Inside the Actor’s Studio, becoming comfortable with the unknown, The Necklace by Guy de Maupassant, F. Scott Fitzgerald, Jesse proceeds to recount the entire plot of The Necklace, like a really sad O. Henry story, Somerset Maugham, Henry James, A String Of Beads, “Mais oui.”

The Horla by Guy de Maupassant

The Horla by Guy de Maupassant - illustration by Julian-Damazy

Guy De Maupassant's Le Horla 1908 Edition

Posted by Jesse Willis

The Weird Circle

SFFaudio Online Audio

I’ve been sitting on this post for a while. The problem was that even though I’ve spent a considerable amount of time working on it, it has been slow going. I figured it will be years more before I finished it at that rate. If you’ve got some ideas about the authors I haven’t been able to discover please drop a comment. In the meantime here’s what I’ve got:

The Weird Circle was a 1940s half hour radio drama series that ran 78 episodes in syndication from 1943 to 1945 in the USA.

One story I suggest fans of SF check out is What Was It? by Fitz-James O’Brien, this 1859 story, starts off with all the proto-typical mumbo jumbo about seances and haunted houses and then takes a more Science Fictiony turn. It’s also, according to Wikipedia, one of the earliest modern stories about invisibility. The show’s producers primarily drew upon early and mid-19th century gothic fiction stories for their adaptations.

The final story in this series, The Black Parchment, seems something like a French version of The Monkey’s Paw.

Episodes:

The Fall Of The House Of Usher
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: August 29, 1943
Provider: Archive.org

The House And The Brain
Based on the story by Edward Bulwer-Lytton; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 5, 1943
Provider: Archive.org

The Vendetta
Based on the novel by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 12, 1943
Provider: Archive.org

The Narrative of Arthur Gordon Pym
Based on a novel by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 19, 1943
Provider: Archive.org

Declared Insane
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 26, 1943
Provider: Archive.org
Based on the story Interdiction by Honoré de Balzac

A Terribly Strange Bed
Based on the story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 3, 1943
Provider: Archive.org

What Was It?
Based on a story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 10, 1943
Provider: Archive.org

The Knightsbridge Mystery
Based on the story by Charles Reade; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 17, 1943
Provider: Archive.org
First published in Life in 1882, later republished in Argosy (UK) Jul 1931.

The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

William Wilson
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 31, 1943
Provider: Archive.org
First published in October 1839.

Passion In The Desert
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 7, 1943
Provider: Archive.org
Turned into a film.

Mateo Falcone
Based on a story by Prosper Mérimée; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 14, 1943
Provider: Archive.org
First published in 1829.
Turned into an opera.

The Man Without A Country
Based on Edward Everett Hale; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 21, 1943
Provider: Archive.org
First published in Atlantic Monthly December 1863.

Dr. Manette’s Manuscript
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 28, 1943
Provider: Archive.org
Adapted from the novel A Tale of Two Cities by Charles Dickens.

The Great Plague
By Thomas Hood (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 5, 1943
Provider: Archive.org
Adapted from the short story A Tale Of The Great Plague by Thomas Hood.

Expectations Of An Heir
Based on a story by Samuel Johnson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 12, 1943
Provider: Archive.org
Adapted from The Lingering Expectation Of An Heir

The Hand
Based on a story by Guy de Maupassant (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 19, 1943
Provider: Archive.org

Jane Eyre
Based on the novel by Charlotte Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 26, 1943
Provider: Archive.org

The Murders In The Rue Morgue
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 2, 1944
Provider: Archive.org

The Lifted Veil
Based on a novella by George Eliot; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 9, 1944
Provider: Archive.org
The Lifted Veil was first published in 1859.

The 4:15 Express
Based on the story by Amelia B. Edwards; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 16, 1944
Provider: Archive.org

A Terrible Night
Based on a story by Fitz James O’Brien; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 23, 1944
Provider: Archive.org

The Tell Tale Heart
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 30, 1944
Provider: Archive.org

Niche Of Doom
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 6, 1944
Provider: Archive.org
Based on the story La Grande Breteche by Honoré de Balzac.

The Heart Of Ethan Brand
Based on a story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 13, 1944
Provider: Archive.org
Based on the story Ethan Brand by Nathaniel Hawthorne. First published in .

Frankenstein
Based on the novel by Mary Shelley; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 20, 1944
Provider: Archive.org

Feast Of The Red Gauntlet
Based on a novel by Sir Walter Scott; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 27, 1944
Provider: Archive.org
Based on the novel Redgauntlet.

Murder Of The Little Pig
Based on a story by Émile Gaboriau; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 5, 1944
Provider: Archive.org

Specter Of Tappington
Based on the story by Richard Harris Barham; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 12, 1944
Provider: Archive.org
First published in 1837. Lieutenant Charles Seaforth is back from India, and will stay in “the oak room” a notoriously haunted room in Tappington manor. But when a skeletal specter steals Seaforth’s pants in the night he’s forced to wear his tropical shorts to breakfast!

Strange Judgement
; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 19, 1944
Provider: Archive.org

Wuthering Heights
Based on the novel by Emily Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 26, 1944
Provider: Archive.org
First published in 1847.

Curse Of The Mantle
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 2, 1944
Provider: Archive.org

The Cask Of Amontillado
Based on the story by Edgar Allan Poe; Performed by a full cast
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 9, 1944
Provider: Archive.org

A Rope Of Hair
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 16, 1944
Provider: Archive.org

Falkland
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 23, 1944
Provider: Archive.org

The Trial For Murder
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 30, 1944
Provider: Archive.org

The Werewolf
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 7, 1944
Provider: Archive.org

The Old Nurse’s Story
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 14th, 1944
Provider: Archive.org

The Middle Toe Of The Right Foot
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 28, 1944
Provider: Archive.org

The Dream Woman
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 3, 1944
Provider: Archive.org

The Phantom Picture
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 10, 1944
Provider: Archive.org

The Ghost’s Touch
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 17, 1944
Provider: Archive.org

The Bell Tower
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 24, 1944
Provider: Archive.org

Evil Eye
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 1, 1944
Provider: Archive.org

The Mark Of The Plague
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 8, 1944
Provider: Archive.org

The Queer Client
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 15, 1944
Provider: Archive.org

The Burial Of Roger Melvin
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 22, 1944
Provider: Archive.org

The Fatal Love Potion
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 29, 1944
Provider: Archive.org

Mad Monkton
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 5, 1944
Provider: Archive.org

The Returned
Based on a story by Neville Brand (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 12, 1944
Provider: Archive.org

The Executioner
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 19, 1944
Provider: Archive.org
First published in 1830.

Rappaccini’s Daughter
Based on the story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 26, 1944
Provider: Archive.org
First published in 1844.

The Wooden Ghost
Based on a story by Sheridan Le Fanu; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 3, 1944
Provider: Archive.org
Adapted from Schalken The Painter by Sheridan Le Fanu. First published in 1839.

The Last Days Of A Condemned Man
Based on the novel by Victor Hugo; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 10, 1944
Provider: Archive.org
First published in 1829.

The Warning
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 17, 1944
Provider: Archive.org

The Doll
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 24, 1944
Provider: Archive.org

The Diamond Lens
Based on the story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 31, 1944
Provider: Archive.org
First published in 1858 in The Atlantic Monthly.

The History Of Dr. John Faust
Based on a story by anonymous; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 7, 1945
Provider: Archive.org
Based on a chapbook story Historia von D. Johann Fausten first published in 1587.

Duel Without Honor
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 14, 1945
Provider: Archive.org

The Spectre Bride
Based on a story by William Harrison Ainsworth; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 21, 1945
Provider: Archive.org
First published in 1822.

The Tapestry Horse
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 28, 1945
Provider: Archive.org

The River Man
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 4 1945
Provider: Archive.org

Ancient Mariner
Based on a poem by Samuel Taylor Coleridge; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 11 1945
Provider: Archive.org
Based on The Rime Of The Ancient Mariner by Samuel Taylor Coleridge. First published in 1798.

The Oblong Box
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 18 1945
Provider: Archive.org

The Mysterious Bride
Based on a story by James Hogg; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 25, 1945
Provider: Archive.org
First published in 1830.

The Thing In The Tunnel
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 4, 1945
Provider: Archive.org
Based on The Signal-Man by Charles Dickens. Later adapted as an audio drama for Hall of Fantasy (1950), Suspense (1956), Nightfall (1982) and Seeing Ear Theatre (1998?). A spectral figure in a dark railway tunnel has a message

The Moonstone
Based on the novel by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 11, 1945
Provider: Archive.org
Based on the novel The Moonstone by Wilkie Collins. First published in 1868.

The Pistol Shot
Based on a story by Alexander Pushkin (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 18, 1945
Provider: Archive.org
Based on the short story The Shot by Alexander Pushkin. First published in 1830.

The Possessive Dead
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 25, 1945
Provider: Archive.org

The Goblet
Based on the story by Ludwig Tieck; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 1, 1945
Provider: Archive.org
Translated from German into English in 1827. Donaldo is the governor of an Italian island. He chooses a woman of low birth as his bride to be and gives her a series of engagment gifts, a silver ring, a silver pendant, and a silver goblet. The problem is, Francesca, his intened, has falllen in love with the silversmith!

The Case Of Monsieur Valdemar
Based on a story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 8, 1945
Provider: Archive.org
Based on The Facts in the Case of M. Valdemar by Edgar Allan Poe. First published in 1845.

The Shadow
Based on a story by Hans Christian Andersen; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 15, 1945
Provider: Archive.org
Based on The Shadow. First published in 1847. Classified as a “fairy tale.” A man’s shadow becomes another person and tries to control his life.

Bride Of Death
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 22, 1945
Provider: Archive.org
A beautiful woman is fated to marry a dead man.

Dr. Jekyll And Mr. Hyde
Based on the novel by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 29, 1945
Provider: Archive.org

The Red Hand
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 6, 1945
Provider: Archive.org
A money hungry husband bent on murder chases his wife across France.

The Haunted Hotel
Based on a story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 13, 1945
Provider: Archive.org
First published in 1878. Set in Venice.

Markheim
Based on the story by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 20, 1945
Provider: Archive.org
This is a radical adaptation, set in a contemporary (to 1945) setting, and providing much of the presumed back-story (stuff that isn’t actually in the text of Stevenson’s original tale). First published in 1885 |ETEXT|.

The Black Parchment
By ????; Performed by a full cast
1 |MP3| – Approx. [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 27, 1945
Provider: Archive.org
Raphael Roland, a degenerate Parisian gambler intent on suicide, saves a drowning man in the Seine. In response he’s given a certain black parchment, written is Sanskrit, that grants wishes to the bearer. But, as an owner’s wishes are granted the parchment gets smaller and smaller and its owner gets older and older.

Posted by Jesse Willis

Vincent Price’s dramatic reading of The Raven by Edgar Allan Poe

SFFaudio News

I betook myself to linking merely this and nothing more.

Posted by Jesse Willis

Commentary: The Raven by Edgar Allan Poe

The Raven

The Raven by Edgar Allan Poe – |MP3| (read by Anne Cheng)

ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“ ’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“ ’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;
This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping something louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered—
Till I scarcely more than muttered: “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore.’ ”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore

Upon The Bust Of Pallas - Edouard Manet

Edmund C. Steadman, in the introduction to Gustave Doré’s 1884 illustrated edition of The Raven, argues that while The Raven may not be Edgar Allan Poe’s best work that it is certainty “his representative poem” in part because it deals with his major theme: “the irretrievable loss of an idolized and beautiful woman.” And to my ears it certainly is a “treasure of mankind.” But, because of its length and accessibility, I think it is capable of being appreciated by even the roughest of barbarian hearts.

And why is that?

I’d suggest that the supernatural element, or the ambiguity of such, helps a lot. Ghosts, gods and demons are easy entry points.

Think of it as a more palatable forerunner to paranormal romance. Perhaps this kind of literature is best called “Dark Romanticism.”

From Wikipedia:

Dark Romanticism (often conflated with Gothicism or called American Romanticism) is a literary subgenre. It has been suggested that Dark Romantics present individuals as prone to sin and self-destruction, not as inherently possessing divinity and wisdom. G.R. Thompson describes this disagreement, stating “the Dark Romantics adapted images of anthropomorphized evil in the form of Satan, devils, ghosts, werewolves, vampires, and ghouls.” For these Dark Romantics, the natural world is dark, decaying, and mysterious; when it does reveal truth to man, its revelations are evil and hellish.

Now dark romanticism may just sound like a more literary description of paranormal romance, minus the mention of a myriad of tattoos, but its authors tackled tough subjects like the pointlessness of a loveless existence in a world without an afterlife. In a way that’s an inversion of paranormal romance.

So on that happy note, and bearing in mind the generally accepted saw that “Life is stranger than fiction”, my question for your barbarian heart is slightly different:

Is real life more horrific than fiction?

Poe’s answer in The Raven, I think, is that it is and by a wide margin.

I’m fairly confident that a wholly naturalistic interpretation of why The Raven quoth “nevermore” can be found in the lines (62-65):

“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore

And if it is true that the titular raven is not supernaturally prophetic, and its speech no more than mere mimicry, is the message it brings to the unnamed narrator at all lessened by a naturalistic interpretation?

I thought not.

Plutonian Shore - GUSTAVE DORÉ