Review of Magic Time: Angelfire By Marc Scott Zicree and Maya Kaathryn Bohnhoff

Magic Time: Angelfire by Marc Scott Zicree and Maya Kaathryn BohnhoffMagic Time: Angelfire
By Marc Scott Zicree and Maya Kaathryn Bohnhoff
Read by Mark Bramhall, Ann Marie Lee, Ned Schmidtke, and Robertson Dean
12 CDs – 14.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183799
Themes: / Fantasy / Magic / Science / Post-apocolypse /

Magic Time: Angelfire is the second book in what could become a long series of novels. Marc Scott Zicree personally introduces the book, saying that it was originally pitched as a TV series, and very well might have been a good one.

In book one (called Magic Time), the world changed. Technology is erased and replaced with magic, with people all across America become infused with powers of different sorts, often dark. I have not read the first book, so I don’t know any of the specifics. (Blackstone Audio has the first volume, too.)

Here in this novel, Cal Griffin and a band of people travel the post-apocalyptic, non-technological, magic-filled America in search of the source of it all. The book seems written for TV; the characters are strong, distinct, and quirky. The dialog is full of current colloquialisms. The images are vividly visual. And the action comes fast and constant, with the characters fighting dark creatures while getting closer and closer to their goal.

The novel’s chapters are each told in first person from one of the character’s point of view. A different reader is used for each character, and the actors all do a very good job portraying their character. Ann Marie Lee has a fantastic voice, but had to maintain an intense angry attitude throughout that made me wish her character would calm down, maybe have a decaf latte or something.

The idea behind the novel was good, and, if it ever makes it to TV, would be a series I would check out. I wouldn’t stick with it, though, if the series didn’t go any deeper than a formulaic string of action sequences designed to increase tension. I was interested in the characters and what they were going through, but longed for something a bit more. Of course, leaving a reader wanting more is good thing for a storyteller to do.

The cover is graced with an excellent piece of artwork by Iain McCaig of what I believe is a “flare” – a type of creature that some folks were transformed into when the world went awry.

Posted by Scott D. Danielson

Here are the New Releases for December! AUDIO R…

New Releases

Here are the New Releases for December!

AUDIO RENAISSANCE

The Dragon Reborn, Book Three of The Wheel of Time

By Robert Jordan, Read by Kate Reading and Michael Kramer

Unabridged

The Shadow Rising, Book Four of The Wheel of Time

By Robert Jordan, Read by Kate Reading and Michael Kramer

Unabridged

I’ve listened to Book 2 of this massive (and massively popular) epic fantasy. I enjoyed it, but not so much that I would be eager for all ten (currently) volumes. I do know that Kate Reading and Michael Kramer did a wonderful job with the material, and can be expected to do so again.

Jesse:

Absolutely, Michael Kramer is a truly excellent reader.

Crystal City, Book Six of Alvin Maker

By Orson Scott Card, Read by Stefan Rudnicki, M.E. Willis, and cast

Unabridged

Ender’s Game: Special 20th Anniversary Edition

By Orson Scott Card, Read by Stefan Rudnicki, Harlan Ellison, and cast

Unabridged

Ah, Orson Scott Card. Audio Renaissance is re-releasing some of Fantastic Audio’s old titles, and this version of Ender’s Game is one of the most heard in my collection. I read Crystal City in print and enjoyed it, so the place your bets that the audio is going to be good too, since it’s in the safe hands of Stefan Rudnicki and cast.

Jesse:

That 20th anniversary one may actually make me read an Orson Scott Card novel. I like his short stories but I somehow never read Ender’s Game back in the 1980s.

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BLACKSTONE AUDIO

Citizen of the Galaxy

By Robert A. Heinlein, Read by Lloyd James

Click here for a sample

Unabridged

Who is this Heinlein guy, anyway? :)

Jesse:

Blackstone has made my wish come true! Lloyd James is the definitive voice of Heinlein on Audio and Citizen of the Galaxy is one of Heinlein’s best juvenile novels (juvenile as in starring a teenager not juvenile as in peurile)and the story concept is so fresh and new as to be singularily unreproduced to this day. I remember enjoying the heck out of it when I read it in paperback I expect it will be as good if not better on audio. The original cover art on this one looks amazing too by the way. This will surely be among the best audiobooks released in 2005. Thanks so much Blackstone!

Magic Time: Angelfire

By Marc Scott Zicree and Maya Kaathryn Bohnhoff, Read by a full cast

Click here for a sample

Unabridged

This is volume 2 of a new fantasy series that I don’t have a full grasp on yet. I just starting listening to this volume last night, and am hoping it makes sense without hearing volume one, which is also available from Blackstone Audio.

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BOOKS ON TAPE

Fahrenheit 451

By Ray Bradbury, Read by Scott Brick

Unabridged

Fahrenheit 451 read by Scott Brick? Gotta get my hands on a copy of that. Books on Tape is still going through come changes over there – their website says that they won’t be resuming comsumer sales until January 3rd, 2005. I checked Audible.com for this title and it wasn’t there.

Jesse:

I believe BOT has released this title previously with a different narrator but I copuld be wrong. I think this Scott Brick version probably become the definitive edition. I thought that Harper Audio’s version from a couple of years ago, with Ray Bradbury narrating would be it, but I was disappointed in Bradbury’s reading. He’s an excellent author, and 451 is his most enduring novel but his performance didnt

enhance it at all. Scott Brick may bring a freshness that Bradbury couldnt muster.

The Runes of the Earth

By Stephen R. Donaldson, Read by Scott Brick

Unabridged

The return of Thomas Covenant! I have not read any of Stephen Donaldson’s books, so I can’t say anything there, but Scott Brick is a top narrator.

Jesse:

Nice title! Donaldson is almost as merciless with his tortured characters as is George R.R. Martin but I wish they’d release the original novel in the series first. I hate starting in the middle.

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CRAZY DOG AUDIO THEATRE

Diabolic Playhouse

By Roger Gregg, Performed by a full cast

Audio Drama

Roger Gregg and all the lunatics at Crazy Dog Audio Theatre have released a very nice looking MP3-CD containing all 6 episodes of their Diabolic Playhouse drama series, which broadcast on Ireland’s RTE Radio 1 earlier this year. The product is available at their site (based in Ireland) or at the ZBS website if you’re in the USA.

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HARPER AUDIO

The Wee Free Men

By Terry Pratchett, Read by Stephen Briggs

Unabridged

Another Discworld novel from Terry Pratchett!

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PAPERBACK DIGITAL

Reflex

By Steven Gould, Read by Christine Marshall and William Dufris

Unabridged

Nightmares on Congress Street – Part 4

By Rocky Coast Radio Theatre

Audio drama

Paperback Digital cruises along, with two more new releases. Their products are available for download on their own site or on Fictionwise. Hardcopies are available at Amazon.com or at Paperback Digital itself.

Jesse:

I’ve never heard of Gould nor his novel but with the Marshall and Dufris team working together it might be worth a blind buy.

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RECORDED BOOKS

State of Fear

By Michael Crichton, Read by George Wilson

Unabridged

Michael Crichton has stirring up some scientific controversy with this one. If I understand correctly, the environmentalists in this one are the bad guys.

Jesse:

I’ve liked Crichton’s early work, but have been tuning out since Jurassic Park.

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Happy Holidays, everyone! And thanks for reading SFFAudio.

Review of Callahan’s Key by Spider Robinson

Callahan's Key by Spider RobinsonCallahan’s Key
By Spider Robinson; Read by Barrett Whitener
9 Cassettes – Approx 12.5 Hours
Publisher: Blackstone Audio
Published: 2003
ISBN: 0786125519
Themes: / Science Fiction / Humor / Callahan’s Place / Florida / Nikola Tesla / Robert A. Heinlein / NASA /

The universe is in desperate peril. Due to a cluster of freakish phenomena, the United States’ own defense system has become a perfect doomsday machine, threatening the entire universe. And only one man can save everything-as-we-know-it from annihilation. Unfortunately, he’s not available. So the job falls instead to bar owner Jake Stonebender, his wife, Zoey, and superintelligent toddler, Erin. Not to mention two dozen busloads of ex-hippies and freaks, Robert Heinlein’s wandering cat, a whorehouse parrot, and misunderstood genius-inventor Nikola Tesla, who is in fact alive and well.

Set in 1989, though published and written in 2001, Spider Robinson’s Callahan’s Key is a mighty funny tale. But that is not a shocker. Nobody except Douglas Adams does science fiction humor better than Spider Robinson. But what was a shock is that novel makes any sense at all. With a cast of literally dozens of speaking characters, the only thing that keeps the lunatic asylum of a novel from going completely off the rails is the first person perspective. Well mostly that… well, actually that and some sober thoughts from former Vice President of the United States Dan Quayle. Each chapter begins with a real quote from Dan Quayle! But he’s not the focus of this tale, not at all. Instead, something is about to go wrong with a super secret death ray launched by Space Shuttle, which is under the supervision of Dan Quayle, though he isn’t actually mentioned in the book. Anyway, somebody has to stop this death ray before it goes off and destroys the universe. Thankfully, Jake Stonebender, our perspective protagonist has saved the world a number of times. It’s just par for the course when he’s asked to do it again by Nikola Tesla, who, thank you very much, is alive and well and has become a time traveler. Back in 1989 though, Jake, his bulletproof family, and his crew of whacked out hippies and mad scientist customers decide to move south to Florida’s Key West… to ah… get a better handle on the job. Needless to say they fit right in.

I had a lot of fun spending some time with these characters. If you’ve read a Callahan yarn in the past you’ll be pleased to hear that all the old gang present again. If you’re a new to Robinson’s long running comic novel series you may do better to start with The Callahan Chronicals (also from Blackstone Audio). In this one though, Robinson not only references Robert Heinlein – with an uncanny channeling of his writing style – he also re-introduces us to Pixel, Heinlein’s cat and the eponymous Cat Who Walked Through Walls! Along the way we get to visit the very real, (actually fictional), dockside home of John D. MacDonald’s Travis McGee and numerous other side adventures. By the time the actual plot gets steaming into full swing I had almost forgotten that novels are supposed to have them. But that is okay. Plot isn’t really all that important to this novel’s experience, so I was actually a little disappointed that they had to even discuss it. Barrett Whitener is just terrific at voicing Jake Stonebender and his crazy friends. It sounded like he was having a blast performing it too. Nearly every minute or so of the novel’s production a groaner pun or a ridiculous situation had me smiling or wincing – and sometimes painfully at the same time. So if you’re in the mood for an ultra-zany audiobook reach no farther than Callahan’s Key. And tell them Nikola Tesla sent you, because he might not really be dead.

Posted by Jesse Willis

Review of Death Match By Lincoln Child

SFF Audio Review

Death Match by Lincoln ChildDeath Match
By Lincoln Child; Read by Barrett Whitener
10 Cassettes – Approx 15 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786128119
Themes: / Science Fiction / Technothriller / Mystery / Computers / Artificial Intelligence / Love /

What was it, exactly, she found so intimidating about the Thorpes? The fact they didn’t seem to need her friendship? They were well educated, but Maureen had her own cum laude degree in English. They had lots of money, but so did half the neighborhood. Maybe it was how perfect they seemed together, how ideally suited to each other. It was almost uncanny. That one time they’d come over, Maureen had noticed how they unconsciously held hands; how they frequently completed each other’s sentences; how they’d shared countless glances that, though brief, seemed pregnant with meaning. “Disgustingly happy” was how Maureen’s husband termed them, but Maureen didn’t think it disgusting at all. In fact, she’d found herself feeling envious.

From the title you might guess that Death Match is a novel set in the world of first person shooter computer games, and while that isn’t a bad idea in itself, this one has a premise even more unusual. Frankly, I’m amazed that no one else came up with this tale before now. It is so fundamental a science fiction idea – and so obviously possible in the near future, if not now – that it should have been explored in science fiction long before this. The premise goes something like… “What if you could use advanced computer technology and deep psychological testing to create a computer avatar of your own psyche – and then, using high speed data matching, run millions of pair bonding scenarios with other people’s avatars?” The purpose is to find the perfect match for a REAL life together. Once the two avatars are matched, each person associated with that avatar is given each other’s real life phone number and the knowledge that they are already perfectly matched! But this core idea isn’t on center stage, instead this is a mystery novel that reads like a technothriller in the tradition of Michael Crichton’s recent novels.

Christopher Lash, an ex-FBI forensic psychologist is hired by Eden Incorporated, the worlds premier couple matching service, to solve a mysterious double suicide of one of the company’s customers, the first “supercouple” created by avatar matching. To do the job properly Lash is familiarized with Eden’s patented software, going through the process of avatar creation himself, and then begins his “psychological autopsy” of the couple, which involves investigating what could have caused the world’s happiest couple to kill themselves. Just as his investigation gets into full swing – another couple dies! This can only mean that either something is wrong with Eden’s process or someone is murdering the world’s happiest people!

A few years ago I realized that eventually computer technology will solve a big pile of interesting problems. For instance, isn’t it a shame that Sean Connery couldn’t have done all of the James Bond films? Well, with computer technology it will be possible…. current celebrities and dead ones too will someday be reanimated, and recast in new movies. Imagine Humphrey Bogart paired with Harrison Ford for The Treasure Of The Sierra Madre: The Next Generation(hey it might be good). We’re practically ready to do it with their physical images now, the big hurdle is voice mimicry – computer software is still very primitive when it comes to recreating someone’s voice. But mark my words it’ll happen… But I’d never thought of Lincoln Child’s use for computer technology, though it’s an obvious one, and certainly one that is starting to be developed. Websites like www.hotornot.com are using both physical images and keywords to match couples. Isn’t it reasonable to assume that the traditional matchmakers of old – and willy-nilly dating (like we have now) are going to be subsumed by computer matches that will find the best possible spouse given our personalities?

The idea of finding that special someone you were always destined to marry is alluring. Myself, Normally I’m someone who believes that the idea of finding your “one and only” is pure fantasy. Just given the sheer numbers of people we’ll never meet during our lifetimes it clearly can’t be that there is only one special someone in the world for everyone. But on the other hand Lincoln Child’s idea here might make that dream a reality. Because, not only does it allow you to select from every person alive, it also runs a lifetime’s worth of lives with each and every possible match in order to find the best match among all good matches. It truly would be heaven, wouldn’t it? Unfortunately we are not given the metaphysical run down on the consequences to this proposition, Lincoln Child’s novel isn’t deep, instead it is merely summer beach reading and ultimately unthoughtful. Myself I’d have much preferred a few fewer plot turns, I figured out whodunit quite early. An idea this good really deserves a truckload of metaphysical explorations: Whatever happened to the idea that marriage is about making an imperfect fit, fit anyway? Now that you mention it what makes people attracted to each other? What is love anyway? And hey, if we can brain map an avatar and run complete life scenarios using artificial intelligence in a computer do we have the right to delete that avatar? If computer programs can run our lives better than we can, what do we do with our time? Yikes! That last one has some truly scary implications.

Now perhaps I’m being to hard on this novel, its has some reasonably interesting discussions about artificial intelligence in it, it all makes sense, there are no leaps of logic and the characters, while a little flat, aren’t altogether unlikable. Child has obviously done some research and the including of such nuggets of detail are good, but I guess I just needed more fire and more thinking. The narrator, Barrett Whitener, does a nice job with the voices, but the essentially humorless nature of the novel doesn’t play to his strengths. Blackstone has used a slight variation on the original hardcover’s cover art, and as plain as it seems, that’s it there pictured above, it is an improvement over the bland layout used in the paper version. This is only Lincoln Child’s second novel written without his writing partner Douglas Preston. Together they wrote the novel The Relic, which was adapted into a decent horror movie of the same name. I can easily see Death Match being made into a TV movie, but honestly I don’t think it’d be one I’d set the VCR to record. Hopefully Child’s third solo novel will concentrate its focus on the science fiction elements rather than the technothriller/mainstream that he went for with this one.

Posted by Jesse Willis

Review of Ringworld’s Children by Larry Niven

SFFaudio Review

Ringworld's Children by Larry NivenRingworld’s Children
By Larry Niven; Read by Barrett Whitener
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786185384
Themes: / Science Fiction / Hard SF / Physics / Genetics / Aliens / Nanotechnology / Evolution /

The Ringworld is a landmark engineering achievement, a flat band three million times the surface of the Earth, encircling a distant star. Home to trillions of inhabitants, not all of whom are human, and host to amazing technological wonders, the Ringworld is unique in all of the universe.

The blurb above is a bit of a lie, no longer is Ringworld unique. There is Rama, Arthur C. Clarke’s giant tube shaped alien habitat, Bob Shaw’s Orbitsville, a huge Dyson’s Sphere built by mysterious aliens and the hungry alien construct called Gaea of John Varley’s Titan. Indeed, there have also been three other books in the Ringworld series – admittedly all of them are set on the same Ringworld. But the first Ringworld novel, published in 1970, was the first of this new kind of SF novel; the novel of the big big thoughts, or as David Gerrold calls it, “the enormous big thing”. An idea, a ‘what if’ so massive and so imaginative, so rife with unforeseen consequences that the characters must investigate it just as we do. Kind of like science fiction for science fiction characters! Ringworld was such a big idea in fact, that the three sequel novels were published in an effort to examine the impossible gigantitude of the consequences of its existence. In this the fourth, and perhaps final installment of the Ringworld series, we see more of the problems of existence of such a structure fixed, visit with old characters (Louis Wu, Acolyte, The Hindmost and Tunesmith being major players) and meet some new ones too. There are some genuine surprises here, and some edge of your seat excitement, but as with the previous two sequels the biggest surprise is still the same one from the first novel – and that of course is, just how massively huge the Ringworld is! Its size still staggers the imagination… a narrow ring, only 0.997×106 miles wide, with two perimeter walls climbing 1000 miles high, to hold in the air, the ring itself is 93 million miles in radius, a single spinning world shaped like a ribbon around a star – with a habitable area of over 3 million Earths. What couldn’t happen in a place that big?

Author Larry Niven cemented himself as the standard barer of Hard Science Fiction, with the publication of Ringworld. If he had done nothing else, he’d still be thought of as a prodigious figure in the field. But he’s not rested upon his laurels; he’s expanded, refined and continued the Ringworld adventure. In a way, that was a mistake. You can’t top an idea this big by telling more adventures about the same world. On the other hand, I personally wouldn’t have had it any other way. I enjoyed nearly every minute of the nine and a half hours of listening in Ringworld’s Children. In fact, I would have been happy with another nine hours! There were a few parts that were dry, sure, but they didn’t last very long and they moved the plot along. I do wish Niven had spent some more time exploring the inhabitants of his creation; we meet only a few new hominid species, and unlike in previous installments, we don’t get a full sense of their ecological niches. But given that much of the action takes place in space around the Ringworld perhaps it couldn’t be helped. Much of this action is necessary though as many threads from the previous two sequels needed tying up, especially if this is indeed the final chapter in the Ringworld series.

Barrett Whitener, who seems to be recording nearly every Blackstone science fiction title coming out these days, was actually not a great choice as reader for Ringworld’s Children. It’s not that his reading is poor – it wasn’t. In fact, I like the way Whitener read it, I just think that his tone was all wrong for this particular novel. His various alien voices didn’t sound at all alien. Mark Sherman, who did such a terrific job with the alien voices in Larry Niven’s Protector (also recorded for Blackstone Audio) would have been a much better choice to give voice to Ringworld’s Children and its many alien characters. That said, I still enjoyed the heck out of the audiobook, and I can’t fault Whitener’s performance in the least. When the numbers and the physics are coming fast and furious it’s nice to be given the words by a good reader who can handle the text. Ringworld’s Children, all in all, is truly a worthy addition to the Ringworld novels. Long live Larry Niven!

Posted by Jesse Willis

Review of Adventures in Time and Space with Max Merriwell by Pat Murphy

Adventures in Time and Space with Max Merriwell by Pat MurphyAdventures in Time and Space with Max Merriwell
By Pat Murphy; Read by Johanna Ward
7 Cassettes – Approx. 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0783128577
Date Published: 2004
Themes: / Science Fiction / Quantum Physics / Pseudonyms / Multiple Universes / The Nature of Fiction /

In this novel by Pat Murphy, the main character (Susan) and her friend Pat (er… Pat Murphy) take a cruise from New York to Europe. On this cruise is a fiction writer named Max Merriwell who offers a writing class that an uncertain Susan is eager to take. Max Merriwell writes not only under his own name, but also under the pseudonyms Mary Maxwell and Welton Merrimax. Rather quickly, Welton Merrimax starts to appear at various places on the cruise ship, and so does Mary Maxwell, which confuses everyone because, well, they’re supposed to be just pseudonyms. Thus begins an entertaining, wild ride of a novel in which alternate realities intersect and events from Max’s novels start to become real.

I visited Pat Murphy’s website and was pleased to find out that the novel is the third book in a wild experiment. Pat Murphy says, “Adventures in Time and Space with Max Merriwell is an adventure story about the nature of fiction.” This nugget opened up so much more of the novel for me – enough so that I’m eager to listen again. It turns out that Murphy published three novels: There and Back Again by Max Merriwell (which is described as the story of The Hobbit retold as space opera), Wild Angel (which “borrows its premise from Tarzan of the Apes“) by Mary Maxwell, and this novel, Adventures in Time and Space with Max Merriwell by Pat Murphy. All the novels were published as written by Pat Murphy because her publisher felt the confusion would be too great to overcome here in the real world.

Click here for some notes from Pat Murphy (who apparently is real) to unravel the full story.

With all that said, this delightfully quirky novel works stand-alone. I enjoyed it enough to desire the added depth that finding and reading these other two books and re-listening to this one will undoubtedly provide. Listening again will be a pleasure because Johanna Ward performs well, deftly handling the mayhem that must have had her scratching her head a time or two during production. Her voice is pleasant and a very nice match to this material.

Posted by Scott D. Danielson