Blackstone Audio – Page 16

JAMES BOND: Doctor No by Ian Fleming

Aural Noir: Online Audio

ca·lyp·so – /kəˈlɪpsoʊ/ – a musical style of West Indian origin, influenced by jazz, usually having topical, often improvised, lyrics.

I’ve only been the Caribbean once. But I still greatly feel its tropical magnetism. Ian Fleming did too. The first James Bond film, Doctor No was set in Jamaica. It’s where Ian Fleming lived and where he wrote Doctor No. I think he really brought the flavour of the Caribbean to the story. Throw in a mysterious Chinese, a yellow peril type, complete with fire-breathing dragon – and that’s entertainment folks!

When you think about it, Doctor No has just about everything a James Bond movie would later come to epitomize. First, there’s the exotic locale, Jamaica! Then there’s the titular villain with a body quirk, Doctor No has functional metal hands. And finally there’s the beautiful and headstrong woman, Honey Rider. Her first appearance, on screen, is perhaps the best known scene in any James Bond movie. As we first meet this enterprising shell collector she’s singing a song to herself on the beach. It’s a calypso tune that goes … “Underneath the mango tree me honey and me…” |MP3|

Now while that’s a great scene, the original novel ain’t no slouch either. Check out the unabridged reading by Simon Vance…

Dr. No
By Ian Fleming; Read by Simon Vance
7 CDs or 1 MP3-CD – Approx. 7 Hours 13 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433258572 (cd), 9780786190720 (mp3-cd)
Sample |MP3|
M called this case a soft option. Bond can’t quite agree. The tropical island is luxurious, the seductive Honey Rider is beautiful and willing. But they are both part of the empire of Dr. No. The doctor is a worthy adversary, with a mind as hard and cold as his solid steel hands. Dr. No’s obsession is power. His only gifts are strictly pain-shaped.

In the novel, “Honeychile Rider” is described as “Botticelli’s Venus as seen from behind.” The movie has her in a bikini, in the novel she’s nude, except for a belt. In the movie she’s singing “Underneath The Mango Tree,” in the novel she’s whistling “Marianne.” Fleming describes “Marianne” as “a plaintive little Calypso that has now been cleaned up and made famous outside Jamaica.”

And it’s “Marianne” that’s used in the most recent incarnation of the Doctor No story, the BBC audio dramatization! And, in case you were wondering, it returns Honeychile to the nude.

I really like the movie, and the novel is definitely up there, but for me, now that I’ve heard it, the 2008 BBC audio dramatization of Doctor No is now my preferred version. It has that, sense of place, that a film gives, it plays up the mystery element, (which the movie downplays) and compresses the narrative with a “show, don’t tell” way that good audio drama really excels at.

I got a copy from RadioArchive.cc. The uploader there describes the audio dramatization like this:

Ian Fleming was never satisfied by the movie world’s take on James Bond. This dramatisation by Hugh Whitemore would meet with his approval as it is so faithful to the original novel. Bond, played here by Toby Stephens, is a wistful, vulnerable man as much as he is a fabulously fit and sexy hero. We hear him throwing up with fear after being crawled upon by a giant killer centipede, for example, which would never have done for Sean Connery. But both script and performances are true to Fleming’s vision of Bond.

And of course once you start looking into the actors biographies you start seeing all sorts of fascinating connections. Lucy Fleming, Ian Fleming’s neice plays a role. Toby Stephens has been in a Bond film and John Standing, who plays “M”, came from the family that owned Bletchley Park (the ultimate in espionage HQs if there ever was one)!

Now read a couple more of the listener reviews:

“Were this a movie, David Suchet [playing Dr. No] could have seriously expected an Oscar nomination, best Bond villain in any medium ever. Fantastic production all in all.”

“A splendid, sharp, slick adaptation, very faithful to Fleming’s writing. Makes you wonder why BBC hasn’t tackled more of these. And Toby Stephens is terrific as Bond.”

BBC Radio 4: Doctor No RADIO DRAMA - From left to right Nicky Henson, Martin Jarvis, John Standing, Janie Dee, Toby Stephens and Peter Capaldi

Dr. No
Based on the novel by Ian Fleming; Adapted by Hugh Whitemore; Performed by a full cast
Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: May 24, 2008
Provider: RadioArchive.cc
Bond is sent to investigate a strange disappearance on the island of Jamaica, and discovers that the heart of the mystery lies with a sinister recluse known as ‘Dr No’.

Cast:
‘M’ …… John Standing
Moneypenny …… Janie Dee
James Bond ……Toby Stephens
The Armourer …… Peter Capaldi
Chief of Staff …… Nicky Henson
Airport Announcer/Receptionist/Inika …… Leigh Wright
Airport Official/Pus-Feller/Henchman …… Kobna Holdbrook-Smith
Quarrel …… Clarke Peters
Miss Chung/ Sister Lily …… Kosha Engler
Pleydell Smith …… Samuel West
Miss Taro/Telephonist/ Sister May/Tennis girl …… Jordanna Tin
Librarian …… Lucy Fleming
Honey Rider …… Lisa Dillon
Guard/Henchman/Crane Driver …… Jon David Yu
Dr No …… David Suchet
Acting Governor of Jamaica …… Simon Williams
Voice of Ian Fleming …… Martin Jarvis

Crew:
Music by Mark Holden and Samuel Barbour
Producer Rosalind Ayres
Director Martin Jarvis

PAN - Doctor No by Ian Fleming

[via Dictionary.com, BondMovies.com, Illustrated007 and Audible.com]
Posted by Jesse Willis

The SFFaudio Podcast #066 – TALK TO: Harlan Ellison

Podcast

The SFFaudio Podcast #066 – Scott talks to Harlan Ellison, in the vintage 2006 interview, about audiobooks and audio drama.

Talked about on today’s show:
SFWA, Harlan Ellison’s Grand Master of Science Fiction award, Ray Bradbury, Isaac Asimov, Alfred Bester, Repent Harlequin Said The Tick-Tock Man, A Boy And His Dog, Shatterday, Alternate World Recordings, Shelly Levinson, Roy Torgeson, The Prowler In The City A The Edge of the World, Yours Truly Jack The Ripper by Robert Bloch, Dangerous Visions, The Bloody Times Of Jack The Ripper, radio drama, Orson Welles, reading your own work aloud, Joseph Patrich, in the tradition of Geoffrey Chaucer, Ovid, Plato, auctorial performance, teaching English at universities, autodidact-ism, the Harlan Ellison Recording Collection, Caedmon, Harper Audio, The Ellison Audio Archipelago, Stefan Rudnicki, Dove Audio, A Sinner In The Hands Of An Angry God by Jonathan Edwards, Guglielmo Marconi, Voices From The Edge: I Have No Mouth But I Must Scream by Harlan Ellison |READ OUR REVIEW|, Audio Literature, Blackstone Audio, Deep Shag Recordings, On The Road With Harlan Ellison series, Jack Williamson, Robert A. Heinlein, performing an audiobook, reading for the blind, Scott Brick, the wonderful voice of Stefan Rudnicki, City Of Darkness by Ben Bova, A Wizard Of Earthsea by Ursula K. Le Guin |READ OUR REVIEW|, Ben Bova’s writing style, Mars by Ben Bova (read by Harlan Ellison), cryonics vs. cryogenics, fixing mistakes in other people’s books, the popularity of Science Fiction in radio’s heyday, Mysterious Traveler, Suspense, Lights Out, X-Minus One, Dimension X, I Love A Mystery, War Of The Worlds, 1950s “giant ant movies”, Galaxy Magazine, Radio Yesterday, Sea Legs by Frank Quattrocchi, the radio serials: Space Cadet, Superman, Flash Gordon, Buck Rogers, 2000X, the man Harlan Ellison won’t mention the name of (Yuri Rasovsky), Robin Williams, By His Bootstraps by Robert A. Heinlein, Richard Dreyfuss, NPR, the sense of belonging, The Green Hornet, The Hitchhiker’s Guide To The Galaxy (Tertiary Phase), Douglas Adams.

Posted by Jesse Willis

LibriVox: The Secret Sharer by Joseph Conrad

SFFaudio Online Audio

LibriVox Here’s a queer, 100 year old non-SF story that has influenced many a Science Fiction reader (and writer). I had actually first taken note of it, and planned to read it when, a few years ago, I spotted Blackstone Audio’s release of The Secret Sharer And Other Stories by Robert Silverberg. Here’s a snippet from Jon Davis’ Majipoor.com (the Quasi-Official Robert Silverberg website):

“[The Secret Sharer] was written as a sort of tribute to the classic Joseph Conrad story of the same name. … Conrad’s tale of a ship captain who befriends a mysterious stowaway is translated into a far future where the technology appears magical, and interstellar trade is accomplished on gigantic needle-shaped ships seemingly made of light.”

Now The Secret Sharer by Joseph Conrad, on the other hand, is a story that I’ve meant to read for years. Now, thanks to LibriVox.org (and narrator Gregg Margarite), you, I and everyone else finally has the opportunity to hear it and share it freely!

The Secret Sharer
By Joseph Conrad; Read by Gregg Margarite
2 Zipped MP3 Files or Podcast – Approx. 1 Hour 43 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 14, 2010
A young untested ship captain finds a man named Leggatt clinging to the side of his ship. The Captain makes the unusual decision to hide Leggatt in his quarters. What is he thinking? Conrad will tell us. First published in the August and September 1910 issues of Harper’s Magazine.

Part 1 |MP3| Part 2 |MP3|

Podcast feed: http://librivox.org/rss/4388

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

Recent Arrivals from Blackstone Audio

SFFaudio Recent Arrivals

Blood Oath: The President’s Vampire
By Christopher Farnsworth; Read by Bronson Pinchot
10.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010

In 1867, a sailor was caught drinking the blood of two dead men on a whaling vessel. He was pardoned for insanity and died in an asylum. At least, that’s the cover story. In fact, nineteen-year-old vampire Nathaniel Cade was secretly recruited by the president to defend the United States against “unnatural” threats. Cade is the ultimate secret agent, battling nightmares before they can break into the daylight world of the American dream.

When Zach Barrows, an ambitious twenty-six-year-old White House staffer, is assigned as Cade’s new handler and presidential liaison, he soon learns that the world is far stranger and far more dangerous than he ever imagined. Their mission reveals the truth about the real Dr. Frankenstein, a shadowy conspiracy within the government, and a plot to attack the United States with a gruesome biological weapon: an army of undying, unstoppable killers.

Enchantment
By Orson Scott Card; Read by Stefan Rudnicki and Gabrielle de Cuir
16.7 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010

The moment ten-year-old Ivan stumbled upon the clearing in the Carpathian forest, his life was forever changed. Atop a pedestal encircled by fallen leaves, a beautiful princess lay still as death, but a malevolent presence nearby sent Ivan scrambling for safety.

Years later, Ivan is an American graduate student, engaged to be married. Yet he cannot forget that long-ago day in the forest nor convince himself it was merely a frightened boy’s fantasy. Compelled to return to his native land, Ivan finds the clearing just as he left it. This time he does not run. This time he awakens the beauty with a kiss — and steps into a world that vanished a thousand years ago.

A rich tapestry of clashing worlds, Enchantment is an original novel of a love and destiny that transcends centuries and the dark force that stalks them across the ages.

The Bradbury Report
By Steven Polansky; Read by Stefan Rudnicki
11.7 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010

The year is 2071. It is a world very recognizable to our own, only now the United States has implemented a wide-scale, government-run cloning program that is tied directly to health insurance. Each U.S. citizen has a “Copy” living separately in a cleared zone in the Midwest. If an “Original” is sick or injured and requires surgery, whatever he or she needs is taken from their clone. In the two decades since the program’s inception, no person outside the government has ever seen their Copy or been inside the Clearances, and no clone has ever successfully escaped—until now. The Bradbury Report is a fascinating meditation on the worst and the best that we are capable of as a race and society. It is a powerful work of speculative fiction, beautifully written, about love, identity, free will, aging, and intelligence that will linger with you long after reading.

The Musashi Flex
By Steve Perry; Read by Joe Barrett
9.3 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010

In the early twenty-third century, one of very few ways to rise above your caste is to become a player in the extreme martial-arts game known as the Musashi Flex. Now, three people will enter its violent culture.

Lazlo Mourn is ready to hang up his blades when his moves suddenly evolve toward a form of fighting unlike any the galaxy has ever seen. Journalist Cayne Sola is determined to get the big story on the games, and not even the most blood-hungry Flex fighter will stop her. Billionaire Ellis Mtumbo Shaw has everything money can buy except fame on the Flex fields of combat, but an untested drug may put that within his reach.

Their fates will entwine and be decided in the bloody arena of the Flex. And if they survive, their story will become legend.

Posted by Scott D. Danielson

Review of Vampire$ by John Steakley

SFFaudio Review

SFFaudio Essential Vampire$
By John Steakley; Read by Tom Weiner
10 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 1441727213
Themes: / Horror / Vampires / Religion / Catholicism / Mercenaries /

Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley’s vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price. An exciting blend of horror and western genres, Vampire$ is a twenty-first-century Ghostbusters with an edge.

I first found out about John Steakley when watching John Carpenter’s Vampire$. The on screen accreditation didn’t mean much then. I figured that what goodness was found in that movie came from Carpenter. And that’s largely true. Their rather different in plot, or at least in the way the plot plots out. Its clear that John Steakey’s novel served more as the inspiration than a blueprint for the movie. The novel feels much richer, much wider, and also much more personal, than Carpenter’s version.

Now, having read this audiobook after John Steakley’s other novel, Armor |READ OUR REVIEW|, I’ve come to the conclusion that Steakley has a pattern or two. First up there’s the name thing. Two names are recycled from Armor (even though they aren’t the same characters). Felix, the gunslinger (and ex-drug trafficker) has an important role in Vampire$. Jack Crow, the lead vampire hunter, is arguably the main protagonist. Armor, which is set maybe a thousand years in the future, has two characters with those exact names too, and they play similar importance in the plot. This is a novel full of twists and turns that even a fan of the movie based on the novel can be surprised by Similarwise, the emotional impact is the primacy of the novel’s power. Sure, this novel has maybe a few innovations I’ve never read before:

1. God is real AND vampires are too.
2. A team of mercenaries, with pure hearts, are taking cash for cleaning up vampire infested towns.
3. The anti-vamp mercs are in league with the Pope and the Vatican, who know and support their efforts.

Narrator Tom Weiner gets to play a fairly wide range of characters. On top of the brooding Felix and the unstoppable Jack Crow he’s got a compassionate pope, an irate Texas sheriff, and a bloodsucking vampire (or two) too.

This is a case where a good movie was based on an very good novel and a good novel got made into a great audiobook. Vampire$ is an emotionally impactive audiobook that surprises with its innovate approach to an old foe: those old evil vampires fucks that you gotta love, and Jack Crow’s gotta hate.

Posted by Jesse Willis

Review of Armor by John Steakley

SFFaudio Review

SFFaudio Essential Armor
By John Steakley; Read by Tom Weiner
11 CDs – Approx. 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433294834
Themes: / Science Fiction / Military SF / War / Leadership / Drugs / Psychology /

The planet is called Banshee. The air is unbreathable, the water poisonous. It is the home of the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected not only by his custom-fitted body armor, the culmination of ten thousand years of the armorers’ craft, but also by an odd being which seems to live with him, a cold killing machine he calls “the Engine.” This best-selling science-fiction classic is a story of the horror, the courage, and the aftermath of combat and also of how strength of spirit can be the greatest armor of all.

Armor is a novel that was clearly inspired by Robert A. Heinlein’s Starship Troopers. It makes use of both powered exoskeletons and insect-like alien enemies. But, instead of being a novel of politics and leadership it is a very different kind of story. At first I thought it was about the psychological effects of violence and the various kinds of heroism that can exist within a person. I was wrong because that isn’t enough. This novel is not one or two things. It isn’t the normal kind of idea driven SF that I so love – instead its ideas flow more through the emotions, eliciting our sympathies. I think this was acomplished by it changing, turning over and over, with it’s many plot surprises.

Early on Felix, our viewpoint character, refers to something he calls an “engine.” I thought he was describing the powered armor of the title. That would make sense, there was a video game called Heavy Gear that, like than Mechwarrior, had men and women doing battle in humanoid shaped tanks. I think it refereed to its “mechs” as “engines.” Felix seems pretty much like any of the other soldiers he’s been dropped with on planet Banshee. Maybe he’s a bit more of a hick – he doesn’t know the names of the winners at the Powered Olympics. Felix makes no waves, volunteers for nothing. He just wants to survive the battle to come. But when the waves of enemy aliens pour out of their holes only Felix survives – and keeps on surviving.

Armor has taut battle scenes, flowing exposition, and realistic dialogue. Had John Steakley written more, and his other novel Vampire$ |READ OUR REVIEW|, I think he’d be a very well known author.

The first third (or so) of the novel follows Felix, a low ranking scout in the invasion of the planet Banshee. Here the action somewhat resembles that of Starship Troopers. Then there is an abrupt switch – the novel seems to lurch into an an entirely different scene and setting. Set a few years later and following in first person perspective this time we meet a man named Jack Crow. Crow is a notorious galactic scoundrel. A well known thief, pirate, and adventurer – his legend is long and precedes him even to an obscure research station on a planet called Sanction. Crow is there to infiltrate, but eventually finds himself involved in an experiment – one that drains him of his half-hearted bravado and changes his life. If were talking about where this novel fits in the SF library I’ll say this: Armor synthesizes the action of Heinlein’s Troopers with the emotional impact of Haldeman’s The Forever War – but still comes off as a completely unique story.

Tom Weiner, who seems to be narrating almost every Blackstone Audio audiobook that I’m listening to these days, delivers his usual letter perfect narration. Weiner animates Felix with a weary melancholy of a veteran scout, brightens audibly with the cocksure Crow, pulls a vocal Tom Bombadil with Louis, feminizes for Lya, and geeks it all up for Holly (a star-struck scientist). That’s pretty impressive. Check this audiobook out!

Posted by Jesse Willis