The SFFaudio Podcast #228 – READALONG: Last And First Men by Olaf Stapledon

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #228 – Jesse and Jenny talk about the Last And First Men by Olaf Stapledon.

Talked about on today’s show:
the near and far future, not a novel, an imagined planetary history, the scope, Penguin Books, philosophy, the introduction, The Iron Heel by Jack London, a future history, human civilizations, two thousand million years (two billion years), universes => galaxy, man is a small part of the universe, Starmaker by Olaf Stapledon, Doctor Who, 2001: A Space Odyssey, what the plot would look like if there was one, the eighteen periods of man, evolution and construction, it’s set in 1930, is there ever an end to humanity?, Last Men In London by Olaf Stapledon, Last And First Men was popular in its day, Stapledon served in the ambulance service in WWI, plotlessness, period themes, the flying theme, the depletion of fossil fuels, The Mote In God’s Eye by Larry Niven and Jerry Pournelle, Venus, Mars, Neptune, the Martians, the Venusians, the genocide on Venus, Luke Burrage (the Science Fiction Book Review Podcast), racism, a Science Fiction mythology, the poetic musical ending, deep time, to the end of the Earth and beyond, Stapledon as an historian, civilizations always fall, there’s no one thing that ends civilizations, humanity as a symphony, the returns to savagery, establishing the pattern, Arthur C. Clarke, The House On The Borderlands by William Hope Hodgson, The Night Lands, The Time Machine by H.G. Wells, H.P. Lovecraft and cosmicism, the Wikipedia entry for Last And First Men, Fritz Leiber, Forrest Ackerman, scientificion, matchless poignancy, S. Fowler Wright, Lovecraft’s love of the stars (astronomy), one of the species of man is a monkey, another a rabbit, no jokes but perhaps humour, a cosmic joke, monkeys have made human their slaves, Planet Of The Apes, an ability to hear at the subatomic level, intelligence, a fourteen foot brain supported by ferroconcrete, obsession with gold, obsession with diamonds, pulping people, it’s written like a history textbook or essays, the Patagonia explosion, the upstart volcanoes, Earth Abides by George R. Stewart, The Scarlet Plague by Jack London, chiseling knowledge into granite, Olaf loved coming up with different sexual relationships, the 20 year pregnancy, suicide, euthanasia, an unparalleled imagination, groupthink, telepathy, oversimplification, we must press on, the baboon-like submen, the seal-like Submen, the divergence of man into other ecological niches, the number of ants in New York, ecosystems, nuclear weapons, robots are missing, where is the robot man?, the over-emphasis on fossil fuels as the only source of energy, if you could see us now, post-humans, ultimately a love letter to humanity, not aww but awwww!, Starmaker as a masterpiece, Sirius, uplifting a dog, a fantasy of love and discord, dog existentialism, who am I and where is my bone?, Olaf Stapledon in the PUBLIC DOMAIN, influential vs. famous, a very different read.

Last And First Men by Olaf Stapledon

Olaf Stapledon illustration by Neil Austin

Posted by Jesse Willis

The Destiny Of Special Agent Ace Galaksi

SFFaudio Online Audio

The Destiny Of Special Agent Ace GalaksiMaissa Bessada’s The Destiny Of Special Agent Ace Galaksi is very hard to tell you about. It’d be easy to say the show is just bonkers, but that’d give you the idea that it doesn’t work on a certain level that it really does. The plot is nonsensical, in the way that some of Philip K. Dick’s are. But If I said it was like a Philip K. Dick plot that’d give you absolutely the wrong idea. The Destiny Of Special Agent Ace Galaksi is far more like the Goon Show than PKD.

The Destiny Of Special Agent Ace Galaksi is naive, sharp, amateurish, polished, bizarre, insightful, childish, wise, ridiculous, and hilarious. I’ve been listening to the six half hour episodes over and over for the last three weeks and I still honestly don’t know exactly what to make of it or how even to really describe it – other than to say I like it a whole lot and I want Maissa Bessada to be my friend.

We may have to look at The Destiny Of Special Agent Ace Galaksi as a kind of work of genius, something to marvel at, something to experience. There’s a kind of damn the torpedoes specificity to the details of this show that make it an impossible project to imagine got made. And yet here it is, like a very weird dream come alive, The Destiny Of Special Agent Ace Galaksi seems to have come from an alternative universe.

But I don’t want to scare you off, it a weird experimental audio drama, in fact it’s pretty conventional, and first and foremost it’s a comedy. So let me invite you in.

Think of the great comedic audio dramas: The Hitchhiker’s Guide To The Galaxy, The Scarifyers, Steve, The First or Dick Dynamo: The Fifth Dimensional Man.

You’d say yeah, it’s a comedy like those. But then I’d say to you that, unlike Hitchhiker’s, this one’s really zany! Zany on multiple levels. And that, unlike Scarifyers, this one’s a Science Fiction comedy, that it’s really not very much interested in how things are, as much as how they could be! There’s no periodicity to it. And that, unlike Steve, this one, though totally and utterly Canadian, is full of international flavouring! And unlike Dynamo, the titular character is the straight-man to the off-the-rails flowing crazy funny world.

The Destiny Of Special Agent Ace Galaksi is crazier than a patchwork quilt of all of those shows gliding through puffs of time and space.

And although they are really completely and wholly different in every possible way The Destiny Of Special Agent Ace Galaksi reminded me most of was The Adventures of Sexton Blake. It’s not the word play, nor the lunatic pacing, it’s more the characters. And yet, the comparison still falls completely apart.

Indeed, the ears you need to appreciate The Destiny Of Special Agent Ace Galaksi require you to throw out your basic assumptions. They require a paradigmatic shift within you, an unencumbered embrace of the unfamiliar and hilarious, a removal of expectations, an open mind.

The Destiny Of Special Agent Ace Galaksi is an audio drama that cares most about the weird story that it is weirdly telling. It’s really, really fun.

Here’s the official premise:

After a comet of unknown origin crashes through one of God’s recycling piles, a new planet, Traa Laa Laa, forms in the aftermath. Created from a little bit of this and a little bit of that, the beings on that planet have the ability to change shape. It is CSIS special agent Ace Galaksi’s destiny to discover that those shape-changing extraterrestrials have been visiting Earth since time immemorial – and that some of those visitors left artifacts behind. One of those artifacts is as small as a seventy million year old tennis ball, another as big as the great pyramid of Giza. Certain peculiarities about the artifacts lead Ace to some startling discoveries about the very nature of existence. Unfortunately Ace Galaksi’s destiny is unclear as to whether or not he’ll be able to stay ahead of world government plots to ensure he keeps his findings to himself – permanently.

Sez scripter Maissa Bessada:

“After completing the novel version of Ace Galaksi, I realized the work had great potential as an audio play. I re-wrote it as a series of scripts, hired several talented, highly versatile actors and a Juno award winning, retired CBC producer. The show was complete. Fantastic! For about a split – or as those of us with a sci-fi bent would have it – nano-second. Then I realized that having an entertaining, thought-provoking show online wasn’t the end of my work, it was only the beginning. The next challenge was finding an audience for it.

A few weeks ago I was introduced to your podcast. In one episode Scott said in passing, ‘The best audio drama is better than a movie.’ I stopped in my tracks. (I was listening while walking the dog) and told the dog and whatever squirrels and trees that would pay attention, ‘The best audio drama is better than a movie – I couldn’t agree more!’

I’d love for you guys to listen to my show. People that choose to enjoy sci-fi in an audio format – I feel like a stranger in a strange land who has finally found home.”

Teaser |MP3|

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3| Part 6 |MP3|

Podcast feed:

http://acegalaksi.libsyn.com/rss

Leave a comment, tell me what you think of this show.

Posted by Jesse Willis

Protecting Project Pulp: That Spot by Jack London

SFFaudio Online Audio

That Spot by Jack London is a 4,000 word story. Not generally considered to be either Fantasy or Science Fiction, it nevertheless borders both. I also think, depending on your mood, it can also be seen either as horror story or a comedy.

Any way you classify it, That Spot is absolutely wonderful.

Jack London had the intellect, experience, disposition, hunger, and temperament of ten men (or at least one very queer dog).

That Spot by Jack London

Protecting Project PulpProtecting Project Pulp No. 39 – That Spot
By Jack London; Read by Steven Howell
1 |MP3| – Approx. 28 Minutes [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: April 8, 2013
Two Americans in the Yukon purchase a strange dog for a song, and it haunts them for the rest of their days. First published in Sunset Magazine, February 1908.

Posted by Jesse Willis

The SFFaudio Podcast #201 – AUDIOBOOK/READALONG: The Inn by Guy de Maupassant

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #201 – The Inn (aka Ulrich The Guide) by Guy de Maupassant, read by Mirko Stauch. This is a complete and unabridged reading of the short story (34 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mirko.

Talked about on today’s show:
Where and why, more and more Maupassant, is there a definitive list of Guy de Maupassant SFF stories?, German translations, the BBC audio drama adaptation of The Inn, RadioArchive.cc, a ghost story, the twist in the end or the twist middle, great writing, an ambiguous ghost story, a psychological happening, the dog’s reaction, revenant, “it becomes the monster”, Louise Hauser, is Ulrich dead?, Gaspard, The Others, Maupassant tricks us, “they bury themselves”, Ulrich is punished for no reason, the voice, white noise, Ulrich’s religious beliefs, Cologne on a cold night, the ravens!, the audio drama improves on the short story!, a filling metaphor, “the immense ocean of pale mountain summits”, mainstream, the vertical issue, Wolfgang von Goethe, “only a very stable character”, a proto-cosmic horror, The Festival by H.P. Lovecraft, a Christmas story, describing nature, the second meaning, “arose from the snow itself”, “he’s alone on the Moon”, being alone, cabin fever, we are alone in the cosmos, community allows us to hide from the harsh truth, gambling, “I would have brought a bunch of books”, “illiterate mountain peasants”, a lonely island, did Gaspard fall into a crevasse?, nature is the monster, the unknown is more terrifying, the terror of the soul, undeserved guilt, “eighteen degrees of frost”, “he was of a sleepy nature”, 1886, Guy de Maupassant visited the Alps, riddled with disease, the Inn at Schwarenbach, The Shining by Stephen King, an internal flaw, “he could speak no human words”, Nightflyers by George R.R. Martin, Perry Rhodan, Silent Running, I Am Legend by Richard Matheson, the dog as a symbol, the dog as a companion, the importance of routine for the lonely, the demon of loneliness, “all is busy work before the grave”, Robinson Crusoe by Daniel Defoe, Castaway, The Piece Of String (aka The Piece Of Yarn), “eating a sandwich that you find on the sidewalk”, he dies alone and unloved, “two feets”, every Norman is trapped in disbelief, it could have happened to us!, his hair turned white, Supernatural Horror In Literature by H.P. Lovecraft, “the unseen”, “the outer blackness”, able to appreciate the immensity of reality, Honey Boo Boo, The Horla by Guy de Maupassant, The Call Of Cthulhu, “when I think of H.P. Lovecraft I don’t think of immense tentacles.”

The Inn by Guy de Maupassant

The Inn by Guy de Maupassant

Ulrich The Guide by Guy de Maupassant

Posted by Jesse Willis

The SFFaudio Podcast #172 – READALONG: The Odyssey by Homer (Books XVII – XX)

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #172 – Scott and Jesse talk, in the fifth of a six part series, about the books XVII, XVIII, XIX and XX of The Odyssey.

Talked about on today’s show:
Scott is struck, building tension, the nurse, “to be wroth against”, Eumaeus, names are handy, Hiro Protagonist, Neal Stephenson, parody, William Gibson, Eurycleia, Odysseus rolls a saving throw against a stool, first bum fight in literature, twinning, Odysseus is Athena’s avatar on Earth, The Iliad vs. The Odyssey, being of two minds, gods as metaphors, externalization, a primitive version of Matthew 25:40, “my good for nothing belly”, appetites, metastory, the tip jar is open, Turkic and Gaelic bards, Fahrenheit 451, Guy Montag, “reached for the good things close at hand”, “Odysseus Goes To Town”, Eric Shanower, Argos (the hound), “the black hand of Death”, it’s not an anti-slavery polemic, the washing of the feet, the stringing of the bow, Julian Jaynes’s idea about The Iliad and The Odyssey and consciousness, Penelope is just as smart as Odysseus, the prelude to the crisis, the walls turn red, Yuri Rasovsky’s The Odyssey, Blackstone Audio.

Odysseus and Euryclea by Christian Gottlob Heyne

Posted by Jesse Willis