Blackstone Audio – Page 5

My visit to the new Coquitlam City Centre Library

SFFaudio News

Coquitlam City Centre Library

For the last couple of decades I’ve lived on the same street as my public library. That’s been one of the reasons that I live where I do. But today the local branch of Coquitlam’s public library moved two blocks south and opened for the first time.

The new address is 1169 Pinetree Way.

And the new space is great, very open, with plenty of study areas, and lots of room to grow the collection – and best of all it’s still within walking distance!

The first thing I did when I got there was to make a donation to the library’s collection, a combination of paperbooks, DVDs, comics, and audiobooks. Patrons of Coquitlam public library system should soon see these items on their shelves:

donations to the library's collection

Here’s a partial list:

City Of Dragons by Kelli Stanley |SFFAUDIO PODCAST #061|
Fate Of Worlds by Larry Niven and Edward M. Lerner
Elidor by Alan Garner
Brian K. Vaughan and Tony Harris’ Ex Machina (volumes 1-5)
The complete Babylon 5 DVD set (all five seasons plus the movies)
Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|
V For Vendetta by Steve Moore |READ OUR REVIEW|
Armor by John Steakley |READ OUR REVIEW|
I Am Legend and Other Stories by Richard Matheson |READ OUR REVIEW|

And here are some shots of the library’s facilities:

New Arrivals at the Coquitlam City Centre Library
Teens section at the Coquitlam City Centre Library
study area at the Coquitlam City Centre Library
group study room at the Coquitlam City Centre Library

Posted by Jesse Willis

Recent Arrivals: Blackstone Audio

SFFaudio Recent Arrivals

Posted by Jenny Colvin

Review of The Sum of All Men by David Farland

SFFaudio Review

The Sum of All Men: Runelords, Book 1
By David Farland; Read by Ray Porter
17 CDs – 20.4 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
Themes: / Fantasy / Epic Fantasy / Attributes / Magic / War /

I’ve read other works by this author, written under a different name, and I knew coming into this one that he was an excellent writer and storyteller. Indeed, I’ve heard him speak at conventions and workshops and have nothing but praise for him as a person and a writer.

That being said, I wasn’t sure what to expect from this book. Reading the dust cover is not always enough to know if you’ll end up satisfied at the end of the book or if you want to throw it across the room. (Okay, I’ve only thrown ONE book across the room. It was a paperback. I was so displeased with the denouement that I threw it away. I didn’t want to inflict that book upon anyone else.)

So, with a little trepidation I began to listen to the book. Could it live up to my high expectations? Would I be satisfied with the resolution? Would I want to read the next book? The answer was a resounding yes!

The book centers on Prince Gaborn Val Orden, son of Mendellas Draken Orden, king of Mystarria. He travels to Herredon to ask King Jas Laren Sylvarresta of Herredon for the hand of his daughter, Iome Sylvarresta. While en route he learns that Raj Ahten, king of Indhopal, who is also referred to as “The Wolf Lord” plans an attack on Castle Sylvarresta. Raj Ahten has taken over a number of minor kingdoms and is intent of conquering all of Rofehaven, taking endowments from as many people as he can so that he may become “The Sum of All Men,” a man who is invincible and immortal. As such, he wants to live forever and rule the world.

It is up to Gaborn, with the help and support of Iome, the Earth Warden Binnesman, Gaborn’s bodyguard Borenson and as many soldiers as he can gather, to stop Raj Ahten from achieving his goal.

Is the book good? Definitely. The characters are well developed. They have depth and personality. They are flawed. The world is rich in legends, heroes and chronicles of past events.

From time to time there will be an insert of a story from this history. It is a teaching moment, so the reader understands who the person is and why they are mentioned, or why an event is important, but it does so in a way that adds to the richness of the story. It builds on it, making the world live and breathe as much as the characters do.

The magic system is also impressive. Those who have the ability and training for magic can use the power of the elements to create magic. Runes are used to give endowments. A king or lord can take endowments from his subjects. Strength, stamina, wit, brawn, metabolism. In so doing they themselves have greater abilities, but the subject that gives an endowment must be cared for the rest of their life, or the life of their king. Such rulers are called “Runelords.” But the cost of such power is great and the reader gets a very real idea of what it costs the people who give such endowments.

There are few books that take the time to create a world that feels as real as this one does. Farland is so good at it that it feels effortless. He doesn’t beat you over the head with his world. Instead, it simply IS. You learn only what is necessary for the story, but you are left with the belief that there is so much more to the world if you had the time to explore it. He also uses herbs and herb lore to great effect. This is a world of magic, but it is also a world unique to itself.

I highly recommend this book. It’s a rich experience that will leave you both contented and wanting more. Which is a very good way to end the book. The book is not quite perfect, but on a scale of one to ten, I definitely give it a near-ten. Although I honestly don’t know if it could be improved upon.

Get the audiobook, get the book, and experience the magic of David Farland for yourself.

Posted by Charlene Harmon

Review of Last Call by Tim Powers

SFFaudio Review

Last Call
By Tim Powers; Read by Bronson Pinchot
16 CDs – Approx. 19.1 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441757364
Themes: / Fantasy / Gambling / Immortality / Las Vegas / Poetry / Arthurian Legend / Greek Mythology / Egyptian Mythology

Scott Crane abandoned his career as a professional poker player twenty years ago and hasn’t returned to Las Vegas, or held a hand of cards, in ten years. But troubling nightmares about a strange poker game he once attended on a houseboat on Lake Mead are drawing him back to the magical city. For the mythic game he believed he won did not end that night in 1969—and the price of his winnings was his soul. Now, a pot far more strange and perilous than he ever could imagine depends on the turning of a card. Enchantingly dark and compellingly real, this World Fantasy Award–winning novel is a masterpiece of magic realism set in the gritty, dazzling underworld known as Las Vegas.

Tim Powers’ Last Call (1992 William Morrow and Co.; 2010 Blackstone Audio, Inc.) is studded with references to old myths, snatches of T.S. Eliot’s “The Wasteland,” the art of poker playing, and the unique culture and atmosphere of old and new Las Vegas. It contains numerous major and minor characters, overarching themes and subplots, and digressions into probability theory. In other words, it demands close reading and attention to detail. Listening to it in half-hour chunks as I did while driving to work was probably not the best idea, and may have affected my review of the book, but what follows is an honest appraisal.

There’s a lot to like in Last Call, and I lot I liked. At its heart it’s really about the vast, mysterious forces driving the universe and the ways in which they manifest in our lives. Why does tragedy pass over a criminal and take a good person instead? Why does a disease like cancer randomly strike a family man with a wife and children to support? Although life appears chaotic and meaningless, perhaps there are active, purposeful forces of fate at work as well, old gods that exist outside our typical suburban lives but can be sought out and appealed to, and even manipulated. In Last Call Powers breathes new life into ancient myths like the Arthurian Fisher King, the Greek god Dionysus, and the Egyptian goddess Isis, incorporating themes of resurrection and physical health tied to spiritual health. These ancient demigods reappear in the forms of unlikely modern-day characters, including broken-down ex-gambler Scott Crane and his estranged foster-sister Diana. Last Call also includes a cast of memorable bad guys, including a bloated fat hit man Trumbull who is convinced that eternal life can be had through the consumption of raw flesh, and the chief baddie Georges Leon, a mystic who achieves immortality through stealing and possessing the bodies of the living. Crane is the central figure in the story, a man who in 1969 played a portentous game of Assumption with a powerful set of tarot cards. Twenty years later Crane returns for a second game against Leon with nothing less than his soul on the line.

Last Call is ultimately a hopeful book, as it implies that there may be a purpose to our lives and a way to control one’s destiny, if you can read the cards and master the archetypes of the Tarot. In Powers’ hands playing cards are a metaphor for the mysteries of life and the skill and luck required to navigate its uncertain waters.

Neil Gaiman’s American Gods employs a similar conceit of old gods reincarnated in the modern world but I must say I enjoyed Gaiman’s take better. Powers is a talented writer and I enjoyed his descriptions of the seedy soul of Las Vegas, as well as some memorable set-pieces he creates, including an encounter with the ghost of the infamous gangster Bugsy Siegel beneath the waters of Lake Mead. But the slow pace of the narrative, the meandering plotline, the too-numerous characters and plotlines that drop in and out of the story without sufficient explanation and resolution (Crane’s wife Susan, for example), and tedious descriptions of card game after card game make Last Call a difficult listen and at times an outright chore, despite the fine narration by Bronson Pinchot.

Perhaps my lukewarm reaction to Last Call has something to do with the fact that I I’m not a fan of card playing; Vegas is a cool place to visit and I’ve tried my hand at a few slot machines, but sitting down at a table in the company of hardcore gamblers has zero appeal for me. If you read Last Call watch closely for the signs, the subtle flush of cheek or restless eyes that the best card players know how to detect and interpret. As for casual readers: Beware.

Posted by Brian Murphy

Review of Steel by Richard Matheson (from Steel And Other Stories)

SFFaudio Review

Steel And Other Stories – Steel
By Richard Matheson; Read by Scott Brick
Approx. 59 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2011
ISBN: 1455112127
Themes: / Science Fiction / Boxing / Robots /

Steel, a novelette, was first published in the May 1956 issue of The Magazine of Fantasy & Science Fiction.
The editorial introduction preceding it described Steel as a “tale of strength and endurance” and as “a science fiction sports story so realistic, simple and powerful that it should prove moving even to sports-loathing readers who have never let a boxing bout darken their television screens.” The story would just a few years later, in a 1963 adaptation as an episode of the Twilight Zone brighten the living rooms of many. And, in 2011 it would inspire the big budget movie Real Steel. So, how does the original novellete, stand up to repeated blows of history?

Pretty well. If you like Matheson’s writing Steel is definitely worth hearing. This story captures in a relatively short space the oddity, the kind of quirk that Matheson seems forever working on. It’s something I’ve noticed in practically every story by Matheson that I’ve read. His main characters always seem to want to make a human connection with strangers, and in their efforts to do so always fail – and always for the same reason. In their desire to be heard, and be understood, they always disregard the needs and desires of those strangers. I’ve never seen a writer tackle anthing like this, over and over, like Matheson always seems to. Let’s tale Steel as our example. One of the two main characters, Paul, goes to great lengths to get engage an uninterested stranger in a conversation about the exploits of his dilapidated robot boxer. That the stranger, who doesn’t know anything about boxing, doesn’t care about boxing, and has never even heard of Paul’s robot, is obviously completely uninterested in what Paul is saying. This doesn’t seem to occur to Paul. It’s as if Paul’s own need to reach out and be heard – to be something – is greater than the interests of the stranger – whatevber those interests might be. It’s not so much a Science Fiction issue as it is an existential one. It’s almost as if Matheson is using his fiction to try to find a way to navigate around a massive blind spot in human relations. Like in his novel The Incredible Shrinking Man Matheson has the plot of Steel be a manifestation of a character’s internal difficulties.

Scott Brick narrates this bare bones dialogue driven story. I’m often ambivalent about Brick’s narrations. Sometimes he works for me, sometimes he doesn’t – and I think I’ve finally realized why. Brick is excellent at delivering emotion. But if the emotion is from a third person perspective it comes across as too operatic. But, if the story is told in first person perspective then it work well. In Steel there are basically only two voices – Paul’s and Kelly’s. And when Brick voices either one I can’t readily enough distinguish difference between them. Yet when a story is told in first person Brick’s narration really works. Take this sample |MP3| from Nelson DeMille’s The Lion’s Game (which is first person perspective). And now compare it with this |MP3| from Steel.

I came away feeling somewhat unsatisfied with Steel. It’s not that the story is uninteresting, or unoriginal, Steel is both original and interesting. Kelly and Paul are a pair of boxing enthusiasts – and I’m more of an enthusiast of ideas. There’s just not enough intellectual heft to their journey. I think The Twilight Zone adaptation, penned by Matheson himself and starring Lee Marvin, does the story better mostly because it’s a lot quicker too it. The movie version is hardly an adaptation, being much more of a family father and son traditional conservative values tale than an existential exploration. None of versions of the story did what I wanted them to do, namely get into the robot’s POV. The fact that none of the adaptations treat the robot as anything other than an external manifestation of their root interests is kind of depressing. But then again, I don’t go to Matheson for uplifting, I like his depressing ideas.

Posted by Jesse Willis

The SFFaudio Podcast #167 – READALONG: At The Earth’s Core by Edgar Rice Burroughs

Podcast
Edgar Rice Burroughs' At The Earth's Core
The SFFaudio Podcast #167 – Jesse, Tamahome and David Stifel talk about At The Earth’s Core by Edgar Rice Burroughs.

Talked about on today’s show:
the Burroughs Guy podcast, Pellucidar, A Princess Of Mars, Burroughs was a dynamic writer, 1913, Barsoom series, the Tarzan series, the Pellucidar or Inner World series, The Land That Time Forgot, Tarzan is next, Tarzan goes to Pellucidar (Tarzan At The Earth’s Core), airships, Jules Verne, The Lost World by Sir Arthur Conan Doyle, Journey To The Center Of The Earth, Blackstone Audio, the hollow earth, lizard people, dry humour, Dian the beautiful and her brother Dekor, Abner Perry, Robert A. Heinlein, Jubal Harshaw, the well thought through world, the iron mole, an inverted world, Burroughs well lampshades the improbabilities he presents, the moon in the center of the earth (the pendant world), how does the time work in Pellucidar, the relativity of time, the naming of characters and places in Burrough’s worlds, Thoria vs. Thuria, must get loincloths, the 1976 movie version of At The Earth’s Core, princesses, romance, pet hyenadons, saggoths to shoggoth, H.P. Lovecraft, telepathy, the Mahars’ secret, Ja the king, like Robin Hood and Friar Tuck, near instant language learning, Doug McLure, Peter Cushing, a Connecticut Yankee, the pious Perry, Perry’s theory of time, colonialism, the white man’s burden, noble savage, Kull of Atlantis and Brule The Spear Slayer (the Pict), Beyond The Black River, Hooja the Sly One (an ignoble savage), the size of Pellucidar, Ringworld by Larry Niven, the Sahara, manifest density, telegaph line through to the center of the earth, The Time Machine by H.G. Wells, “my prehistoric bride”, stone age tech, dinosaurs, giant fire breathing frogs, the various animals of Pellucidar, Hell is Earth, the raw food diet, a dainty cave wife, the illustrated At The Earth’s Core, ERBZine website, the vivisection/lockpicking scene, John Carter, Prince Of Persia, Peter Jackson, Greystoke: The Legend Of Tarzan, Lord Of The Apes, David Stifel’s filmography, Sleeper Cell, Minority Report, Gods And Generals, Jeffrey Shaara, The Killer Angels by Michael Shaara, Gettysburg, Heaven’s Gate, G Vs. E, Six Feet Under, selling Tom Cruise drugs, David’s IMDB page, Sam Peckinpah, The Wild Bunch, Tarzan Of The Apes is next, racism, that David Stifel guy, The Land That Time Forgot, David is in George Bernard Shaw’s Heartbreak House at Theatricum Botanicum in Los Angeles!