Dirk Maggs – Page 3

The Hitchhiker’s Guide to the Galaxy: Tertiary Phase Wins Audiobook of the Year

SFFaudio News

This just in – The Hitchhiker’s Guide to the Galaxy: Tertiary Phase was named the Audiobook of the Year by the Audio Publisher’s Association at this weekend’s Audie Awards! Congratulations to adapter/director Dirk Maggs and everyone involved with it. It’s fantastic to see a science fiction audio drama win this award. See the SFFaudio review of this title here.

In a tough Science Fiction category, the winner was Market Forces by Richard K. Morgan. Find the SFFaudio review here.

Genre winners in other categories:

Classic
Around the World in 80 Days by Jules Verne, read by Jim Dale, Listening Library

Children’s Titles for Ages 8+
The Star of Kazan by Eva Ibbotson, read by Patricia Conolly, Recorded Books

Solo Narration – Female
Davina Porter for A Breath of Snow and Ashes by Diana Gabaldon

Audio Drama
The Sherlock Holmes Theatre by Sir Arthur Conan Doyle, performed by a cast, produced by Yuri Rasovsky, Blackstone Audio
ed – OK, this may not technically be a genre title, but most SF fans like Holmes, and Yuri Rasovsky has genre ties, including the excellent 2000X series.

Achievement in Production
At the Back of the North Wind by George MacDonald, performed by a cast, Focus on the Family

Not a bad genre showing! Find the complete list of winners and nominees at www.theaudies.com. Unfortunately, the website is a little cryptic as of this writing – to see the winners and nominees, you’ve got to download a 6Mb PDF file that is titled “The Audies Sampler”. If I can find a clean HTML list, I’ll let you know.

posted by Scott

Review of The Adventures of Superman: Doomsday and Beyond

The Adventures of Superman: Doomsday and Beyond
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 0563401974
Publisher: BBC
Published: 1993
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

In my previous review I talked about my experience with Superman, and that it was the reason that I’m doing these Superman-related reviews for SFFAudio. This week’s covers the 1993 audio play Superman: Doomsday and Beyond which dramatically retells the story of Superman’s death and return. I have to admit that I know this story inside out. It was what got me really reading comics, and especially familiar with the Superman comics. Since then, I have heavily followed them.

The story covers over 1000 comic book pages. I was skeptical as to whether or not the audio play could handle such a lengthy story in two cassettes. The play gives it a noble try, and succeeds – mostly. The “death” portion (the epic battle with the demonic Doomsday) is given very little attention. It doesn’t seem as intense as the comics did. It almost cheapens the death of the Man of Steel. Similarly the funeral portion is dramatically edited from the comic book version.

However, the “return” stuff is very loyal to the source material. It covers all of tape two, and approximately a quarter of tape 1. Some of the comic book elements, like the superhero mourning, and Lois’ encounter by the “sympathetic” Jed, were cut from the tapes for time reason, and while they aren’t necessarily missed on the tapes, though they do add a lot to the comics. One very importance difference is the absence of Green Lantern Hal Jordan. Jordan’s involvement in the story set his character’s evolution in motion such that we are just now seeing the end of it in the white-hot Green Lantern Rebirth story, currently published by DC. But, the story is handled well. And it does include some cool moments from the comics prior to this story like Lois’ and Clark’s engagement, and how “they saved Luthor’s brain” to clone him (which is also still an important story in the comics.)

The overall sound is great. Like the previous Superman audio play, these tapes sound great on all of the different players on which I played them. Loaded with sound effects, which mostly sound great, there are a couple of irritations: Superman’s heat vision is an annoying buzz like those cheap ray guns that you’d get from the grocery store for $1.49; and the alien ruler Mongul’s ship is full of travel alarm-clock buzzing.

The voice actors are fantastic, as well. Superman’s voice is a bit too tenor-ish, but I’m getting pretty used to it. The rest of the characters sound great – especially the Australian Lex Luthor II, the new “Man of Steel” John Henry Irons, and the nefarious Cyborg. The only huge complaint I have of the voices is Superboy’s – the teenage clone of Superman. It is clearly an adult trying his best to sound 16 – but it becomes a really bad, really irritating impression of Bill and Ted. It’s really awful!

With the mix of music, sound effects, and a talented cast of voice actors, these are a lot of fun. I enjoyed them more than the other “Adventures of Superman” audio play I listened to previously. I think that the storytelling method may be a bit confusing to people who aren’t familiar with Doomsday, the four false-Supermen, etc. but the overall story is fantastic. If nothing else, it is a great trip down memory lane for a Superman fan who loves this story!

Review of The Adventures of Superman

Science Fiction Audio Review

The Adventures of Superman
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 056339370X
Publisher: BBC
Published: 1994
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

I’m not really an avid listener of the sci-fi audio, and so it was a bit of a surprise to be invited to write two reviews for SFFAudio. However, the two they asked me to do focus on Superman, and that is a subject with which I am extremely familiar. I have spent the last three plus years working as a contributing writer for the official web sites for Smallville, wrote an issue of the comic series based on that show, and have worked on a ton of assorted academic and comic-related projects centered on the Man of Steel.

This week we’re beginning my reviews with an evaluation of the BBC Radio play The Adventures of Superman. Created in 1994 for radio airplay across the pond, the audio play was presented on two cassettes with a total running time of over two-and-a-half hours. The story is lifted straight from the comic books of 1986-87; a series called Man of Steel written by John Byrne, which relaunched Superman from the beginning. It is Superman from his first appearance in Metropolis. He meets Lois Lane and Lex Luthor for the first time. He discovers the origins of his powers, and creates the dual identity to help others. He fights street thugs, the Kryptonite-infested Metallo, the failed clone Bizarro, all the while trying to bring down the corporate magnate Lex Luthor.

The dialog and story are nearly completely lifted from the comics word for word, albeit with the occasional addition of descriptive dialog to help the listener imagine what everything looks like – clothing etc. While I understand the necessity for such expositional dialog on the tapes, it was a bit cheesy – “How could anyone dress like that, with tan pants and a black t-shirt!” etc.

The voice talent used for the play are all very talented, and create captivating characters with their voices. Nearly all of them match very closely with the voices I’d created for characters like Lois Lane, Jonathan and Martha Kent, and Lex Luthor, while the menacing Metallo and Bizarro are both well cast, too. The only voice I really didn’t like much Clark Kent/Superman played by Stuart Mulligan. While he does his best to drop his voice when he is Superman, it is too high a tenor voice to be taken seriously as either character from the beginning. Lana Lang (voiced by Shelley Thompson) is also a bit of a disappointment as she is a bit too much of a “southern belle” to be from Kansas. But, perhaps, that is due to this being a British piece with actors not knowing the distinctive regional dialects for the USA.

The play is full of nice additions, like sound effects for everything – footsteps, car horns, police sirens, gunshots, etc. However, the sound effect given to Superman’s heat vision is awful. It is similar to the little ray guns that light up and you can buy at the grocery store for a dollar. In spite of this one set back, the mix between dialog, music, and sound effects is perfect. I played it on several different players, and in all cases – including the car – the sound was pure, crisp, and all around nice. It didn’t need an extra boost of volume from any of the players I listened to.

All in all, if you are a Superman, these tapes are a lot of fun. Non-Superman fans may not enjoy them quite as much, but they do provide a good introduction to the character, his background, and his friends and enemies. I’m not totally convinced that they will bring new converts to the ways of the Last Son of Krypton, but they are, overall, entertaining, faithful to the subject matter, and well produced.

Review of The Hitchhiker’s Guide to the Galaxy: Tertiary Phase

The Hitchhiker’s Guide to the Galaxy: Tertiary Phase
By Douglas Adams, adapted by Dirk Maggs, performed by a Full Cast
3 CD’s, 3 hours [AUDIO DRAMA]
Publisher: BBC Audiobooks
Published: 2005
ISBN: 0792735919
Themes: / Science Fiction / Comedy / Time travel / Space travel /

A review by Steven H Silver

When The Hitchhiker’s Guide to the Galaxy originally appeared on the BBC from 1978-1980, it consisted of twelve episodes (called “fits”). The first six of these fits were later refashioned to form the novels The Hitchhiker’s Guide to the Galaxy and The Restaurant at the End of the Universe. Turning his back on the medium of radio for several years, Douglas Adams continued the story with the novels Life, the Universe and Everything, So Long, and Thanks for All the Fish, and Mostly Harmless. This caused continuity problems when the decision was made to return the series to its original medium.

Following in the footsteps of Arthur C. Clarke, who decided to write a sequel to the more widely known film 2001 rather than his book of the same title, the BBC produced a radio sequel to the books Adams wrote rather than to the radio series. The result is the complete disregard for fits 7 through 12 of the radio broadcasts as the beginning of The Hitchhiker’s Guide to the Galaxy: The Tertiary Phase picks up where the now retitled The Hitchhiker’s Guide to the Galaxy: The Primary Phase left off. There is a slight attempt to explain Zaphod’s adventures in those missing fits, but not Arthur nor that of Ford.

The BBC has successfully put together the surviving cast from the first series, which was more than they did for the second series. Simon Jones, Stephen Moore, and Mark Wing-Davey, who played Arthur Dent, Marvin, and Zaphod Beeblebrox on both radio and television, and Geoffrey McGivern (Ford Prefect) return for their third series. Susan Sheridan, who portrayed Trillian in the first series has returned to the role for the third series. The replacement of Peter Jones (the Book) by William Franklyn and Richard Vernon (Slartibartfast) by Richard Griffiths works well.

The inclusion of Adams’s own voice for the character Agrajag is a nice touch. Since Adams died before the series could begin production, a recording of him reading Agrajag’s lines from the audio version of Life, the Universe and Everything was used with some resampling which allowed it to fit in quite well with the general flow and sound of the broadcast.

Unfortunately, one of the problems with the Tertiary Phase is the same as one of the problems with the novel upon which it is based. Notably, although it contains the characters Adams created for the Hitchhiker’s Guide series, the story itself is a plot originally created by Adams for the television series Doctor Who. Another difficulty with the Third Phase is that because it is based on the novel, Life, the Universe and Everything, it lacks the sense of originality of the first two series, which formed the basis of everything that came after.

The Tertiary Phase strives to recreate the feel of the original series broadcast twenty-five years ago, and manages to achieve that goal. However, both the dialogue and the plot lack the originality of wit which caused those first two series to be so successful and launch Adams’s career. Fans of the Guide will enjoy listening to the broadcast, and will eagerly await the final phase, but it won’t recreate the feeling of listening to The Hitchhiker’s Guide to the Galaxy in the late seventies.

Review of An American Werewolf in London

An American Werewolf in London
Adapted, written, and directed by Dirk Maggs
Starring Jenny Agutter, John Woodvine, Brian Glover, Eric Meyers, and William Dufris
2 Cassettes – 1 Hour 50 Minutes [AUDIO DRAMA]
ISBN: 0563381035
Date Published: 1997
Published by the BBC
Themes: / Horror / Werewolves / Afterlife /

One of my favorite movies as a kid was John Landis’ An American Werewolf in London. I especially enjoyed the way that humor and horror were mixed to produce a film that both scared me and told me not to take things too seriously.

This BBC Radio adaptation of American Werewolf captured the tone of Landis’ film completely. It might not be surprising since Dirk Maggs’ audio script was based on John Landis’ movie script, but still, it could have turned out much differently and I was pleased to have much the same experience with this audio drama as I did with the movie.

So what’s the point, you ask? I’m not completely sure, but pulling this story off as an audio drama when the film was so visual really showcases the medium’s power.

If you are unfamiliar with the story, it starts with two friends hitchhiking across the moors in England. After a brief stop in a pub they are attacked by a werewolf – one is killed, the other bitten. The survivor becomes the American werewolf of the title.

I enjoyed the performances very much, and my opinion of Dirk Maggs grows with every title I hear. This is out of print at this writing, and is rare. Once I found out it existed, it took me a few months to dig one up.

Posted by Scott D. Danielson

Review of Independence Day UK

Independence Day UK
Produced, written, and directed by Dirk Maggs
Starring Nicky Campbell, Patrick Moore, Toyah Wilcox, Colin Baker, and Simon Treves
1 Cassette – 1 Hour [AUDIO DRAMA]
ISBN: 1858496314
Date Published: 1995
Published by the BBC
Themes: / Science Fiction / UFOs / Alien invasion / First contact

I was very intrigued by this title, because First Contact is one of the themes in science fiction that interests me most. This title appears to have been released as a promotion for the movie called Independence Day. The story is new, though it follows the same lines as the successful film.

In this one, a BBC FM Radio station holds a UFO watch after spending some time previous to the story beaming signals into space with hopes that a UFO will respond. The whole thing is tongue-in-cheek and done in good fun. But then something does respond, and it’s headed this way.

The structure of the story is very much like Orson Welles’ War of the Worlds, which is referenced in the beginning. It starts out in a realistic way, the FM host Nicky Campbell reporting the news as it’s happening, then moving into a third person perspective after the aliens have landed, just like Orson Welles’ 1939 production.

I wasn’t fond of this audio drama for one main reason – the entire “realistic” part of it was simply not believable. Nicky Campbell was on an aircraft along with an astronomer (Patrick Moore) and reported live as they monitored the incoming signal. None of the performers in this part of the production act in a believable manner when presented with evidence of an extraterrestrial craft headed their way. It’s more of a “isn’t this interesting and amusing” attitude rather than a “wow, this is REALLY happening” attitude.

In the production’s favor, the host they used (Nicky Campbell) is a real BBC host, and the astronomer (Patrick Moore) a real astronomer, both of BBC Radio 1. In other words, these folks were not actors. Regardless, it just didn’t work, but perhaps the entire production was not meant to be taken seriously.

The rest of the production? More Dirk Maggs audio magic. UFO’s and jets dueling in the skies, all remarkably done with sound.

Posted by Scott D. Danielson