Commentary: The Ethics Of Torrents

SFFaudio Commentary

Look at this screenshot. Just look at it!

The Pirate Bay - Ethics

It’s screenshot of a torrent for an audiobook about ethics. The audiobook in question (one from Recorded Books’ The Modern Scholar series) is entitled Ethics, A History Of Moral Thought. It’s a course by Peter Kreeft, a professor of philosophy at Boston College and the uploader is listed as “anonymous”.

Why did he or she upload it?

Why did he or she do so anonymously?

Was uploading it wrong?

Am I wrong to download it?

Am I wrong to even point it out?

You may have answers to these questions. If you do they’re probably swirling around somewhere inside of you – but if they are of the sort of answers that are ready to latch on to just about any reasonable sounding analogy, the kind of analogy that matches the conclusion you want to come to, I’m betting they are the wrong answers.

If your answers to those questions don’t originate in your brain (figuratively) as much as they do your gut (again figuratively) we’d probably call those answers moral answers.

If, on the other hand, your answers have a structure to them, are logically argued towards (rather than just intuitively felt) and have some basis in experience we’d probably call those ethical answers.

Let’s go through the old argument:

1. Theft is wrong.
2. Using torrents is stealing.
_________________________
3. Therefore torrents are wrong.

This argument sounds good. It is simple and has a morally satisfying conclusion.

But if the premises have something wrong with them, we must reject the conclusion.

The problem is with premise #2 .

Torrents are/is a technology, like podcasts and email. Technology doesn’t usually come in only one flavour, just good or wholly evil. Torrents are the same. Copyright owners torrent their own material – that isn’t wrong. Public domain material is torrented – that isn’t wrong. So torrents themselves aren’t the problem. Even if we associate 99% of all torrenting with wrongful behavior that doesn’t make the technology wrong. Etc. Etc.

So what is wrong exactly? Is it that copying is theft?

Let’s go through that argument:

1. Theft removes a thing from someone’s use.
2. Digital copying does not destroy the original.
__________________________________
3. Therefore digital copying is not stealing.

Makes sense right? So theft, at least the precise meaning of it isn’t the problem. How about this argument:

1. Harm is wrong.
2. To infringe upon copyrighting causes harm.
___________________________________
4. Therefore copyrights shouldn’t be violated.

I like this one. I think a lot of other people like it to. My only problem is with premise #2. What does it mean exactly?

Does it mean that someone is physically wounded? Clearly not. I’m betting this isn’t a physical thing at all. Maybe it is something else, or maybe it’s purely financial.

Is there a financial harm?

Maybe!

Let’s have a look at that one such argument:

1. Copyright generates revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright helps copyright holders financially.

And if you believe #1 I’ll happily lease this post for 1¢ per day (minimum 100 days please). Premise #1 in the above argument just isn’t true. It can be true, but it sure doesn’t make for as compelling an argument:

1. Copyright can generate revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright could help copyright holders financially.

That’s enough to start with.

If you would definitely not have paid for Ethics, A History Of Moral Thought would it have helped the copyright holder?

If you definitely would have paid for Ethics, A History Of Moral Thought, then why haven’t you?

If you once considered it, but didn’t buy it, I’m betting it is either price or convenience that’s prevented you.

Both can influence ethical arguments, but often don’t because they complicate matters.

Consider:
$49.95 + shipping used CD on Amazon (no DRM but slightly inconvenient format) – copyright remuneration $0.00
$38.95 on Audible (with DRM) – copyright remuneration UNKNOWN
$30.36 + shipping used on cassette (no DRM but inconvenient format) – copyright remuneration $0.00
FREE on Audible for first time customers (with DRM) – copyright remuneration UNKNOWN
FREE on ThePirateBay.org (with no DRM and no inconvenience) – copyright remuneration $0.00
FREE at your public library (variable formats and convienience) – copyright remuneration UNKNOWN

What we end up with is a lot of question marks. And if you suspect that the answers to the three UNKNOWNS above aren’t likely to be equal I agree with you. But what I find more interesting is that two of those $0.00 answers actually don’t generate any moral disgust in most people and I think that may be where our answer lies.

Yeah, I said it. The used versions of books are neither immoral nor unethical!

And why is it exactly that the arguments in favour of making the purchase of used books unethical have all failed to change our minds?

Now weigh those variable UNKNOWNS against these knowns:

Negatives regarding download of copyrighted material via torrent:

1. Copyright holders do not directly benefit monetarily.
2. You may be, depending on jurisdiction, in violation of a law – which may be scary.
3. You may feel guilty.

Positives regarding download of copyrighted material via torrent:

1. Convenience – torrents are fast and easy, they are often better labelled versions of the content, they lack DRM.
2. Price – torrents are free.
3. Intangibles – sharing makes you feel good, other torrent users benefit, copyright holders may benefit indirectly.

If our reasoning happens inside a big bag of blackness our reasoning is going to be poor. Ethics is hard. I’d like to hear some arguments.

What’s your answer to these questions?

Posted by Jesse Willis

SFBRP #138: Review of The Sword Of The Lictor by Gene Wolfe

SFFaudio Online Audio

The Science Fiction Book Review Podcast Luke Burrage is doing something very cute with his latest podcast, it’s a review of The Sword Of The Lictor (Book 3 in the “Book of the New Sun” series). Did he mention he’d had sex with his girlfriend last night? … Yes, he did. … Then I thought, “Hey?! What happened to the standard Luke intro?” And, “What’s with all the mentioning of his having had sex with his girlfriend last night?”

Is Luke being random?

Or is this something a little deeper?

I began laughing about half-way through when I think I twigged to what he was pointing at. Luke’s having some metafun.

Indeed:

I don’t want to spoil it too much, but I thought it was delightful. He drops some random things in there, playing with our expectations – all without spoiling it too much. He’s telling his own story, the review is flawed in some ways, but you actually start seeing a bit of his genius in a way. I thought I knew where the review was going but by the end of the podcast I must admit that he is way cleverer than I am. It’s a classic (review). Don’t blame me if you don’t stick with it.

That all said, do not make this your first SFBRP podcast – start elsewhere.

Have a listen |MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Posted by Jesse Willis

Review of The Night Circus by Erin Morgenstern

SFFaudio Review

The Night Circus
By Erin Morgenstern; Read by Jim Dale
13 Hours 39 Minutes [UNABRIDGED]
Publisher: Random House
Published: 2011
Themes: / Fantasy / Fairy Tale / Magic /

“The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway—a duel between two young magicians….” (from the publisher summary)

It isn’t often that I download a book as soon as it is released, but I’ve been hearing about The Night Circus for months.  A co-worker tracked down an ARC before it even came out, and declared that she loved it and so would I.  I believed her, but still thought I’d wait.  The tipping point was hearing that Jim Dale was the reader.

I first encountered Jim Dale when I listened to the audiobooks for Harry Potter.  Besides bringing the stories I already loved to life, I had the distinct impression that Jim Dale is the voice I’ve always heard in my head when I read a book that immerses me into another world.  His nuance in character voicing and compelling emotion increases the reading experience one hundred fold.  It was a no-brainer; I had to read this book.

The story bounces between different people who relate to the circus in some way, and moves at will between cities and years, just as the circus does.  Eventually the relationship between the characters starts to be revealed, starting with the midnight banquets, one of my favorite moments in the book. Details weave together to describe the mysterious, magical place of the night circus that kept me so absorbed that I would make up reasons to keep listening… taking the long way home, going through the  coffee drive-through, and taking on cleaning projects.

I have seen comparisons with Ray Bradbury and J.K. Rowling, but I keep thinking of Catherynne Valente, particularly the world she created for Palimpsest.  This is a time to believe the hype.  The Night Circus is magical.

Posted by Jenny Colvin

The SFFaudio Podcast #126 – AUDIOBOOK/READALONG: The Statement Of Randolph Carter by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #126 – a complete and unabridged reading of The Statement Of Randolph Carter by H.P. Lovecraft, read by Wayne June (from the Audio Realms collection The Dark Worlds Of H.P. Lovecraft – Volume 3), followed by a discussion of the story. Participants include Jesse, Scott, Tamahome, Jenny Colvin (of the Reading Envy blog) and Mr. Jim Moon (of Hypnogoria.com).

Talked about on today’s show:
H.P. Lovecraft never played soccer?, Mr. Wayne June is the voice of Lovecraft, Michael Clarke Duncan has a swarthy voice, Pat Bottino’s voice might work for Lovecraft, Tama was a Lovecraft virgin until The Statement Of Randolph Carter, The Statement Of Randolph Carter is a good place to start with Lovecraft, forbidden writings, nameless things with many adjectives, Edgar Allan Poe, The Tell-Tale Heart, a radical thesis: Harley Warren is a mean practical joker, Jesse renders the story meaningless, The Turn Of The Screw, Big Cypress Swamp, Florida, Imprisoned With The Pharaohs, alligator-men, secret places and cultists, legion (many – demons – The New Testament), The Lovecraft Vocabulary Challenge, necrophagous niter, The Cask Of Amontillado, did Randolph Carter cover up that tomb?, using The Statement Of Randolph Carter for vocabulary expansion, “hoary”, adding horror, The Silver Key, Randolph Carter is an occult thrill seeker, “we’re one lid away from total doom”, I don’t find books of forgotten lore in used bookstores, Harry Houdini’s book on the occult had an introduction written by Lovecraft!, Lovecraft’s letters, the Call Of Cthulhu RPG works differently than other RPGs, Dungeons & Dragons, From Beyond, Re-Animator, Herbert West Re-animator, it’s such a cute little horror, showing Lovecraft on screen may be best done humorously, dripping oozing ichor, China Miéville, piling on the connotations, bringing home the horror, “it was an eldritch night and I was feeling squamous”, night terrors, Tama had a nightmare that DC was going to relaunch all their comics, “Warren is calling”, what does a gelatinous voice sound like? it’s a rip-of from Poe, The Facts In The Case Of M. Valdemar, hypnotism, Warren’s theory about why certain corpses say fat and firm, Demons by John Shirley, The Unnameable, a funny riposte, “your giant zombie theory doesn’t work”, In The Mouth Of Madness, The Strange Adventures of H.P. Lovecraft, The New Cthulhu, Robert E. Howard, The Black Stone, Clark Ashton Smith, Conan lives in a Lovecraftian universe, Scientology, L. Ron Hubbard, The People Of The Dark, Worms Of The Earth, Howard’s non-Lovecraftian horror, Pigeons From Hell, Howard was a collector of words and ideas, what’s the Mongolian word for sword?, Cimmeria was a real place, Lovecraft was a crafter of stories whereas Howard was a storyteller, Lovecraft’s poetry, yellow peril, The Horror At Red Hook, raging racist, respectable white folks turning into fish people, Clive Barker, “you’re one puzzle box away from doom”, dark fantasy, hidden secret magical worlds.

The Statement Of Randolph Carter by H.P. Lovecraft - illustration by Andrew Brosnatch

The Statement Of Randolph Carter

The Statement Of Randolph Carter scene in Providence, issue 8

The Statement Of Randolph Carter Illustration by Pete Von Sholly

Posted by Jesse Willis

LibriVox: The Big Time by Fritz Leiber

SFFaudio Online Audio

Narrator Karen Savage has finished her SFFaudio Challenge #5 audiobook, calling The Big Time, by Fritz Leiber, “A classic locked room mystery, in a not-so-classic setting.” And she’s right about that, this is an SF/Mystery classic.

Fritz Leiber says, in his 1982 introduction to The Big Time, that the novella was written over the course of exactly 100 days in 1956 and 1957.

For more on the plot |READ OUR REVIEW| of the Audible Frontiers edition. Savage has a great voice, this is an amazingly clear recording, and she affects a very serviceable set of intonations and accents for the half dozen or so characters with speaking parts in this excellent reading. My only complaint, as with the Audible edition, Savage does not use the tune of Lili Marlene for the reading of the lyrics at the end of chapter 3. Oh well.

LibriVoxThe Big Time
By Fritz Leiber; Read by Karen Savage
16 Zipped MP3 Files or Podcast – Approx. 3 Hours 44 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: September 16, 2011
|ETEXT|
You can’t know there’s a war on—for the Snakes coil and Spiders weave to keep you from knowing it’s being fought over your live and dead body! First published in Galaxy Science Fiction’s March and April 1958 issues.

Podcast feed: http://librivox.org/rss/5355

iTunes 1-Click |SUBSCRIBE|

Here’s Ed Emshwiller’s cover for the Ace Double (D-491) edition of The Big Time:

Ace Double D-491 - The Big Time by Fritz Leiber - cover by Ed Emshwiller

Here are the stunning Virgil Finlay illustrations from the original Galaxy publications:

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

[Thanks also to AnnSterling]

Posted by Jesse Willis

New Releases: HighBridge Audio: Dancing Aztecs by Donald E. Westlake

Aural Noir: New Releases

HighBridge AudiobooksHey, you know who we haven’t talked about for a long time? HighBridge Audio! Here is the Fall 2011 HighBridge Audio catalogue |PDF|

There’s plenty of cool stuff in there and on their website. And while I’m very dubious of the enhanced audio track featured in the preview clip |MP3| of their upcoming audiobook of J.R.R. Tolkien’s The Hobbit, I have very high hopes for Highbridge Audio’s production of this gem (it’s slated for release at the end of November):

High Bridge Audio - Dancing Aztecs by Donald E. WestlakeDancing Aztecs
By Donald E. Westlake; Read by Brian Holsopple
MP3 Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Highbridge Audio
Published: November 29, 2011
Specialist in the scam, the con, and the rip-off, Jerry Manelli is running around New York hot on the trail of a priest—a thousand-year-old, two-foot-tall, ugly, misshapen, dancing Aztec priest made of solid gold, with eyes of pure emeralds, worth a million dollars. Somebody stole it from its museum home in South America and smuggled it through U.S. Customs in a shipment of plastic imitations. But the wrong one got delivered, and the million dollar statue, mixed with the fifteen copies, is somewhere in New York. Jerry Manelli is searching for it, as are Wall Street financiers, New Jersey union thugs, Manhattan aristocrats, college professors and PR men, liberated women and unliberated wives, tough guys and conmen, and sharpshooters of every kind. From Harlem to Greenwich Village, from Long Island to Connecticut, the motley group races in and around New York in this comic adventure of the 1970s.

[Thanks Trent!]

Posted by Jesse Willis