The SFFaudio Podcast #160 – AUDIOBOOK/READALONG: Red Nails by Robert E. Howard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #160 – Jesse, Tamahome, and Brian Murphy (of The Silver Key and Black Gate) talk about Red Nails by Robert E. Howard (read by Gregg Margarite for LibriVox). The audiobook runs 3 Hours 21 minutes and the discussion begins after that.

Talked about on today’s show:
Comics, the comic adaptation of Red Nails, Conan Saga, Savage Tales, Barry Windsor-Smith, John Buscema, Storyteller, Wolverine, the REH Comics Yahoo! Group, Beyond The Black River, Tower Of The Elephant, Karl Edward Wagner, Queen Of The Black Coast, grimness, pirates, torture, lesbianism, happy endings, “so much for that decades old gang war”, it’s Red Nails is like a Tom Baker Doctor Who serial, haunted city, a feud culture, Tolkemec’s laser, “if it bleeds we can kill it”, Conan the chauvinist, Valeria kicks ass, is the story told from Valeria’s POV?, it begins like a mystery, the “dragon” is a dinosaur (sort of), Techotl, writer shorthand, Star Trek (Let That Be Your Last Battlefield), Techotl is Gollum-like, Red Nails as a gang war, why didn’t they all get rickets and starve, Howard was the original locavore, a roofed city vs. a domed city, Hatfields vs. McCoys, the black pillar of vengeance, ConanRedNails.com, HBO can do no wrong, copyright vs. trademark, Dark Horse’s Chronicles Of Conan #4, colour and colouring, Howard as a stylist, Book X of The Odyssey, The Land of the Lotus Eaters, The Dark Man: The Journal Of Robert E. Howard Studies, using digital copies to research (control-f), Aztec, Toltecs, cannibalism, Jack London, Harold Lamb, William Morris, J.R.R. Tolkien, H.P. Lovecraft, sword and sorcery, horror, The Black Stone, Worms Of The Earth by Robert E. Howard, Tantor Media’s tantalizing collection Bran Mak Morn: The Last King, condemn Howard’s racism praise his writing, Orson Scott Card, Al Harron of The Blog That Time Forgot, Apparition In The Prize Ring by Robert E. Howard, Ace Jessel, Solomon Kane, what will we do after?, just an average weekend with laser beams, the gonzo ending of Red Nails, BrokenSea’s The Queen Of The Black Coast audio drama, Bill Hollweg, legal trouble, Sherlock Holmes, Disney’s John Carter vs. Dynamite Entertainment‘s Warlord Of Mars.

Red Nails - interior fold out art by Ken Kelly

Red Nails - Ending - art by Barry Windsor-Smith

Red Nails by Robert E. Howard

Red Nails illustration by Margaret Brundage from Weird Tales, July 1936

Red Nails illustration by Harold S. De Lay from Weird Tales, July 1936

Red Nails illustration by Harold S. De Lay from Weird Tales, August September 1936

Red Nails illustration by Harold S. De Lay from Weird Tales, October 1936

Red Nails by Robert E. Howard - illustration by George Barr

Red Nails - illustration by George Barr

George Barr ILLUSTRATION for Red Nails

Valeria by Geoffrey Isherwood (in the style of Barry Windsor Smith)

Red Nails - illustrated by Gregory Manchess

Posted by Jesse Willis

A World Of Talent by Philip K. Dick is PUBLIC DOMAIN

SFFaudio News

A World Of Talent, a novelet by Philip K. Dick, is PUBLIC DOMAIN.

A World Of Talent by Philip K. Dick - illustrated by Kossin
A World Of Talent by Philip K. Dick - illustrated by Kossin
A World Of Talent by Philip K. Dick - illustrated by Kossin

The public domain status was not generally known because there was a fraudulent attempt to renew the copyright the year after the story was legally eligible to be renewed. This gave the deceptive appearance that the story was not in the public domain.

Here is the evidence.

HERE is the copyright renewal form. Notice that it states that the story, A World Of Talent, was published in Galaxy Science Fiction, August 1955, volume 10, number 5.

It was not in that issue.

Have a look at the table of contents:
Galaxy, August 1955 - table of contents (note that it DOES NOT include A World Of Talent by Philip K. Dick)

A World Of Talent was actually published in the October 1954 issue of Galaxy Science Fiction. Here is that table of contents:

Galaxy Science Fiction, October 1954 - Table of contents (includes A World Of Talent by Philip K. Dick))

Because it was not properly renewed A World Of Talent is in the PUBLIC DOMAIN.

Here is a |PDF| made from scans of Galaxy Science Fiction, October 1954.

Posted by Jesse Willis

Philip K. Dick, in his own words, a portrait from late 1952, early 1953

SFFaudio News

In my researches of the public domain short stories, novelettes, and novellas of Philip K. Dick I’ve just discovered this wonderful, sad, and surprising self-portrait by Philip K. Dick. It appeared as the inside front cover of Imagination’s February 1953 issue (which would have been when Dick was about 24 years old).

In it he talks about his early origins as an Science Fiction reader, paints a picture of himself as a misunderstood fan of scientificition (which he abbreviates as “stf”), and as a person who dreams of one day seeing SF magazines in public libraries (and school libraries). To me that’s the really sad part. Heinlein can dream of seeing a man on the moon and see that achieved in his own lifetime. But I’ve yet to see a public library, let alone a school library, with a regular subscription to any SF magazine.

On the bright side of things we learn that his cat, at the time, was named “Magnificat” – and that’s pretty damned awesome.

Here’s the scan:

Introducing The Author: Philip K. Dick - from the February 1953 issue of Imagination

And here is the complete text:

Once, when I was very young, I came across a magazine directly below the comic books called STIRRING SCIENCE STORIES. I bought it, finally, and carried it home, reading it along the way. Here were ideas, vital and imaginative. Men moving across the universe, down into sub-atomic particles, into time: there was no limit. One society, one given environment was transcended. Stf was Faustian; it carried a person up and beyond.

I was twelve years old, then. But I saw in stf the same thing I see now: a medium in which the full play of human imagination can operate, ordered, of course, by reason and consistent development. Over the years stf has grown, matured toward greater social awareness and responsibility.

I became interested in writing stf when I saw it emerge from the ray gun stage into studies of man in various types and complexities of society.

I enjoy writing stf; it is essentially communication between myself and others as interested as I in knowing where present forces are taking us. My wife and my cat Magnificat, are a little worried about my preoccupation with stf. Like most stf readers I have files and stacks of magazines, boxes of notes and data. parts of unfinished stories, a huge desk full of related material in various stages. The neighbors say I seem to “read and write a lot”. But I think we will see our devotion pay off. We may yet live to be present when the public libraries begin to carry the stf magazines, and someday, perhaps, even the school libraries.
-Philip K. Dick

Posted by Jesse Willis

Copyfraud by the Philip K. Dick estate for Philip K. Dick stories published in 1954 and 1955

SFFaudio News

I made this infographic for myself for while researching the Philip K. Dick stories published in the years 1954 and 1955.

I find it rather stunning to look at.

The data in BLACK all comes from the form filed on November 22, 1983 and submitted to the U.S. Copyright Office under Registration Number RE0000190631 (SEE THE ACTUAL SCANS HERE).

The RED and YELLOW highlights are my own notations.

Copyright Renewal RE0000190631 for Philip K. Dick stories published in 1954 and 1955 (the bullshit and the accurate)

As you can see the copyright claimants “Laura Coelho, Christopher Dick & Isa Dick” claimed 37 stories were published in 1955. This is false. Only the 12 stories were published in 1955. The remainder, all 25 of them (highlighted in RED), were actually published in 1954 in other magazines, books, or issues. The 12 stories that were genuinely eligible for renewal are correctly noted, the 25 submitted that were not eligible are false.

What do you make of that?

To me it looks like 25 cases of deliberate fraud. To me it looks like the public has been denied its rights to these stories for nearly three decades.

Maybe there’s a math whiz out there could tell us what the chances of making 25 honest clerical errors only in the 25 cases where the clerk’s client benefits, without, at the same time, making any similar mistakes in the 12 cases where a typo doesn’t accrue a benefit to the clerk’s client (namely in those cases where a story was actually eligible for a legal renewal).

What are the odds exactly?

Posted by Jesse Willis