William H. Patterson, Jr. talking about Robert A. Heinlein at the Cato Institute in 2010

SFFaudio News

William H. Patterson, Jr., author of Robert A. Heinlein: In Dialogue With His Century a new biography of Robert A. Heinlein, is the speaker in this Cato Institute video from 2010. Here’s the official description:

Robert A. Heinlein is regarded by many as the greatest science fiction writer of the 20th century. He is the author of more than 30 novels, including Starship Troopers, Stranger in a Strange Land, and the libertarian classic The Moon Is a Harsh Mistress. According to biographer William H. Patterson Jr., Heinlein’s writings “galvanized not one, but four social movements of his century: science fiction and its stepchild, the policy think tank; the counterculture; the libertarian movement; and the commercial space movement.” This authorized biography, reviewed enthusiastically by Michael Dirda in the Washington Post, is the first of two volumes, covering Heinlein’s early ambition to become an admiral, his left-wing politics, and his first novels. Heinlein later became strongly libertarian.

The speech itself is short, and isn’t particularity exciting, but Patterson gives some very detailed and interesting answers to audience questions. Some are about the connections between Ayn Rand and Robert A. Heinlein, the philosophy of Heinlein, socialism in the U.S.A., and Heinlein’s mysticism.

But one question asked, about how to rebuff arguments that Heinlein’s ‘Starship Troopers is fascist’, has Patterson point to the compulsory military service in Switzerland. He equates it with being a part of Swiss citizenship. However, military service is only compulsory for Swiss men. In South Korea, where the threat of war is much more pressing, compulsory military service works the same way – only men are compelled. In fact compulsory military service works, and has worked, that way just about everywhere – including in Nazi Germany and Fascist Italy. A much better example of equating military service with citizenship would be Israel, where compulsory military service includes both men and women – and there aren’t very many exemptions. Problem is, this isn’t what the book, or the movie, has. Heinlein has voting rights for veterans – soldiers can’t vote and anybody who doesn’t join the military can’t vote. That’s not fascism. I don’t know what it’s called but it is not fascism.

Posted by Jesse Willis

Damon Knight discusses early Science Fiction

SFFaudio News

James Gunn filmed this interview with Damon Knight sometime in the 1960s, it features Knight discussing Science Fiction from a time when there was no name for it. He begins with stories of of moon voyages (Lucian, Cyrano de Bergerac) and moves on to 19th century authors Edgar Allan Poe and Jules Verne.

H.G. Wells, Frank Herbert, Isaac Asimov, Rudyard Kipling, Hugo Gernsback, Jack Williamson, Edmund Hamilton, Olaf Stapeldon, E.E. Smith, and J.R.R. Tolkien are the focus for this second half…

[via AboutSF]

Posted by Jesse Willis

The SFFaudio Podcast #138 – AUDIOBOOK/READALONG: The Crawling Chaos by Winifred V. Jackson and H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #138 – The Crawling Chaos by Winifred V. Jackson and H.P. Lovecraft, read by Wayne June. This is a complete and unabridged reading of the short story (21 Minutes) followed by a discussion of it (by Jesse, Tamahome, Jim Moon and Wayne June). Here’s the ETEXT.

“In The Crawling Chaos the narrator flees inland, taking his adjectives with him.” -L. Sprague de Camp (from Lovecraft: A Biography)

Talked about on today’s show:
Wayne June is still alive!, first impressions of The Crawling Chaos, Wikipedia’s plot summary of The Crawling Chaos, dream logic, an opium vision, the tripiness, the philosophy behind The Crawling Chaos, The Haunted Palace by Edgar Allan Poe, the self as a haunted palace, Poe is so 19th century, The Raven, The Fall Of The House Of Usher, entropy, there is no meaning in this uncaring universe, “and all the planets mourned”, you’d need a lot of Prozac (or opium) to go through a life like that, the catharsis of apocalypse, a cosmic apocalypse, the plot is a jumble of junk, the biblical echoes, “only the gods reside there” (in Teloe), a very old testament vibe, “lest you turn into a pillar of salt”, the protagonist is us (mankind), Lovecraft’s recurring themes, the ordinary man who swaps places with another, The Shadow Out Of Time, Polaris, Beyond The Wall Of Sleep, transcendental mind-swap stories, the story was a pseudonymous collaboration between Elizabeth Berkley (aka Winifred V. Jackson) and Louis Theobald, Jun. (aka H.P. Lovecraft), Nyarlathotep, “send me some money”, a lot of dross with a powerful effect, “the year of the plague”, the “oriel window” is an eyeball!, “calm down Howard”, “he’s in his own brain”, who or what is “the crawling chaos”?, the ocean pounding is his heart beating, “We’re all doomed!”, what is the crawling chaos?, S.T. Joshi, Rudyard Kipling, the peninsular beach house, Tiger Tiger (from The Jungle Book), The Tyger by William Blake, is the beautiful youth Mowgli?, who are “they”?, a fawn faced youth, Weena from H.G. Wells’ The Time Machine, did Winifred read The Time Machine before sleep?, what is the meaning of “Teloe”? is it teleology, reaching for meaning or purpose and losing it, Amber and Chalcedony, pleasure barges bound for blossomy Cytheron, Liquid Gold, Lord Dunsany, the heavenly host, the destruction of the physical (the corpse-like clay), black clouds like vultures, Supernatural Horror In Literature by H.P. Lovecraft, “the oldest and strongest emotion of mankind is fear”, City In The Sea by Edgar Allan Poe, opium addiction, why opium?, Confessions Of An English Opium-Eater by Thomas De Quincey, Charles Baudelaire, a waking dream, if the story was written in the 1960s…, LSD, morphine and Morpheus (dream), a waking dream, Aldous Huxley, Timothy Leary, The Doors Of Perception, out of Plato’s cave, Philip K. Dick, mindset and environment, mescaline, dreams vs. drug trips, journeys into the unconscious, Mouthpiece by Edward Wellen, decoding the death ravings of Dutch Schultz (HERE), William Burroughs, Robert Anton Wilson, “French Canadian Bean Soup”, stream of unconsciousness, Frances vs. French people, “swimming through New York”, The Librarian TV series, “perfectly ordinary strange adventures”, puns are big for the subconscious, Samuel R. Delany, Groucho Marx.

The Tyger by William Blake

The United Co-Operative, April 1921 - The Crawling Chaos

Posted by Jesse Willis

Eerie magazine ads for vintage spoken word record and audio drama albums

SFFaudio News

Eerie MagazineEerie was a comics magazine, by Warren Publishing, that ran from 1966 to 1983. It was a (mostly) black-and-white magazine that featured original and adapted stories. Unlike most contemporary comics of its era it didn’t submit the Comics Code Authority so its stories could feature nudity, blood, and plenty of other gruesome goodness.

Below you’ll find some of the many ads for spoken word record albums that ran in the mag. The only one I’ve ever come across myself was the audio drama adaptation of 20,000 Leagues Under The Sea |READ OUR REVIEW|.

GOLDEN RECORDS 20,000 Leagues Under The Sea LP

I’ve received dozens of emails over the years asking about this edition of 20,000 Leagues Under The Sea. If you’ve got some of the records below, or know of others from similar magazine ads, please leave comments!

Eerie magazine ad from 1975 – “SUPER ADVENTURE RECORD ALBUMS” and “12 EVIL EDGAR ALLAN POE RECORDS!”:

Eerie magazine ad from 1975 - 12 Evil Edgar Allan Poe Records!

EERIE 1979 – “Fantastical LP Record Albums”:

EERIE 1979 - Fantastical LP Record Albums

Eerie 1967 – “An Evening With Boris Karloff And His Friends”:

Eerie 1967 - An Evening With Boris Karloff And His Friends

Eerie 1968 – “Wild, New Adventure LP Records”:

EERIE 1968 - Wild New Adventure LPs

Eerie magazine ad from 1966 – “Now You Can Hear Your Favorite Monsters”:

Eerie magazine ad from 1966 - Now You Can Hear Your Favorite Monsters

Eerie magazine ad from 1966 – “Famous Monsters Speak”:

Eerie Magazine 1966 - Famous Monsters Speak

Posted by Jesse Willis

The Thousand-And-Second Tale Of Scheherazade by Edgar Allan Poe

SFFaudio Online Audio

The Thousand-and-Second Tale of Scheherazade by Edgar Allan Poe - illustration by Frank R. Paul

Here’s the uncredited editorial introduction, presumably by Hugo Gernsback himself, to The Thousand-And-Second Tale Of Scheherazade as it appeared in the May 1928 issue of Amazing Stories:

“When we realize that this story was written nearly 100 years ago, we must marvel at the extraordinary fertile imagination of Poe. Poe was probably the inventor of “Scientifiction” as we know it today, and just because the story was written almost a century ago, certainly does not make it less valuable. On the contrary, it becomes more valuable as time passes. It is just as applicable to the modern man, who is mostly in the fog about what goes on around him in science today, as his predecessors were a century ago.”

Indeed, if you read it straight through, without pausing to read the footnotes, you’ll probably only get a vague sense of what’s going on in this story. And though I think I tumbled to the idea pretty early on, I still found myself in many places echoing the king’s many harrumphs. I’m not one to use the term “genius” lightly, but if anyone is worthy of the term, it is certainly Edgar Allan Poe. Even in his lesser works, like The Thousand-And-Second Tale Of Scheherazade, there is a wry brilliance that may be entirely matchless.

LibriVoxThe Thousand-And-Second Tale Of Scheherazade
By Edgar Allan Poe; Read by Gregg Margarite
1 |MP3| – Approx. 55 Minutes [UNABRIDGED]
Publisher: LibriVox
Published: October 1, 2009
First published in the February 1845 issue of Godey’s Lady’s Book.

And here’s the matching |PDF|.

Posted by Jesse Willis

Edgar Allan Poe from Christopher Arrufo

SFFaudio News

Christopher Aruffo is back with more readings of his (possibly exhaustive) survey of the works of Edgar Allan Poe. Volumes 11 – 13 are available separately or in a combined set. This set includes some of the mid-list fiction from Poe’s body of work, including the notorious “Bernice”, and the granddaddy of all, “The Telltale Heart”.

I’ve said it before (in a review of Volumes 9 and 10 from this Poe series) and I’ll say it again: Aruffo has a stradivarius voice, and he knows how to play it. His lush tones are perfect for Poe and better-than-perfect for “The Telltale Heart”, where he inhabits the crazy-yet-calculating mental world of the narrator. The well-placed giggles never let you forget his lunacy. At the end, his recitation slips into a throbbing rhythm as the heart of the story pounds out its accusatory beats. It’s a performance not to be missed.

Other titles in this collection are:
“Man of the Crowd”: Poe impulsively spends an entire day stalking a strange old man.
“Hop” – Frog: an under-appreciated story of an outcast wreaking terrible revenge.
Metzengerstein: Magic and horror combine in the body of a horse of unexplainable origin.
“Bernice”: another horror story with a Poe-esque protagonist (rich) of Poe-esque habits (solitary) and a Poe-esque grip on reality (none) who obsesses over a woman’s fine set of teeth. Really. This story is so out of proportion, Thomas Disch made it Exhibit A in his indictment of science fiction’s adolescent tendencies (although it is not science fiction).
“The Sphinx”: A possibly-true, slight account of a strange optical illusion.
And, in addition: “The Assignation”, “Shadow”, “Silence”, and “Morella”.
This microcosm gives a fascinating glimpse into Poe’s mental world. Everything about him that is brilliant, obsessive, and unhinged is sampled here.

Posted by Fredoosphere