FREE LISTENS REVIEW: Anda’s Game by Cory Doctorow

Review

Free Listens Blog“Anda’s Game”
By Cory Doctorow
Source: Craphound.com
Length: Approx. 1 hr
Reader: Alice Taylor

The story: “Anda’s Game” uses the setting of an online fantasy game to explore how world-spanning issues of responsibility are present even in the games people play. Like much of Doctorow’s science fiction that I’ve read, this story takes place in a near-future or slightly alternate present. Anda, a high school girl, spends most of her time playing a World of Warcraft-like game. She and Lucy, a friend Anda meets through an online gaming group called the Fahrenheits, begin taking on in-game quests of a very unusual nature. As Anda begins to realize these quests are morally questionable, she is caught up in a situation she knows is wrong, but feels powerless to alter.

Doctorow fits a number of societal issues into his fiction and this story is no exception. His knowledge and care for his characters allow his handling of childhood obesity and game addiction to avoid the crassness of TV news shock stories. The story touches on rarely-discussed questions about sweatshop labor, world economy, and virtual economies. The story does not try to provide the answer to all these thorny issues, but instead suggests that relying on others through honest communication is the starting point for solving difficult problems, be they personal or international.

Rating: 7/10

The reader: Alice Taylor has a mumbly British accent, which makes it sometimes difficult to understand, but fits the main character perfectly. While individual words are sometimes unintelligible, whether through pronunciation or slang usage, the meaning is always clear. When a character in the story types, Taylor types along on her keyboard, making an aural equivalent to what authors sometimes do by changing typeface or indentation to indicate a written conversation over computer. Each of the three episodes is introduced and ended by Doctorow’s own comments on the story and his personal life.

Posted by Seth

Subterranean Online’s SPRING 2008 audios: After The Seige by Cory Doctorow

SFFaudio Online Audio

Subterranean PressA FREE audio version of Cory Doctorow’s After The Seige has just been added to the Spring 2008 issue of the Subterranean Online magazine. Doctorow described the novelette/novella as “optimistic SF.” When Doctorow was writing it he said that it took inspiration from his grandmother’s stories of living through the Siege of Leningrad. More recently, it was lauded with the Locus Award for best novella.

Subterranean Online Spring 2008After The Seige
By Cory Doctorow; Read by Mary Robinette Kowal
5 MP3s – [UNABRIDGED]
Publisher: Subterranean Online (Spring 2008)
Published: June 2008

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|

There is also a different reading of the same story, by Cory Doctorow himself HERE.

Posted by Jesse Willis

Review of Little Brother by Cory Doctorow

SFFaudio Review

Science Fiction Audiobook - Little Brother by Cory DoctorowLittle BrotherSFFaudio Essential
By Cory Doctorow; Read by Kirby Heyborne
MP3 Download – 11 Hours, 54 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: May 2008
Themes: / Science Fiction / Young Adult / Terrorism / Philosophy / The Internet /

Marcus, a.k.a “w1n5t0n,” is only seventeen years old, but he figures he already knows how the system works-and how to work the system. Smart, fast, and wise to the ways of the networked world, he has no trouble outwitting his high school’s intrusive but clumsy surveillance systems. But his whole world changes when he and his friends find themselves caught in the aftermath of a major terrorist attack on San Francisco. In the wrong place at the wrong time, Marcus and his crew are apprehended by the Department of Homeland Security and whisked away to a secret prison where they’re mercilessly interrogated for days. When the DHS finally releases them, Marcus discovers that his city has become a police state where every citizen is treated like a potential terrorist. He knows that no one will believe his story, which leaves him only one option: to take down the DHS himself.

I rarely feel uncomfortable when reading a book. Cory Doctorow made me feel uncomfortable. I had a deep and growing unease as I listened to Little Brother. Talking about it with a friend, in between early chapters, I at first had a hard time pinning down exactly what was bothering me so much. But, after explaining what the book was about I suddenly realized what the one nagging issue was that was causing this growing unease: It was the villains. They were “all straw men” I told my friend, “not three-dimensional, or believable.” Their villainy “wasn’t realistic,” said I. But soon after that, in cataloging their various villainies, I realized that everything that was happening in the near future USA where Little Brother is set, was already actually happening in the United States (or its offshore territories). It was at that point when I realized that what I had at first been seeing as a poor choice on Doctorow’s part (making the villains one dimensional, completely unsympathetic, and therefore unrealistic) – was not valid. Doctorow is talking about the United States in the very same way George Orwell was talking about the Soviet Union in 1984, or Margaret Atwood, the world, in The Handmaid’s Tale. I can’t effectively argue that real world villainy is unrealistic. The villains of 1984 and The Handmaid’s Tale are not unrealistic and neither are those of Little Brother. After I realized that, my attitude of dissatisfaction changed to one of alliance with the book. And the longer I’ve thought about it, the more I am convinced. This is a book that people, especially young people, should be reading. This is an important book. It addresses in a very accessible way, some of the very pressing issues confronting our new age.

Doctorow is both revolutionary and conservative. He wants to overthrow those who would shackle us to an old business model and preserve the long and honourable tradition of revolution. In the book, Marcus, the main character, has a couple of internet handles. The first, “w1n5t0n,” is a tip of the hat to the oppressed victim-protagonist of 1984, and the second is “Mikey.” That one’s a nod towards the proactive leader of the Luna revolution in The Moon Is A Harsh Mistress. I think Little Brother takes equal inspiration from both these masterworks of Science Fiction. That’s a strong recommendation in itself. Whether this will turn out to be a tenth as influential as either of those classics will turn on how much it resonates with you. This is a book I want people to read.

Another friend, who stopped listening to the book, said Little Brother was full of “infodumps”, and he has a point. It is full of infodumps. But, I think that term gets a bad rap. Science Fiction, as Cory Doctorow himself points out, has a long tradition of the infodump, and, since this is more than just a novel, it has to have a good share of technological and mathematical explanations. In my opinion, the way the novel is written, it doesn’t at all come off as particularly hard to take. Cory Doctorow, in fiction and in real life, is a clear and concise explicator of technologies. He comes up with terrific analogies that illustrate his points, and I therefore think the charge of excessive infodumping is like saying “her hair is too red,” it says more about your predilection for blondes or brunettes than about any particular red-head’s hair colour. Check out one of the infodumps from the book:

If you ever decide to do something as stupid as build an automatic terrorism detector, here’s a math lesson you need to learn first. It’s called “the paradox of the false positive,” and it’s a doozy.

Say you have a new disease, called Super-AIDS. Only one in a million people gets Super-AIDS. You develop a test for Super-AIDS that’s 99 percent accurate. I mean, 99 percent of the time, it gives the correct result — true if the subject is infected, and false if the subject is healthy. You give the test to a million people.

One in a million people have Super-AIDS. One in a hundred people that you test will generate a “false positive” — the test will say he has Super-AIDS even though he doesn’t. That’s what “99 percent accurate” means: one percent wrong.

What’s one percent of one million? 1,000,000/100 = 10,000

One in a million people has Super-AIDS. If you test a million random people, you’ll probably only find one case of real Super-AIDS. But your test won’t identify one person as having Super-AIDS. It will identify 10,000 people as having it. Your 99 percent accurate test will perform with 99.99 percent inaccuracy.

That’s the paradox of the false positive. When you try to find something really rare, your test’s accuracy has to match the rarity of the thing you’re looking for. If you’re trying to point at a single pixel on your screen, a sharp pencil is a good pointer: the pencil-tip is a lot smaller (more accurate) than the pixels. But a pencil-tip is no good at pointing at a single atom in your screen. For that, you need a pointer — a test — that’s one atom wide or less at the tip. This is the paradox of the false positive, and here’s how it applies to terrorism:

Terrorists are really rare. In a city of twenty million like New York, there might be one or two terrorists. Maybe ten of them at the outside. 10/20,000,000 = 0.00005 percent. One twenty-thousandth of a percent. That’s pretty rare all right. Now, say you’ve got some software that can sift through all the bank-records, or toll-pass records, or public transit records, or phone-call records in the city and catch terrorists 99 percent of the time. In a pool of twenty million people, a 99 percent accurate test will identify two hundred thousand people as being terrorists. But only ten of them are terrorists. To catch ten bad guys, you have to haul in and investigate two hundred thousand innocent people.

Guess what? Terrorism tests aren’t anywhere close to 99 percent accurate. More like 60 percent accurate. Even 40 percent accurate, sometimes. What this all meant was that the Department of Homeland Security had set itself up to fail badly. They were trying to spot incredibly rare events — a person is a terrorist — with inaccurate systems.

That all struck a chord with me. I don’t live in The States, yet I know that at least some people down there are blindly accepting these “safety measures” as not only a necessary evil, but as at least somewhat effective. The last time I took an airplane in The States I overheard a conversation in which a woman was telling her family that the Transportation Security Administration’s confiscation of her own lip gloss was for her protection. And she wasn’t being ironic!

Narrator Kirby Heyborne comes from a theater, movie, and music background. His youthful voice captures Marcus and his friends in an effective straight reading. This is audiobook narration as it should be. Two interesting afterwords by people mentioned in the book and a detailed bibliography cap the novel. There is no hardcopy edition of this audiobook available, but a DRM-free MP3 download is. GET THAT HERE.

Posted by Jesse Willis

Cory Doctorow loves the Little Fuzzy audiobook

SFFaudio News

Science Fiction Audiobook - Little Fuzzy by H. Beam PiperCory Doctorow posted this to BoingBoing.net today:

I just finished listening to the Audio Realms audio edition of H Beam Piper’s classic science fiction novel Little Fuzzy and fell in love with the book all over again. Little Fuzzy was the first book I ever bought for myself: it was on my first trip to Bakka, the world’s oldest surviving science fiction bookstore, at the age of nine or ten. Tanya Huff — now a bestselling writer in her own right — was working that day and I asked her for some recommendations. She marched me back to the used section of the store and took down a copy of Little Fuzzy, promising that I’d love it.

I did.

Little Fuzzy is Piper’s masterpiece, a tight, neat science fiction story that epitomizes the golden age of sf. It concerns a prospector on a distant world who discovers a potentially sentient aboriginal race (the “Fuzzies), and his ensuing fight — fists, lawyers and even guns — to get them recognized as sentient beings. Along the way, Piper explores the nature of colonial economies, the deepest questions of consciousness and intelligence, paternalism and self-determination, and the nature of the rule of law. All in a package that a nine-year-old will find riveting and delightful.

The Audio Realms 5-CD unabridged recording just won Publishers Weekly’s annual Fantasy Audiobook of the Year award (why “fantasy” I’m not sure), and it’s easy to see why. Brian Holsopple’s reading brings the characters — warm, human, flawed and passionate — to life. The editing is not exactly perfect (there’s a couple of pickup lines that Holsopple recorded that are left in, which is a little distracting), but the story is every bit as wonderful as I remember it, and the reading is a great match.

Little Fuzzy is in the public domain, so there’s both a free ebook and a free recording available of the text. And for the record, I got Tanya Huff’s job at Bakka when she retired to write full time.

[via BoingBoing.net]

Posted by Jesse Willis

The Agony Column Interviews Cory Doctorow

SFFaudio Online Audio

The Agony Column The Agony Column interviews Cory Doctorow. |MP3|

You can subscribe to the feed at this URL:

http://trashotron.com/agony/indexes/tac_podcast.xml

Posted by Charles Tan