crime – Page 35

Afterhell Podcast: Bloodbath At The Giallo Hotel

Online Audio

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The Giallo Hotel in Atlantic City, New Jersey, offers fine dining, well appointed rooms, and old fashioned customer service. But while you’re staying there be sure not to ask what the noises coming from the thirteenth floor are. And for the love of God – whatever you do – don’t order the lasagna!

The Giallo Hotel isn’t just lodgings for families on vacation at the NJ seaside, oh-no, it’s also the ghoulish setting for the newest Afterhell Audio Drama:

Bloodbath At The Giallo Hotel

What?!? You haven’t heard of Afterhell series? It’s by the Horror Audio Drama masters at Ollin Productions!

Afterhell is like The Twilight Zone as done by the flesh-craving zombie of Rod Serling:

“This is your gateway to a nightmare world of the ear and the mind. There, horrors have been set loose on the world. Planet Earth is changing to fulfill a new role in the universe. It is the new Hell. Madness and evil are everywhere. In everyone. In everything. All over the world, civilization has fallen. Cities burn with lunacy and brimstone. Science can’t explain it. Faith can’t account for it. The human race is under attack from its own shadows, sins, and deepest fears. The survivors face a surreal existence where only the darkest dreams come true. No one is safe. And everyone is on trial. Poetic justice and naked cruelty. Personal demons and infernal beasts. It’s all here. This is the home of the damned. This is AFTERHELL.”

You can download the first part of Bloodbath At The Giallo Hotel in MP3 format or subscribe to the podcast, experience the Horror for yourself:

http://www.afterhell.com/audio/AHSD.rss

posted by Jesse Willis

Noircast podcast talks to Billibub Baddings author Tee Morris

SFFaudio Online Audio

Shannon Clute and Richard Edwards’ have a new website that showcases their two terrific noir related podcasts. Noircast.net is the name, and noir movies and books are their game. Their latest joint podcast is the “Noircast Special #2” in which Clute and Edwards talk to Tee Morris about the wildly popular podiobook Billibub Baddings And The Case Of The Singing Sword. Also on the roster in this special are interviews with Kevin Burton Smith of the irreplaceable ThrillingDetective.com website and Seth Harwood hardboiled podcast pioneer of the podiobook novel Jack Wakes Up. Download the whole show |MP3| or visit the website and subscribe to either, or both, of the podcasts.

posted by Jesse Willis

Review of Maps In A Mirror: The Short Fiction Of Orson Scott Card

SFFaudio Review

Maps In A Mirror: The Short Fiction Of Orson Scott Card
By Orson Scott Card; Read by Various
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1999
ISBN: 0787121770
Themes: / Science Fiction / Fantasy / Crime / Elephants / Music / Art Theory / Utopia / Dystopia / War / Death /

Four cassettes, six hours, eight stories of Orson Scott Card’s polished prose. Included in this collection are some truly crackerjack stories and a couple that aren’t so hot:

The Elephants Of Posnan appeared in English for the first time in this collection. Originally published in Poland for a Polish Science Fiction magazine it is the tale of a human global die-off caused by an infertility crisis. This is something we’ve seen before in Science Fiction to be sure, but the addition of an elephantine theme and a Polish setting makes this one totally unpredictable. Card reads this himself and gives it an interesting introduction too.

Unaccompanied Sonata is perhaps the most fantastic story here. Set in a bizzare dystopia in which the purity of music can only be assured by the ignorance of its makers. This is a world that could have been inspired by Leo Tolstoy’s theory of art – a world in which imitation ensures art to be a failure. I have no idea if OSC had that in mind when he wrote it but it certainly fits. Read with passion by Efrem Zimbalist, Jr.

Freeway Games is the least SFFaudio related story in this set. It was first published in Novemeber 1979 in the Gallery magazine which at the time was competing with Playboy for quality short fiction. The original published title was “Hard Driver.” This is basically the story of perverted serial killer who while keeping his hands clean is actually as guilty as sin. It ranks in well alongside Lawrence Block’s late 1970s early 1980s slick magazine tales of demented psychos. Read to perfection by the incomparable Robert Forster.

Lost Boys is interesting in that the main character is someone named Orson Scott Card. My research indicates it is “semi-autobiographical” story, hopefully the fantastic elements are the “semi” part! Stefan Rudnicki, the producer of this audiobook read this tale with a heartfelt flush of sadness. This short story was later expanded into a full length novel which went on to great acclaim.

Quietus, was virtually opaque to me. The plot was something to do with our need to reconcile with death. I am given to understand it incorporates several Mormon themes. The style is surrealistic but even knowing this I couldn’t easily follow it let alone understand its thesis. First published in Omni’s August 1979 issue.

The Best Day was written under the pseudonym Dinah Kirkham. Card’s rumination of the elusive search for happiness. This story fled my brain as soon as it was finished. Read by William Windom.

Fat Farm is perhaps my favorite OSC short story. It isn’t the characters, I hate them. Instead it is the riveting plot that is the star here – this story deals with the philosophy of personal identity in the context of two science fictional technologies: 1. Cloning. 2. Memory uploading. If you can replace your imperfect body with a perfect one and keep on living what would give you pause? OSC’s Fat Farm will do the job. It also compares nicely to Robert J. Sawyer’s Shed Skin. Roddy McDowell’s reading is grumbly, growling and totalitarian. You’ll beleive he is all the characters in this one.

Ender’s Game. The original short story from 1977 shows the sparkling promise that would lead to the unquestionably great novel of the same name. This tale isn’t just an shorter version of the novel, there are a number of differences between the two texts. Reader Michael Gross does a fine job with it.

Posted by Jesse Willis

Review of Pattern Recognition by William Gibson

Science Fiction Audiobook Review

Pattern Recognition
By William Gibson; Read by Shelley Frasier
9 CDs – 10.5 hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2004
ISBN: 140010095X
Themes: / Science Fiction / Internet / 9-11 / Crime /

“Cool Hunter.” How about that for a dream job? Companies pay you (and ply you with the latest technological goodies) to identify trends and fashions that spring up at street level so that they can commodify them and turn a buck. As far as I know, William Gibson (the man responsible for the term “cyberspace”) didn’t coin “cool hunting,” but he makes good use of the idea in “Pattern Recognition.” Cayce Pollard is Gibson’s heroine and the consummate cool hunter. Cayce can spend an afternoon walking through the teenagers clogging the streets of London when school lets out and identify at least three of tomorrow’s money-making fashion trends. She can look at two potential logos for a company and immediately know which of them will connect better with the targeted demographic. Like any other talent, though, being able to tell what works and what doesn’t has its downside. Cayce has an almost allergic reaction to most brand names; she’s got to have the labels removed from and the words filed off of the rivets on her black 501’s, her Casio G-Shock has got to be logo-free, and don’t even think about coming near her with a picture of the Michelin Man. Cayce is also deeply obsessed with a captivating film that has been mysteriously released, bit-by-bit, over the Internet, an obsession that opens the door for Gibson’s intricate plot.

Pattern Recognition was written soon after 9-11 (the events of which it references regularly), and is set in a very realistic 2002. The book probably doesn’t even technically qualify as science fiction, but Gibson keeps his ear so close to the tech-development ground that the story gives the impression of being futuristic. In fact, the book can be used as a sort of barometer to gauge your level of tech-geekiness. Are image-based search engines and vintage calculator fetishes old-hat to you? Congratulations, you’re ready to tackle Doctorow and Stross. Is the idea of a “render farm” unknown to you, and do you still double-take when you hear “google” used as a verb? Better stick to Card and Haldeman.

Having said that, this is probably the most accessible of all of Gibson’s books. His embrace of a post-cash economy era heroine and his tangential explorations of Internet forum social hierarchies and information-age Russian Mafia thugs will satisfy sci-fi vets (and provides solid evidence of Gibson’s place as a powerful influence on the new wave of cyber-post-punk writers), but the realness of Cayce’s femininity, the lack of one-dimensional characters, and, particularly, the overall attractive melancholy mood of the book make it one that you can safely recommend to your sci-fi avoidant spouse and friends.

I read the text version of Pattern Recognition soon after it came out, and was pleasantly surprised at how much enjoyment the audio book added to my experience. Shelley Frasier’s pleasantly dry narration, able handling of accents, and especially the sexy innocence she gives Cayce’s voice had me popping discs in one after another. I have a very pleasant memory of taking a break from a late-night Fawlty Towers marathon to get some Burger King, and staying in my garage five extra minutes just to finish listening to Shelley describe a British noodle bar called “Charlie Don’t Surf”.

The text version of the book includes a drawing of an object that is vital to the plot, and I was worried that the audio book might get awkward at that point, but truth be told, I didn’t even notice the absence of the drawing.

So, hats off to Gibson, Frasier, and the folks at Tantor Media for putting together an excellent reading of a great science fiction novel (that isn’t even really science fiction). As wonderful as Gibson’s more speculative work is, if Pattern Recognition is what it looks like when both of his feet touch ground, then I wouldn’t mind if he came down to earth more often.

posted by Cory Myler

Review of 7th Son Book One by J.C. Hutchins

SFFaudio Review

7th Son Book One: Descent
By J.C. Hutchins; Read by J.C. Hutchins
Podcast Novel – Approx. 16 Hours [UNABRIDGED]
Publisher: J.C. Hutchins; Podiobooks.com
Published: August 2006
Themes: / Science Fiction / Suspense / Crime / Cloning / Conspiracy /

The President of the United States is dead. He was murdered in the morning sunlight by a four-year-old boy.

How does that grab you? These are the first two sentences from the prologue of the podiobook 7th Son, and it just gets better from there. Next, we meet our 7 main characters: John, Michael, Jack, Father Thomas, Jonathan, Dr. Mike, and Kilroy 2.0, as each are taken abruptly away from their individual lives and brought to the 7th Son Facility. They quickly learn that their lives – and their memories – are not as individual as one would think. Each man is a clone, and each had been implanted with the same memories from childhood, using Memory Recording/Installation (MR/I) technology. Each clone has their own personality trait (for instance, one is a priest, another is a Marine, and another is a musician), and though they are clones, their physical appearances do differ slightly.

What they come to discover is they were brought together to help catch the person who assassinated the President. The 7th Son facilitators believe that John Alpha, the source in which all the other clones were created, is behind the assassination. Only they don’t know how, or why. That is where the clones come in. Working together, they discover John Alpha’s whereabouts, at the same time learning more and more about their pasts that never were. The clones also discover they share the same mother, who was taken away by John Alpha. The memories of their mother are the same implanted memories, and they all share them, even though the woman, Danya Sheridan, is quite real and was a memory specialist at the facility.

We find out soon enough this is a conspiracy that goes much deeper than assassinating a President. Experimenting with memory technology also has its downfalls, when in Chapter 8 we learn about NEPTH Charge Technology (Neuro Erasure-Pulsed Technology Hardware), a technology that sends such a shockwave through the brain that every one of your memories are erased. Eventually a way to control that misstep is found, but the implications should the technology fall into the wrong hands are evident.

The very next chapter is an example of this, and is by far my favorite chapter in the book. I remember it very clearly because I cringed for the entire process. For onlookers, I must have looked like I was having some sort of seizure. It is that good of a chapter.

Hutchins captures your attention from the very beginning, and with a smooth voice is able to depict each character in such a way you begin to recognize each clone’s voice as their own. His writing is smart, descriptive, and his ideas are original, with plot twists that will keep you guessing right up until a secret is revealed (and there are quite a few). You’re guaranteed to gasp and talk to your computer or mp3 player while listening. J.C. Hutchins gives Stephen King a run for his money. Now that I think about it, someone should let King know about this podcast novel, if he’s not subscribed all ready, that is.

There are two ways to receive this podcast novel. One is through Podiobooks.com, where you will get nothing other than the chapters of the story, as if you’re listening to an audiobook. The other way is subscribing to the podcast feed directly through Hutchins’ website, which is how I listened. Listening to the book this way is a bit different than just listening to it as a straight audiobook. The set up is a weekly show, with an introduction, a recap of the last chapter, the chapter itself, then closing with voicemails and podcast promotions. A lot of listeners to the podcast listen week-by-week, as you would wait for the next episode of a television show. Each chapter is compelling enough, with just enough cliffhanger to keep you checking your podcatcher for the next chapter to be released. Other listeners, such as myself, joined the “Beta Clone Army” (as the fan-based Myspace group is called) later in the book. I listened to nothing else for a week-and-a-half, then had to wait like everyone else when I caught up. It was frustrating, but in a good way.

Also included in the podcast-show version of the novel is a bonus show, filled with Q&A from listeners, plugs for other podcasts, and acknowledgements. I loved listening to this extra show. Hutchins talks about his inspiration for the 7th Son story, as well as giving in-depth analysis of each clone, and how he created the characters. The hard-core fans will find it very informative, and I personally love to hear where writers get their inspirations for stories.

There is a ton of fan-hype surrounding this podcast novel, and it’s easy to be swept up in it. Whether you listen as a “podiobook” or as the podcast show, 7th Son will captivate your imagination and hold it hostage right up to the end. The writing is strong and easily stands alone, which is why it has the fan base it does. Book two begins September 26th, so there is plenty of time to subscribe to this book and catch up.

posted by Dani

Review of A Scanner Darkly by Philip K. Dick

SFFaudio Review

A Scanner Darkly
By Philip K. Dick; Read by Paul Giamatti
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2006
ISBN: 073932392X
Themes: / Science Fiction / Drugs / Consciousness / Identity / Paranoia / Law Enforcement /

“I myself? I am not a character in this novel, I am the novel.”
-Philip K. Dick A Scanner Darkly

Bob Arctor is the owner of a ramshackle Orange County, California bungalow that houses a small group of drug users. The police think Bob is a dealer in the dangerously addictive drug called Substance-D but Bob really isn’t. Or is he? Fred thinks so, Fred is a deep-cover police agent assigned to surveil Bob’s every move by means of holoscanners and upclose undercover investigation – but Fred’s job is made more difficult because it requires him to take Substance-D, the effects of which have been to gradually split his brain into two very distinct and mutually combative conciousnesses. Fred schizm is so bad that he now doesn’t realize that he is also Bob Arctor and that he has in fact been narcing on himself! Fred/Bob’s only hope is to convince his/their dealer, a druggie named Donna, to get him to the source of Substance-D. Yep it is another typical Dickian plot, the downtrodden protagonist/s finds him/themselves at odds with complicated plot, which while not specifically aimed against him, is something in which he/they have become inadvertently entangled. Unfortunately when survival is the object of the game, Dick’s poor characters don’t know that doubling-down only multiplies the jeopardy by a factor of two.

Dick was no stranger to paranoid drug fantasies. Back in 1972 with his fourth marriage in ruins, an unsolved burglary in his Marin County home and a serious amphetamine addiction Dick travelled to Vancouver, British Columbia to be Guest of Honor at V-Con. After delivering a landmark speech he attempted suicide. Desperate for help, Dick begged and gained entrance to an exclusive heroin addiction treatment center called X-Kalay. This despite the fact he wasn’t addicted to heroin. When he eventually retuned to California he started work on a new novel. A Scanner Darkly was the result. Now 33 years later Dick’s novel has been adapted for audio as a result of the new film version. The good news is, no matter what you think of the film you’ll dig the audiobook. Despite what mayu sound like a downer, you’ll dig this book, A Scanner Darkly has some of the funniest scenes in all of Science Fiction. One section about a suicide gone wrong showcases Dick’s absurdist intellect… “[Charles Freck] spent several days deciding on the artifacts [that would be found by the archaeologists who discovered his dead body]….He would be found lying on his back, on his bed, with a copy of Ayn Rand’s The Fountainhead (which would prove he had been a misunderstood superman rejected by the masses and so, in a sense, murdered by their scorn) and an unfinished letter to Exxon protesting the cancellation of his gas credit card.” Even better, the ending is masterful, giving up the same Science Fiction satisfaction as did his Hugo winning The Man In The High Castle.

Actor Paul Giamatti (who had a supporting role in the film version of PKD’s Paycheck) was the perfect choice to read A Scanner Darkly. Giamatti’s on-screen characters only hint at his range and it took this audiobook to showcase all that talent. This is an excellent performance, Giamatti has said that Steve Bucemi should have been cast in the Tom Cruise role of the Minority Report film but I’m thinking it should have been Giamatti. His sympathetic portrayal of these drugged-out hippies and drugged-up cops makes this Random House’s A Scanner Darkly the definitive reading of a Dick novel. Giamatti ably gives distinction to the cast of losers and even carries off the German sequences without a hitch. What blows me away about this production is that Giamatti had expresed interest* in being in the Linklater film version of the same name, Giamatti has stated in multiple interviews that he is a fan of PKD’s work. Giamatti has even been approached to play PKD in a film adaptation of Dick’s life! That’d be a hoot.

Two Seeing Ear Theater alumni, Brian Smith and John Colluci, produced and directed Giamatti’s performance. The audiobook also includes intro music and the complete coda; a list by Dick of many of his closest friends who died or were severely damaged by drug use. I heartily endorse this unabridged audiobook and we in our influenced wisdom have seen fit to grant it a hallowed place in the hall of SFFaudio Essentials. This is a book to be long remembered and a reading never to be forgotten.

*Entertainment Weekly (issue #884/885 Summer 2006 Double Issue – page 117)

Posted by Jesse Willis