There are several readings of The Yellow Wallpaper on LibriVox, but the best one to my ears is Michelle Sullivan’s. I think that’s the one we’ll use on an upcoming SFFaudio Podcast.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Michelle Sullivan
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 7, 2008
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Justine Young
1 |MP3| – Approx. 28 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 2, 2006
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Lola Rogers
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Publisher: LibirVox.org
Published: February 13, 2007
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by jaggO
1 |MP3| – Approx. 41 [UNABRIDGED]
Publisher: LibriVox.org
Published: March 25, 2007
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Kirsten Ferreri
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: August 8, 2006
First published in The New England Magazine, January 1892.
Here’s a |PDF| made from the original publication.
And here’s one with the modernized title and with the author’s more familiar married name |PDF|.
Recently arrived, and currently being soaked in through my skin and ears, is this giant collection of weird fiction. Assembled from a list of stories found in H.P. Lovecraft’s essay Supernatural Horror In Literature, it is a collection of well known and obscure classics by authors that H.P. Lovecraft loved.
Looking at the table of contents I noted that I’d already read several of the stories in this collection – including The Turn Of The Screw (we did a podcast about that one), the engimatic Christmas horror Markheim, the scientific ghost tale What Was It?, the unutterably creepy and horrific The Voice In The Night very recently, and many years ago, perhaps in high school, The Yellow Wallpaper. But even though I’ve read some of these stories already I’m still very excited. Each of the stories seems to be preceded by some relevant words by Lovecraft himself – and at the very least I will be listening to the mini-introductions to those stories I am well familiar with.
Until then I will content myself in listening to the unknown ones. For example, the frightful first person narrative of Who Knows? by Guy de Maupassant is thrilling and wondering me in the exact same way The Horla almost exactly one year ago. It’s wonderful!
H.P. Lovecraft’s Book Of The Supernatural
Edited by Stephen Jones; Read by Bronson Pinchot, Stephen Crossley, Davina Porter, Madeleine Lambert, Mark Peckham
MP3 DOWNLOAD – Approx. 16 Hours 44 Minutes [UNABRIDGED]
Publisher: AudioGo
Published: August 1, 2012 Written by arguably the most important horror writer of the twentieth century, H.P. Lovecraft’s 1927 essay Supernatural Horror in Literature traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft’s own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel…The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.
Here’s the table of contents:
Introduction by editor Stephen Jones – Approx. 7 Minutes Notes on Writing Weird Fiction By H.P. Lovecraft – Approx. 11 Minutes The Tale of the German Student by Washington Irving – Approx. 14 Minutes Markheim by Robert Louis Stevenson – Approx. 49 Minutes Who Knows? by Guy de Maupassant – Approx. 34 Minutes The Invisible Eye by Erckmann-Chatrian – Approx. 41 Minutes The Torture by Hope by Villiers de l’Isle Adam – Approx. 15 Minutes Ms. Found in a Bottle by Edgar Allan Poe – Approx. 29 Minutes What Was It? by Fitz-James O’Brien – Approx. 34 Minutes The Middle Toe of the Right Foot by Ambrose Bierce – Approx. 24 Minutes The Turn Of The Screw by Henry James – Approx. 4 Hours 52 Minutes The Dead Smile by F. Marion Crawford – Approx. 57 Minutes The Wind In The Rose-Bush by Mary E. Wilkins-Freeman – Approx. 38 Minutes The Yellow Wallpaper by Charlotte Perkins Gilman – Approx. 36 Minutes The Recrudescence of Imray by Rudyard Kipling – Approx. 30 Minutes The Hands Of Karma (Ingwa-banashi) by Lafcadio Hearn – Approx. 11 Minutes The Burial Of The Rats by Bram Stoker – Approx. 1 Hour 7 Minutes The Red Lodge by H.R. Wakefield – Approx. 35 Minutes The Captain Of The Pole-Star by Sir Arthur Conan Doyle – Approx. 1 Hour 6 Minutes The Villa Desiree by May Sinclair – Approx. 28 Minutes The Voice In The Night by William Hope Hodgson – Approx. 36 Minutes Novel of the White Powder by Arthur Machen – Approx. 48 Minutes
H.P. Lovecraft’s Book Of The Supernatural
Edited by Stephen Jones; Read by Bronson Pinchot, Stephen Crossley, Davina Porter, Madeleine Lambert, Mark Peckham
MP3 DOWNLOAD – [UNABRIDGED]
Publisher: AudioGo
Published: August 1, 2012 Written by arguably the most important horror writer of the twentieth century, H. P. Lovecraft’s 1927 essay Supernatural Horror in Literature traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft’s own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel…The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.
The audio sample says it includes “20 classics of the macabre.” I’ll try to get a list.
Here’s the TOC:
an introduction by editor Stephen Jones Notes on Writing Weird Fiction By H.P. Lovecraft The Tale of the German Student by Washington Irving Markheim by Robert Louis Stevenson Who Knows? by Guy de Maupassant The Invisible Eye by Erckmann-Chatrian The Torture by Hope by Villiers de l’Isle Adam Ms. Found in a Bottle by Edgar Allan Poe What Was It? by Fitz-James O’Brien The Middle Toe of the Right Foot by Ambrose Bierce The Turn of the Screw by Henry James The Dead Smile by F. Marion Crawford The Wind in the Rose-Bush by Mary E. Wilkins-Freeman The Yellow Wallpaper by Charlotte Perkins Gilman The Recrudescence of Imray by Rudyard Kipling The Hands of Karma (Ingwa-banashi) by Lafcadio Hearn The Burial of the Rats by Bram Stoker The Red Lodge by H.R. Wakefield The Captain of the Pole-Star by Sir Arthur Conan Doyle The Villa Desiree by May Sinclair The Voice in the Night by William Hope Hodgson Novel of the White Powder by Arthur Machen
Our good friend, Professor Eric S. Rabkin, is teaching one of the free summer Coursera courses. It’s entitled Fantasy and Science Fiction: The Human Mind, Our Modern World and all of the required readings, except for two of the novels, are available free online!
Here’s the official description:
Fantasy is a key term both in psychology and in the art and artifice of humanity. The things we make, including our stories, reflect, serve, and often shape our needs and desires. We see this everywhere from fairy tale to kiddie lit to myth; from “Cinderella” to Alice in Wonderland to Superman; from building a fort as a child to building ideal, planned cities as whole societies. Fantasy in ways both entertaining and practical serves our persistent needs and desires and illuminates the human mind. Fantasy expresses itself in many ways, from the comfort we feel in the godlike powers of a fairy godmother to the seductive unease we feel confronting Dracula. From a practical viewpoint, of all the fictional forms that fantasy takes, science fiction, from Frankenstein to Avatar, is the most important in our modern world because it is the only kind that explicitly recognizes the profound ways in which science and technology, those key products of the human mind, shape not only our world but our very hopes and fears. This course will explore Fantasy in general and Science Fiction in specific both as art and as insights into ourselves and our world.
This course comprises ten units. Each will include a significant reading, typically a novel or a selection of shorter works. I will offer video discussions of each of the readings and also of more general topics in art and psychology that those readings help illuminate. Each unit will include online quizzes and ask you to write a brief essay offering your own insights into the reading. In order, the units are:
Grimm — Children’s and Household Tales
Carroll — Alice’s Adventures in Wonderland and Through the Looking-Glass
Stoker — Dracula
Shelley — Frankenstein
Hawthorne & Poe — Stories and Poems
Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star”
Burroughs & Gilman — A Princess of Mars & Herland
Bradbury — The Martian Chronicles
LeGuin — The Left Hand of Darkness
Doctorow — Little Brother
In Unit I, the specific stories are the ones in the Lucy Crane translation (1886) which was published by Dover and is available online through Project Gutenberg (http://www.gutenberg.org/ebooks/5314). In Unit V, the specific readings are: Hawthorne’s “The Birthmark,” “Rappaccini’s Daughter,” “Dr. Heidegger’s Experiment,” and “The Artist of the Beautiful“; Poe’s “The Fall of the House of Usher,” “The Tell-Tale Heart,” “The Black Cat,” “The Facts in the Case of M. Valdemar,” “The Bells,” “The Raven,” “Annabel Lee.” All the readings except Ray Bradbury’s The Martian Chronicles and Ursula K. LeGuin’s The Left Hand of Darkness will be available online at no charge.
The SFFaudio Podcast #102 – Scott, Jesse and Tamahome talk about new audiobook, book, and comic book releases.
Talked about on today’s show: The Infinite Worlds Of H.G. Wells, Sherlock Holmes, Memory by Donald E. Westlake, Hard Case Crime, A Good Story Is Hard To Find, nihilism, SFSignal’s 122 books that bring Scott to tears, All The Lives He Led by Frederik Pohl (a semi-nihilistic novel), Yellowstone, “half minus negative zero”, A Matter Of Time by Glen Cook, The Black Company, Abel One by Ben Bova, blood and flesh and shirtless, Deathless by Catherynne M. Valente, BoingBoing, Russian Ark, Enigmatic Plot vs. Enigmatic Pilot, Enclave (aka Razorland) by Ann Aguirre, The Maze Runner by James Dashner, The Scorch Trials, The Hunger Games, Hunt The Space Witch and Other Stories by Robert Silverberg, WWW: Wonder by Robert J. Sawyer, Starstruck, Blair Butler, “Geoff Boucher’s Los Angeles Times Hero Complex ‘Get Your Cape On’ pick of the week”, The Quantum Thief by Hannu Rajaniemi, Macmillan Audio, Audible.com, Brilliance Audio, Warriors edited by George R.R. Martin and Gardner Dozois, Forever Bound by Joe Haldeman, Lawrence Block, O. Henry-ish, “I see no reason to buy through iTunes” (vs. Audible.com), Limitless (aka The Dark Fields) by Alan Glynn, F. Scott Fitzgerald, Flowers For Algernon, Understand by Ted Chiang, acquiring a whole bag of pills, “smart people are neat”, Tantor Media, History Is Wrong by Erich von Däniken, Jesse becomes momentarily depressed, The Guns Of August by Barbara W. Tuchman, John Lee, the John Cleaver series, have world events have sped because of modern technology?, Libya, Tripoli, “The Graveyard Of Empires”, “from the halls of Montezuma to the shores Tripoli”, NPR, A History Of The World In Six Glasses by Tom Standage, beer, wine, spirits, tea, coffee, cola, the Today In Canadian History podcast, the Canadian Navy, I Don’t Want To Kill You by Dan Wells, I Am Not A Serial Killer, “normally I don’t do this”, Dexter, the Writing Excuses podcast, Homeward Bound by Harry Turtledove, alternate history, We by Yevgeny Zamyatin, Grover Gardner, Eric S. Rabkin, George Orwell’s 1984, Herland by Charlotte Perkins Gilman, William Dufris, binary fission, Tantor Media is very innovative in including ebooks with their audiobooks, we need a new demarcation to desperate urban fantasy romance from SF, “conspiracy and ignorance based books”, The Prefect by Alastair Reynolds, Tales From A Thousand Nights And The Night (aka 1,001 Nights!) translated by Richard Burton, The Thousand Nights And A Night is the first fix-up novel, Nostromo by Joseph Conrad, South America, Three Men In A Boat (To Say Nothing Of The Dog) by Jerome K. Jerome, To Say Nothing Of The Dog by Connie Willis, Have Spacesuit, Will Travel by Robert A. Heinlein, Atlantis And Other Places by Harry Turtledove, Slave To Sensation shouldn’t be a science fiction novel, Orson Scott’s Card Intergalactic Medicine Show, Rejiggering The Thingamajig by Eric James Stone on Escape Pod #277, body-swapping, I Will Fear No Evil by Robert A. Heinlein, gender-swapping, For Us The Living: A Comedy Of Customs by Robert A. Heinlein, Heinlein’s old theme: “naked people talking to each other”, Heinlein likes to examine social preconceptions and social prejudices, “not a Heinlein classic but still classic Heinlein”, Eifelheim, Luke Burrage, Idiot America by Charles P. Pierce, George Washington riding a dinosaur, The Broken Sword by Poul Anderson, contemporary with Tolkien (rather than derivative of Tolkien), Michael Moorcock, Eric Birghteyes by H. Rider Haggard, Bronson Pinchot, The Plague Dogs by Richard Adams, anthropomorphic fiction, quasi-Science Fiction, quasi-Fantasy, Coyotes In The House by Elmore Leonard |READ OUR REVIEW|, The Call Of The Wild by Jack London, We Three by Grant Morrison, Transmetropolitain, Warren Ellis, Tama’s pet peeve in comics is silent panels, Audible Frontiers, The Death Of Grass by John Christopher, The Tripods, The Sam Gunn Omnibus, The Steel Remains, Cliffs Notes are now available as audiobooks, Brave New World, The Spiral Path by Lisa Paitz Spindler, Eat Prey Love by Kerrelyn Sparks, William Coon’s Eloquent Voice titles, Andre Norton’s The Time Traders, Gilgamesh The King by Robert Silverberg |READ OUR REVIEW|, Philip K. Dick, Henry James, Anton Chekov, Paul of Cthulhu, Yog-Sothoth.comThe Whisperer In Wax, wax cylinder tech, Embedded by Dan Abnett, SFSignal.com.
A few weeks ago Jesse posted my list of Best Free Audiobooks. I got a great response for this post, so I thought I’d do another one with my favorite free short stories that I’ve reviewed at Free Listens. Of course such lists are inherently silly, as they depend upon the listmaker’s tastes, current mood, memory, and a host of other little factors that have nothing to do with the quality of the story. So, if you’d rather, here’s a list of 10 really darn good stories (but maybe not the best):
The Yellow Wallpaper
