Diabolic Plots: The Best Of Pseudopod

SFFaudio Online Audio

Diabolical PlotsThe Diabolical Plots blog has a post called “The Best of Pseudopod” here’s a snippet:

“Since July I’ve been plumbing the depths of Pseudopod’s backlog and now I’m sad to say I’ve listened to everything they’ve offered to date. Now I only get one new Pseudopod a week like the rest of the world (released every Friday). But now that I’ve listened to all of Pseudopod’s offerings, I feel qualified to make a list of the Best of Pseudopod, my top ten favorite stories that have been posted to the site (and a few that ALMOST made the list).”

And here are the top 10 picks:

1.
PseudopodDeep Red
By Floris M. Kleijne; Read by Ben Phillips
1 |MP3| – Approx. 20 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: November 21st, 2008


2.
PseudopodSuicide Notes By An Alien Mind
By Ferrett Steinmetz; Read by Phil Rossi
1 |MP3| – Approx. 34 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: October 2nd, 2009


3.
PseudopodStockholm Syndrome
By David Tallerman; Read by Cheyenne Wright
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 29th, 2007


4.
PseudopodCome To My Arms, My Beamish Boy
By Douglas F. Warrick; Read by Phil Rossi
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: April 17th, 2009


5.
PseudopodThe Button Bin
By Mike Allen; Read by Wilson Fowlie
1 |MP3| – Approx. 42 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 12th, 2009


6.
PseudopodLast Respects
By Dave Thompson; Read by Scott Sigler
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: March 30th, 2007


7.
PseudopodHometown Horrible
By Matthew Bey; Read by Elie Hirschman
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 24th, 2009


8.
PseudopodStepfathers
By Grady Hendrix; Read by Nerraux
1 |MP3| – Approx. 8 Minutes – [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 20th, 2009


9.
PseudopodThe Music of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008


10.
PseudopodGarbage Day
By Russell L. Burt; Read by Elie Hirschman
1 |MP3| – Approx. 3 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: January 1st, 2008

[via SFSignal]

Posted by Jesse Willis

Review of Gravity By Tess Gerritsen

Gravity by Tess GerritsenGravity
By Tess Gerritsen; Read by Campbell Scott
4 Cassettes – 4.5 Hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: 2002
ISBN: 0671046187
Themes: / Science Fiction / Disease / Disaster / Biology / Scientist / Medical /

Emma Watson, a brilliant research physician, has been training for the mission of a lifetime: to study living beings in space. Jack McCallum, Emma’s estranged husband, has shared her dream of space travel, but a medical condition has grounded and embittered him. He must watch from the sidelines as his wife prepares for her first mission to the International Space Station. Once aboard the space station, however, things start to go terribly wrong. A culture of single-celled organisms known as Archaeons, gathered from the deep sea, is to be monitored in the microgravity of space. The true and lethal nature of this experiment has not been revealed to NASA. In space, the cells rapidly multiply and soon begin to infect the crew-with agonizing and deadly results

If I had to write a review of this novel in one sentence it would read: “Gravity is like Blood Music for people who’ve never heard of Greg Bear.” Gravity is described by the publisher as “A Novel Of Medical Suspense”, which to me sounds like a crooked way of saying “science fiction for people who don’t like to get caught reading science fiction.” I used to have contempt for the writers of such deceptive doublespeak, but these days I’m more likely to save my contempt for the people who in actuality demand their literature be named in such disingenuous ways. The publishers really aren’t to blame. If they label it as science fiction it won’t get reviewed in the mainstream media – and it won’t be purchased by the fickle public who’d willfully pass up a book with a “science fiction” label in favor of a “medical thriller” or “techno thriller” label. Can someone please explain to me what is so wrong about being caught reading a novel with the words “science fiction” on the spine? I’ve heard people say they won’t buy books because the cover looked too “science-fictiony”. I suggest to you that to not like science fiction is to shut one’s self off from ideas. And though many people claim not to like science fiction, I think if they’d look critically at what they are reading they’d find themselves reading it – just under another name. Be honest with yourself, admit it, you do like it, that is all I ask.

But I stray from the path. Gravity reads a bit like Robin Cook’s Coma, but the major theme has more in common with Michael Crichton’s The Andromeda Strain than it does with hospital politics. The abridgement here is successful and Tess Gerritsen’s descriptions are clear but a bit dumbed-down. As an M.D. she should be fully capable of ratcheting up the science-speak, but for one reason or another chose not to. Despite this, I have few complaints. This is a good time passer. The story has an interesting setting and overall I was left with a satisfactory feeling. That said, I felt no pressing need to track down more of Gerritsen’s ‘Novels Of Medical Suspense.’

A few other problems: Simon & Schuster Audio has not spaced the tapes properly. Each side is of unequal length requiring much fast-forwarding. They also declined to mention when a side is ending, so the reading of a sentence ends as if it were simply a thoughtful pause and then tape plays on for many minutes. This is bad planning – for such a big company there are no good excuses.

Reader Campbell Scott’s precise intonation and clinical reading matches the medical perspective taken by Gerritsen in Gravity. Scott is no cuddly-dear of a voice, nor is he a cuddly-dear of a film actor and yet I find myself always pleased to spend some time with him now and again – he always manages to somehow draw me in even though his stiff demeanor makes me want to shy away.

Posted by Jesse Willis

Review of The Andromeda Strain by Michael Crichton

Science Fiction Audiobooks - The Andromeda Strain by Michael CrichtonThe Andromeda Strain
By Michael Crichton; Read by Chris Noth
2 Cassettes – 3 Hours [ABRIDGED]
Publisher: Random House Audio
Published: 1993
Themes: / Science Fiction / Mystery / Disease / Disaster / Scientist / Medical /

A top secret research satellite falls to Earth near a small town in Arizona. Hours later a recovery team discovers that something  has killed off the town’s entire population except for an old man and a new-born baby, statistically the most likely age groups to succumb to any normal disease. In anticipation of such an event a team of microbiologists assembles in a top-secret, underground laboratory in the Nevada desert. This laboratory was designed to handle an accidental introduction of virulent organisms into Earth’s atmosphere and ecological systems. The team begins to study the survivors and the “toxic” satellite and discovers several black/green patches of deadly bacteria that they have code-named: The Andromeda Strain.

First Published in 1969, The Andromeda Strain is one of Crichton’s best science fiction tales and a terrific scientific mystery story! As the microbiology team races against the clock, trying to figure out the toxic effect of the alien infection, the US government contemplates a nuclear cauterization of the infected crash site. But when The Andromeda Strain mutates it begins to eat through plastic lab suits and rubber gaskets protecting the scientists and the population from escaping toxins. Its a real thriller of a story, and was successfully turned into a great feature film directed by Crichton himself.

This fine novel is only available as an abridgement, and this is unfortunate. The missing portions actually improve the novel to a very large degree because the novel is written in the style of a non-fiction report of events. The original text includes, images, citations, timelines and references, their absence is a disservice to the remaining story. Chris Noth, most famous for his role on the NBC television series Law And Order, reads with a rich and compelling voice. But Noth does merely a satisfactory reading, he makes good attempts with the scientific jargon replete throughout the novel, but they are often mispronounced. Added to this is his lack of range for the voices. Given more audiobook experience Noth will probably become a good reader, in this audiobook however, his performance is merely satisfactory. All in all well worth a listen, but I sincerely hope an unabridged edition is released.