Edgar Allan Poe – Page 33

Fantasy and Science Fiction: The Human Mind, Our Modern World with Eric Rabkin

SFFaudio News

Our good friend, Professor Eric S. Rabkin, is teaching one of the free summer Coursera courses. It’s entitled Fantasy and Science Fiction: The Human Mind, Our Modern World and all of the required readings, except for two of the novels, are available free online!

Here’s the official description:

Fantasy is a key term both in psychology and in the art and artifice of humanity. The things we make, including our stories, reflect, serve, and often shape our needs and desires. We see this everywhere from fairy tale to kiddie lit to myth; from “Cinderella” to Alice in Wonderland to Superman; from building a fort as a child to building ideal, planned cities as whole societies. Fantasy in ways both entertaining and practical serves our persistent needs and desires and illuminates the human mind. Fantasy expresses itself in many ways, from the comfort we feel in the godlike powers of a fairy godmother to the seductive unease we feel confronting Dracula. From a practical viewpoint, of all the fictional forms that fantasy takes, science fiction, from Frankenstein to Avatar, is the most important in our modern world because it is the only kind that explicitly recognizes the profound ways in which science and technology, those key products of the human mind, shape not only our world but our very hopes and fears. This course will explore Fantasy in general and Science Fiction in specific both as art and as insights into ourselves and our world.

This course comprises ten units. Each will include a significant reading, typically a novel or a selection of shorter works. I will offer video discussions of each of the readings and also of more general topics in art and psychology that those readings help illuminate. Each unit will include online quizzes and ask you to write a brief essay offering your own insights into the reading. In order, the units are:

Grimm — Children’s and Household Tales
Carroll — Alice’s Adventures in Wonderland and Through the Looking-Glass
Stoker — Dracula
Shelley — Frankenstein
Hawthorne & Poe — Stories and Poems
Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star”
Burroughs & Gilman — A Princess of Mars & Herland
Bradbury — The Martian Chronicles
LeGuin — The Left Hand of Darkness
Doctorow — Little Brother

In Unit I, the specific stories are the ones in the Lucy Crane translation (1886) which was published by Dover and is available online through Project Gutenberg (http://www.gutenberg.org/ebooks/5314). In Unit V, the specific readings are: Hawthorne’s “The Birthmark,” “Rappaccini’s Daughter,” “Dr. Heidegger’s Experiment,” and “The Artist of the Beautiful“; Poe’s “The Fall of the House of Usher,” “The Tell-Tale Heart,” “The Black Cat,” “The Facts in the Case of M. Valdemar,” “The Bells,” “The Raven,” “Annabel Lee.” All the readings except Ray Bradbury’s The Martian Chronicles and Ursula K. LeGuin’s The Left Hand of Darkness will be available online at no charge.

[thanks Jenny!]

Posted by Jesse Willis

The SFFaudio Podcast #164 – READALONG: The House On The Borderland by William Hope Hodgson

Podcast

The SFFaudio Podcast #164 – Jesse, Wayne June and Mirko Stauch talk about The House On the Borderland by William Hope Hodgson.

Talked about on today’s show:
Wayne undersold the novel, it’s shockingly interesting, you can really see the influence on Lovecraft, Supernatural Horror In Literature by H.P. Lovecraft, blasphemous hybrid anomalies, “a classic of the first water”, the framing sequence, The Willows by Algernon Blackwood, description of sense experience, the best you can expect from the universe is indifference, cosmic horror, Olaf Stapledon, Star Maker, Last And First Men, reading in translation, Chad Pfifer, the readalong concept, getting into the book, Under The Knife by H.G. Wells, the swine beasts, the sister – “she knows he’s fucking nuts”, there’s a lot of going to bed in this book, a very relatable character, Arthur C. Clarke, one of the finest works of Science Fiction ever written, marking the transition from Gothic horror to cosmic horror, 2001: A Space Odyssey, the cover art, the Corben comic book cover, the town (or street) that can’t be found, it’s a kind of haunted house story, compression of time, Einsteinian relativity, Pepper is dead and dust, Brian Stableford, Camille Flammarion, The Night Lands by William Hope Hodgson, Edgar Rice Burroughs, Percival Lowell, S.T. Joshi, parallel development, authors write cosmic horror in cosmic horror time, astronomy,

“In the future, when the end of things will arrive on this earth, the event will then pass completely unperceived in the universe. The stars will continue to shine after the extinction of our sun, as they already shone before our existence.”

Enlightenment thinking and the decline of religion – tying your own shoes for eternity, The Raven by Edgar Allan Poe, you can’t love anything in this universe, the jade house in the arena, mythological creatures, Kalpas (is Sanskrit for aeons), it’s meta, before this book we’re living in a world run by God and after this book were living in a post God world, deep time, the recluse, are the swine people are the villagers, what book is the recluse reading?, two incommensurable realities, Messrs Tonnison and Berreggnog, haunting, Clarke’s third law, Poltergeist, the door inward, the start as poets but they don’t end that way, the unnamed lover (let’s call her Lenore), The Crawling Chaos (SFFaudio Podcast #138), The Conqueror Worm by Edgar Allan Poe, The House Of Usher, Roger Caillois: “The fantastic is always a break in the acknowledged order, an irruption of the inadmissible within the changeless everyday legality” (from Au Coeur Du Fantastique), reading old literature, C.S. Lewis, a passion for commas, a gripping book (while the character’s mind wanders), a pregnant book.

Ed Emshwiller painting for The House On The Borderland by William Hope Hodgson

Vertigo Richard Corben -The House On The Borderland

William Hope Hodgson's The House On The Borderland

The House On The Borderland by William Hope Hodgson - illustration by Ian Miller

Freeway Press - The House On The Borderland by William Hope Hodgson

The House On The Borderland by William Hope Hodgson - dustjacket

The House On The Borderland - illustration by Peter Manesis

PANTHER - The House On The Borderland by William Hope Hodgson

Posted by Jesse Willis

Lit2Go: The Philosophy Of Composition by Edgar Allan Poe

SFFaudio Online Audio

I’ve been looking for an audio copy of this wonderful 5,000 word essay, and I’ve just found it. In this 27 minute long reading of The Philosophy Of Composition Edgar Allan Poe explains the creation of The Raven – showing the necessity of all of the components of the poem – and in the process, explaining what’s wrong with most fiction – Poe argues that most composition (poetry and prose) is typically aiming at the sufficient and not the necessary.

|MP3|

The full text is also HERE.

Posted by Jesse Willis

Neil Gaiman on Edgar Allan Poe (his work should be read aloud)

SFFaudio News

I love introductions, afterwords, forewords. I buy collections of stories with stories I already have several copies of just for the new introductions, afterwords, and forewords. The only thing that’ll make me buy such a collection without a foreword, afterword, or introduction is if it has new illustrations.

And so one collection I’d love to get my mitts on is Barnes & Noble’s Edgar Allan Poe – Selected Poems & Tales which has both an introduction and new illustrations by Mark Summers!

I first heard about it via Neil Gaiman’s website. Gaiman wrote the introduction, Some Strangeness In The Proportion: The Exquisite Beauties Of Edgar Allan Poe, to the wonderful looking collection.

Edgar Allan Poe: Selected Poems & Tales - with illustrations by Mark Summers and an introduction by Neil Gaiman

The entire inspiring essay is available over on Gaiman’s site.

Here are a few choice lines from it:

Poe isn’t for everyone. He’s too heady a draught for that. He may not be for you. But there are secrets to appreciating Poe, and I shall let you in on one of the most important ones: read him aloud.

Read the poems aloud. Read the stories aloud. Feel the way the words work in your mouth, the way the syllables bounce and roll and drive and repeat, or almost repeat. Poe’s poems would be beautiful if you spoke no English (indeed, a poem like “Ulalume” remains opaque even if you do understand English — it implies a host of meanings, but does not provide any solutions). Lines which, when read on paper, seem overwrought or needlessly repetitive or even mawkish, when spoken aloud reshape and reconfigure.

(You may feel peculiar, or embarrassed, reading aloud; if you would rather read aloud in solitude I suggest you find a secret place; or if you would like an audience, find someone who likes to be read to, and read to him or to her.)

And check out this illustration by Mark Summers (do you see the hidden skull?):

Illustration by Mark Summers from Edgar Allan Poe: Selected Poems & Tales

If you can’t see it, hit “Ctrl -” a few times.

And hey, my birthday is coming up people, and I don’t have this book!

Posted by Jesse Willis

Commentary: The art of book (and audiobook) arrangement

SFFaudio Commentary

I’ve never understood the appeal of the art of flower arrangement – flowers are pretty, and I guess they’re full of symbolism – but other than that I don’t really get the appeal.

On the other hand, I find that whenever I visit someone’s home I’m immediately off and looking at their bookshelves. To me that’s where the real art of arrangement happens.

I happened to do a little of that myself today.

It started yesterday – when I spotted this perfectly good bookshelf being given away! FREE!

Free Bookshelf!

I snapped it right up, dusted it right off, and found a place for it in my apartment.

My New Bookshelf!

Then I policed up various books, and audiobooks, from various other overflowing shelves and arranged them in a handy and functional order.

Arrangement

They’re all basically grouped by author. Some of the books I’ve had for decades, others are quite new.

Here are a few details:

Blackstone Audio - Robert A. Heinlein Audiobooks

Blackstone Audio - Philip K. Dick Audiobooks

Robert E. Howard books and audiobooks

Top shelf - Robert Silverberg, Guy de Maupassant, Robert A. Heinlein, Mark Twain, Full Cast Audio, Edgar Allan Poe

Posted by Jesse Willis

LibriVox: Moon-Face by Jack London

Aural Noir: Online Audio

There are few authors worthy of re-writing Edgar Allan Poe – few would dare – and of those few fewer still would succeed in the attempt. Jack London is one such and his short story, Moon Face, is one such success. Sometimes subtitled “A Story Of Mortal Antipathy” this story runs nearly the same length as the Poe story that I think inspired it. I’ve read one essay that argues it was inspired by The Tell Tale Heart, but I think it is another. Sure, the unnamed protagonist may be insane, but I think there’s still something to his lunacy – we can go for decades without encountering our own personal Claverhouse – then one day he will appear – and his mere presence is enough to set one’s teeth on edge.

LibriVox - Moon-Face by Jack London

Moon-Face
By Jack London; Read by Gregg Margarite
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 01, 2009
|ETEXT|
First published in The Argonaut, July 21, 1902.

Posted by Jesse Willis