Bram Stoker – Page 5

Recent Arrivals: AudioGo: H.P. Lovecraft’s Book Of The Supernatural edited by Stephen Jones

SFFaudio Recent Arrivals

Recently arrived, and currently being soaked in through my skin and ears, is this giant collection of weird fiction. Assembled from a list of stories found in H.P. Lovecraft’s essay Supernatural Horror In Literature, it is a collection of well known and obscure classics by authors that H.P. Lovecraft loved.

Looking at the table of contents I noted that I’d already read several of the stories in this collection – including The Turn Of The Screw (we did a podcast about that one), the engimatic Christmas horror Markheim, the scientific ghost tale What Was It?, the unutterably creepy and horrific The Voice In The Night very recently, and many years ago, perhaps in high school, The Yellow Wallpaper. But even though I’ve read some of these stories already I’m still very excited. Each of the stories seems to be preceded by some relevant words by Lovecraft himself – and at the very least I will be listening to the mini-introductions to those stories I am well familiar with.

Until then I will content myself in listening to the unknown ones. For example, the frightful first person narrative of Who Knows? by Guy de Maupassant is thrilling and wondering me in the exact same way The Horla almost exactly one year ago. It’s wonderful!

H.P. Lovecraft’s Book Of The Supernatural
Edited by Stephen Jones; Read by Bronson Pinchot, Stephen Crossley, Davina Porter, Madeleine Lambert, Mark Peckham
MP3 DOWNLOAD – Approx. 16 Hours 44 Minutes [UNABRIDGED]
Publisher: AudioGo
Published: August 1, 2012
Written by arguably the most important horror writer of the twentieth century, H.P. Lovecraft’s 1927 essay Supernatural Horror in Literature traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft’s own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel…The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.

Here’s the table of contents:
Introduction by editor Stephen Jones – Approx. 7 Minutes
Notes on Writing Weird Fiction By H.P. Lovecraft – Approx. 11 Minutes
The Tale of the German Student by Washington Irving – Approx. 14 Minutes
Markheim by Robert Louis Stevenson – Approx. 49 Minutes
Who Knows? by Guy de Maupassant – Approx. 34 Minutes
The Invisible Eye by Erckmann-Chatrian – Approx. 41 Minutes
The Torture by Hope by Villiers de l’Isle Adam – Approx. 15 Minutes
Ms. Found in a Bottle by Edgar Allan Poe – Approx. 29 Minutes
What Was It? by Fitz-James O’Brien – Approx. 34 Minutes
The Middle Toe of the Right Foot by Ambrose Bierce – Approx. 24 Minutes
The Turn Of The Screw by Henry James – Approx. 4 Hours 52 Minutes
The Dead Smile by F. Marion Crawford – Approx. 57 Minutes
The Wind In The Rose-Bush by Mary E. Wilkins-Freeman – Approx. 38 Minutes
The Yellow Wallpaper by Charlotte Perkins Gilman – Approx. 36 Minutes
The Recrudescence of Imray by Rudyard Kipling – Approx. 30 Minutes
The Hands Of Karma (Ingwa-banashi) by Lafcadio Hearn – Approx. 11 Minutes
The Burial Of The Rats by Bram Stoker – Approx. 1 Hour 7 Minutes
The Red Lodge by H.R. Wakefield – Approx. 35 Minutes
The Captain Of The Pole-Star by Sir Arthur Conan Doyle – Approx. 1 Hour 6 Minutes
The Villa Desiree by May Sinclair – Approx. 28 Minutes
The Voice In The Night by William Hope Hodgson – Approx. 36 Minutes
Novel of the White Powder by Arthur Machen – Approx. 48 Minutes

Posted by Jesse Willis

New Releases: AudioGo: H.P. Lovecraft’s Book Of The Supernatural

New Releases

H.P. Lovecraft’s Book Of The Supernatural
Edited by Stephen Jones; Read by Bronson Pinchot, Stephen Crossley, Davina Porter, Madeleine Lambert, Mark Peckham
MP3 DOWNLOAD – [UNABRIDGED]
Publisher: AudioGo
Published: August 1, 2012
Written by arguably the most important horror writer of the twentieth century, H. P. Lovecraft’s 1927 essay Supernatural Horror in Literature traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft’s own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel…The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.

The audio sample says it includes “20 classics of the macabre.” ~~I’ll try to get a list.~~

Here’s the TOC:

an introduction by editor Stephen Jones
Notes on Writing Weird Fiction By H.P. Lovecraft
The Tale of the German Student by Washington Irving
Markheim by Robert Louis Stevenson
Who Knows? by Guy de Maupassant
The Invisible Eye by Erckmann-Chatrian
The Torture by Hope by Villiers de l’Isle Adam
Ms. Found in a Bottle by Edgar Allan Poe
What Was It? by Fitz-James O’Brien
The Middle Toe of the Right Foot by Ambrose Bierce
The Turn of the Screw by Henry James
The Dead Smile by F. Marion Crawford
The Wind in the Rose-Bush by Mary E. Wilkins-Freeman
The Yellow Wallpaper by Charlotte Perkins Gilman
The Recrudescence of Imray by Rudyard Kipling
The Hands of Karma (Ingwa-banashi) by Lafcadio Hearn
The Burial of the Rats by Bram Stoker
The Red Lodge by H.R. Wakefield
The Captain of the Pole-Star by Sir Arthur Conan Doyle
The Villa Desiree by May Sinclair
The Voice in the Night by William Hope Hodgson
Novel of the White Powder by Arthur Machen

[Thanks Amy!]

Posted by Jesse Willis

Fantasy and Science Fiction: The Human Mind, Our Modern World with Eric Rabkin

SFFaudio News

Our good friend, Professor Eric S. Rabkin, is teaching one of the free summer Coursera courses. It’s entitled Fantasy and Science Fiction: The Human Mind, Our Modern World and all of the required readings, except for two of the novels, are available free online!

Here’s the official description:

Fantasy is a key term both in psychology and in the art and artifice of humanity. The things we make, including our stories, reflect, serve, and often shape our needs and desires. We see this everywhere from fairy tale to kiddie lit to myth; from “Cinderella” to Alice in Wonderland to Superman; from building a fort as a child to building ideal, planned cities as whole societies. Fantasy in ways both entertaining and practical serves our persistent needs and desires and illuminates the human mind. Fantasy expresses itself in many ways, from the comfort we feel in the godlike powers of a fairy godmother to the seductive unease we feel confronting Dracula. From a practical viewpoint, of all the fictional forms that fantasy takes, science fiction, from Frankenstein to Avatar, is the most important in our modern world because it is the only kind that explicitly recognizes the profound ways in which science and technology, those key products of the human mind, shape not only our world but our very hopes and fears. This course will explore Fantasy in general and Science Fiction in specific both as art and as insights into ourselves and our world.

This course comprises ten units. Each will include a significant reading, typically a novel or a selection of shorter works. I will offer video discussions of each of the readings and also of more general topics in art and psychology that those readings help illuminate. Each unit will include online quizzes and ask you to write a brief essay offering your own insights into the reading. In order, the units are:

Grimm — Children’s and Household Tales
Carroll — Alice’s Adventures in Wonderland and Through the Looking-Glass
Stoker — Dracula
Shelley — Frankenstein
Hawthorne & Poe — Stories and Poems
Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star”
Burroughs & Gilman — A Princess of Mars & Herland
Bradbury — The Martian Chronicles
LeGuin — The Left Hand of Darkness
Doctorow — Little Brother

In Unit I, the specific stories are the ones in the Lucy Crane translation (1886) which was published by Dover and is available online through Project Gutenberg (http://www.gutenberg.org/ebooks/5314). In Unit V, the specific readings are: Hawthorne’s “The Birthmark,” “Rappaccini’s Daughter,” “Dr. Heidegger’s Experiment,” and “The Artist of the Beautiful“; Poe’s “The Fall of the House of Usher,” “The Tell-Tale Heart,” “The Black Cat,” “The Facts in the Case of M. Valdemar,” “The Bells,” “The Raven,” “Annabel Lee.” All the readings except Ray Bradbury’s The Martian Chronicles and Ursula K. LeGuin’s The Left Hand of Darkness will be available online at no charge.

[thanks Jenny!]

Posted by Jesse Willis

The SFFaudio Podcast #137 – READALONG: A Princess Of Mars by Edgar Rice Burroughs

Podcast

The SFFaudio Podcast #137 – Scott, Jesse, Tamahome and David Stifel talk about the audiobook of A Princess Of Mars by Edgar Rice Burroughs.

Talked about on today’s show:
A Princess Of Mars, the martian novels, Edgar Rice Burroughs’ first novel was originally titled Under The Moons Of Mars, “I can write rot as bad as this”, WWI, Orville and Wilbur Wright, Normal Bean vs. Norman Bean vs. normal brain, All-Story, Gods Of Mars, Tarzan, Pellucidar, H.G. Wells, Earnest Hemingway, the science with fantastic elements, Mastermind Of Mars, organ (and brain) transplants, radium rifles with radium bullets, zeppelins, the Martian navy, David has been acting since he was 13 years old, the 1960s resurgence of Burroughs books, Ballantine Books vs. Ace Books (in a war for the drug store paperback racks), the authorized vs. unauthorized editions of Burroughs and J.R.R. Tolkien books, The Lost Continent, Tarzan At The Earth’s Core, Del-Rey Books, Tarzan Of The Apes, getting into narration, Irwin Porges, a rich rhythm of language, “Sator Throg is a personal friend of mine”, Tars Tarkas is David’s impression of James Earl Jones doing Darth Vader, Sola, “rescue the girl, escape from capture, become a gladiator and save the planet”, A Princess Of Mars begins as a western, Zane Grey, Arizona, Idaho, it is a kind of a western on Mars, “all of his slaves worshiped the ground he walked on”, good to his slaves and good to his animals, Burroughs loved animals (especially horses), themes of A Princess Of Mars include a love of animals and nature (and nudism), ERBZine website, the James Killian Spratt edition of A Princess Of Mars (puts the nudity up front and center), modesty vs. showmanship, everybody is nude on Barsoom, Teddy Roosevelt, the 19th century physical culture movement, Conan and Robert E. Howard, Edgar Rice Burroughs, the oddness of an author who disdains writing, “back to nature and forward”, Flavor Flav or Max von Sydow, repulsor rays, Son Of Frankenstein, a telescope on Mars is looking at Earth, Percival Lowell, Lieutenant Gullivar Jones: His Vacation, the dying civilization that we see, The War Of The Worlds by H.G. Wells, The Martian Chronicles by Ray Bradbury, Philip K. Dick, “esoteric metaphysical spiritualism”, telepathy, John W. Campbell, lying for honorable reasons, the inconsistencies of lies and deceit in a world with telepathy, How John Carter Got To Mars (is kind of like the Mormon idea of the afterlife), astral projection, Houdini, Thuvia, Maid Of Mars, “the thought was made flesh”, Burroughs was a religious man, the unexplained preservation of Carter’s dead body, Bram Stoker, H.P. Lovecraft, “this is a fun book”, “like a Buck Rogers serial”, the serialization, cliffhangers, Swords Or Mars, Synthetic Men Of Mars, “Deja Thoris has laid an egg”, the curiously oviparous martians, the disney John Carter movie, Princess Of Mars, “Tarzan in a vest, does that work for you”, an evil Russian in cahoots with a French countess, “he was a splendid specimen of the white race”, Gone With The Wind, Greystoke: The Legend of Tarzan, Lord of the Apes, The Lord Of The Rings (movies), the Dynamite Entertainment Warlord Of Mars cover (#5 is done in the style of Norman Rockwell), Marvels Comics, Frazetta, HBO, a stage adaptation of A Princess Of Mars, a ballet of Spartacus (!), Gustav Holst’s Mars, Bringer Of War, Flash Gordon, Franz Liszt, Bronson Pinchot was interviewed by Grover Gardner (Blackstone Audio), the process of narrating an audiobook, The Godfather, Deja Thoris doesn’t get much screen time, Sola is a good character, Thuvia gets more of a leading role in Thuvia, Maid Of Mars, arbitrary customs that extend the narrative, S.M. Stirling’s In The Courts Of The Crimson Kings, Burroughs’ Venus books, all planets are occupied by people (except Mercury).

John Carter of Mars and Deja Thoris Princess of Helium (fully clothed)
Map Of Barsoom from Dynamite Entertainment's Warlord Of Mars (illustrating the events of A Princess Of Mars)
John Carter meets Sola - illustration by James Killian Spratt.
Michael Whelan - A Princess Of Mars
Warlord Of Mars Issue #5 cover by Joe Jusko
Riding A Thoat
A Princess Of Mars - illustration by Schoon
Fortunino Matania illustration of a scene from A Princess Of Mars by Edgar Rice Burroughs
All-Story, February 1912
DC Comics Tarzan - John Carter

Posted by Jesse Willis

The D’Ampton Worm as performed by Emilio Perez Machado & Stephen Powys with Loise Newman

SFFaudio News

The D’Ampton Worm, as taken from the 1988 movie version of Lair Of The White Worm (based on Bram Stoker’s novel of the same name).

The D’Ampton Worm

John D’Ampton went a-fishing once, a-fishing in the weir,
He caught a fish upon his hook he thought looked mighty queer,
Now what the kind of fish it was John D’Ampton couldn’t tell,
But he didn’t like the look of it, so he threw it down a well.

Now the worm got fat and growed, and growed an awful size,
With great big teeth and a great big mouth and great big goggle eyes,
And when at night it crawled about all looking for some booze,
It fit fell dry upon the road, it milked a dozen cows.

This fearful worm would often feed on cows and lamb and sheep,
And swallow little babes alive when they lay down to sleep,
So John set out and got the beast and cut it into halves,
And that soon stopped it eating babes and sheep and lambs and calves.

So now you know how all the folks on both sides of the weir,
Lost lots of sheep and lots of sleep and lived in mortal fear,
So drink the health of brave Sir John, who kept the babes from harm,
Saved cows and calves by making halves of that famous D’Ampton Worm!

Posted by Jesse Willis

The Lambton Worm as performed by Tony Wilson

SFFaudio News

It turns out that Bram Stoker’s The Lair Of The White Worm was not wholly a product of his vivid imagination. Indeed, there is a fully formed legend from the North East of England that tells the story. And here is the tradition folksong, as operfromed by Tony Wilson, based on the legend:

The Lambton Worm

One Sunday morn young Lambton
Went a-fishin’ in the Wear;
He catched a fish upon his heuk,
He thowt leuk’t varry queer,

But whatt’na kind of fish it was
Young Lambton couldna tell.
He waddna fash to carry hyem,
So he hoyed it in a well.

Chorus:
Whisht! lads, haad ya gobs,
Aa’ll tell ye aall an aaful story,
Whisht! lads, haad ya gobs,
An aa’ll tell ye ‘boot the worm.

Noo Lambton felt inclined to gan
An’ fight in foreign wars.
He joined a troop o’ Knights
That cared for neither wounds nor scars,

An’ off he went to Palestine
Where queer things befel,
An’ varry seun forgot aboot
The queer worm in the well.

(Chorus)

But the worm got fat an’ graad an’ graad,
An’ graad an aaful size;
With greet big teeth, and greet big mooth,
An’ greet big goggley eyes.

An’ when at neets he craaled ‘oot
To pick up bits o’ news,
If he felt dry upon the road,
He milked a dozen coos.

(Chorus)

This feorful worm wad often feed
On calves an’ lambs an’ sheep
An’ swally little bairns alive
When they laid doon to sleep.

An’ when he’d eaten aall he cud
An’ he had had his fill,
He craaled away an’ lapped his tail
Seven times roond Pensher Hill.

(Chorus)

The news of this most aaful worm
An’ his queer gannins on,
Seun crossed the seas, gat to the ears
Of brave an’ bowld Sir John.

So hyem he cam an’ catched the beast
An’ cut ‘im in three halves,
An’ that seun stopped him eatin’ bairns
An’ sheep an’ lambs and calves.

(Chorus)

So noo ye knaa hoo aall the folks
On byeth sides of the Wear
Lost lots o’ sheep an’ lots o’ sleep
An’ lived in mortal feor.

So let’s hev one to brave Sir John
That kept the bairns frae harm,
Saved coos an’ calves by myekin’ halves
O’ the famis Lambton Worm.

(Final Chorus)

Noo lads, Aa’ll haad me gob,
That’s aall Aa knaa aboot the story
Of Sir John’s clivvor job
Wi’ the aaful Lambton Worm.

Posted by Jesse Willis