Commentary: How to download TORRENT files

SFFaudio Commentary

TorrentsI recently received email from a friend asking me to send him files that are easily available as a torrent.

This is pretty funny considering that the guy in question has had hundreds, more likely thousands, of complete copies of his creations downloaded, via torrent, to users all over the planet.

This got me thinking that probably a good many other creators and fans are in the same position – they’ve heard of torrents – would like to use them – but don’t have a friend who uses them. You just need a friend to walk you through it.

Well friends I’m here to tell you that torrents are extremely easy to use, very quick and very safe, just so long as you pay attention to a few details.

It’s actually pretty easy.

Torrents are specialized internet files, very similar to podcast feeds. Like podcast feeds they work to automatically retrieve the content you want. And just like podcast feeds they work only with specialized software.

But why would you want to use one?

Two reasons to use torrents:

1. Torrents do not greatly burden a content creator as he or she need not host the files for very long before they’re off and growing in the wild

2. Torrents are particularly good at the distribution of suppressed materials (take the case of the example given father below)

Software needed:

1. µTorrent is a free and easy to use torrent client (that’s just a piece of software for getting torrents)

Three quick facts to keep in mind after installation:

1. Torrent files end in “.torrent” – when you click on one, and when you’ve got µTorrent installed, you’ll get the download of the file you want (just as long as there are seeders)

2. A seeder is a torrent user who has a complete copy of the download that you want

3. You will see the extensions of the file types you are going to download – this means you can pick and choose the kinds of files you want to end up on your computer

uTorrent 1.7.7

Example of a torrent:

Queen Of The Black Coast is a free full cast audio dramatization, that was suppressed by legal threats. It’s producers no longer host it. But it is available as a torrent on the torrent tracker website ThePirateBay.org (and other torrent tracking websites).

The Pirate Bay - QUEEN OF THE BLACK COAST Example

Clicking on the green double down arrow (pictured above) will download the “.torrent file” which will interface with your installed µTorrent software to get you the audio drama. Note the number of seeders listed too. If there are zero seeders then you probably won’t be able to download the complete file or files. And if there are many seeders then the file will come down faster than if there are few. Once you complete your download, and hit “stop” in µTorrent, you will no longer be seeding.

Using torrents will open up a whole new part of the internet to you and make many more parts of the web useful too. A good place to start exploring with your new torrent skills is RadioArchive.cc. RadioArchive.cc is a domain entirely devoted to radio, offering radio drama, audiobooks (broadcast on radio), factual programs and every other kind of audio goodness that public radio services are known for. Happy torrenting!

Posted by Jesse Willis

Progeny by Philip K. Dick is PUBLIC DOMAIN

SFFaudio News

I have discovered another PUBLIC DOMAIN Philip K. Dick story.

Progeny by Philip K. Dick
Progeny - Illustration by Ralph Castenir

Progeny, which was originally published in the November 1954 issue of If: Worlds Of Science Fiction (volume 4, number 3), was falsely renewed. The false renewal was states that Progeny was published in the October 1955 issue of If: Worlds Of Science Fiction (volume 5, number 6). This is false. The story was not in that issue.

In order for a copyright to be renewed United States law at the time required that a copyrighted work be renewed within the 28th year following the original publication. This did not happen. The renewal form, RE190631, was dated November 22, 1983. This puts the true first publication of Progeny in If: Worlds Of Science Fiction 29 years prior to renewal’s application. Therefore the copyright protection on Progeny was not properly renewed and the story is PUBLIC DOMAIN.

Here’s the proof:

1. The copyright and table of contents page for Worlds Of If, November 1954 (volume 4, number 3) is HERE, and it clearly shows Progeny as beginning on page 64.
2. The copyright and table of contents page for Worlds Of If, October 1955 (volume 5, number 6) is HERE, notice the complete absence of any Philip K. Dick story in that issue.
3. HERE is a scan of the copyright renewal form, with the falsified entry for Progeny.
4. Neither magazine title, If or If: Worlds Of Science Fiction for (volume 4, number 3), were ever renewed so any blanket copyright protection for that issue as a whole is also out.

False copyright renewal entry for Progeny by Philip K. Dick

True first publication of Progeny by Philip K. Dick

Here’s the evidence:

RE190631 Page 1 (front):
RE190631 Page 1 (front)

RE190631 Page 1 (back):
RE190631 Page 1 (back)

RE190631 Page 2 (front):
RE190631 Page 2 (front) - Nanny, Service Call, Autofac, Minority Report, To Serve The Master, The Father Thing, Foster, You're Dead, The Golden Man

RE190631 Page 2 (back) this is the page with Progeny:
RE190631 Page 2 (back) Prominent Author, Progeny, Exhibit Piece, Shell Game, A World Of Talent, James P. Crow, Small Town, Survey Team, Sales Pitch, Time Pawn, Breakfast At Twilight, The Crawlers, Of Withered Apples, Adjustment Team, Meddler

RE190631 Page 3 (front):
RE190631 Page 3 (front) Souvenir, The Last Of The Masters, Upon The Dull Earth, Strange Eden, Jon's World, The Turning Wheel, Human Is

RE190631 Page 3 (back):
RE190631 Page 3 (back)

Posted by Jesse Willis

The Drama Pod: Adjustment Team by Philip K. Dick

SFFaudio Online Audio

Look what the dragnet dragged in! This is a complete and unabridged recording of a story that’s been suppressed by threats of a lawsuit. Originally recorded for inclusion in a LibriVox collection of short Science Fiction stories, Adjustment Team was unjustly subject to DMCA takedown notifications |HERE| and |HERE|. The facts are these: The story wasn’t actually copyright renewed as evidenced by this falsified document RE190631 (page 2 back). We can see that the true first publication date of Adjustment Team was in Orbit Science Fiction No.4 Sept-Oct 1954 (not Imaginative Tales September 1955). Thanks Drama Pod!

The Drama PodAdjustment Team
By Philip K Dick; Read by Gregg Margarite
1 |MP3| – Approx. 59 Minutes [UNABRIDGED]
Podcaster: The Drama Pod
Podcast: November 14, 2011
“Something went wrong and Ed Fletcher got mixed up in the biggest thing in his life.” First published in Orbit Science Fiction, Sept-Oct 1954, No.4.

ETEXT Editions |SICKMYDUCK|WIKIMEDIA|WIKISOURCE|MOORINGPOST|

Illustrations by Faragasso:

Adjustment Team by Philip K. Dick

Adjustment Team by Philip K. Dick

[Thanks internet!]

Posted by Jesse Willis

Philip K. Dick copyright renewal and registration scans

SFFaudio News

This post is a follow up to my “Philip K. Dick’s PUBLIC DOMAIN short stories, novelettes and novellas” post from August 25th, 2011. Since then I have received a number of scanned photocopies from the U.S. Copyright Office. These scans should be of great interest in the hunt for all of Philip K. Dick’s PUBLIC DOMAIN short stories. They show a number of anomalies and errors that bear upon the copyright status of many of Dick’s short stories, novellas and novelettes published between 1952 and 1963.

Stories that are referenced in the scans are noted above each image. I take the “RE” prefix to mean RENEWAL, and the “B” prefix is for an original copyright claim. These scans have also been added to the original post stories with the link labelled “COS” for copyright office scan.

RE220675 Page 1 (front):
RE220675 Page 1

RE220675 Page 1 (back) Pay For The Printer, A Glass Of Darkness, Vulcan’s Hammer, The Unreconstructed M, Misadjustment:
RE220675 Page 1 (back) - Pay For The Printer, A Glass Of Darkness, Vulcan's Hammer, The Unreconstructed M, Misadjustment

RE190631 Page 1 (front):
RE190631 Page 1 (front)

RE190631 Page 1 (back) War Veteran, Captive Market, The Mold Of Yancy, A Surface Raid, The Hood Maker, The Chromium Fence, Psi-Man Heal My Child:
RE190631 Page 1 (back)

RE190631 Page 2 (front) Nanny, Service Call, Autofac, Minority Report, To Serve The Master, The Father Thing, Foster, You’re Dead, The Golden Man:
RE190631 Page 2 (front) - Nanny, Service Call, Autofac, Minority Report, To Serve The Master, The Father Thing, Foster, You're Dead, The Golden Man

RE190631 Page 2 (back) Prominent Author, Progeny, Exhibit Piece, Shell Game, A World Of Talent, James P. Crow, Small Town, Survey Team, Sales Pitch, Time Pawn, Breakfast At Twilight, The Crawlers, Of Withered Apples, Adjustment Team, Meddler:
RE190631 Page 2 (back) Prominent Author, Progeny, Exhibit Piece, Shell Game, A World Of Talent, James P. Crow, Small Town, Survey Team, Sales Pitch, Time Pawn, Breakfast At Twilight, The Crawlers, Of Withered Apples, Adjustment Team, Meddler

RE190631 Page 3 (front) Souvenir, The Last Of The Masters, Upon The Dull Earth, Strange Eden, Jon’s World, The Turning Wheel, Human Is:
RE190631 Page 3 (front) Souvenir, The Last Of The Masters, Upon The Dull Earth, Strange Eden, Jon's World, The Turning Wheel, Human Is

RE190631 Page 3 (back):
RE190631 Page 3 (back)

RE115661 Page 1 (front):
RE115661 Page 1 (front)

RE115661 Page 1 (back) The Defenders, Mr. Spaceship, Piper In The Woods, Roog, The Infinites, Second Variety, The World She Wanted:
RE115661 Page 1 (back) The Defenders, Mr. Spaceship, Piper In The Woods, Roog, The Infinites, Second Variety, The World She Wanted

RE115661 Page 2 (front) Colony, The Cookie Lady, Impostor, Martians Come In Clouds, Paycheck, The Preserving Machine, The Cosmic Poachers, Expendable:
RE115661 Page 2 (front) Colony, The Cookie Lady, Impostor, Martians Come In Clouds, Paycheck, The Preserving Machine, The Cosmic Poachers, Expendable

RE115661 Page 2 (back) The Indefatigable Frog, The Commuter, Out In The Garden, The Great C, The King Of The Elves, The Trouble With Bubbles, The Variable Man, The Impossible Planet, Planet For Transients, Some Kinds Of Life, The Builder, The Hanging Stranger, Project Earth, The Eyes Have It, Tony And The Beetles:
RE115661 Page 2 (back) The Indefatigable Frog, The Commuter,  Out In The Garden, The Great C, The King Of The Elves, The Trouble With Bubbles, The Variable Man, The Impossible Planet, Planet For Transients, Some Kinds Of Life, The Builder, The Hanging Stranger, Project Earth, The Eyes Have It, Tony And The Beetles

B381157 Copyright registration for the November 1952 issue of Fantasy & Science Fiction (includes The Little Movement):
B381157 Copyright registration for the November 1952 issue of Fantasy & Science Fiction (includes The Little Movement)

B395238 Copyright registration for the February 1953 issue of Fantasy & Science Fiction (includes Roog):
B395238 Copyright registration for the February 1953 issue of Fantasy & Science Fiction (includes Roog)

RE68555 Page 1 (front) – Copyright renewal for the November 1952 issue of Fantasy & Science Fiction (includes The Little Movement):
RE68555 Page 1 (front) - Copyright renewal for the November 1952 issue of Fantasy & Science Fiction (includes The Little Movement):
RE68555 Page 1 (back):
RE68555 Page 1 (back)

RE68558 Page 1 (front) Copyright renewal for the February 1953 issue of Fantasy & Science Fiction (includes Roog):
RE68558 Page 1 (front) Copyright renewal for the February 1953 issue of Fantasy & Science Fiction (includes Roog)

RE68558 Page 1 (back):
RE68558 Page 1 (back)

Posted by Jesse Willis

The SFFaudio Podcast #131 – TALK TO: Julie Hoverson of 19 Nocturne Boulevard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #131 – Jesse, Scott, and Tamahome talk to Julie Hoverson of 19 Nocturne Boulevard

Talked about on today’s show:
how do you say “hiatus”?, “one woman butt kicking army”, third year anniversary, 74 episodes, The Dunwich Horror by H.P. Lovecraft audio drama, Bill Hollweg is in The Deadeye Kid, Maine accents, The Leech by Robert Sheckley (secretly), comedy, A Date With Dana was funny, classic storylines, The Rookie won the Mark Time Award, “line up to get killed by their favorites”, “I love creepy old ladies”, Crumping The Devil, The Imp Of The Perverse, Lovecraft’s The Thing On The Doorstep, Within The Walls Of Eryx is “straightforward sci-fi”, Dis Belief is from a Jorge Luis Borges story, puns, finding the copyright owner, finding quality audio drama, Julie’s audio blog about oversight, we need curation, Voice Hollywood does their own ratings, Julie will be at the next Balticon, Balticon Podcast, there’s never enough people to help, Geek Girl Con, editing the parts together, simultaneous recording?, Julie is in The Radio Drama Handbook by Richard J. Hand and Mary Traynor, The Grand Guignol is violent theater, The Thrice Tolled Bell is like a Hammer film, “cuz I’m crazy”, what dramas does Julie like?, We’re Alive (The Zombie Podcast, also from Blackstone Audio), why do it?, Julie tried to develop a “dead serial killer buddy movie”, Wormwood, comics, Five Fingers Of Doom, short stories, timing your podcast releases, “the mentality of slackness”, for the nasty creepiness: One Eighteen: Migration, Julie’s The Gift Of The Zombi an Xmas show, zombies in love, “zombies are the new cowboys”, a half-hour is a good length, fan dogs on Facebook, “what’s the best science fiction audio drama around?”, Kim’s Warp’d Space involves milk runs, Children Of The Gods, The Leviathan Chronicles, Julie is in Edict Zero (created by Jack Kincaid who did The Geek’s Guide To The Galaxy intro), a cop show on a future colony, how complicated can a show be?, “there’s always engaging things”, Big Finish are pros, “fanfic”, Darker Projects Star Trek tie-ins (Tamahome listened to Lost Frontier), Jesse wants A Princess Of Mars drama, who’s got the rights?, adapting a novel, William Shakespeare, Cymbeline Revisited, Edwardian Entertainments, The Yellow Wallpaper

Posted by Tamahome

Bill C-11 – Canada’s new copyright legislation

SFFaudio News

CBC.ca  - Tories Want To Wrap Copyright Law By Christmas

A September 29th, 2011 CBC.ca article entitled “Tories want to wrap copyright law by Christmas” garnered 596 comments in the 48 hours before comments were locked. The proposed legislation, now titled Bill C-11, appears to be an exact copy of the previously unpassable Bill C-32. The book burning provisions are just some of the new “rights” Bill C-11 offers:

-Copy content from one device to another, such as from a CD to a computer or an iPod. This provision, however, does not apply to content protected by a digital lock, which is any technological measure, such as encryption or digital signatures, that rights holders use to restrict access to or prevent the copying or playing of CDs, DVDs, e-books, digital files and other material.

-Record television, radio and internet broadcasts and listen to or view them later on whatever device they choose but not for the purposes of building up a library or for commercial use. This provision does not extend to content that is offered “on-demand” (streamed video, for example) or protected by a digital lock.

-Make a backup copy of content to protect against loss or damage — again unless that content is protected by a digital lock or offered as an on-demand service.

-Incorporate legally acquired copyrighted content into their own user-generated work, as long as it’s not for commercial gain and does not negatively impact the markets for the original material or the artist’s reputation. An example would be the posting of your own mash-up of a Lady Gaga song and, say, a Beyoncé number on YouTube.

-Use copyrighted content for the purposes of education, satire or parody. This expands what is known as the fair dealing provisions of the existing law — which until now covered only research, private study, criticism and news reporting.

-Copy copyrighted material that is part of an online or distance learning course in order to listen to or view it at a later time. Under this provision, teachers can provide digital copies of copyrighted material to students as part of the course but only if they and the students destroy the course material within 30 days of the end of the course. Teachers are also expected to take reasonable measures to prevent the copying and distribution of the material other than for the purposes of the course. Critics have referred to this part of the Act as the “bbook burning” provisions.

Ummm….aren’t we better off with the status quo?

The functions of VCRs and DVRs, we are told, have been illegal since their introductions in 1977 and 1999 respectively. I personally recorded thousands of hours off of TV with the half a dozen VCRs I’ve owned since the 1980s. Somehow TV still exists. Former Industry Minister Tony Clement’s iPod has 10,452 songs on it, “most of them transferred from CDs he bought” – we’re told that each such instance was an illegal act.

Funny that neither Clement nor I am in jail or being sued. Funnier still, nobody in Canada has been prosecuted for using their VCRs or DVRs to record TV shows. Nobody in Canada is being prosectued or sued for all of the stuff we’re being told is currently illegal. So how exactly are we better off if we change the law to make it easier to be sued and prosecuted?

Perhaps a glance at the official Bill C-32 talking points will give us an idea

Bonus: Here’s 22 Minutes take on Canadian Copyright Reform (circa 2009):

Posted by Jesse Willis